Partitions Numériques de Better With A Man pour Chorale TTBB

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TRI ET FILTRES

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avec play-along

Non classifié 201

PIANO & CLAVIERS

Piano seul 154 Piano Facile 79 Piano, Voix 27 Piano, Voix et Guitare 22 Instruments en Do 13

Orgue 9 Accompagnement Piano 6 1 Piano, 4 mains 4 Piano Quatuor: piano, 2 violons, violoncelle 3 2 Pianos, 4 mains 2 Clavier 1

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GUITARES

Guitare 20 Guitare notes et tablatures 14 Mandoline 6 Ligne De Mélodie, (Paroles) et Accords 3 Ukulele 2

Paroles et Accords 2 Guitare (partie séparée) 2 Basse electrique 2 4 Guitares (Quatuor) 2 3 Guitares (trio) 1

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VOIX

Chorale SATB 42 Chorale 3 parties 13 Chorale 2 parties 9 Chorale TTBB 5 Voix Soprano, Piano 4

Voix duo 2 Chorale SSAA 2 Voix Tenor, Piano 1 Chorale Unison 1

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VENTS

Quatuor de Saxophones: 4 saxophones 25 Hautbois, Piano (duo) 24 Clarinette et Piano 23 Flûte traversière et Piano 22 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 19

Saxophone Alto et Piano 17 Saxophone Soprano et Piano 16 2 Saxophones (duo) 15 Flûte, Hautbois, Clarinette, Basson 15 Quintette de Saxophone: 5 saxophones 15 Saxophone Tenor et Piano 12 Saxophone Baryton, Piano 10 Flûte traversière 10 Saxophone (partie séparée) 9 3 Saxophones (trio) 9 Clarinette Basse, Piano 8 Saxophone Alto 8 Quatuor de Flûtes à bec 7 Clarinette 7 Hautbois (partie séparée) 7 Quatuor de Clarinettes: 4 clarinettes 6 5 Flûtes à bec 5 2 Flûtes traversières (duo) 5 Cor anglais, Piano 5 2 Clarinettes (duo) 5 Quatuor de Flûtes : 4 flûtes 5 Flûte à bec Soprano 5 2 Flûte à bec (duo) 4 3 Clarinettes (trio) 4 Flûte à Bec 4 Quintette de Flûte : 5 flûtes 3 Trio de Flûtes: 3 flûtes 3 Saxophone, Clarinette (duo) 3 Clarinette (partie séparée) 3 Clarinette, Trompette (duo) 3 Clarinette, Violon (duo) 2 3 Flûtes à bec (trio) 2 Quintette de Clarinettes: 5 clarinettes 2 Flûte, Violon 2 Hautbois, Clarinette, Basson (trio d'anches) 2 Saxophone Tenor 2 Ensemble de Flûtes 2 Flûte, Clarinette (duo) 2 Clarinette, Basson (duo) 2 Flûte, Violoncelle 2 Flute, harpe et violon 2 Hautbois, Clarinette (duo) 1 Flûte et Guitare 1 Hautbois, Flûte 1 Flûte à bec Alto 1 Flûte, Trompette (duo) 1 2 Hautbois (duo) 1 Ensemble de Clarinettes 1 Clarinette, Guitare (duo) 1 Flûte, Saxophone (duo) 1 Clarinette et Alto 1 Flûte, Alto (duo) 1 Saxophone et Piano 1 Flute (partie séparée) 1 Flûte irlandaise 1 Cor Anglais 1 Hautbois, Basson (duo) 1 Flûte, Hautbois, Clarinette (trio) 1

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CUIVRES

Trompette, Piano 24 Cor et Piano 15 Trombone et Piano 13 Trompette 12 Tuba et Piano 11

Trombone (partie séparée) 9 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9 Cor 6 Trombone 6 Cor anglais, Piano 5 Quatuor de Cuivres : 2 trompettes, trombone, tuba 5 Trompette (partie séparée) 5 Tuba 5 Cor (partie séparée) 3 Trompette, Saxophone (duo) 3 Quatuor de cuivres: 4 trombones 3 Ensemble de Cors 2 3 Tubas (trio) 2 3 Trombones (trio) 2 Trompette, Trombone (duo) 2 4 Tubas 2 Quatuor de cuivres: 4 trompettes 2 Euphonium, Piano (duo) 2 2 Trombones (duo) 2 3 Cors (trio) 2 Ensemble de Trompettes 2 Trombone, Cor (duo) 1 Euphonium, Tuba (duo) 1 2 Cors (duo) 1 Tuba (partie séparée) 1 Ensemble de Trombones 1 Cor Anglais 1 Trompette, Cor (duo) 1 2 Trompettes (duo) 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 37 Violon et Piano 29 Violoncelle, Piano 22 Alto, Piano 21 Violoncelle 16

Violon 10 Violon, Alto (duo) 10 Violon, Violoncelle (duo) 9 2 Violoncelles (duo) 7 Contrebasse, Piano (duo) 7 Trio à Cordes: violon, alto, violoncelle 5 4 Violoncelles 5 2 Violons (duo) 5 Alto (partie séparée) 4 Harpe 4 Alto seul 3 Contre Basse 3 Trio à cordes: 3 altos 3 2 Altos (duo) 3 Trio à cordes: 3 violins 2 Violon (partie séparée) 2 Alto, Violoncelle (duo) 2 Contrebasse (partie séparée) 2 Trio à Cordes: 3 violoncelles 2 Quatuor à cordes : 4 altos 2 Quintette à cordes: 2 violons, alto, violoncelle, basse 2 Trio à Cordes: 2 violons, violoncelle 2 Quatuor à cordes: 4 violons 2 Harpe, Flûte (duo) 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 42 Orchestre 21 Ensemble Jazz 8 Xylophone, Piano 6 Jazz combo 6

Ensemble de cuivres 5 Orchestre à Cordes 5 Percussion (partie séparée) 2 Cloches 2 Orchestre de chambre 2 Xylophone 1 Ensemble de Percussions 1 Fanfare 1 Quintette de Cuivres: autres combinaisons 1 Vibraphone 1 Batterie (partie séparée) 1

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AUTRES

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Better With A Man

Chorale TTBB

Partitions à imprimer

5 partitions trouvées

Better With A Man

Chorale TTBB

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1369565 By Bryce Pi…(+)

Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1369565 By Bryce Pinkham,jefferson Mays,. By Robert L. Freedman and Steven Lutvak. Arranged by Eric Knechtges. Broadway,Musical/Show. 9 pages. Eric T Knechtges #953930. Published by Eric T Knechtges (A0.1369565). TTBB arrangement.

$1.99 1.82 € #Chorale TTBB #Bryce Pinkham,jefferson Mays, #Eric Knechtges #Better With A Man #Eric T Knechtges #SheetMusicPlus

We Are One (TTBB)

Chorale TTBB

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382985 By Christop…(+)

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382985 By Christopher Alexander. By Christopher Alexander. A Cappella,Chamber,Contest,Festival. 16 pages. Christopher Alexander #967412. Published by Christopher Alexander (A0.1382985). We Are One is a new choral work for a cappella voices. Starting with a soloist, the piece grows into a small ensemble and then finally the reonant entrance of the entire choir. Harmonic and homophonic voice leading gives strength to the text, creating a hymn-like quality. Divisi does occur at times within specific voice sections, all the while articulating and expanding the universality and connection to the seemingly simple text. Your singers will fall in love with this choral piece and, hopefully, be inspired to create a better humanity for todayâ€™s world.Also available in SATB and SSAA.SSAA Audio recording by:Rocky Mountain Chamber Choir - Virtual SingersFacebook: @Rocky Mountain Chamber Choir - Virtual SingersInstagram: @RMCCVCYouTube: @rockymountainchamberchoir3528#RMCC, #RMCCVC.

$2.50 2.29 € #Chorale TTBB #Christopher Alexander #We Are One #Christopher Alexander #SheetMusicPlus

I'll Be Here Tomorrow

Chorale TTBB

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1194588 Composed by Jerry …(+)

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1194588 Composed by Jerry Herman. Arranged by Michael Betteridge. Broadway,Musical/Show. Octavo. 8 pages. The Sunday Boys #792291. Published by The Sunday Boys (A0.1194588). â€œI'll be here tomorrow, alive and well and thriving.â€ Jerry Herman's heart-warming lyrics ring true today with a message of hope and opportunity, especially in these uncertain times. Arranged for lower voices with piano accompaniment for The Sunday Boys as part of their 2023 season Supported by Arts Council England.

$1.99 1.82 € #Chorale TTBB #Jerry Herman #Michael Betteridge #I'll Be Here Tomorrow #The Sunday Boys #SheetMusicPlus

The Story Of Reuben Clamzo & His Strange Daughter

Chorale TTBB

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…(+)

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. â€˜Is that you kids?â€™ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the shipâ€¦ You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâ€”them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â€¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

$3.99 3.66 € #Chorale TTBB #Arlo Guthrie #Craig Hanson #The Story Of Reuben Clamzo & His Strange Daughter #Edition Craig Hanson #SheetMusicPlus

What Wondrous Love Is This - TTBB Ensemble

Chorale TTBB

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by Americ…(+)

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1213360 Composed by American Folk Hymn. Arranged by Mark R Lewis. A Cappella,Folk,Religious,Sacred,Traditional. Octavo. 12 pages. Mark R Lewis #810545. Published by Mark R Lewis (A0.1213360). What Wondrous Love Is This is an American folk hymn that became popular during the early 1800s. It was first published in 1811 in the various hymnbooks that came out during the Second Great Awakening with various lyricists credited. Many publications attributed the song's tune to The Ballad of Captain Kidd, a popular, though much older, song and tune at the time. Earlier versions of the text are slightly different, but as with many folk tunes, it is difficult to tell which transcriptions are regional variants and which are errors by the transcriber.This arrangement of the tune by Mark Lewis is for a cappella TTBB Ensemble. All four voice parts are featured for a verse with different accompaniment each time. There are key changes to better place the melody in the ranges of each voice and there are moving notes in many background voices through most of the piece. As with many of Mark's arrangements, the outer voices will be pushed towards the extremes of their ranges even though the notes and rhythms are not incredibly difficult. Most intermediate choirs should enjoy performing this piece.

$1.99 1.82 € #Chorale TTBB #American Folk Hymn #Mark R Lewis #What Wondrous Love Is This - TTBB Ensemble #Mark R Lewis #SheetMusicPlus