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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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OCARINA
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PERCUSSION
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CLASSIQUE - BAROQUE …
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COUNTRY
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FLAMENCO
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FUNK
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226
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4
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2
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9
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4
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4
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3
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Chorale SATB
54
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8
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7
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1
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1
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1
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1
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Flûte traversière et Piano
29
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17
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15
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15
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14
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13
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12
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12
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10
Saxophone Baryton, Piano
10
Flûte, Hautbois, Clarinette, Basson
10
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9
Saxophone Alto
8
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7
Cor anglais, Piano
7
Ensemble de Clarinettes
7
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7
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6
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6
Clarinette Basse, Piano
6
2 Flûtes traversières (duo)
5
Flûte traversière
4
3 Saxophones (trio)
4
Hautbois (partie séparée)
4
Saxophone, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
2 Clarinettes (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Tenor
3
Clarinette, Trompette (duo)
2
Quatuor de Flûtes à bec
2
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2
Quatuor de Flûtes : 4 flûtes
2
2 Flûte à bec (duo)
2
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2
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2
Saxophone (partie séparée)
2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Clarinette, Basson (duo)
1
2 Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone
1
Hautbois, Clarinette (duo)
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette
15
Trombone et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres
11
Cor et Piano
11
Euphonium, Piano (duo)
9
Trombone
8
Cor anglais, Piano
7
Cor
4
Tuba
4
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Piano
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
Ensemble de Cors
2
4 Tubas
2
Ensemble de Trompettes
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon et Piano
26
Violoncelle, Piano
16
Alto, Piano
13
Violon
9
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
6
Violon, Guitare (duo)
5
2 Violons (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
4
Alto seul
2
Violon, Alto (duo)
2
Alto (partie séparée)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Harpe
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Trio à cordes: 3 altos
1
Contrebasse, Piano (duo)
1
Ensemble de Violons
1
3 Harpes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
197
Ensemble de cuivres
27
Orchestre à Cordes
19
Orchestre
18
Ensemble Jazz
9
Orchestre de chambre
6
Cloches
4
Ensemble de Percussions
3
3 Percussions
1
2 Marimbas
1
Jazz combo
1
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AUTRES
Vous avez sélectionné:
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Chorale TTBB
Partitions à imprimer
8 partitions trouvées
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1
What You'd Call A Dream
Chorale TTBB
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1424028 Compos…
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1424028 Composed by Craig Carnelia. Arranged by Mike Bierschenk. Broadway,Musical/Show. 18 pages. Mike Bierschenk #1002103. Published by Mike Bierschenk (A0.1424028). This TTBB arrangement (1 baritone solo, optional violin) starts out quiet and meditative, but eventually swells into a triumphant celebration of the joy of standing in the sun on a grassy baseball field playing a good game. Simple polyphony ornaments the clarity of Carnelia's melody without overwhelming it.
$1.99
1.82 €
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Chorale TTBB
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Craig Carnelia
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Mike Bierschenk
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What You'd Call A Dream
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Mike Bierschenk
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SheetMusicPlus
Do You Want To Build A Snowman?
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1399914 By Kristen …
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1399914 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Julie Hinton. A Cappella,Barbershop,Broadway,Children,Film/TV,Musical/Show. 9 pages. Red Tape Productions #983137. Published by Red Tape Productions (A0.1399914). TTBB acapella. Â This is a late intermediate arrangement great for high school choirs, men's acapella groups and Christmas caroling companies. Â The first verse rotates the melody between each part as the others form a rhythmic arpeggio accompaniment. Â The second verse introduces duetting phrases, and then the third verse calms down into lush harmonies which eventually fade into nothing. Â A beautiful version of the Disney favorite!Also available in SATB and SSAA acapella, as well as TTBB, SATB and SSAA with piano accompaniment. Â The audio sample comes from the second verse.
$2.25
2.06 €
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Chorale TTBB
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Kristen Bell
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Julie Hinton
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Do You Want To Build A Snowman?
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Red Tape Productions
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SheetMusicPlus
Jealous Of The Moon
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940456 By Nickel Creek. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.940456 By Nickel Creek. By Chris Thile and Gary Louris. Arranged by Bob Eggers. Country. Octavo. 18 pages. ROBERT J EGGERS #3619647. Published by ROBERT J EGGERS (A0.940456). Jealous Of the Moon is a jaunty, swung waltz from Nickel Creek's 2005 album, Why Should the Fire Die?. This arrangement is suitable for school or adult ensembles and good for all audiences. The duration is 4:07. It requires a tenor soloist and a couple of other tenors to join first in a duet and eventually in a trio. It's a song about courage and being true to one's dreams, with a lovely, anthemic chorus.Learning Tracks available for all voice parts. Contact me for details: reggersusa@yahoo.com.
$12.99
11.88 €
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Chorale TTBB
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Nickel Creek
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Bob Eggers
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Jealous Of The Moon
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ROBERT J EGGERS
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SheetMusicPlus
Steal Away
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1108230 By Negro Spiritual…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1108230 By Negro Spiritual. By Jonathan Kilhams. A Cappella,Barbershop,Classical,Sacred,Spiritual. Octavo. 6 pages. Jonathan Kilhams #710857. Published by Jonathan Kilhams (A0.1108230). This arrangement is aimed at amateur male voice choirs with the aim that choirs eventually sing it off copy. The tune is shared in the parts so almost all get their moment. There are some artistic markings written in but don't feel they have to be upheld. A recording of this available to listen to and if you would like rehearsal tracks then please contact me separately via my website www.jonathankilhams.com.
$5.00
4.57 €
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Chorale TTBB
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Negro Spiritual
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Steal Away
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Jonathan Kilhams
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Winter Song
Chorale TTBB
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.1098785 Composed by Ingrid…
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.1098785 Composed by Ingrid Michaelson and Sara Bareilles. Arranged by Stephen Smith. A Cappella,Christmas,Contemporary,Holiday,Pop. Octavo. 12 pages. Stephen Smith #702637. Published by Stephen Smith (A0.1098785). A lush a cappella arrangement of a gorgeous song, mostly in 5 parts (ATTBB), but expanding to 6 and 7 parts for the climactic verse proclaiming I still believe in summer days--and eventually to 9 independent parts for the hypnotic final choruses. Requires an ensemble that can handle the extreme lower (C2) and upper (Eb5) ends of the male choral range. (Either that OR a rare individual like Aerhyn Lau, whose amazing multi-track recording of the arrangement is excerpted here with permission. Check out the complete recording--and many other choral delights--on Aerhyn's bandcamp page!).
$3.49
3.19 €
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Chorale TTBB
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Ingrid Michaelson and Sara Bareilles
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Stephen Smith
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Winter Song
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Stephen Smith
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SheetMusicPlus
God Bless Us Everyone
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.927812 Composed by Alan Me…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.927812 Composed by Alan Menken. Arranged by EDDY CLEMENT. A Cappella. Octavo. 12 pages. Eddy Clement #5749581. Published by Eddy Clement (A0.927812). This new take on a contemporary Holiday classic expertly weaves the traditional O Come, All Ye Faithful throughout. But the true star is the well-written Men's Chorus treatment of God Bless Us Everyone. With logical voice-leadings and timely, poignant lyrics like Till each child is fed, till we all are free, till the world becomes a family this arrangement will serve well as a concert Opener or Closer. Midway through, the focus shifts to a reverent a cappella statement of O Come... which eventually ramps up to a bookend big closing. The arrangement is tried and true, having been performed by men's choruses around the country. Minimal divisi (5 chords).
$2.95
2.7 €
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Chorale TTBB
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Alan Menken
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EDDY CLEMENT
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God Bless Us Everyone
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Eddy Clement
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SheetMusicPlus
Reh-im-Park-Blues
Chorale TTBB
TTBB chorus a cappella - intermediate - Digital Download SKU: S9.Q46987 Composed by…
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TTBB chorus a cappella - intermediate - Digital Download SKU: S9.Q46987 Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q46987. Published by Schott Music - Digital (S9.Q46987). German.Alwin Michael Schronen again proves his great versatility as a (choral) composer with Reh-im-Park-Blues for men's choir or mixed a cappella choir. Using swing and blues elements, 'babbabbadada', 'daduahuhah' and other vocalises adding a jazz drive to the work, 'swinging shake eggs' ad libitum, and even a wine glass (or, as an alternative, a triangle), as well as stage directions like snapping the fingers, whispering, exhaling, inhaling, kissing, and 'asking for silence with the index finger', he has created an entertaining and extremely amusing choral piece. It reflects, with much wit and charm, the humorous content of Ringelnatz's poem about a little deer which eventually turns out to be a plaster figure. A piece of music that is perfect for performances at convivial gatherings and lives on many small but nice show acts.
$3.99
3.65 €
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Chorale TTBB
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Alwin Michael Schronen
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Reh-im-Park-Blues
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Schott Music - Digital
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SheetMusicPlus
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1
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