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FLUTE DE PA…
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
VIOLONCELLE
XYLOPHONE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
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Non classifié
7269
PIANO & CLAVIERS
Piano seul
3267
Piano grosses notes
3038
Orgue
1558
Piano Facile
1236
Piano, Voix
642
Piano, Voix et Guitare
466
Instruments en Do
268
Piano (partie séparée)
161
Accompagnement Piano
132
1 Piano, 4 mains
126
Clavier
52
2 Pianos, 4 mains
28
Piano Trio: piano, violon, violoncelle
26
Piano Quatuor: piano, violon, alto, violoncelle
26
Accordéon
15
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Trompette (duo)
6
1 Piano, 6 mains
6
Clavecin
5
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Tous Les Instruments
1
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GUITARES
Guitare
826
Guitare notes et tablatures
826
Guitare (partie séparée)
176
Ligne De Mélodie, (Paroles) et Accords
154
Basse electrique
67
Ukulele
44
Dulcimer
42
Paroles et Accords
24
2 Guitares (duo)
19
Mandoline
17
Piano, Guitare (duo)
15
4 Guitares (Quatuor)
15
Ensemble de guitares
14
Banjo
13
Basse électrique (partie séparée)
8
3 Guitares (trio)
7
2 Dulcimers (duo)
3
2 Mandolines (duo)
1
Partitions De Groupes
1
Orchestre à Plectres
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
1723
Chorale 3 parties
607
Chorale 2 parties
306
Chorale Unison
302
Chorale TTBB
234
Chorale SSAA
188
Chorale
45
Voix Soprano, Piano
30
Voix duo, Piano
16
Voix duo
14
Voix Tenor, Piano
12
Voix seule
11
Voix haute
9
Voix Alto, Piano
9
Chorale SSATB
9
Chorale SSAATTBB
6
Voix moyenne, Piano
5
Voix Tenor
4
Chorale SSAB, Piano
4
Voix Soprano
2
Chorale SSATTB
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Male Voice
1
Voix basse, Piano
1
Voix basse
1
Chorale SSAATB
1
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VENTS
Saxophone (partie séparée)
576
2 Saxophones (duo)
566
Quatuor de Saxophones: 4 saxophones
283
2 Clarinettes (duo)
282
Saxophone, Clarinette (duo)
257
2 Flûtes traversières (duo)
254
Flûte à bec Soprano
240
Flûte traversière et Piano
212
Clarinette, Violon (duo)
202
Clarinette
201
Flûte traversière
194
Flûte à bec Alto
188
Flûte, Hautbois, Clarinette, Basson
175
Clarinette, Trompette (duo)
172
Quatuor de Clarinettes: 4 clarinettes
158
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
158
Saxophone Alto
138
Hautbois, Piano (duo)
136
Saxophone Alto et Piano
132
Clarinette et Piano
130
Flûte, Clarinette (duo)
124
Hautbois (partie séparée)
113
Clarinette (partie séparée)
108
2 Hautbois (duo)
107
Hautbois, Clarinette (duo)
104
Clarinette et Alto
102
Flûte, Violon
101
Hautbois, Basson (duo)
97
Flûte, Saxophone (duo)
94
Quatuor de Flûtes : 4 flûtes
92
Flûte, Alto (duo)
85
Saxophone Tenor et Piano
83
Flute (partie séparée)
83
Flûte, Trompette (duo)
78
Hautbois, Flûte
77
Quintette de Saxophone: 5 saxophones
76
3 Saxophones (trio)
56
2 Flûte à bec (duo)
50
Saxophone
48
Saxophone Soprano et Piano
48
Trio de Flûtes: 3 flûtes
46
Quintette de Clarinettes: 5 clarinettes
43
3 Clarinettes (trio)
43
Ensemble de Flûtes
42
Ensemble de saxophones
42
Ensemble de Clarinettes
40
Flûte à bec Alto, Piano
33
Saxophone Baryton, Piano
28
Flûte, Hautbois (duo)
28
Flûte et Guitare
23
Hautbois, violon (duo)
20
Cor anglais, Piano
19
Quintette de Flûte : 5 flûtes
16
Clarinette Basse, Piano
16
Clarinette, Basson (duo)
15
Hautbois
14
Flûte, Clarinette et Basson
14
Clarinette, Violoncelle (duo)
13
Clarinette, Trombone (duo)
13
Saxophone Tenor
12
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte, Violoncelle
10
Quatuor de Flûtes à bec
10
Cor Anglais
10
3 Flûtes à bec (trio)
9
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Soprano
8
Hautbois, Violoncelle
8
Flûte, Violon, Piano
7
Flûte, Clarinette, Piano (trio)
6
Flûte à Bec
6
Flûte, Hautbois, Basson
6
Ensemble De Flûte à bec
5
Clarinette, Harpe (duo)
5
2 Saxophones, Piano
5
Ocarina
5
Flûte traversière, Orgue (duo)
5
Saxophone Baryton
5
Hautbois et alto (duo)
5
Clarinette, Guitare (duo)
5
Flute, harpe et violon
4
5 Flûtes à bec
4
2 Flûtes traversières, Piano
4
Flûte, Basson et Piano
4
Piccolo
3
Clarinette Basse
3
Instruments en Mib
3
Ensemble à vent
3
3 Hautbois
3
Flûte, Violon, Violoncelle et Piano
3
Hautbois, Harpe
3
Flûte, Violon et Violoncelle
3
Flûte à bec Soprano, Piano
3
Flûte, Alto et Piano
3
Piccolo, Piano
3
Saxophone et Guitare
3
2 Clarinettes, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Violon, Piano
2
Flûte, trombone et piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, trompette et piano
2
Flûte, Harpe et Violoncelle
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec Tenor
2
Harmonica
2
2 Clarinettes, Basson
2
Flûte à Bec, Piano
1
Ensemble de Hautbois
1
4 Hautbois
1
Clarinette, Tuba
1
Saxophone et Orgue
1
Flûte irlandaise
1
Hautbois, trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Contrebasse (duo)
1
Harmonica, Piano
1
Flûte, Trombone (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte traversière, Basse continue
1
Flûte, alto et harpe
1
Clarinette, Alto et Piano (trio)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Violon
1
Instrumentations suivantes
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CUIVRES
Trombone (partie séparée)
376
Trompette (partie séparée)
309
Trompette, Saxophone (duo)
187
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
184
Trompette
166
2 Trombones (duo)
139
Trombone
133
2 Trompettes (duo)
133
Quatuor de Cuivres : 2 trompettes, trombone, tuba
120
Trombone et Piano
117
Trompette, Trombone (duo)
106
Trompette, Piano
98
Cor (partie séparée)
91
Cor
87
Cor et Piano
71
Tuba (partie séparée)
70
Quatuor de Cuivres
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Tuba et Piano
39
Tuba
38
Euphonium, Piano (duo)
37
Quatuor de cuivres: 4 trombones
26
Ensemble de Trombones
20
Cor anglais, Piano
19
Ensemble de Trompettes
13
Quatuor de cuivres: 4 cors
12
2 Cors (duo)
12
2 Euphoniums (duo)
11
2 Tubas (duo)
10
Cor Anglais
10
Trombone, Orgue
8
3 Trompettes (trio)
8
Euphonium
7
3 Trombones (trio)
7
Quatuor de cuivres: 4 trompettes
6
Euphonium, Tuba (duo)
6
Bass Clef Instruments
5
Instruments en Sib
5
Ensemble de Cors
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
4 Tubas
4
Trio de Cuivres
4
Cornet A Pistons
3
Trombone, Cor (duo)
3
Trompette et Guitare
3
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trompette, Cor (duo)
2
Trombone basse
2
2 Euphoniums et 2 Tubas
2
Tuba et Orgue
1
Clarinette, Cor (duo)
1
Trombone, Tuba (duo)
1
Trombone et orchestre
1
Cor, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor et Harpe
1
Trombone basse et Piano
1
3 Euphoniums
1
Trompette, Harpe
1
Trompette, Basson (duo)
1
Cor anglais, Guitare (duo)
1
Instruments en Fa
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
791
Violon et Piano
357
Violon
315
Contrebasse (partie séparée)
272
Violon, Violoncelle (duo)
254
Violon (partie séparée)
181
2 Violons (duo)
177
Violoncelle (partie séparée)
160
Harpe
153
Violoncelle, Piano
146
2 Violoncelles (duo)
146
Violon, Alto (duo)
137
2 Altos (duo)
137
Alto, Piano
124
Trio à Cordes: violon, alto, violoncelle
112
Alto seul
99
Trio à Cordes: 2 violons, violoncelle
84
Alto (partie séparée)
64
Violoncelle
49
Contrebasse, Piano (duo)
46
Contre Basse
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
Alto, Violoncelle (duo)
20
4 Violoncelles
18
Violoncelle, Contrebasse (duo)
16
2 Harpes (duo)
15
Violon, Guitare (duo)
15
Trio à Cordes: 2 violons, alto
15
Trio à cordes: 3 violins
13
Quatuor à cordes: 4 violons
11
2 Contrebasses (duo)
10
Harpe, Flûte (duo)
8
Piano Trio: Violon, Alto, Piano
8
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Violon, Basson (duo)
7
Harpe, Violoncelle (duo)
5
Alto et Harpe
4
Quatuor à cordes : 4 altos
4
Autoharp
4
3 Harpes
3
Violoncelle , Guitare (duo)
3
Harpe, Violon, Violoncelle
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Ensemble de Violoncelles
3
Alto et Basson
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
4 Contrebasses
2
5 Harpes
2
4 Harpes
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violon, Orgue
1
2 Violons, Piano
1
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Alto et orchestre
1
Violon, Trompette et Piano
1
Harpe et mandoline
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3405
Ensemble Jazz
792
Orchestre à Cordes
781
Orchestre
757
Cloches
376
Batterie
308
Jazz combo
297
Ensemble de cuivres
184
Batterie (partie séparée)
147
Ensemble de Percussions
113
Fanfare
94
Orchestre de chambre
91
Percussion (partie séparée)
82
Percussion
29
Marimba
24
2 Xylophones
7
Xylophone
5
Vibraphone
5
Piano et Orchestre
5
Ensemble d'École
5
Xylophone, Piano
4
Timbales (partie séparée)
4
Caisse Claire
4
Bongos
3
Conga
3
Big band
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Bodhran
2
Vibraphone et Marimba
2
Cajon
2
Timbales
1
3 Marimbas
1
Instrumentation Flexible
1
2 Marimbas
1
Marimba ou Xylophone et Piano
1
2 Caisses Claires (duo)
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
7
Théorie de la musique
2
Vous avez sélectionné:
Rhythm
Ensemble de Percussions
Partitions à imprimer
113 partitions trouvées
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101
Dance Rhythm Is In You, rhythmic rondo: swing, bossa nova, tango
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.793951 Composed by Ivana T…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.793951 Composed by Ivana Tuskan. 20th Century,Instructional,Jazz,Latin. Score and parts. 13 pages. Ivana Tuskan #4615285. Published by Ivana Tuskan (A0.793951). Dear music teachers! What is the best way to learn music? Let your students use their fingers, foots, cheeks, hands and knees, or use some instruments by playing this fun music pieces. This PDF file contains 3 Rhythmic Rondo's (music form with A B A C A sheme) with Swing, Bossa Nova and Tango rhythmic patterns. You can use whole piece or just a theme, while episodes can be improvised by soloist. Fulfill your music classroom with joy, fun and creativity! Sincerely, Ivana Tuskan The sound sample is an electronic preview of 3 Themes. Level: early intermediate or intermediate.
$6.50
5.94 €
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Ensemble de Percussions
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Ivana Tuskan
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Dance Rhythm Is In You, rhythmic rondo: swing, bossa nova, tango
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Ivana Tuskan
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SheetMusicPlus
Music Street Rhythm/Percussion Sheet
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.727109 Composed by Carol T…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.727109 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Score and parts. 1 pages. Carol Troutman Wiggins #2897349. Published by Carol Troutman Wiggins (A0.727109). Percussion instrumentsThis is the rhythm/percussion notation sheet for Music Street.Use bucket drums - plastic or metal buckets turned upside down, or use any container with a lid, such as a coffee can, potato chip container, baby formula can, pots & pans, or garbage can lid to play the rhythms.
$1.99
1.82 €
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Ensemble de Percussions
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Carol Troutman Wiggins
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Music Street Rhythm/Percussion Sheet
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Carol Troutman Wiggins
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SheetMusicPlus
Rhythm Of Life
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.793348 Composed by Minni K…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.793348 Composed by Minni K. Ang. Concert,Contemporary. Score and parts. 37 pages. Dr Minni Ang #4638453. Published by Dr Minni Ang (A0.793348). Rhythm of Life is built over a five beat pulse, representing the heartbeat of life on planet earth. The two basic pulses are played by different groups of instruments and passed from one group to another, but never ceasing, even as our heartbeats never cease as long as there is life in us. Over these fundamental patterns are built little phrases or solos for the various instruments, including conversations between pairs of instruments - first the timpani and tubular bells, later the marimba and xylophone, and finally the conga drums and the snare drum – these conversations represent various interactions among different groups of life on planet earth. The piece is constructed in theme and variations form.The OrchestrationPlayer One: MarimbaPlayer Two: XylophonePlayer Three: TimpaniPlayer Four: Tubular BellsPlayer Five: Snare Drum & CymbalsPlayer Six: Congas, Bass Drum & Tam-Tam
$8.99
8.22 €
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Ensemble de Percussions
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Minni K
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Rhythm Of Life
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Dr Minni Ang
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SheetMusicPlus
Rhythm
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.992559 Composed by Remco o…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.992559 Composed by Remco op den Dries. Standards. Score and parts. 18 pages. TmDrums #6665531. Published by TmDrums (A0.992559).
$3.99
3.65 €
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Ensemble de Percussions
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Remco op den Dries
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Rhythm
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TmDrums
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SheetMusicPlus
M.C. Rhythms
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.1019774 Composed by Rennard Stafford…
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Percussion Ensemble - Digital Download SKU: A0.1019774 Composed by Rennard Stafford. Contemporary. Score and parts. 9 pages. Tempo X Percussion and Publications #5770947. Published by Tempo X Percussion and Publications (A0.1019774). A high energy battery piece filled with chop action from beginning to the end. Great for carrying a full band through a parade and marching performances. .
$9.99
9.14 €
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Ensemble de Percussions
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Rennard Stafford
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M.C. Rhythms
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Tempo X Percussion and Publications
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SheetMusicPlus
Zona Centro (Downtown)
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis C…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1029902 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Hip-Hop,World. Score and parts. 119 pages. Azdi #5983083. Published by azdi (A0.1029902). Downtown area Musical work, for chamber orchestra, which recreates the atmospheres experienced when walking through the streets of the downtown area of ​​my city (Tijuana). Using the popular urban rhythms that can be heard live, performed by all the city's musicians, such as: Rap hip hop). The most popular and booming genre among young people in this city in particular and throughout Mexico in general. Jazz, which since the 1960s has been played on the legendary Av. Revolución. Aztec Dance (Mexica) that is still practiced by various circles of the city and the country, preserving ancient cultures. Reggae. Music of conscience and positive message, which is the most listened to and performed by numerous local and independent bands from the northern border. Divided into three parts, it begins with a melody or main theme, such as the bass line used on rap tracks, played first by the trombone, the double bass, and later also by the other instruments, on a rhythmic basis in the section of percussions with a characteristic rhythm of rap music at a speed of 90 bpm.
$33.00
30.18 €
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Ensemble de Percussions
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Luis Carlos Diaz
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Luis Carlos Diaz
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Zona Centro
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azdi
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.56 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.56 €
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Ensemble de Percussions
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Dan Heslink
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Holiday Bolero for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.14 €
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Ensemble de Percussions
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Dan Heslink
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Holiday Bolero for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
9.14 €
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Ensemble de Percussions
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Holiday Bolero for Keyboard Percussion
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935380 Arranged by Pharaoh Publications. Christian,Christmas,Contemporary,Spiritual. Score and parts. 14 pages. Pharaoh Publications #5212781. Published by Pharaoh Publications (A0.935380). Holiday Bolero for keyboard percussion arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas, and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the mallet quintet arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment. All of the keyboard parts require only two mallets; some passages unfold as double stops. Mallets for the marimbas should be chosen to maximize the blend of individual parts into a unified chord. There are no key changes, or mallet and hand independence. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99
4.56 €
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Ensemble de Percussions
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Pharaoh Publications
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Holiday Bolero for Keyboard Percussion
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Pharaoh Publications
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SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
45.73 €
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Ensemble de Percussions
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Antonio J
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Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Gordon Cherry
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SheetMusicPlus
Asian Symmetries
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Hes…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
4.56 €
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Ensemble de Percussions
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
African Village for Marimba
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.981000 Composed by Wayne Liesching. …
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Percussion Ensemble - Digital Download SKU: A0.981000 Composed by Wayne Liesching. African,Folk,World. Score and parts. 21 pages. Wayne Liesching #3878043. Published by Wayne Liesching (A0.981000). African Village for Marimba - (Duration 2.37) Advanced. School Ensemble. Five marimbas: bass, tenor, alto, 2 sopranos. African marimba style piece where the rhythmic patterns can be challenging - polyrhythms in sections. Definite concert repertoire. SAMRO, CAPASSO https://drooble.com/wayne.liesching/ https://www.facebook.com/thecomposerman/ www.thecomposerman.compsallo.academyofmusic@gmail.com
$15.00
13.72 €
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Ensemble de Percussions
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Wayne Liesching
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African Village for Marimba
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Wayne Liesching
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SheetMusicPlus
The Hammer & Anvil
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake G…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
2.73 €
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Ensemble de Percussions
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
Quartet #9
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Ti…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.584697 Composed by Jeff Tincher. Contemporary. Score and parts. 52 pages. Jeff Tincher #6019477. Published by Jeff Tincher (A0.584697). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Hear the full version of composition on Jeff Tincher's For Percussion Quartet CD. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99
11.88 €
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Ensemble de Percussions
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Jeff Tincher
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Quartet #9
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Jeff Tincher
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
274.37 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.19 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Heads, Shoulders, Knees & Blues (for Body Percussion & Bass)
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. …
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Percussion Ensemble - Digital Download SKU: A0.1001581 Composed by Isabelle Ryder. Blues,Jazz. Score and parts. 56 pages. Isabelle Ryder #6480345. Published by Isabelle Ryder (A0.1001581). This piece is the result of a 2020 lockdown commission by Heswall Concert Band, which needed a piece to work on that didn't involve its members playing wind and brass instruments! The instrumentation consists of a Rhythm Core of Hand Brush, Hip Tap, Clap, and Stamp; and 3 Sections: Shoulders, Knees, and Bellies; and a bass (acoustic or electric). Ideally, the Shoulders, Knees and Bellies sections should each have several members; the Rhythm Core should have 1 or 2 members on each part. Some light choreography is suggested in the score, but the bandleader may indulge their own creativity in this regard.Please watch the accompanying video for a demo. You may also contact the composer (https://isabellerydermusic.weebly.com) to request a training video.
$69.99
64.01 €
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Ensemble de Percussions
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Isabelle Ryder
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Heads, Shoulders, Knees & Blues
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Isabelle Ryder
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SheetMusicPlus
Jackman
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.1019772 Composed by Rennard. Contemp…
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Percussion Ensemble - Digital Download SKU: A0.1019772 Composed by Rennard. Contemporary. Score and parts. 5 pages. Tempo X Percussion and Publications #5770937. Published by Tempo X Percussion and Publications (A0.1019772). This crafty snare drum solo is the beginning of a rhythmic story filled with lofty rhythms and syncopation. Enjoy exploring the many stick tricks and rudimental-filled patterns in this advanced snare drum solo. It's great for solo ensembles and competitions. .
$7.99
7.31 €
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Ensemble de Percussions
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Rennard
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Jackman
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Tempo X Percussion and Publications
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SheetMusicPlus
Siege of Busanjin 1592
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. Published by Tsoof Baras (A0.1013926). Players - 7Instrumentation - Bass Drums (x2), Bongos, Concert Toms (x8), Snare Drums (x2)The Siege of Busanjin was a battle fought at Busan between Japanese and Korean forces on April 14, 1592.Japanese forces surrounded the fort of Busan and within hours the Korean fort was decimated.This piece for drumming ensemble embodies the brutality and power of the Siege of Busanjin and draws inspiration from traditional Taiko drumming ensembles. Driving rhythms and large movements combine with extreme rhythmic precision to bring an enormous piece for drumming ensemble.
$70.00
64.02 €
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Ensemble de Percussions
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Tsoof Baras
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Siege of Busanjin 1592
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Tsoof Baras
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SheetMusicPlus
Professor Burble's fourth invention
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David W…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.576482 Composed by David Warin Solomons. 20th Century,Contemporary,Jazz. Score and parts. 27 pages. David Warin Solomons #26925. Published by David Warin Solomons (A0.576482). A mad professor I invented during my childhood has been given fictional responsibility for some of my more outside the box compositions. I called him Professor Burble; he was probably inspired by TV cartoons in the 1960s.... The first Invention was for guitar solo (published by Productions d'Oz), the third one one was for two wind instruments (published by Musik Fabrik), and this one - number 4 - is for piano, strings, gong, cymbal, bass drum and side drum. It is in a relentless 5/4 rhythm and starts with a fugato idea on piano and strings (including several divisi moments), with gongs, cymbal and snare drums beginning about a minute into the piece.
$12.00
10.97 €
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Ensemble de Percussions
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David Warin Solomons
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Professor Burble's fourth invention
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David Warin Solomons
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SheetMusicPlus
Opus 83, Hora for Trumpet, Percussion & Piano
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.976258 Composed by Henry P…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.976258 Composed by Henry Pool. 20th Century,Contemporary,World. Score and parts. 37 pages. Viola Editions #2848109. Published by Viola Editions (A0.976258). A vivacious Israeli dance - beautiful melody - striking rhythm.
$5.55
5.08 €
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Ensemble de Percussions
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Henry Pool
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Opus 83, Hora for Trumpet, Percussion & Piano
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Viola Editions
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SheetMusicPlus
TAZ
Ensemble de Percussions
Percussion Ensemble - Level 2 - Digital Download SKU: A0.942553 Composed by Rick He…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.942553 Composed by Rick Henson and Rick Henson. Multicultural,World. Score and parts. 19 pages. Rick Henson #2864595. Published by Rick Henson (A0.942553). This original composition was written for the Pan Ramajay Steel Drum Festival in 2013. It harkens to an era when steel pans were hung around the neck and marched through the streets.I wasn't there, then, but this song is how I imagine a steel band would sound marching through the streets. The sound is faint at first, but soon the neighborhood is filled with the unmistakable rhythm and soaring melodies of the steel band.
$29.99
27.43 €
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Ensemble de Percussions
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Rick Henson and Rick Henson
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TAZ
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Rick Henson
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SheetMusicPlus
Pop'n for Steel Band
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.890313 Composed by Tyler S…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.890313 Composed by Tyler Swick. Instructional. Score and parts. 19 pages. Tin Can Publishing #2964211. Published by Tin Can Publishing (A0.890313). Feature your rhythm section with built in windows for riffing and soloing!https://www.youtube.com/watch?v=btbSvgR1hXk
$10.00
9.15 €
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Ensemble de Percussions
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Tyler Swick
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Pop'n for Steel Band
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Tin Can Publishing
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SheetMusicPlus
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