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AUTRES INST…
BALALAIKA
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
805
PIANO & CLAVIERS
Piano seul
590
Orgue
28
1 Piano, 4 mains
26
Piano, Voix
23
Instruments en Do
17
Piano, Voix et Guitare
15
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Facile
5
Orgue, Trompette (duo)
3
Accordéon
2
Clavecin
1
Orgue, Piano (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
36
Guitare
35
Dulcimer
11
Basse electrique
8
Piano, Guitare (duo)
6
Ukulele
3
Mandoline
2
Ensemble de guitares
2
2 Dulcimers (duo)
2
2 Ukuleles
1
4 Guitares (Quatuor)
1
Mandoline, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Guitares (duo)
1
Basse électrique (partie séparée)
1
Ukulele Baryton
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
260
Chorale 3 parties
60
Chorale TTBB
46
Chorale SSAA
45
Chorale Unison
16
Chorale 2 parties
7
Voix duo, Piano
6
Voix duo
4
Voix haute
3
Voix Soprano
2
Voix seule
2
Voix Soprano, Piano
1
Voix basse, Piano
1
Voix Alto, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
63
2 Saxophones (duo)
60
Quatuor de Saxophones: 4 saxophones
53
2 Flûtes traversières (duo)
33
Quatuor de Clarinettes: 4 clarinettes
32
Saxophone, Clarinette (duo)
32
2 Clarinettes (duo)
29
Hautbois, Piano (duo)
29
Flûte traversière et Piano
28
Saxophone Alto et Piano
25
Flûte traversière
24
Flûte, Hautbois, Clarinette, Basson
23
Clarinette, Violon (duo)
22
Clarinette et Piano
21
Saxophone (partie séparée)
19
Clarinette, Trompette (duo)
18
Clarinette
17
Flûte, Clarinette (duo)
15
Saxophone Tenor et Piano
14
Flûte, Violon
14
Ensemble de saxophones
13
Quintette de Saxophone: 5 saxophones
13
Ensemble de Clarinettes
13
Flûte, Alto (duo)
12
Clarinette et Alto
12
Quatuor de Flûtes : 4 flûtes
11
Hautbois, Clarinette (duo)
11
2 Hautbois (duo)
11
Flûte, Saxophone (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Flûte, Trompette (duo)
10
Hautbois, Basson (duo)
10
Saxophone Soprano et Piano
9
Hautbois, Flûte
9
Ensemble de Flûtes
8
Trio de Flûtes: 3 flûtes
8
3 Clarinettes (trio)
8
Saxophone Alto
7
3 Saxophones (trio)
6
Hautbois (partie séparée)
5
Clarinette Basse, Piano
4
Flûte, Clarinette et Basson
4
Flûte et Guitare
4
Flûte à bec Soprano
3
Saxophone
2
Flûte, Violoncelle
2
Flûte traversière, Orgue (duo)
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes à bec
2
Cor anglais, Piano
2
Clarinette, Guitare (duo)
2
Hautbois
1
Hautbois, violon (duo)
1
Saxophone et Orgue
1
Piccolo
1
2 Saxophones, Piano
1
Saxophone Soprano
1
Clarinette, Violoncelle (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon, Piano
1
Saxophone et Guitare
1
Flûte à bec Alto
1
Saxophone Baryton, Piano
1
Clarinette (partie séparée)
1
Flûte à Bec
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quintette de Flûte : 5 flûtes
1
Piccolo, Piano
1
Flûte, Basson et Piano
1
Hautbois, Harpe
1
Clarinette, Trombone (duo)
1
Flûte, alto et harpe
1
5 Flûtes à bec
1
Flute (partie séparée)
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto, Piano
1
Saxophone Tenor
1
2 Clarinettes, Basson
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
Trompette, Saxophone (duo)
23
Trompette
22
Trombone et Piano
21
Trombone
18
2 Trombones (duo)
17
Trompette, Trombone (duo)
14
Trompette, Piano
13
2 Trompettes (duo)
12
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone (partie séparée)
9
Quatuor de cuivres: 4 trombones
7
Cor et Piano
7
Quatuor de Cuivres
6
Tuba et Piano
6
Ensemble de Trombones
6
Euphonium, Piano (duo)
5
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
3
Cor
3
Tuba
3
Cor (partie séparée)
3
Euphonium, Tuba (duo)
2
Cor anglais, Piano
2
Ensemble de Cors
1
2 Tubas (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba (partie séparée)
1
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
3 Euphoniums
1
2 Euphoniums (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
209
Violon, Violoncelle (duo)
94
Violon et Piano
42
Trio à Cordes: violon, alto, violoncelle
37
Trio à Cordes: 2 violons, violoncelle
35
Violon
30
Violoncelle, Piano
30
2 Violoncelles (duo)
24
Violon, Alto (duo)
23
2 Violons (duo)
22
Violoncelle (partie séparée)
22
Harpe
20
Alto, Piano
20
2 Altos (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto seul
7
Violoncelle, Contrebasse (duo)
6
Violoncelle
6
Trio à Cordes: 2 violons, alto
5
Harpe, Violon (duo)
5
Contrebasse, Piano (duo)
5
Violon, Guitare (duo)
4
Harpe, Flûte (duo)
4
Alto (partie séparée)
4
Harpe, Violoncelle (duo)
4
4 Violoncelles
4
Alto et Harpe
3
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
3
Alto, Violoncelle (duo)
2
Ensemble de Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Harpe et Piano
1
Violon (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Alto et Basson
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Ensemble Jazz
181
Orchestre
171
Orchestre d'harmonie
133
Orchestre à Cordes
96
Jazz combo
70
Ensemble de cuivres
64
Cloches
51
Orchestre de chambre
29
Batterie
22
Ensemble de Percussions
19
Fanfare
15
Marimba
8
Batterie (partie séparée)
4
Vibraphone
2
Percussion (partie séparée)
1
Xylophone, Piano
1
2 Xylophones
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Rhythm
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Partitions à imprimer
35 partitions trouvées
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26
Jackson 5 : I Want You Back (rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare I Want You Back (rhythm gui…
(+)
Téléchargez la tablature et la partition Guitare I Want You Back (rhythm guitar) de Jackson 5. Tab pour Rhythm Guitar -- Pop/rock
5.99 €
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Guitare
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Jackson 5
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I Want You Back
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Tomplay
John Mayer : Gravity (niveau intermédiaire/difficile, rhythm guitar)
Guitare
Téléchargez la tablature et la partition Guitare Gravity (niveau intermédiaire/difficil…
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Téléchargez la tablature et la partition Guitare Gravity (niveau intermédiaire/difficile, rhythm guitar) de John Mayer. Tab pour Rhythm Guitar -- Jazz et blues,Pop/rock
5.99 €
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Guitare
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John Mayer
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Gravity
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Tomplay
Over The Rainbow
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Y…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
4.67 €
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Guitare
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Judy Garland
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Richard Hirsch
#
and 3&
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Over The Rainbow
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Richard Hirsch
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SheetMusicPlus
Obsession (guitar quintet or guitar orchestra)
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1322943 By Clive Lane. By Clive Lane. A…
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Guitar - Level 4 - Digital Download SKU: A0.1322943 By Clive Lane. By Clive Lane. Arranged by Clive Lane. 21st Century,Classical. 19 pages. Clive Lane #911215. Published by Clive Lane (A0.1322943). Obsession is a piece for guitar quintet (four guitars & bass guitar, or requinto, three guitars & bass guitar)The title refers to the obsessive 7/8 rhythm in Guitar 4.Duration: 2' 35Score and parts(See also my version for guitar quartet - four standard guitars).
$3.99
3.73 €
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Guitare
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Clive Lane
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Clive Lane
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Obsession
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Clive Lane
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.67 €
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Guitare
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Alban Berg
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Rod Whittle
#
4 pp
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Excerpt from the Lyric Suite
#
Maggie Creek Music
#
SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.67 €
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Guitare
#
Alban Berg
#
Rod Whittle
#
'Change of scene' from Act III of Wozzeck
#
Maggie Creek Music
#
SheetMusicPlus
Mood Indigo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Alba…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1295010 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Christopher J. Malin. 20th Century,Jazz,R & B,Soul,Standards. Individual part. 1 pages. Christopher J. Malin #885330. Published by Christopher J. Malin (A0.1295010). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of the Duke's      finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads. I tend to use a minimalist style that keeps the important parts of the music. This piece needs to be swung hard. It don't mean a thing, if it ain't got that swing! Very danceable piece. Legend has it that Ellington's orchestra would play this rhythm as long as the floor was filled with dancers! Another tried and true arrangement. Have fun with it! Sounds great on acoustic and electric guitars.
$4.99
4.67 €
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Guitare
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Duke Ellington
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Christopher J
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Mood Indigo
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Christopher J. Malin
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SheetMusicPlus
Summertime
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1293329 Composed by Dorothy Heywar…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1293329 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Christopher J. Malin. 20th Century,Blues,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883900. Published by Christopher J. Malin (A0.1293329). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Gershwin's finer songs. This arrangement is different than the 500+ out there. I did it in the upper regitster (soprano) of the guitar. Works well if you play through the changes in lower voicings to establish your rhythm, then play my arrangement. It will raise a few eyebrows and put smiles on the faces of your listeners. I do this with a number of my arrangements. It will also help to have accurate intonation on your instrument. This piece makes you stand out as a solo jazz guitarist of all idioms. Sounds great on acoustic and electric guitars.
$4.99
4.67 €
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Guitare
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Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
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Christopher J
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Summertime
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Christopher J. Malin
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SheetMusicPlus
Big Drum
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
4.67 €
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Guitare
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
El círculo mágico - El amor brujo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.946416 By Manuel de Falla. By Manu…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946416 By Manuel de Falla. By Manuel de Falla. Arranged by Nick Mordal. 20th Century,Classical,Folk,Latin,Romantic Period. Individual part. 1 pages. Nick Mordal #6294915. Published by Nick Mordal (A0.946416). This is the slow and melancholic part of the Falla ballet El Amor Brujo. The quiet intimacy of guitar serves it right. Techniques used in the arrangement include barre, stretching the left hand out of conventional positioning and precise string selection for the chord voicings. One of Manuel de Falla's composition specialties was in the realm of ballet music. Most of the pieces from the ballet are fast and rhythmic, but this one is different. It fits very nicely on guitar and has not been transposed. There are a few tricky spots to bring the melody out, and one awkward stretch at the beginning of the first phrase. But it really sounds great once you get the muscle memory built up.Â
$5.00
4.67 €
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Guitare
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Manuel de Falla
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Nick Mordal
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El círculo mágico - El amor brujo
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Nick Mordal
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SheetMusicPlus
Rumores de la Caleta
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1329558 By Isaac Albeniz. By Isaac Albeniz. Arranged by Nick Mordal. 20th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 3 pages. Nick Mordal #917541. Published by Nick Mordal (A0.1329558). This brilliantly rhythmic piano piece by Albéniz has been transposed up a fifth for guitar. Albéniz wrote this music with the percussion of a guitar in mind. Like another famous Albéniz guitar transcription, Asturias (Leyenda), it fits very nicely on the classical guitar. It is fairly difficult with some quick position shifts and is worth putting time into. Its' sound is a mix between classical and flamenco guitar. This piece has been done by several classical guitarists like Christopher Parkening, and this is my take on it. It features two contrasting sections. The A section is harsh, percussive and very Spanish. The B section is a melodically driven change of pace, before it finishes in a repeat of the A section.
$5.00
4.67 €
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Guitare
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Isaac Albeniz
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Nick Mordal
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Rumores de la Caleta
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Nick Mordal
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SheetMusicPlus
Hotel California
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, D…
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Guitar - Level 4 - Digital Download SKU: A0.1302452 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Ron Calabrese. Classical,Country,Pop,Rock. 39 pages. Ron Calabrese #892072. Published by Ron Calabrese (A0.1302452). Arrangement by Ron Calabrese: Score, 5 Guitar Parts, Guitar Tablature: 39 pages. Introduction: Hotel California is a guitar arrangement created for beginners as well as intermediate and advanced players.  The guitar harmonies or the piece brings a special blending that is enjoyable to play and perform for any occasion.  The iconic guitar solo includes smooth harmonies across multiple guitar parts.   Part Descriptions: Guitar 1:  The Guitar 1 Part is written to showcase the tune’s main melody and chorus.  This part should be played by an advanced player, mainly due to the advanced guitar soloing toward the end of the piece.  All fingering and tabulator are included for convenience. Guitar 2:  The Guitar 2 Part provides adds a fingerstyle chord technique that is unmistakable.  Toward the end of the piece, Guitar 2 plays harmony with Guitar 1 for the iconic solo.  This part can be played by an intermediate player.  All fingering and tabulator are included for convenience. Guitar 3 & 4:  The Guitar 3 and Guitar 4 Parts provide contrasting melodic sequences to the melody and solo sections.  These parts can be challenging, but are intended to be played by a beginner to intermediate player. Guitar 5:  The Guitar 5 Part is the bass guitar part (written in G clef).  From time to time, the part includes key rhythmic phrases used to complement the other parts.  The Guitar 5 Part also includes the chords as a potential 6th Part. I wrote this arrangement of Hotel California to fill a void in contemporary guitar ensemble arrangements.  I hope you enjoy playing it.  Ron.
$19.98
18.68 €
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Guitare
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The Eagles
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Ron Calabrese
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Hotel California
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Ron Calabrese
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SheetMusicPlus
Las Morillas de Jaen - Canciones españolas antiguas
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. B…
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Solo Guitar - Level 4 - Digital Download SKU: A0.946415 By Federico Garcia Lorca. By Federico Garcia Lorca. Arranged by Nick Mordal. 20th Century,Folk,Latin,Multicultural,Romantic Period,World. Individual part. 1 pages. Nick Mordal #6285033. Published by Nick Mordal (A0.946415). Garcia Lorca is the most famous name in the flamenco songwriting tradition. His compositions have been covered by countless musicians in the classical and folk flamenco world. The pieces he wrote were often short and repetitive like a folk song, but full of the rhythmic energy that characterizes flamenco. This piece is right in between, as it is fairly rubato and can be interpreted in various ways. Techniques used include barre chords, right hand precision and bringing a melody out over dense chord voicings. This is a song from his collection titled Canciones españolas antiguas. The arrangement has full barre chords with melody. Its sound is a bridge between classical Spanish and flamenco folk Spanish musics. Listen to the album 12 Canciones De Garcia Lorca Para Guitarra by Paco de LucÃa and Ricardo Modrego to hear this music performed at its finest.Â
$4.00
3.74 €
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Guitare
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Federico Garcia Lorca
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Nick Mordal
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Las Morillas de Jaen - Canciones españolas antiguas
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Nick Mordal
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SheetMusicPlus
Canon Bliss
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1193260 Composed by Johann Pachelb…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1193260 Composed by Johann Pachelbel / Ken Foo. Arranged by Ken Foo. Baroque,Classical,Contemporary,Film/TV,New Age. Individual part. 2 pages. Ken Foo #792716. Published by Ken Foo (A0.1193260). Offering a more modern version of Canon.Spiritually high composition arrangement.Dense use of rhythmic interchange.New melodies were introduced.
$5.99
5.6 €
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Guitare
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Johann Pachelbel / Ken Foo
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Ken Foo
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Canon Bliss
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Ken Foo
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SheetMusicPlus
Duet #3 for two guitars The Sea at Lizard Point
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.771713 Composed by Gregory Hamilto…
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Solo Guitar - Level 4 - Digital Download SKU: A0.771713 Composed by Gregory Hamilton. 20th Century,Contemporary. Individual part. 3 pages. Dr. Gregory Hamilton #33313. Published by Dr. Gregory Hamilton (A0.771713). The is #3 of a set of duets for two guitars. The Sea at Lizard Point should be performed quite freely, with each guitar responding to the other. The performers do not need to slavishly adhere to the rhythmic notation, but should interpret freely, moving with much rubato. visit my website: www.gregoryhamilton.org.
$10.00
9.35 €
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Guitare
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Gregory Hamilton
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Duet #3 for two guitars The Sea at Lizard Point
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Dr. Gregory Hamilton
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SheetMusicPlus
Deuxiéme Sonata by Benjamin Godard (1849-1895)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard…
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
9.34 €
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Guitare
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin Godard
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Eric J Roth
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.34 €
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Guitare
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BR…
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Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Duration 403. LINCOLN BRADY #735224. Published by LINCOLN BRADY (A0.1135186). Http://www.sheetmusicplus.com/title/il-satiro-danzante-digital-sheet-music/20229001?ac=1&_requestid=2340691 The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$2.99
2.8 €
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Guitare
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LINCOLN BRADY
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Jesu Joy Of Man's Desiring BWV 147
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Ba…
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Guitar - Level 4 - Digital Download SKU: A0.1318113 Composed by Johann Sebastian Bach. Arranged by Simon James. Advent,Baroque,Christmas,Classical,Contemporary. 19 pages. DML #906815. Published by DML (A0.1318113). Jesu, Joy of Man's Desiring is the popular English title of the chorale from the 1723 Advent cantata Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), BWV 147. This arrangement for guitar quartet follows Bach’s original orchestration as far as possible so the choral sections co-exist with the string parts and basso continuo. It does involve a certain amount of reduction in the original voicings but has retained the cross rhythms in the choral section and bass. It makes this arrangement quite complex to perform but very definitely worth it. The 2nd guitar and 1st guitar do cross over each other but that is in Bach’s original writing and I have not changed it.
$6.99
6.54 €
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Guitare
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Johann Sebastian Bach
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Simon James
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Jesu Joy Of Man's Desiring BWV 147
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DML
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.67 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
Tientos
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultu…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms’ Hungarian Dances and Dvorak’s Slavic Dances. The composition is inspired by my studies with Juan González “Triguito” in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99
4.67 €
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Guitare
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Traditional
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Richard Hirsch
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Tientos
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Richard Hirsch
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SheetMusicPlus
Landscape II - Standard Guitar Edition
Guitare
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele…
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.<br> <br> This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).<br> <br> Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.<br> <br> Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.<br> <br> The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.<br> <br> Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
4.67 €
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Guitare
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Pablo Emiliano Fedele
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Landscape II - Standard Guitar Edition
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Pablo Fedele
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SheetMusicPlus
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