English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
23
Partitions
Numériques
87
Librairie
Musicale
149
Matériel
de Musique
2 078
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1445
PIANO & CLAVIERS
Piano seul
1532
Piano, Voix et Guitare
1168
Piano, Voix
666
Piano Facile
349
Orgue
139
Instruments en Do
92
Piano grosses notes
54
1 Piano, 4 mains
38
Accordéon
25
Accompagnement Piano
20
Piano (partie séparée)
18
Piano Trio: piano, violon, violoncelle
11
Ligne De Mélodie, Piano
7
2 Pianos, 4 mains
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Instrument seul et Orgue
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
Accordéon, Voix
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
460
Ligne De Mélodie, (Paroles) et Accords
334
Paroles et Accords
152
Basse electrique
138
Ukulele
94
Guitare
87
Guitare (partie séparée)
19
2 Guitares (duo)
8
Mandoline
8
Dulcimer
5
Banjo
4
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Basse électrique (partie séparée)
2
Piano, Guitare (duo)
2
Partitions De Groupes
1
Ukulele Baryton
1
2 Dulcimers (duo)
1
Guitare, Orchestre
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
622
Chorale 3 parties
191
Chorale TTBB
128
Chorale 2 parties
89
Chorale SSAA
68
Chorale Unison
43
Chorale
32
Voix seule
32
Voix duo, Piano
20
Voix duo
14
Voix haute
12
Voix Soprano, Piano
7
Voix, Guitare
5
Chorale SSATB
4
Voix moyenne, Piano
4
Voix basse, Piano
3
Voix Alto, Piano
2
Voix Moyenne
2
Voix basse
1
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
114
Clarinette
113
Flûte traversière
102
Quatuor de Saxophones: 4 saxophones
99
Flûte traversière et Piano
97
Saxophone
74
Flûte, Hautbois, Clarinette, Basson
71
Saxophone Alto et Piano
70
Saxophone Alto
63
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Clarinette et Piano
43
Saxophone Tenor et Piano
42
Hautbois, Piano (duo)
42
Quatuor de Clarinettes: 4 clarinettes
36
Hautbois (partie séparée)
33
Clarinette (partie séparée)
30
Saxophone Soprano et Piano
26
Saxophone Tenor
23
Quintette de Saxophone: 5 saxophones
20
3 Clarinettes (trio)
19
Saxophone Baryton, Piano
19
Flute (partie séparée)
18
Quatuor de Flûtes : 4 flûtes
16
2 Saxophones (duo)
15
Ensemble de saxophones
14
Ensemble de Clarinettes
14
2 Flûtes traversières (duo)
14
2 Clarinettes (duo)
13
Cor anglais, Piano
13
Clarinette Basse, Piano
12
Ensemble de Flûtes
11
Flûte et Guitare
11
Quintette de Clarinettes: 5 clarinettes
8
Instruments en Mib
8
3 Saxophones (trio)
6
Quintette de Flûte : 5 flûtes
6
Hautbois, Basson (duo)
5
Flûte, Clarinette (duo)
5
Saxophone Soprano
5
Flûte, Clarinette et Basson
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violon
4
Clarinette, Guitare (duo)
4
Trio de Flûtes: 3 flûtes
4
Hautbois
3
Flûte, Hautbois, Basson
3
Flûte à Bec
3
Quatuor de Flûtes à bec
3
Harmonica
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone et Harpe
2
Piccolo, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à bec Alto, Piano
2
Hautbois, Harpe
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
Hautbois, Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
Flûte, Alto (duo)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
Clarinette, Violoncelle (duo)
1
Cor Anglais
1
Saxophone et Guitare
1
Clarinette Basse
1
Clarinette, Trompette (duo)
1
3 Hautbois
1
Flûte à Bec, Piano
1
Flûte, Violoncelle
1
Ensemble à vent
1
Saxophone et violoncelle
1
Hautbois, Guitare (duo)
1
Saxophone, Basson (duo)
1
2 Clarinettes, Piano
1
5 Flûtes à bec
1
Flûte à bec Soprano
1
Clarinette et Alto
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano, Piano
1
Flûte à bec Alto
1
Ocarina
1
Flûte, Trombone (duo)
1
Hautbois et alto (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
93
Trombone
70
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Trompette (partie séparée)
64
Trombone (partie séparée)
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Trompette, Piano
49
Trombone et Piano
39
Cor
37
Cor et Piano
31
Euphonium, Piano (duo)
26
Quatuor de Cuivres
25
Cor (partie séparée)
21
Tuba
20
Ensemble de Trombones
17
Tuba (partie séparée)
15
Cor anglais, Piano
13
Tuba et Piano
13
Bass Clef Instruments
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Instruments en Sib
6
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 cors
5
2 Trombones (duo)
4
Euphonium
4
2 Cors (duo)
3
2 Trompettes (duo)
3
Trompette, Tuba (duo)
2
Trio de Cuivres
2
Cor et Harpe
2
Trompette, Trombone (duo)
2
3 Euphoniums
1
Trombone basse
1
Cor, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
Cor Anglais
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse et Piano
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
Trombone, Orgue
1
Ensemble de Trompettes
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
200
Violon et Piano
113
Violon
103
Violoncelle, Piano
58
Harpe
51
Violoncelle (partie séparée)
50
Alto, Piano
47
Violon (partie séparée)
38
2 Violoncelles (duo)
34
Contrebasse (partie séparée)
32
Alto (partie séparée)
32
Alto seul
32
Violoncelle
31
2 Harpes (duo)
23
Violon, Violoncelle (duo)
23
2 Violons (duo)
18
Trio à Cordes: violon, alto, violoncelle
16
Contre Basse
15
Violon, Alto (duo)
11
Contrebasse, Piano (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
6
Harpe, Voix
6
Trio à Cordes: 2 violons, alto
4
Alto, Violoncelle (duo)
4
Harpe (partie séparée)
3
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Harpe, Violon (duo)
3
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Ensemble de Violons
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes
1
Harpe et Piano
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
1
Ensemble d'Altos
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Alto et Harpe
1
2 Violons, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
471
Orchestre
143
Batterie
89
Orchestre à Cordes
79
Ensemble Jazz
74
Ensemble de cuivres
69
Cloches
57
Jazz combo
32
Percussion (partie séparée)
30
Batterie (partie séparée)
27
Orchestre de chambre
26
Fanfare
15
Ensemble de Percussions
11
Xylophone, Piano
5
Vibraphone
4
Percussion
3
Marimba
2
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Quatuor à Vent : 4 instruments à vents
1
Big band
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Again
Guitare
Partitions à imprimer
87 partitions trouvées
<
1
26
51
76
One Day... Once Again
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.808961 Composed by Marcos Vinicius…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.808961 Composed by Marcos Vinicius. 20th Century,Contemporary. Individual part. 12 pages. Preludio s.r.l. #6140935. Published by Preludio s.r.l. (A0.808961). One Day... Once Again is a guitar piece written by the brazilian guitarist Marcos Vinicius.
$8.99
8.29 €
#
Guitare
#
Marcos Vinicius
#
One Day... Once Again
#
Preludio s.r.l.
#
SheetMusicPlus
Banjo Picking Tunes - Beautiful American Airs & Ballads
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and …
(+)
Guitar - Intermediate - Digital Download SKU: M0.30906MEB Country. Folk. Ebook and online audio. 41 pages. Mel Bay Publications - Digital Sheet Music #30906MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30906MEB). ISBN 9781513476667. 8.75X11.75 inches.This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÆs generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.
Song List: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times, Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyn' for You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy û O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$14.99
13.82 €
#
Guitare
#
Banjo Picking Tunes - Beautiful American Airs & Ballads
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Rage Against The Machine: Bombtrack for guitar
Guitare
Instantly printable sheet music by Rage Against The Machine for guitar solo (chords) of EA…
(+)
Instantly printable sheet music by Rage Against The Machine for guitar solo (chords) of EASY skill level. / alternative,metal,rock,children
$4.97
4.58 €
#
Guitare
#
Rage Against The Machine
#
Virtualsheetmusic
Etude for Guitar no V.1 in A Major: A damp afternoon
Guitare
Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arrange…
(+)
Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arranged by Rob Reeves. 20th Century,Contemporary,Instructional. Individual part. 1 pages. Published by Rob Reeves (A0.484627). Solo piece for plectrum style guitar. I seek to evoke a strange combination of ennui and mild rapture resulting from the enforced idleness of a damp afternoon contemplating the beauty of drizzle and grey skies. The composition is built around the major scale harmonised in sixths, or inverted thirds, played vertically along the neck on the first and third strings. After repetition of A and B phrases, the same melody is largely repeated a fourth higher, in the key of D, with the final section replaced by desending sixths to the dominant chord, E, before repeating the melody again. In the second repeat of the melody, the descending sixths are replaced by ascending sixths finishing on the root an octave above. A middle eight follows of desending chords, starting on the fourth, which becomes minor, and moving through various shapes to a dominant chord, E. The first theme is repeated again, and concludes with descending sixths over an E pedal tone, before resolving to A major to end.
$1.99
1.84 €
#
Guitare
#
Rob Reeves
#
Rob Reeves
#
Etude for Guitar no V.1 in A Major: A damp afternoon
#
Rob Reeves
#
SheetMusicPlus
Andmoreagain
Guitare
Composed by Arthur Lee. Arranged by Steven King. 20th Century, Baroque, Contemporary…
(+)
Composed by Arthur Lee. Arranged by Steven King. 20th Century, Baroque, Contemporary, Jazz, Pop. Individual part. 11 pages. Published by STEVEN KING
$4.99
4.6 €
#
Guitare
#
Arthur Lee
#
Steven King
#
Andmoreagain
#
STEVEN KING
#
SheetMusicPlus
Common Chord Changes of Jazz Standards for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.809097 Composed by Tony Benade. In…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.809097 Composed by Tony Benade. Instructional,Jazz. Individual part. 56 pages. Tony Benade #3480701. Published by Tony Benade (A0.809097). The Common Chord Progressions of Jazz Standards is part two of the study, Jazz, The Language of Music. Once a student has mastered their basic mechanics of the scales, chords and chord functions, it becomes important to become familiar with the normal chord progressions that are used in many of the jazz standards. There are many chord patterns that are repeated over and over again. Being able to recognize them quickly in any key becomes a very valuable tool.
$24.95
23.01 €
#
Guitare
#
Tony Benade
#
Common Chord Changes of Jazz Standards for Guitar
#
Tony Benade
#
SheetMusicPlus
Steve Kaufman's Favorite Celtic Jigs & Waltzes for Guitar
Guitare
Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.21220EB Co…
(+)
Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.21220EB Composed by Steve Kaufman. Solo/Transcriptions, World. Celtic / Irish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21220EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21220EB). ISBN 9781619114746. 8.75x11.75 inches.Steve Kaufman, three-time National Flatpicking Champion, does it again. This edition brings us Steve's favorite jigs and waltzes transcribed for guitar. This large collection will build your repertoire as well as help you develop more ideas, licks and runs for arranging your own melodies. Companion audio is available for this title in which all the songs are played note for note at about 3/4 speed.
$19.99
18.44 €
#
Guitare
#
Steve Kaufman
#
Steve Kaufman's Favorite Celtic Jigs & Waltzes for Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Breathe Again
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1242292 By Toni Braxton. This editi…
(+)
Easy Guitar (no TAB) - Digital Download SKU: HX.1242292 By Toni Braxton. This edition: scorch. Jazz,Pop,R & B,Rock. Score. 2 pages. Hal Leonard - Digital #685. Published by Hal Leonard - Digital (HX.1242292).
$2.99
2.76 €
#
Guitare
#
Toni Braxton
#
Breathe Again
#
Hal Leonard - Digital
#
SheetMusicPlus
Fairylands
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q20921 6 Arpeggio Studi…
(+)
Guitar - easy to intermediate - Digital Download SKU: S9.Q20921 6 Arpeggio Studies. Composed by Olivier Mayran de Chamisso. This edition: Sheet music. Downloadable. Schott Music - Digital #Q20921. Published by Schott Music - Digital (S9.Q20921). In this collection of concert studies, Olivier Mayran de Chamisso (*1955) shows once again his mastery both as an instrumentalist and as a composer. He manages to bring out effectively in his programmatic pieces a variety of arpeggio techniques and the associated tonal peculiarities of the guitar. Their style and diction are reminiscent of the great tradition of the Spanish Romantic school of Francisco Tárrega, Miguel Llobet, but also of the great studies of Heitor Villa-Lobos. Pieces of medium difficulty to add to the concert and recital repertoire.
$11.99
11.06 €
#
Guitare
#
Olivier Mayran de Chamisso
#
Fairylands
#
Schott Music - Digital
#
SheetMusicPlus
The Coventry Carol
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1305680 Composed by Traditional. A…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1305680 Composed by Traditional. Arranged by Simon James. Christmas,Classical,Contemporary,Historic,Medieval. Individual part. 5 pages. DML #895135. Published by DML (A0.1305680). The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry in England as part of a mystery play called The Pageant of the Shearmen and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. The music contains a well-known example of a Picardy third. The melody sits well on the guitar, so much so that this arrangement is based on changing key from E minor to A minor to D minor and back again to E minor with the melody always present. In the D minor variation the tune is in the bass.
$2.99
2.76 €
#
Guitare
#
Traditional
#
Simon James
#
The Coventry Carol
#
DML
#
SheetMusicPlus
Etude No 10 opus 60 for Guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.742404 Composed by Matteo Carcassi…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.742404 Composed by Matteo Carcassi. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3007597. Published by Arte Nova Music Lab (A0.742404). Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuosoconcert guitarist.He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. Taken from https://en.wikipedia.org/wiki/Matteo_Carcassi
$5.00
4.61 €
#
Guitare
#
Matteo Carcassi
#
Arte Nova Music Lab
#
Etude No 10 opus 60 for Guitar
#
Arte Nova Music Lab
#
SheetMusicPlus
The Last Waltz
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1298656 By Engelbert Humperdinck. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1298656 By Engelbert Humperdinck. By Barry Mason and Les Reed. Arranged by Peng Chen. Jazz,Pop,Romantic Period. Individual part. 4 pages. JCmusic.com #888534. Published by JCmusic.com (A0.1298656). This song for intermediate fingerstyle performance, I played it with capo on 2nd fret, speed of 108 BPM. I added some jazz chords and wrote a different ending for it, I also changed the rhythm to swing which make me feel smoother. During the recording, I tried again to create my own guitar tone. I used my Boss OC-5 pedal to create an extra bass track and carefully mixed with the original guitar sound. I recommend you use headphones when watch my youtube video.
$9.99
9.21 €
#
Guitare
#
Engelbert Humperdinck
#
Peng Chen
#
The Last Waltz
#
JCmusic.com
#
SheetMusicPlus
Nadir
Guitare
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20t…
(+)
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
8.29 €
#
Guitare
#
Apostolos Paraskevas
#
Nadir
#
Silver Sickle Publications
#
SheetMusicPlus
Lua Nascente
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Ol…
(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa. Classical,Contemporary,Jazz,Latin,Multicultural,World. Individual part. 4 pages. Leo Costa #853791. Published by Leo Costa (A0.1260598). Lua Nascente is a work for solo guitar which brings deep references to Brazilian regional rhythms such as ijexá, maracatu and baião.The original and virtuoso arrangement, written by the artist himself, brings references from popular music closer to the erudite universe without losing the connection with the lyrical narrative that makes it sound like a song. Influenced by great names in Brazilian guitar such as João Pernambuco, Garoto and Paulo Bellinati, Leo Costa proposes his own look at the instrument. It brings complex sonority due to the diversity of elements worked on the same instrument. Starting with low dynamics, full of natural harmonics, the music gradually grows and shows the clearest and strongest notes, reaching the fortissimo at its peak, to fall again afterwards, bringing precisely the figurative sense of a nocturnal trip/journey, with ups and downs, in the light of an imaginary moon that illuminates the Brazilian hinterland and our interior.The music follows unusual paths but at the same time brings constancy in the repetitive marking of the bass, proposing to be a reduced form of the rhythmic orchestra of an ijexá.
$5.00
4.61 €
#
Guitare
#
Leo Costa
#
Leo Costa
#
Lua Nascente
#
Leo Costa
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.46 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arran…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00
13.83 €
#
Guitare
#
Various
#
Socrates Arvanitakis
#
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
#
Socrates Arvanitakis
#
SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.06 €
#
Guitare
#
Edwin Culver
#
Edwin Culver: a bridge a-way, exits within
#
Edwin Culver
#
SheetMusicPlus
Black Falcon
Guitare
Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th C…
(+)
Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Published by Gyre Music (A0.1015930). Black Falconby Frank A. Wallaceguitar soloDuration: 9 minutes; 7 pagesSkill level: large stretches and fast scalesWritten: March, 2013, for Edel MuñozInstrumentation: classical guitar soloRecording: on Elemental CD by Frank Wallace for Gyre, 2014; and a single FLAC file also by Frank Wallace on GyreBlack Falcon is a guitar solo written for Cuban guitarist Edel Muñoz, who I first met at the 2011 St. Joseph Guitar Festival. Edel had returned to St. Joseph to perform his competition winner’s concert. We met again at Classical Minds in Houston in June 2012 at which point we got to hear each others’ concerts. Edel is one of the most suave and subtle yet powerful players I have ever heard. I was thrilled that he asked me to write a piece for him.At the time of composition I generally used various techniques for generating musical ideas developed over the previous years. But I tossed those ideas out the door and wrote from pure inspiration. The result is my first piece that uses the octatonic, or diminished scale. It alternates between dramatic chordal outbursts and flowing bass melodies. Black Falcon is in two sections: Larghissimo in 4/2 and Allegro in 12/8. This is a pattern I have used in several solo works and one duo that I call my Raptor Series.All Gyre Publications are ASCAPGyre PublicationsCopyright ©2013 Frank A. WallaceCover photography and design by Nancy KnowlesAll rights reserved.
$10.95
10.1 €
#
Guitare
#
Frank A
#
Black Falcon
#
Gyre Music
#
SheetMusicPlus
Smiles
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1102120 By Gilbert Piger. By Gilbe…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1102120 By Gilbert Piger. By Gilbert Piger. Arranged by Gilbert Piger. Classical,Contemporary. Individual part. 4 pages. GJP Productions #705517. Published by GJP Productions (A0.1102120). Now that the mask are off, we can Smile again.
$12.00
11.07 €
#
Guitare
#
Gilbert Piger
#
Gilbert Piger
#
Smiles
#
GJP Productions
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.46 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Four Short Single Focus Compositions for Guitar Solo
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Nieba…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00
4.61 €
#
Guitare
#
Scott A
#
Four Short Single Focus Compositions for Guitar Solo
#
Ponticello Music
#
SheetMusicPlus
Kickin'
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1164340 Composed by Doug Smith. Cl…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1164340 Composed by Doug Smith. Classical,Country,Folk,Instructional. Individual part. 5 pages. Doug Smith Guitar Studio #764687. Published by Doug Smith Guitar Studio (A0.1164340). Kickin' is a folk style Pima arpeggio piece that begins in A Major and modulates to F Major and then back to A major again.Commom basic chords are used throughout. There is an Eb chord in the third position that introduces the use of a full barre.
$1.99
1.84 €
#
Guitare
#
Doug Smith
#
Kickin'
#
Doug Smith Guitar Studio
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.46 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Three Easy Pieces - for solo guitar
Guitare
Solo Guitar - Digital Download SKU: A0.1029206 Composed by Joe Bugden. Contemporary…
(+)
Solo Guitar - Digital Download SKU: A0.1029206 Composed by Joe Bugden. Contemporary. Individual part. 12 pages. Joe Bugden #4762165. Published by Joe Bugden (A0.1029206). Three Easy Pieces for solo guitar1 - As a Dog returns to its Vomit, so is a Fool destined to repeat his Folly2 - Caution, lest you Kill what you Love and you become what you Despise3- And then, again, predictably, the Revolutionary becomes the Dictator.By Joe Bugden.
$1.99
1.84 €
#
Guitare
#
Joe Bugden
#
Joe Bugden
#
Three Easy Pieces - for solo guitar
#
Joe Bugden
#
SheetMusicPlus
Els Segons Temps
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.994725 Composed by Darian Stavans.…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.994725 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Individual part. 32 pages. Music Studio #4327163. Published by Music Studio (A0.994725). Els Segons Temps.Els Segons Temps - Guitar Music / Album Els Segons Temps by Darian Stavans.Els Segons Temps (The Second Times) is a very personal work for its composer. The music looks back to his origin and disarms conflicts as it resolves his emotional corners leading him to transform interior refinement into a delicious score. One would assume that the title of the album bespeaks second opportunities, but in fact that’s not the case. Likewise, the title in Catalan references nothing more that a very good friend of the artist’s. What really matters about this album, however, is its virtue of translating into sound the forcefulness of its author’s intimate life bereft of its complex acts and facts that serve only as a source of inspiration for musical delight. Guitarist Jaime Narváez renders an extraordinary interpretation of this work conveying its very foundation and origin. Listening to and understanding the force of this beautiful manuscript makes this an album one returns to time and again.1.- Próleg / Prólogo2.- En Mig / En Medio3.- Els Segons Temps / Los Segundos Tiempos4.- Llindar / Umbral5.- El Poder I la Gloria / El Poder y La Gloria6.- Epileg / EpÃlogoGuitar Music work.30 pages.Duration: 37:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$19.99
18.44 €
#
Guitare
#
Darian Stavans
#
Els Segons Temps
#
Music Studio
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
