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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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Non classifié
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PIANO & CLAVIERS
Piano seul
569
Piano, Voix
197
Piano, Voix et Guitare
158
Piano Facile
157
1 Piano, 4 mains
31
Instruments en Do
31
Orgue
30
Accompagnement Piano
9
Piano (partie séparée)
8
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
92
Guitare
67
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
19
Guitare (partie séparée)
15
Basse electrique
9
2 Guitares (duo)
8
Paroles et Accords
6
4 Guitares (Quatuor)
6
3 Guitares (trio)
4
Ensemble de guitares
3
Mandoline
3
Piano, Guitare (duo)
2
Banjo
1
Instrumentations suivantes
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VOIX
Chorale SATB
237
Chorale 3 parties
77
Chorale TTBB
55
Chorale 2 parties
41
Chorale Unison
38
Chorale SSAA
37
Voix Soprano, Piano
22
Voix duo, Piano
7
Voix seule
4
Voix duo
4
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix Tenor
2
Chorale SSATTB
2
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
78
Saxophone (partie séparée)
62
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Quatuor de Saxophones: 4 saxophones
55
Saxophone Alto
52
Flûte traversière et Piano
51
Flûte traversière
47
Clarinette
46
Flûte, Hautbois, Clarinette, Basson
37
Clarinette et Piano
34
Quintette de Saxophone: 5 saxophones
32
Hautbois, Piano (duo)
31
Quatuor de Clarinettes: 4 clarinettes
31
2 Clarinettes (duo)
30
Saxophone Alto et Piano
27
2 Flûtes traversières (duo)
26
Quintette de Clarinettes: 5 clarinettes
24
Saxophone Tenor
23
Ensemble de saxophones
21
Saxophone Tenor et Piano
18
Saxophone, Clarinette (duo)
17
Ensemble de Clarinettes
17
3 Saxophones (trio)
16
Saxophone Soprano et Piano
15
Flûte et Guitare
15
Hautbois
14
Quatuor de Flûtes : 4 flûtes
13
Hautbois (partie séparée)
11
2 Hautbois (duo)
11
3 Clarinettes (trio)
11
Clarinette, Violon (duo)
10
Ensemble de Flûtes
9
Hautbois, Flûte
8
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Saxophone Baryton, Piano
8
Quintette de Flûte : 5 flûtes
8
Flûte, Hautbois, Clarinette (trio)
8
Trio de Flûtes: 3 flûtes
7
Flute (partie séparée)
7
Hautbois, Basson (duo)
7
Clarinette (partie séparée)
6
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
6
Flûte, Saxophone (duo)
6
Clarinette, Guitare (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Trompette (duo)
5
Flûte, Violon
5
Flûte, Clarinette et Basson
4
Clarinette et Alto
3
Cor anglais, Guitare (duo)
3
Saxophone Soprano
3
Clarinette Basse, Piano
3
Quatuor de Flûtes à bec
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
Flûte, Violoncelle
2
Cor Anglais
2
Flûte à bec Soprano, Piano
2
2 Cors Anglais Et Pianoforte
2
Harmonica
2
Saxophone
2
Flûte, Alto et Piano
2
Flûte, Clarinette, Piano (trio)
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Saxophone et Orgue
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Piano (trio)
1
Instruments en Mib
1
Flûte, Violon et Violoncelle
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Trombone (partie séparée)
47
Trompette
44
Trompette (partie séparée)
40
Trombone
38
Trompette, Piano
33
Trombone et Piano
31
Cor et Piano
28
Tuba
24
Cor
24
Tuba et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Trompettes (duo)
16
2 Trombones (duo)
13
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 trombones
10
Cor (partie séparée)
10
Tuba (partie séparée)
8
Quatuor de cuivres: 4 cors
8
Trompette, Trombone (duo)
7
Ensemble de Trombones
7
Quatuor de Cuivres
6
2 Cors (duo)
6
Euphonium, Piano (duo)
5
2 Tubas (duo)
4
Ensemble de Trompettes
4
Bass Clef Instruments
4
4 Tubas
3
Cor anglais, Guitare (duo)
3
3 Trompettes (trio)
3
2 Euphoniums (duo)
2
Cor Anglais
2
2 Cors Anglais Et Pianoforte
2
Trompette, Basson (duo)
1
Euphonium
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Ensemble de Cors
1
Instruments en Sib
1
Tuba et Orgue
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
273
Violon
94
Violon, Violoncelle (duo)
68
Violon et Piano
63
Harpe
49
Trio à Cordes: violon, alto, violoncelle
46
Violoncelle
40
Alto, Piano
38
Violoncelle, Piano
33
Trio à Cordes: 2 violons, violoncelle
30
Alto seul
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violoncelles (duo)
24
2 Violons (duo)
21
Contrebasse (partie séparée)
14
Violon (partie séparée)
13
Contre Basse
12
Violon, Alto (duo)
12
2 Altos (duo)
11
Contrebasse, Piano (duo)
10
Alto, Violoncelle (duo)
8
Quatuor à cordes: 4 violons
7
Alto (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
Trio à Cordes: 2 violons, alto
3
Violoncelle (partie séparée)
3
Trio à cordes: 3 violins
3
Violoncelle, Contrebasse (duo)
3
2 Harpes (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Harpe, Voix
2
Harpe et mandoline
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
4 Contrebasses
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Harpe et Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
406
Orchestre à Cordes
124
Ensemble de cuivres
88
Orchestre
81
Fanfare
80
Ensemble Jazz
47
Cloches
33
Orchestre de chambre
29
Jazz combo
14
Batterie
11
Ensemble de Percussions
9
Marimba
8
Batterie (partie séparée)
7
Percussion (partie séparée)
6
Ensemble d'École
6
Percussion
4
Xylophone, Piano
3
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Vibraphone
2
2 Xylophones
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
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Don't Get Around Much Anymore
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell an…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1327985 Composed by Bob Russell and Duke Ellington. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #915991. Published by Christopher J. Malin (A0.1327985). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Duke Ellington's finer pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. I realise there are 90 versions of this piece. But for the solo jazz guitarist this is the coolest out there! Hand written and tried and true. Sweep the Fmaj.7th and your guitar will get the right feeling of the clarinet line!
$7.00
6.4 €
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Guitare
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Bob Russell and Duke Ellington
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Christopher J
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Don't Get Around Much Anymore
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Christopher J. Malin
#
SheetMusicPlus
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
4.57 €
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Guitare
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.S. Bach for Guitar
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Aaron Larget-Caplan
#
SheetMusicPlus
Getting into Latin Jazz Guitar
Guitare
Composed by John Zaradin. Getting Into. Latin American. E-book and online audio. 96 pages.…
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Composed by John Zaradin. Getting Into. Latin American. E-book and online audio. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.20198BCDEB). - e-book and online audio - Latin American - Mel Bay Publications - Digital Sheet Music
ISBN 9781610651363. This book is a guide to some of the techniques needed for "getting into latin jazz guitar." There are 5 independent sections: References and definition of terms; exercises and/or pieces which demonstrate various guitar techniques; examples of common Rasgueado patterns; the "Riverboat Suite," studies for developing rhythmic ability and appreciation; and pieces in a variety of different Latin styles. The audio, used in conjunction with the written notation, tablature and chord symbols, gives a clear idea of what is required for players and teachers of all levels. It is assumed that the reader is familiar with guitar and music notation, but glossaries of terms are included for reference. There are a variety of patterns which are employed in the different styles of music; the examples show how to "get into" some basic forms. All the techniques described are playable on the fingerstyle guitar, and the pieces themselves are selected and arranged with performance in mind.ISBN 9781610651363. This book is a guide to some of the techniques needed for "getting into latin jazz guitar." There are 5 independent sections: References and definition of terms; exercises and/or pieces which demonstrate various guitar techniques; examples of common Rasgueado patterns; the "Riverboat Suite," studies for developing rhythmic ability and appreciation; and pieces in a variety of different Latin styles. The audio, used in conjunction with the written notation, tablature and chord symbols, gives a clear idea of what is required for players and teachers of all levels. It is assumed that the reader is familiar with guitar and music notation, but glossaries of terms are included for reference. There are a variety of patterns which are employed in the different styles of music; the examples show how to "get into" some basic forms. All the techniques described are playable on the fingerstyle guitar, and the pieces themselves are selected and arranged with performance in mind.
$17.99
16.45 €
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Guitare
#
John Zaradin
#
Getting into Latin Jazz Guitar
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Dan Levenson's Master Collection of Old-Time Tunes
Guitare
Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in stand…
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Guitar - Intermediate - Digital Download SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications - Digital Sheet Music #31088EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31088EB). ISBN 9781513473437. 8.75X11.77 inches.Whether you already play old-time music, or you are just getting started, this is the book for you.áDan LevensonÆs Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in todayÆs sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Song List: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
Song List
: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D û Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
$19.99
18.28 €
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Guitare
#
Dan Levenson's Master Collection of Old-Time Tunes
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.82 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
10.96 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.28 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Joan Baez Suite for Solo Guitar
Guitare
Guitar - intermediate - Digital Download SKU: M0.30647EB Op. 144. Folk. Clas…
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Guitar - intermediate - Digital Download SKU: M0.30647EB Op. 144. Folk. Classical. E-book. 25 pages. Mel Bay Publications - Digital Sheet Music #30647EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30647EB). ISBN 9781513455860. 8.75x11.75 inches.The Joan Baez Suite, op.144 is the last of the great folk song suites written by John Duarte. Stretching back to his English Suite op.31, recorded by Segovia and many others, he brought the folk music of many countries, regions, and artists to life. The Joan Baez Suite, written for the great guitarist, Sharon Isbin, brings together some iconic songs in superb arrangements which will satisfy players and audiences alike.Â
$9.99
9.13 €
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Guitare
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font-family: Arial
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Joan Baez Suite for Solo Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Gnossienne No. 1 (Tablature +)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1156456 Composed by Erik Satie. Ar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1156456 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Instructional,Romantic Period. Individual part. 5 pages. Brian Streckfus #756774. Published by Brian Streckfus (A0.1156456). IMPORTANT NOTE: You get both tablature version and sheet music version in one 5 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Just be careful with your printer settings if you don't want two versions!1. Arranged for guitar2. Tablature added3. Measures and times signature removed reflecting the original composer's ethos. 4. Form simplified so that the piece fits on three pages. D.S. in retrograde is a strange navigation indication, but it seems the most elegant way to save a lot of paper and ink. 5. Slurs added.6. Some left hand fingerings added. I didn't want to add too many to the point where it becomes cumbersome or confusing.
$1.99
1.82 €
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Guitare
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Erik Satie
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Brian Streckfus
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Gnossienne No. 1
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Brian Streckfus
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SheetMusicPlus
Capricio No 11 mp3
Guitare
Guitar - Digital Download SKU: A0.1070161 Composed by Nicolo Paganini. Arranged by …
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Guitar - Digital Download SKU: A0.1070161 Composed by Nicolo Paganini. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards. Accompaniment. Duration 138. John Hurford #4840957. Published by John Hurford (A0.1070161). Caprice No 11 - This piece has a little of everything in it, including most of your techniques and some additional timing sequences to get your head around. It's a great piece of music, fun and challenging. Whether your pushing your technique or just want something different to try, this is defiantly a piece to have a go at. Would suit intermediate/advanced player.
$1.99
1.82 €
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Guitare
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Nicolo Paganini
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John Hurford
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Capricio No 11 mp3
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John Hurford
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SheetMusicPlus
Blue-Eyed Billy-Bob Brown Blues
Guitare
Guitar - Level 3 - Digital Download SKU: A0.497972 By Brett Watchorn. By Brett Watc…
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Guitar - Level 3 - Digital Download SKU: A0.497972 By Brett Watchorn. By Brett Watchorn. Arranged by Brett Watchorn. Blues,Classical,Contemporary,Contest,Festival,Traditional. 8 pages. Brave Music Australia Publishing #111645. Published by Brave Music Australia Publishing (A0.497972). Blue-Eyed Billy-Bob Brown Blues is a fun and swanky blues shuffle for an intermediate guitar trio. The song is remeniscient of classic 12-bar blues tunes with a slight 1950's rock 'n roll edge. This piece is sure to get the audience toes tapping, and the players should have some fun too. Guitar 3 functions as a bass player, with walking bass lines and some groovy little licks. Guitar 1 features solos and melody highlights. Guitar 2 functions as the harmoniser, but also has some counter-melodies and licks too. --- Key: G blues --- Tempo: Recorded at 100bpm --- Time signature: 4/4 --- Feel: Blues shuffle --- Form: In A A B A --- bravemusicaustralia.com.au --- Sunglasses essential! 😎.
$4.99
4.56 €
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Guitare
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Brett Watchorn
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Brett Watchorn
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Blue-Eyed Billy-Bob Brown Blues
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Brave Music Australia Publishing
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SheetMusicPlus
Love Hurts
Guitare
Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleau…
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Guitar - Level 1 - Digital Download SKU: A0.797695 By Ernesto Nazareth. By Boudleaux Bryant. Arranged by Derek Hasted. 20th Century,Classical. 15 pages. Derek Hasted #3550449. Published by Derek Hasted (A0.797695). LOVE HURTS - GUITAR QUARTET/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This gloriously punchy piece has been performed by The Everly Brothers, Jim Capaldi, Roy Orbison and many more!I originally arranged this for my Guitar Workshop and it’s proved a real crowd pleaser at concerts, being easy, upbeat and well-known. The parts lock together securely and even an inexperienced ensemble can play this without a conductor. Yes, this really has been tried and tested in concert many times!A more experienced ensemble will enjoy playing this in a full-length concert - it offers a rewarding sound for little effort and takes away some of the pressure that comes from playing a varied concert!I hope you enjoy performing this piece!
$4.99
4.56 €
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Guitare
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Ernesto Nazareth
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Derek Hasted
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Love Hurts
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Derek Hasted
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SheetMusicPlus
Oracion , Prayer
Guitare
Solo Guitar - Digital Download SKU: A0.978018 Composed by Alfred Feenstra. Concert,…
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Solo Guitar - Digital Download SKU: A0.978018 Composed by Alfred Feenstra. Concert,Contemporary,Wedding,World. Individual part. 3 pages. Alfred Feenstra #4985993. Published by Alfred Feenstra (A0.978018). This prayer has been written very strongly with a feeling of desire. Not clearly for what, but at least to look for contact with a higher spirit and ask for contact. It repeats a lot, as a feeling in a person repeats a lot. Question is to put a lot of feeling in the interpretation of this piece. I played it on a wedding some time ago and I was rewarded, noting after playing it , that some people were crying. What can you wish more to achieve?You can also consider it as a meditation, to get peace in your mind.
$4.00
3.66 €
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Guitare
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Alfred Feenstra
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Oracion , Prayer
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Alfred Feenstra
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SheetMusicPlus
My Old Kentucky Home
Guitare
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.82 €
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Guitare
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Dyptich
Guitare
Guitar - Digital Download SKU: A0.1071678 Composed by Andriy M. Andrushko. 20th Cen…
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Guitar - Digital Download SKU: A0.1071678 Composed by Andriy M. Andrushko. 20th Century,Rock. Accompaniment. Duration 218. Andriy M. Andrushko #3626221. Published by Andriy M. Andrushko (A0.1071678). How to play rock music not having electric instruments? It’s enough to take two classical nylon guitars and you will get the music like this. The track contains not only hard rock licks, but also some pretty melodies and lyrical moments. The track could be used for projects about rock music, classical or electric guitar/guitarists, as well as for any other project, pretending to represent some portion of sarcasm, benevolent humor, awkward or comic character.
$5.05
4.62 €
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Guitare
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Andriy M
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Dyptich
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Andriy M. Andrushko
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SheetMusicPlus
Canto de mi corazon, meditacion, The singing of my heart, meditation
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.978021 Composed by Alfred Feenstra. 20th Century,Concert,Contemporary,World. Individual part. 8 pages. Alfred Feenstra #4986005. Published by Alfred Feenstra (A0.978021). Here again a very special piece for the classical guitar. Now some years later for me, it feels like a kind of monument.A very intense work, hard labour for the right hand. If it flows well you get in a type of trance and then it has an effect that a meditation piece has.I played it for Leo Brouwer some time ago, with the fear that he would not like it al all. But happily, he judged it, like also my Gabriel piece that I played for, as very positive. The video is recorded in the tower of Benavites with a lot of natural acoustics
$4.50
4.11 €
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Guitare
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Alfred Feenstra
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Canto de mi corazon, meditacion, The singing of my heart, meditation
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Alfred Feenstra
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SheetMusicPlus
Acoustic Music Source Book
Guitare
Guitar (all) - Beginning - Digital Download SKU: M0.21665EB Over 200 Old-Time So…
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Guitar (all) - Beginning - Digital Download SKU: M0.21665EB Over 200 Old-Time Songs With Melody Line, Lyrics & Guitar Chords. Composed by Richard L. Matteson, Jr. American Music. Acoustic Music. E-book. Mel Bay Publications - Digital Sheet Music #21665EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21665EB). ISBN 9781619110991. 8.75x11.75 inches.Bill Bay asked me to write a follow up book to my last book, The Bluegrass Pickers Tune Book (20233). If you like Bluegrass music (232 songs) I'd recommend getting that book to add to your collection. The focus of this book, The Acoustic Source Book is on roots and old-time music. The book is focused on the time period from late 1800's until 1940's.There are a few songs from The Bluegrass Book that were too important to be left out. I decided not to use any patriotic and Christmas songs and came up with a list of about 400 songs which eventually was cut down to over 200. During the late 1800's and early 1900's there was an important evolution in American music; the birth of jazz, ragtime, and blues. This was also the period of the phonograph and early commercial recordings. Music from the Minstrel period as well as traditional songs were used as staple for the roots musicians. In the early 1900's there were rags, blues, gospel, Tin-Pan Alley, jug band, spiritual, old-time country and popular songs. I've tried to include some of the well-known songs from every genre to give you a big slice of Americana.There are some great songs that are popular roots, bluegrass and old-time songs today that have never been published. There are also great songs that are not well known that should be played and enjoyed.
$29.99
27.42 €
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Guitare
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Richard L
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Acoustic Music Source Book
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Little Piece in A Minor
Guitare
Solo Guitar - Digital Download SKU: A0.965183 Composed by Robin Thomson. Contempora…
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Solo Guitar - Digital Download SKU: A0.965183 Composed by Robin Thomson. Contemporary. Individual part. 2 pages. Robin Thomson #4833729. Published by Robin Thomson (A0.965183). This piece was originally written for a student as an exercise for the fingers of the left hand. To get full benefit, students should annotate the score with fingering for both hands.The integrity of both voices needs to be maintained as accurately as possible.More advanced students may benefit from playing some of the octaves in the latter part of the score by sliding along the 5th and 3rd strings rather than confining themselves to 1st position.Enjoy
$1.99
1.82 €
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Guitare
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Robin Thomson
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Little Piece in A Minor
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Robin Thomson
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SheetMusicPlus
Bach's Harp (from The Well Tempered Guitarist)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.943124 Composed by Tim Rushworth. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.943124 Composed by Tim Rushworth. Baroque,Concert,Contemporary. Individual part. 3 pages. Tim Rushworth #5208959. Published by Tim Rushworth (A0.943124). Have you ever been frustrated by trying to play Bach’s Prelude in C (from the well tempered clavier) on the guitar? As he wrote it for keyboard, it’s not surprising that it doesn’t quite work, I suppose. Well, after many years of wanting to play it on my guitar, I have realised that unless I learn to play the lute or get a 10 string guitar, it’s not going to happen. The keyboard version is so beautiful that it doesn’t need any alteration, but I have always felt that it should work on guitar, somehow or other.
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4.56 €
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Guitare
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Tim Rushworth
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Bach's Harp
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Tim Rushworth
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SheetMusicPlus
Gabriel
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978016 Composed by Alfred Feenstra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Published by Alfred Feenstra (A0.978016). A very special piece. I had in mind to be in contact with the angel Gabriel and floating with him in space where he must be and does his work to protect people from evil and accidents.If you want to learn to play something very different from all existing guitar work and get a special feeling, try this!!!Best results you get playing it in a space with very nice and full acoustics.
$4.50
4.11 €
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Guitare
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Alfred Feenstra
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Gabriel
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Alfred Feenstra
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SheetMusicPlus
I'm Not The Only One
Guitare
Solo Guitar - Level 1 - Digital Download SKU: A0.992970 By Sam Smith. By James Napi…
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Solo Guitar - Level 1 - Digital Download SKU: A0.992970 By Sam Smith. By James Napier and Sam Smith. Arranged by NYC Guitar School. Pop,R & B. Individual part. 2 pages. NYC Guitar School #3590125. Published by NYC Guitar School (A0.992970). This awesome 5 chord song can be played with just C, E, Am, F and G. If you take NYC Guitar School's Guitar For Near Beginners class, you'll know everything you need to play Get Lucky. For free tutorials visit www.guitarlessons.nyc, and to take online classes, video chat lessons or classes in person in NYC visit www.nycguitarschool.com.
$4.99
4.56 €
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Guitare
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Sam Smith
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NYC Guitar School
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I'm Not The Only One
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NYC Guitar School
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SheetMusicPlus
Dm Times
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Cl…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Classical,Folk,Instructional. Individual part. 6 pages. Doug Smith Guitar Studio #765219. Published by Doug Smith Guitar Studio (A0.1164883). Dm Times is set in the first and second positions in 6/8 time. The rhythmic piece begins with a section of strummed chords that work harmonies off of varying the fingerings to a basic chord pattern. The progression includes some half barres on the first and third frets. A middle section slows the tempo down, and sets a contrasting mood with a melody that moves over the top of a step wise bass line. The piece energetically rerturns to the strumming section and ends in a scalar flourish with lots of slurs to set up the final chords.
$1.99
1.82 €
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Doug Smith
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Dm Times
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Doug Smith Guitar Studio
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SheetMusicPlus
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