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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Second Time
Non classifié
865
Piano & claviers
Piano seul
452
Piano Facile
139
Accompagnement Piano
61
Piano, Voix
61
1 Piano, 4 mains
52
Piano, Voix et Guitare
42
Piano Trio: piano, violon, violoncelle
35
Instruments en Do
33
Orgue
31
2 Pianos, 4 mains
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
39
2 Guitares (duo)
16
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
7
Ukulele
6
Guitare (partie séparée)
6
Mandoline
5
4 Guitares (Quatuor)
4
Mandoline, Guitare (duo)
4
3 Guitares (trio)
2
2 Ukuleles
1
Dulcimer
1
Basse electrique
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
186
Chorale 2 parties
71
Chorale 3 parties
41
Chorale Unison
25
Chorale SSAA
25
Chorale TTBB
18
Voix duo, Piano
15
Voix Soprano, Piano
10
Voix duo
5
Chorale
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quatuor de Saxophones: 4 saxophones
50
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière et Piano
42
2 Flûtes traversières (duo)
42
Flûte, Hautbois, Clarinette, Basson
40
Quintette de Saxophone: 5 saxophones
37
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
26
Clarinette et Piano
26
Clarinette
24
Saxophone, Clarinette (duo)
24
Flûte traversière
20
3 Saxophones (trio)
18
Flûte, Clarinette (duo)
17
2 Hautbois (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Saxophone (partie séparée)
12
Saxophone Tenor et Piano
12
Hautbois, Flûte
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois (partie séparée)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
8
Clarinette et Alto
8
Flûte et Guitare
8
Saxophone Alto
8
Cor anglais, Piano
7
Saxophone Soprano et Piano
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
7
Flûte, Trompette (duo)
7
Flûte, Violon
7
Flûte, Saxophone (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Baryton, Piano
6
Flûte, Clarinette et Basson
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
3 Flûtes à bec (trio)
5
Ensemble de saxophones
5
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
4
Flûte à bec Alto
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
3
Flute (partie séparée)
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Flûte, Violoncelle
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Harpe
1
Saxophone
1
5 Flûtes à bec
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
27
2 Trompettes (duo)
22
Trombone et Piano
22
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres
12
Trombone (partie séparée)
11
Cor
10
2 Cors (duo)
9
Trompette (partie séparée)
9
Cor et Piano
8
Ensemble de Trombones
8
Cor anglais, Piano
7
Trombone
7
Tuba
7
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trio de Cuivres
3
4 Tubas
3
Tuba et Piano
3
Ensemble de Cors
3
2 Tubas (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
1
Cor Anglais
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon, Violoncelle (duo)
180
Violon
160
Trio à Cordes: violon, alto, violoncelle
159
Violon et Piano
68
Violoncelle, Piano
39
Alto, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
29
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
18
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Ensemble de Violons
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Guitare (duo)
1
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre à Cordes
163
Orchestre
74
Ensemble de cuivres
70
Cloches
43
Ensemble Jazz
36
Orchestre de chambre
33
Fanfare
20
Jazz combo
15
Ensemble de Percussions
12
Batterie
4
Batterie (partie séparée)
3
Piano et Orchestre
1
Percussion
1
Marimba
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
A Second Time
Clarinette
Partitions à imprimer
24 partitions trouvées
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1
Just In Time
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Zack Richards
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Just In Time
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Zack Richards
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.894373 Composed by Zack Richards. 20th Century,Contemporary. Individual part. 5 pages. Zack Richards #2113301. Publish...
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Clarinet Solo - Level 4 - SKU: A0.894373 Composed by Zack Richards. 20th Century,Contemporary. Individual part. 5 pages. Zack Richards #2113301. Published by Zack Richards (A0.894373). This solo is based on the octatonic scale, alternating between half steps and whole steps. The use of octave jumps is used to somewhat ground the piece in a tonality of B-flat in contrast to the more chromatic sounds of the octatonic scale. The title, Just In Time, refers to a couple aspects of the piece. Firstly, this was an assignment during my Graduate work in Composition and was finished just in time, only minutes before the deadline. Secondly, being a rhythmically complex piece, careful attention should be paid to playing the piece accurately and in time.
$3.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
#
Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
#
SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
#
AVANCÉ
#
Contemporain
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Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
(+)
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Sonata for Clarinet Solo
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Clarinette
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AVANCÉ
#
Henrique Rabelo
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Sonata for Clarinet Solo
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HENRIQUE PEIXOTO RABELO
#
SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - SKU: A0.1486131 Composed by Henrique Rabelo. Classical,Contemporary,Folk,Medieval,Romantic Period. Individual part. 14 ...
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B-Flat Clarinet Solo - Level 5 - SKU: A0.1486131 Composed by Henrique Rabelo. Classical,Contemporary,Folk,Medieval,Romantic Period. Individual part. 14 pages. HENRIQUE PEIXOTO RABELO #1063188. Published by HENRIQUE PEIXOTO RABELO (A0.1486131). The Sonata for Clarinet Solo was written in Laramie, Wyoming, in 2022. It is dedicated to Blake McGee, who premiered the piece in February of 2023. The sonata is in two movements: Andante con affetto and Ballad. The first movement is in sonata form, written in a neo-romantic style and contrasts the different registers of the clarinet: the rich and beautiful chalumeau register in the first theme, with grim and melancholic character, and the more brilliant higher notes of the clarinet in the second theme, flowing and operatic. The theme on the second movement is meant to entice the imagination of the listener with the image of a minstrel telling of a journey made a long time ago, entertaining the audience with the variations that unfold, only to return with the opening melody back in the end, as if teaching the morals of the story.
$12.00
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
SCARBOROUGH FAIR
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Clarinette
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DÉBUTANT
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Folklorique/Traditionel
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Traditional English
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Alex Nunes Rodrigues
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Garfunkel. Simon &
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SCARBOROUGH FAIR
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Alex Rodrigues
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1197186 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 page...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1197186 Composed by Traditional English. Arranged by Alex Nunes Rodrigues. Traditional. Individual part. 2 pages. Alex Rodrigues #796349. Published by Alex Rodrigues (A0.1197186). Scarborough Fair is a traditional English song dating back to the late 16th century. The music is known for its smooth and captivating melody, with lyrics that speak of an annual fair that took place in the town of Scarborough, England.The song became popular again in the 1960s when it was recorded by artists such as Simon & Garfunkel. Simon & Garfunkel's version added a second melody and lyrics to the traditional song, creating a rich and exciting harmony.The sheet music is suitable for musicians of all levels, from beginners to advanced, and is an excellent choice for anyone who wants to play a classic and timeless song with a modern twist.
$1.99
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Bach: Wachet auf for Alto Clarinet & Piano
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Clarinette
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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E-Flat Clarinet,Piano - Level 2 - SKU: A0.549849 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555017. Published by jmsgu3 (A0.549849). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore. www.jamesguthrie.comWachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation.
$24.95
To Boldly Go
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Clarinette
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INTERMÉDIAIRE
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Contemporain
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Alexander Courage, Gene Rodden
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. ...
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Clarinet Solo - Level 3 - SKU: A0.851132 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Individual part. 5 pages. Sophia Transistor #6302451. Published by Sophia Transistor (A0.851132). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for single clarinet solo performance (or any instrument notated in treble clef in Bb). A symphonic suite arranged for Bb-clarinet instrumentation. This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trumpet brass players. Breething signs and spaces are included. Special spherical effects are notated as well.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid woodwind only Star Trek performance.Score is available in Bb in treble clef with 5 pages in DIN-A4 format.Major high notes that are the climax of a tension bow sometimes end on a high: ringing Ab'' There is even a High ringing Db''' for the very ambitious clarinet player (but the higher notes are also notated one octave lower).Thanks!YouTube Playalong: https://youtu.be/Qf2-xo7nnVYGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für klarinette notiert in Bb im Violinschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Klarinette angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Holzblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Auch spherische Klang-Effekte finden Beachtung.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur gibt es als Klarinette in Bb im Violinschlüssel notiert auf 5 Seiten in DIN-A4.Viele der melodischen Spannungbögen enden auf ein klingendes Ab''Es gibt sogar Stellen, die auf ein hohes klingendes Db''' enden, für alle ambitionierte KlarinettenspielerInnen (nach unten transponieren immer möglich).Epische Filmmusiknoten für Klarinette: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictclarinetArtists: Michael Giacchino, Alexander Courage, Gene RoddenberryArranger: Sophia Johanna TransistorDanke fürs anschauen!TAGS:STAR TREK theme, star trek clarinet, Noten, sheet music, score, arrangement, clarinet arrangement, to boldly go, filmmusic for clarinet, epic film music, Klarinette, Star Trek Klarinette, Star Trek Music, star trek arrangement, Star Trek solo performance, #startrekmusic, #startrektheme, #smppr.
$6.99
The french touch collection - Book 3 : Sea shanties
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Clarinette
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Maëla Raoult
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Maëla Raoult
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The french touch collection -
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Maëla Raoult
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SheetMusicPlus
B-Flat Clarinet Solo - SKU: A0.1219935 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual p...
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B-Flat Clarinet Solo - SKU: A0.1219935 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual part. 27 pages. Maëla Raoult #816303. Published by Maëla Raoult (A0.1219935). Embark on a musical journey with “Book III: Sea Shanties,†thoughtfully arranged by the talented Maëla Raoult, and now available on sheetmusic direct and sheetmusic plus.Dive into the captivating world of “The French Touch’ Collection†as we unveil Book III, a collection of timeless Sea Shanties meticulously selected and expertly arranged by Maëla Raoult. This enchanting repertoire is tailored to nurture the young clarinetist’s development, offering an assortment of the most famous sailors’ songs. A Musical Voyage Within these pages, aspiring clarinetists, both young and old, will have the opportunity to expand their musical repertoire with a selection of beloved sea shanties. Rediscover the merriment of songs such as “Tri Martolod,†“Paddy Doyle’s Boots,†“A Sailor Went to Sea Sea Sea,†“Avec Jean Bart,†“Bonny Was a Warrior,†“Le Père Lancelot,†“Marins de Groix,†“Cheerly Man,†“Au Fait du Mât d’Misaine,†“Amsterdam Maid,†and many more. Perfectly Tailored for Second or Third-Year Clarinetists This method is thoughtfully designed for second or third-year clarinetists, providing an engaging repertoire to practice register transitions on the instrument. Most songs are initially presented in the lower notes and subsequently in the upper octave. These awesome melodies offer a comprehensive approach to improve various technical aspects encountered in the second or third year, including rhythms, articulations, ternary structures, register transitions, nuances, and more—all while enjoying the music. Video accompaniement for Enhanced Autonomy To facilitate your musical journey, each song is thoughtfully linked to a freely accessible video. Simply scan the QR code with your phone or tablet to immerse yourself in the melody of each composition. These videos empower students to learn and practice independently, with or without the guidance of a teacher, and to access the songs at their convenience. The French Touch Collection, Where Learning Meets Fun “The French Touch’ Collection†is the ultimate clarinet method that seamlessly blends learning with enjoyment. Transform yourself into a true musical pirate and bring to life the most renowned sea shanties.“The French Touch’ Collection – Sea Shanties – Book 3†is available in both eBook and print formats, on sheetmusic direct and sheetmusic plus. Don’t miss your chance to become a musical pirate and enjoy the most famous sea shanties.
$19.40
Morning Has Broken
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Clarinette
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548731 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jm...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548731 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415185. Published by jmsgu3 (A0.548731). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Hurt
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Clarinette
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Johnny Cash and Nine Inch Nail
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Antônio S
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Hurt
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Antônio S. Fernandes
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SheetMusicPlus
Clarinet Solo - SKU: A0.503312 By Johnny Cash and Nine Inch Nails. By Trent Reznor. Arranged by Antônio S. Fernandes. Country,Multicultural,Pop,World...
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Clarinet Solo - SKU: A0.503312 By Johnny Cash and Nine Inch Nails. By Trent Reznor. Arranged by Antônio S. Fernandes. Country,Multicultural,Pop,World. Individual part. 2 pages. Published by Antônio S. Fernandes (A0.503312). Hurt is a song by American industrial rock band Nine Inch Nails from their second studio album, The Downward Spiral (1994), written by Trent Reznor. It was released on April 17, 1995 as a promotional single from the album. The song received a Grammy Award nomination for Best Rock Song in 1996. In 2002, Johnny Cash covered Hurt to commercial and critical acclaim. The related music video is considered one of the greatest of all time by publications such as NME. Reznor praised Cash's interpretation of the song for its sincerity and meaning, going so far as to say that song isn't mine anymore. Johnny Cash - Hurt (sheet music) Clarinet #JohnnyCash #Hurt #Clarinet.
$5.00
Wiegenlied (lullaby) by Brahms for Clarinet
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Clarinette
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DÉBUTANT
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Classique
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Johannes Brahms
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Langanho
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Wiegenlied
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Avery Lynn Jordan
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1175742 Composed by Johannes Brahms. Arranged by Langanho. Children,Folk,Romantic Period. Individual part. 1 pa...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1175742 Composed by Johannes Brahms. Arranged by Langanho. Children,Folk,Romantic Period. Individual part. 1 pages. Avery Lynn Jordan #775863. Published by Avery Lynn Jordan (A0.1175742). This arrangement was adapted for clarinet, aiming to be practical and efficient for the interpreter, where it can be used in various environments, whether academic or professional. The music is Brahms' Lullaby Op. 49, which was dedicated to his friend Bertha Faber upon the birth of her son. The first verse is a German folk poem, while the second verse was written by Georg Scherer, a writer of the time.
$1.99
Wiegenlied (lullaby) by Brahms for Clarinet and Chords
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Clarinette
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DÉBUTANT
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Classique
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Johannes Brahms
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Langanho
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Wiegenlied
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Avery Lynn Jordan
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1175740 Composed by Johannes Brahms. Arranged by Langanho. Children,Folk,Romantic Period. Individual part. 1 pa...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1175740 Composed by Johannes Brahms. Arranged by Langanho. Children,Folk,Romantic Period. Individual part. 1 pages. Avery Lynn Jordan #775861. Published by Avery Lynn Jordan (A0.1175740). This arrangement was adapted for clarinet with chord symbols, aiming to be practical and efficient for the interpreter, where it can be used in various environments, whether academic or professional. The music is Brahms' Lullaby Op. 49, which was dedicated to his friend Bertha Faber upon the birth of her son. The first verse is a German folk poem, while the second verse was written by Georg Scherer, a writer of the time.
$2.99
In Dreams, When We've Not Met
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Clarinette
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Stephen Brown
The tit
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Stephen Brown
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In Dreams, When We've Not Met
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon & piano - SKU: IZ.CMS144 Composed by Stephen Brown. Score and Parts. 25 pages. Imagine Music - Digital #CMS144. Published by Imagine M...
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Clarinet, bassoon & piano - SKU: IZ.CMS144 Composed by Stephen Brown. Score and Parts. 25 pages. Imagine Music - Digital #CMS144. Published by Imagine Music - Digital (IZ.CMS144). 9 x 12 in inches.For Clarinet, Bassoon & PianoBy Stephen BrownThe title of this work comes from a poem by Philip Larkin:Now, watching the red east expand, I wonder love can have already setIn dreams, when we've not metMore times than I can number on one hand.The melody should sound suitably wistful. Then, after a rhythmic, ostinato-based interlude, the second theme is a big romantic tune for the bassoon, to give that instrument the (all-too-rare) opportunity to show off its lyrical strength.Includes optional parts for Clarinet in A and Clarinet in Bb.
$16.00
The Power Of Love
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Clarinette
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Laura Brannigan
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Jan Shé
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The Power Of Love
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Jan She
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SheetMusicPlus
Clarinet Solo - SKU: A0.939960 By Laura Brannigan. By Candy Derouge and Gunther Mende. Arranged by Jan Shé. Contemporary,Pop. Individual part. 8 page...
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Clarinet Solo - SKU: A0.939960 By Laura Brannigan. By Candy Derouge and Gunther Mende. Arranged by Jan Shé. Contemporary,Pop. Individual part. 8 pages. Jan She #2998933. Published by Jan She (A0.939960). Wondering what clarinet music to play at that wedding, that party, that concert, or that event? Did you think of playing Power of Love but didn’t have the time to transcribe, transpose, and arrange it for the clarinet?A pop standard popularized by Air Supply, Celine Dion, and Jennifer Rush, this song is well-loved around the world for its big romantic emotion. Now a clarinetist can easily play it with rock band, jazz band, or any other kind of band, or just piano.Since this is a lead sheet, the sky's the limit in terms of your interpretations! This lead sheet in Bb comes with a lead sheet in C for those folks accompanying the clarinet.A great song for students and schools as well as polished professionals.Even works great for church services of any denomination, since the topic is very generally about love. The Air Supply music video even ends in a church.If you want to take your performance of Power of Love to the next level, take a cue from Air Supply and Celine Dion and be very free with the rhythm of the melody towards the beginning. Then get more and more steady with the rhythm towards the end of the song.A huge hit in the 80s, this song made a big comeback with Celine Dion in the 90s. She has used the song in all her tours since then. It’s a pop standard.Duration: 4 minutes 17 seconds.Member of ASCAP.Contact arranger and composer Jan Shé at his website www.JanShe.com.
$4.99
Still, Still, Still - Clarinet Solo
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Musique Sacrée
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Traditional
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Still, Still, Still - Clarinet
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Music-Scores.com
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.721705 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Individual part...
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Clarinet Solo - Level 4 - SKU: A0.721705 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Individual part. 1 pages. Music-Scores.com #4982001. Published by Music-Scores.com (A0.721705). Still, Still, Still is a lovely Austrian carol. It is a lullaby and must be played as though rocking a cradle. The embellishments must be played in a very peaceful manner, and can be simplified if necessary. The words of the carol refer to falling snow, the hushed world sleeping, and dreaming of joyous days to come.This arrangement is for unaccompanied Clarinet.Playing time about 2 minutes, 30 seconds.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
Tell Me The Old Old Story, for Clarinet Solo
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Clarinette
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INTERMÉDIAIRE
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William Howard Doane
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Nigel Williams
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Tell Me The Old Old Story, for
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Nigel Williams
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.763395 Composed by William Howard Doane. Arranged by Nigel Williams. Folk,Instructional,Lent,Standards. Individual par...
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Clarinet Solo - Level 3 - SKU: A0.763395 Composed by William Howard Doane. Arranged by Nigel Williams. Folk,Instructional,Lent,Standards. Individual part. 1 pages. Nigel Williams #5337567. Published by Nigel Williams (A0.763395). This great hymn tune is ideally suited to a solo clarinet piece. After a short intro the first verse is reasonably straight. The second verse is more embellished and explores the full range of the instrument and employs different articulations. Ideal repertoire for the student working at home and also ideal in a service of worship at anytime during the year. The performance duration is comfortably over two minutes. Enjoy browsing my many solo, duet, trio and ensemble arrangements on SMP.
$2.19
Suite Parisiana
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Clarinette
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Patrice Bernard
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Suite Parisiana
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Bb Clarinet Piano - Grade 4 - SKU: FX.FX072392 Composed by Patrice Bernard. Original Composition. Classical, Educati...
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Chamber Music & Piano Accompaniment Bb Clarinet Piano - Grade 4 - SKU: FX.FX072392 Composed by Patrice Bernard. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX072392. Published by FLEX Editions - Digital Sheet Music (FX.FX072392). Built as a series of small paintings, this suite features a portrait of Paris, the City of Light, that will make you travel through time and space. Good scenery... good work! - Patrice Bernard ; Instruments: 1 Bb Clarinet 1 Piano; Difficuly Level: Grade 4; Duration: 9 minutes 10 seconds; Musical Style: Classical, Educational; Category: Original Composition; Composer: Patrice Bernard;.
$21.95
The Easy Winners - Long Version: 3 Clarinets and Bass Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Scott Joplin
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Anne Christopherson GRSM ARCM
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The Easy Winners - Long Versio
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet Solo - Level 4 - SKU: A0.721573 Composed by Scott Joplin. Arranged by Anne Christopherson GRSM ARCM. Concert,Ragtime,Wedding. Individual p...
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Bass Clarinet Solo - Level 4 - SKU: A0.721573 Composed by Scott Joplin. Arranged by Anne Christopherson GRSM ARCM. Concert,Ragtime,Wedding. Individual part. 14 pages. Music-Scores.com #4806183. Published by Music-Scores.com (A0.721573). The Easy Winners theme is a gently swaying ragtime melody, illustrating how some people just win everything, so easily!Duration about 3 minutes, 40 seconds with repeats.Arranged for 3 Clarinets and Bass Clarinet.Arranged by Anne Christopherson GRSM ARCM at www.music-scores.com.
$7.95
English Suite No. 3: Gavotte - Clarinet and Bass Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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English Suite No. 3: Gavotte -
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Music-Scores.com
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.721414 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. I...
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Clarinet Solo - Level 4 - SKU: A0.721414 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Individual part. 4 pages. Music-Scores.com #4604975. Published by Music-Scores.com (A0.721414). Gavotte from English Suite No. 3, arranged as a duo for Clarinet and Bass ClarinetPlaying Time 1 minutes 45 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
Bourrée - Clarinet and Bass Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Bourrée - Clarinet and
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Music-Scores.com
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.721415 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. I...
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Clarinet Solo - Level 4 - SKU: A0.721415 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Individual part. 4 pages. Music-Scores.com #4604977. Published by Music-Scores.com (A0.721415). This Bourrée is the 6th movement of 2nd Suite for Lautenwerk or Lute-Harpsichord, which is a harpsichord strung with soft sounding gut strings, instead of metal. This 6th Clarinet and Bass Clarinet duo must be played lightly and delicately. It is in the written key of G minor, concert F minor.Playing Time 1 minute 10 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
BourreÌe 6th movement of 2nd Suite for Lautenwerk or Lute-Harpsichord - 2 Clarinets in Bb
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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BourreÌe 6th movement of 2n
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Music-Scores.com
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.721403 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. I...
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Clarinet Solo - Level 4 - SKU: A0.721403 Composed by Johann Sebastian Bach. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Individual part. 4 pages. Music-Scores.com #4604949. Published by Music-Scores.com (A0.721403). This suite was written for Lute Harpsichord, a harpsichord strung with soft sounding gut strings, instead of metal. This 6th Movement Bourree for Clarinet duo must be played lightly and delicately.Playing Time 1 minute 10 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
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