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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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498
PIANO & CLAVIERS
Piano seul
237
Piano Facile
51
Piano, Voix
44
Orgue
27
Instruments en Do
18
Piano, Voix et Guitare
10
Piano Trio: piano, violon, violoncelle
8
Accompagnement Piano
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Orgue, Piano (duo)
2
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
2 Accordéons
1
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GUITARES
Guitare
29
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2
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2
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1
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1
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1
Dulcimer
1
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1
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1
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1
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VOIX
Chorale SATB
143
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40
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32
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25
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22
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10
Voix Soprano, Piano
8
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2
Voix haute
2
Voix seule
1
Voix duo
1
Voix Tenor
1
Chorale
1
Voix Alto, Piano
1
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VENTS
Flûte traversière et Piano
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Quatuor de Clarinettes: 4 clarinettes
26
Quatuor de Saxophones: 4 saxophones
26
Clarinette et Piano
25
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23
Hautbois, Piano (duo)
21
Saxophone Alto et Piano
21
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Tenor et Piano
15
3 Saxophones (trio)
15
2 Saxophones (duo)
14
Quatuor de Flûtes : 4 flûtes
14
Trio de Flûtes: 3 flûtes
12
Saxophone Tenor
11
Ensemble de Clarinettes
10
Saxophone Alto
9
Saxophone Soprano et Piano
9
Ensemble de Flûtes
9
Saxophone (partie séparée)
8
Saxophone Baryton, Piano
8
3 Clarinettes (trio)
8
Ensemble de saxophones
8
2 Clarinettes (duo)
7
2 Flûtes traversières (duo)
7
Flûte traversière
7
Clarinette Basse, Piano
6
Flûte, Clarinette (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Quintette de Flûte : 5 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette et Basson
5
Clarinette
5
Cor anglais, Piano
5
2 Flûte à bec (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte et Guitare
4
Clarinette, Harpe (duo)
3
Quatuor de Flûtes à bec
3
Clarinette, Basson (duo)
3
Flûte, Violon, Piano
3
Flûte à bec Alto
2
Saxophone, Clarinette (duo)
2
Flûte, Saxophone (duo)
2
3 Flûtes à bec (trio)
2
Hautbois, Harpe
2
Flûte à Bec, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone et Harpe
1
Ensemble de Hautbois
1
Flûte traversière, Basse continue
1
Flûte, Hautbois, Piano (trio)
1
2 Clarinettes, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Trompette (duo)
1
Piccolo, Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Violon (duo)
1
Flûte à bec Soprano, Piano
1
Saxophone Soprano
1
Saxophone et Guitare
1
Flûte à bec Tenor
1
Clarinette et Alto
1
2 Clarinettes, Basson
1
Flûte à Bec
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trombone et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette
19
Trompette, Piano
17
Cor et Piano
15
Trombone
9
Tuba et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Trombone (duo)
7
Euphonium, Piano (duo)
6
2 Trombones (duo)
6
Quatuor de Cuivres
6
Ensemble de Trombones
6
2 Cors (duo)
5
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
5
Trompette (partie séparée)
5
Cor anglais, Piano
5
Trombone (partie séparée)
4
2 Trompettes (duo)
4
Trompette, Cor (duo)
4
Euphonium, Tuba (duo)
3
Tuba et Orgue
3
Ensemble de Trompettes
3
3 Tubas (trio)
3
Tuba
2
Trompette, Harpe
2
Cor et Harpe
2
2 Tubas (duo)
2
Ensemble de Cors
2
Trio de Cuivres
2
2 Euphoniums et 2 Tubas
2
3 Cors (trio)
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse
1
Trombone basse et Piano
1
Bass Clef Instruments
1
4 Tubas
1
Trompette, Saxophone (duo)
1
3 Trombones (trio)
1
Cor
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon et Piano
56
Alto, Piano
32
Violon
30
Violoncelle, Piano
29
Harpe
20
Trio à Cordes: violon, alto, violoncelle
18
Violoncelle
17
Trio à Cordes: 3 violoncelles
9
Contrebasse, Piano (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
2 Violons (duo)
9
Trio à cordes: 3 violins
8
Violon, Violoncelle (duo)
7
4 Violoncelles
6
Violon, Alto (duo)
6
Alto seul
6
2 Harpes (duo)
5
Harpe, Flûte (duo)
5
Violoncelle (partie séparée)
4
Violon (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, alto
3
2 Altos (duo)
3
Contre Basse
2
Trio à cordes: 3 altos
2
2 Violons, Piano
2
Ensemble de Violons
2
Alto et Harpe
2
Ensemble d'Altos
2
Alto (partie séparée)
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Alto, Violoncelle (duo)
1
Violon, Violoncelle, Clarinette
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Harpe, Trombone (duo)
1
Contrebasse (partie séparée)
1
Violoncelle, Orchestre
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
165
Orchestre à Cordes
91
Orchestre
82
Ensemble de cuivres
50
Orchestre de chambre
29
Cloches
24
Jazz combo
14
Ensemble Jazz
6
Vibraphone
2
Batterie (partie séparée)
2
Ensemble de Percussions
2
Marimba
2
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
Marimba, Piano (duo)
1
Percussion (partie séparée)
1
Fanfare
1
Batterie
1
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
68.29 €
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Orchestre d'harmonie
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Gregory Fritze
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
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SheetMusicPlus
Concertino for Alto Saxophone and Band
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.755114 Composed by Sy Brandon. 20…
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Concert Band - Level 5 - Digital Download SKU: A0.755114 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 177 pages. Sy Brandon #3392241. Published by Sy Brandon (A0.755114). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion. The score prints on legal size paper and the parts on letter.
$39.99
36.41 €
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Orchestre d'harmonie
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Sy Brandon
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Concertino for Alto Saxophone and Band
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Sy Brandon
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SheetMusicPlus
Now And Then
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1367279 By The Beatles. By George…
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Concert Band - Level 2 - Digital Download SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci. Pop,Rock. 73 pages. Lorenzo Bocci #951636. Published by Lorenzo Bocci (A0.1367279). NOW AND THEN The Beatlesfor Concert Band - Grade 3 - Digital Download Composed by Richard Starkey, John Lennon, Paul McCartney, George Harrison. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'05''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Acoustic Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Now and Then is a ballad that John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology. Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. The song has been released on 2 November 2023 on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962). Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United States.Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
99.25 €
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Orchestre d'harmonie
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The Beatles
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Richard Starkey, John Lennon, Paul McCartney, George Harrison
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Lorenzo Bocci
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Now And Then
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Lorenzo Bocci
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SheetMusicPlus
Scotland
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1202551 Composed by Kobi Wright. …
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Concert Band - Level 3 - Digital Download SKU: A0.1202551 Composed by Kobi Wright. Contest,Festival. Score and parts. 22 pages. Kobi Wright #801292. Published by Kobi Wright (A0.1202551). This four-section piece is inspired by the stunning landscapes and rich cultural traditions of Scotland. With its energetic 6/8 rhythm and soaring melodies, I hope to transport you to the rolling hills and misty moors of the Scottish Highlands. The first section sets the stage with a lively introduction featuring the full band. Next it takes us on a musical adventure through the rugged terrain of Scotland, complete with driving percussion and soaring woodwind melodies. In the third section we get a nice chordal chromatic section. Finally, the fourth section brings the piece to a triumphant conclusion and the band comes together in a grand finale.
$45.00
40.98 €
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Orchestre d'harmonie
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Kobi Wright
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Scotland
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Kobi Wright
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SheetMusicPlus
Celebration for Winds and Percussion
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.525113 Composed by Eben A. Fernan…
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Concert Band - Level 4 - Digital Download SKU: A0.525113 Composed by Eben A. Fernando Heldreth. Classical,Contemporary,Contest,Festival. Score and parts. 201 pages. Eben A. Fernando Heldreth #135646. Published by Eben A. Fernando Heldreth (A0.525113). CELEBRATION FOR WINDS & PERCUSSION (2021) by Eben A. Fernando Heldreth Instrumentation: Concert Band Difficulty Level: Grade 3.5 - 4 Duration: 6' 30 PROGRAM NOTES This concert band work will be comprised of three movements. The first movement is a fanfare, which features brass and percussion. The second movement is slow and song-like and mostly features the woodwind section. The final and third movement is a quirky dance. This piece also includes a variety of time signatures. For more information visit EAFH Music website: www.eafhmusic.com.
$150.00
136.59 €
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Orchestre d'harmonie
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Eben A
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Celebration for Winds and Percussion
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Eben A. Fernando Heldreth
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SheetMusicPlus
Oldest and Finest Concert March (Score)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.796594 Composed by Gary D. Belsha…
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Concert Band - Level 4 - Digital Download SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Published by DR GARY D BELSHAW (A0.796594). Conductor's Score. 24 pages, letter format sheets. Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The set of parts is also available right here in Sheet Music Plus.
$8.00
7.28 €
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Orchestre d'harmonie
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Gary D
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Oldest and Finest Concert March
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DR GARY D BELSHAW
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SheetMusicPlus
Oldest and Finest Concert March (Complete)
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.796595 Composed by Gary D. Belsha…
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Concert Band - Level 4 - Digital Download SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Published by DR GARY D BELSHAW (A0.796595). Set of Parts. 194 pages, letter format sheets, intended to be printed in booklet format; blank sheets are included to make each part come out with the appropriate number of pages.Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The conductor's score is available separately right here in Sheet Music Plus.
$65.00
59.19 €
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Orchestre d'harmonie
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Gary D
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Oldest and Finest Concert March
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DR GARY D BELSHAW
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SheetMusicPlus
Gymnopédie No.1 - Eric Satie - Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.569465 Composed by Erik Satie. Ar…
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Concert Band - Level 2 - Digital Download SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pages. Thomas Graf - the-hit-factory.com #6355159. Published by Thomas Graf - the-hit-factory.com (A0.569465). This piece is perfect as warm up for your band. It will settle up a good intonation while feeling the warmth of this heart taking melody and harmony. It goes through 4! Different keys, from Bb over C, Db to the original key D-Major. So for wind players it might be a great challenge to master the original key, while Bb-major would be the perfect starter key for a rehearsal. The Gymnopédies are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, however they were at first published individually: the first and the third in 1888, the second in 1895. Instrumentation: All Band Instruments, including Piano. Part I (8vb) Baritone Horn, Part I (8vb) Horn in F, Part I (8vb) Tenor Saxophone, Part I (8vb) Trombone, Part I Alto Saxophone, Part I Clarinet 1 in Bb, Part I Flute, Part I Oboe, Part I Trumpet in Bb, Part II Alto Saxophone, Part II Clarinet 2 in Bb, Part II Horn in F, Part II Tenor Saxophone, Part II Trombone, Part II Trumpet in Bb, Part III Baritone, Part III Horn in Eb, Part III IV Alto Saxophone, Part III IV Clarinet 3 in Bb, Part III IV Horn in F, Part III IV Trumpet in Bb, Part III Tenor Saxophone, Part III Trombone, Part IV Bassoon, Part IV Euphonium, Part IV Horn in Eb, Part IV Tenor Saxophone, Part IV Trombone, Part V Baritone Saxophone, Part V Bass Clarinet in Bb, Part V Bass in Bb, Part V Bass in Eb, Part V Bassoon, Part V Tuba B.-Trombone E-Bass, Piano, Listen to the video recording - a challenge for your ensemble. .
$29.99
27.31 €
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Orchestre d'harmonie
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Erik Satie
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Thomas Graf
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Gymnopédie No.1 - Eric Satie - Concert Band
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Elegy Sentimentale for Concert Band
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contempor…
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Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.32 €
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Orchestre d'harmonie
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Keith Terrett
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Elegy Sentimentale for Concert Band
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Keith Terrett
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SheetMusicPlus
Double Concertino (for Tenor Saxophone, Tuba and Concert Band)
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.934343 Composed by Luis Cardoso. Contempora…
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Concert Band - Digital Download SKU: A0.934343 Composed by Luis Cardoso. Contemporary. Score and parts. 228 pages. Luis Cardoso #4632793. Published by Luis Cardoso (A0.934343). The concerto is in three movements, following the usual quick-slow-quick pattern. The first movement is very energetic, with a predominantly rhythmic structure. The second movement has a melodious song that will be developed exploiting the sound resources of the wind band, with the constant intervention of the soloists. The third movement represents a struggle between the two soloists, assisted by the band and recovery the constant rhythmic tension.This work was created as a result of a challenge from the tuba player Sérgio Carolino, being very demanding for the soloists. Was dedicated toSérgio Carolino and Mário Marques, who were soloists at the premiere whit the Banda Sinfónica Portuguesa, conducted by the composer in
$200.00
182.12 €
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Orchestre d'harmonie
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Luis Cardoso
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Double Concertino
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Luis Cardoso
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SheetMusicPlus
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph H…
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Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
40.98 €
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Orchestre d'harmonie
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.66 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Coventry Carol for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.979775 Composed by Anon. Arranged…
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Concert Band - Level 3 - Digital Download SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 38 pages. Monkspath Music #6098173. Published by Monkspath Music (A0.979775). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all bands of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur wind bands / concert bands / wind orchestras.
$39.99
36.41 €
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Orchestre d'harmonie
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Anon
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Robert Luke Thompson
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Coventry Carol for Concert Band
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Monkspath Music
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
2 Andean Airs (Band)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1369577 Composed by Edgar F Girta…
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Concert Band - Level 2 - Digital Download SKU: A0.1369577 Composed by Edgar F Girtain IV. Contemporary,Contest,Festival,Multicultural,World. 70 pages. Edgar F. Girtain IV #953943. Published by Edgar F. Girtain IV (A0.1369577). Since relocating to Southern Chile in 2016, composer Edgar Girtain has been immersed in the music of his adopted home, frequently performing with folk musicians in rural areas through the Los Lagos region. Two Andean Airs draws on a folkmusic style native to northern Chile (cultures of the Andean Plateau). The first piece was drawn from the third of composer's well-known Trios for Flute, Violin and Cello, while the second comes from a suite of Huaynos composed and arranged for a latin-american orchestra ofstudents that the composer co-directs in Puerto Montt. Both are outdoor style pieces, typical of what might be heard performed by brass or pan-flute bands at religious festivals in the deserts of northern Chile.
$80.00
72.85 €
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Orchestre d'harmonie
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Edgar F Girtain IV
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2 Andean Airs
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Edgar F. Girtain IV
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SheetMusicPlus
Arizona Centennial Overture - Band Version
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.41 €
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Orchestre d'harmonie
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Sy Brandon
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Arizona Centennial Overture - Band Version
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Sy Brandon
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SheetMusicPlus
Deutschlandlied - Inno Nazionale Tedesco
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1517401 Composed by A. H. Hoffman…
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Concert Band - Level 1 - Digital Download SKU: A0.1517401 Composed by A. H. Hoffmann von Fallersleben and Franz Joseph Haydn. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 31 pages. Lorenzo Bocci #1091562. Published by Lorenzo Bocci (A0.1517401). DEUTSCHLANDLIED - Inno Nazionale Tedescofor Concert Band - Grade 2,5 - Digital Download Composed by Franz Joseph Haydn, A. H. Hoffmann von Fallersleben. Arranged by Lorenzo Bocci. March/Patriotic/Traditonal/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 1'08''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Bb Soprano Saxophone, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Snare Drum, Cymbals, Bass Drum.Additional Parts:Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.This arrangement of the Deutschlandlied presents a small variation from Haydn's original. As you can see, I started the melody from the first beat of the bar instead of the third. In this way all the phrases became thetic instead of anacrusic, gaining a greater simplification of reading.The melody of the Deutschlandlied (German national anthem) was originally composed by Joseph Haydn as the Austrian imperial anthem Gott erhalte Franz den Kaiser and was first performed in 1797. (The lyrics of the Deutschlandlied were written by August Heinrich Hoffmann von Fallersleben in 1841 on Heligoland.) In 1922 it became the national anthem of Germany. In March 1952, President Theodor Heuss declared the third stanza of the Deutschlandlied the national anthem of the Federal Republic of Germany.Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
30.05 €
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Orchestre d'harmonie
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A
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Lorenzo Bocci
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Deutschlandlied - Inno Nazionale Tedesco
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Lorenzo Bocci
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SheetMusicPlus
Third Symphonette for Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1178158 Composed by Walter Scholt…
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Concert Band - Level 3 - Digital Download SKU: A0.1178158 Composed by Walter Scholtes. Traditional. Score and parts. 134 pages. SCHOLTES EDITIONS #778123. Published by SCHOLTES EDITIONS (A0.1178158). The Third Symphonette for Band by Walter Scholtes is a 3-movement work. Appropriate for community bands, high school bands and for many occasions and venues.Traditional harmonies with transparent structure and texture make this work very accessible to players and audiences alike. The movements can also be played as individual pieces. For the first movement, the 'sonata' structure is indicated with the sections noted: Exposition, Development' etc.A condensed conductor's score in C Concert and all parts transposed are supplied (132 pages.)A full transposed conductor's score is available on request (35 pages).
$49.99
45.52 €
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Orchestre d'harmonie
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Walter Scholtes
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Third Symphonette for Band
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SCHOLTES EDITIONS
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SheetMusicPlus
Concerto for Concert Band (2011) full score
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Le…
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Concert Band - Level 4 - Digital Download SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99
9.1 €
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Orchestre d'harmonie
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Second Symphonette for Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1148934 Composed by Walter Scholt…
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Concert Band - Level 3 - Digital Download SKU: A0.1148934 Composed by Walter Scholtes. Contest,Festival,Traditional. Score and parts. 138 pages. SCHOLTES EDITIONS #749064. Published by SCHOLTES EDITIONS (A0.1148934). The Second Symphonette for Band is a 3-movement work. Appropriate for community bands, high schools and many occasions and venues. Traditional harmonies with transparent structure and texture make this work very accessible to players and audiences alike. The first 2 movements are joined, and the third movement could be performed separately. A condensed conductor's score in C Concert and all parts are supplied (136 pages). A full transposed conductor’s score is available on request (39 pages).
$49.99
45.52 €
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Orchestre d'harmonie
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Walter Scholtes
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Second Symphonette for Band
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SCHOLTES EDITIONS
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SheetMusicPlus
Three Pieces for Violoncello and Winds (Score)
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1027796 Composed by Igor Musteata…
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Concert Band - Level 5 - Digital Download SKU: A0.1027796 Composed by Igor Musteata Morarencu. Concert,Contemporary,Standards,World. Score and parts. 71 pages. Igor Musteata Morarencu #2968059. Published by Igor Musteata Morarencu (A0.1027796). This cycle of three pieces for violoncello and winds is a fresh take on the traditional instrumental concerto. Each of the pieces explores a different aspect of the unconventional instrumentation, blending the timbres of the ‘cello, and the wind ensemble. The first piece (Concerto Grosso) features interactions between the instruments where the winds assume organ-like quality. In the second piece (Cancion de Cuna) an elegiac ‘cello solo is supported by the lacy accompaniment of the upper winds. The third piece (Rondo-Cancan) spoofs a third movement of a concerto, giving a humorous and irreverent treatment to quotations taken from music of various genres. Demo sound file includes excerpts from each piece.
$12.95
11.79 €
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Orchestre d'harmonie
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Igor Musteata Morarencu
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Three Pieces for Violoncello and Winds
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Igor Musteata Morarencu
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SheetMusicPlus
Three Pieces for Violoncello and Winds
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1027794 Composed by Igor Musteata…
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Concert Band - Level 5 - Digital Download SKU: A0.1027794 Composed by Igor Musteata Morarencu. Concert,Contemporary,Standards,World. Score and parts. 137 pages. Igor Musteata Morarencu #2966835. Published by Igor Musteata Morarencu (A0.1027794). This cycle of three pieces for violoncello and winds is a fresh take on the traditional instrumental concerto. Each of the pieces explores a different aspect of the unconventional instrumentation, blending the timbres of the ‘cello, and the wind ensemble. The first piece (Concerto Grosso) features interactions between the instruments where the winds assume organ-like quality. In the second piece (Cancion de Cuna) an elegiac ‘cello lament is supported by the lacy accompaniment of the upper winds. The third piece (Rondo-Cancan) spoofs a third movement of a concerto, giving a humorous and irreverent treatment to quotations taken from music of various genres.
$97.95
89.19 €
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Orchestre d'harmonie
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Igor Musteata Morarencu
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Three Pieces for Violoncello and Winds
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Igor Musteata Morarencu
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SheetMusicPlus
Star Trek(R) First Contact
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1475449 Composed by Jerry Goldsmi…
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Concert Band - Level 3 - Digital Download SKU: A0.1475449 Composed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. 58 pages. Lorenzo Bocci #1053000. Published by Lorenzo Bocci (A0.1475449). STAR TREK®: First Contact - Theme From The Paramount Motion Picture Star Trek: First Contactfor Concert Band - Grade 3 - Digital Download - More Star Trek MusicComposed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'46''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes in his feature film debut. It is the eighth movie of the Star Trek franchise, and the second starring the cast of the television series Star Trek: The Next Generation. Jerry Goldsmith scored First Contact, his third Star Trek feature. Instead of composing a menacing theme to underscore the Borg, Goldsmith wrote a pastoral theme linked to humanity's hopeful first contact. The theme uses a four-note motif used in Goldsmith's Star Trek V: The Final Frontier score, which is used in First Contact as a friendship theme and general thematic link. Star Trek: First Contact was released on November 22, 1996, and was the highest-grossing film on its opening weekend. Critical reception was mostly positive. First Contact was nominated for the Academy Award for Best Makeup, and won three Saturn Awards. Subscribe to my YouTube Channel to stay updated on new releases.
$94.00
85.59 €
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Orchestre d'harmonie
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Jerry Goldsmith
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Lorenzo Bocci
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Star Trek(R) First Contact
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Lorenzo Bocci
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SheetMusicPlus
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