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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Philip M
Non classifié
201
Piano & claviers
Instruments en Do
112
Piano seul
58
Piano Facile
12
Piano, Voix
10
Orgue
7
Orgue, Piano (duo)
2
Piano, Voix et Guitare
2
Orgue, Trompette (duo)
1
+ 3 instrumentations
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Guitares
Guitare notes et tablatures
40
Ligne De Mélodie, (Paroles) et Accords
29
Guitare
15
2 Guitares (duo)
1
Paroles et Accords
1
Voix
Pack Instrumental pour Chorale
38
Chorale SATB
24
Chorale 3 parties
6
Chorale Unison
2
Voix seule
1
Chorale TTBB
1
Voix duo, Piano
1
Voix Tenor, Piano
1
Chorale
1
+ 4 instrumentations
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Vents
2 Saxophones (duo)
28
2 Flûtes traversières (duo)
13
Flûte traversière et Piano
13
2 Clarinettes (duo)
13
2 Hautbois (duo)
9
Saxophone Soprano et Piano
8
Clarinette et Piano
8
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
5
Cor anglais, Piano
5
Clarinette Basse, Piano
5
Saxophone Baryton, Piano
5
Flûte traversière
4
Quatuor de Saxophones: 4 saxophones
3
Clarinette
2
Flute (partie séparée)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Violon
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Harpe
1
Saxophone Tenor
1
2 Flûte à bec (duo)
1
Clarinette, Harpe (duo)
1
Hautbois (partie séparée)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Alto
1
Ensemble de Flûtes
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone (partie séparée)
1
+ 25 instrumentations
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Cuivres
2 Cors (duo)
9
Euphonium, Piano (duo)
8
Trompette, Piano
7
Trombone et Piano
6
Cor anglais, Piano
5
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Cor et Piano
3
2 Trombones (duo)
2
Trombone
2
2 Trompettes (duo)
2
2 Euphoniums (duo)
2
Euphonium
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone (duo)
1
Tuba
1
Cor
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
2 Violons (duo)
11
Violon et Piano
11
2 Altos (duo)
10
2 Violoncelles (duo)
10
Violoncelle, Piano
6
Alto, Piano
5
Violon
4
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
2
Alto, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Alto seul
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
7
Cloches
4
Orchestre d'harmonie
3
Orchestre de chambre
2
Orchestre
2
Ensemble de Percussions
2
Fanfare
1
Jazz combo
1
Big band
1
Batterie
1
+ 5 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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Vous avez sélectionné:
Philip M
Orchestre d'harmonie
Partitions à imprimer
3 partitions trouvées
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Our Flirtations
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Wesley Besancon
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Our Flirtations
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesl...
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Concert Band - Level 4 - SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
La Reine D'Amour for solo Cornet and Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Philip Sousa
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John M
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La Reine D'Amour for solo Corn
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zephyrwindmusic.com
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1007973 Composed by John Philip Sousa. Arranged by John M. Laverty. Contemporary. Score and parts. 78 pages. Zephyrwind...
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Concert Band - Level 4 - SKU: A0.1007973 Composed by John Philip Sousa. Arranged by John M. Laverty. Contemporary. Score and parts. 78 pages. Zephyrwindmusic.com #4338139. Published by zephyrwindmusic.com (A0.1007973). John Philip Sousa is of course known for his mastery writing marches, but he did write a handful of works featuring solo instruments. La Reine D’Amour is his cornet solo, written in 1879. The solo part is grade 5, and the band accompaniment is grade 3.
$30.00
Naval Reserve March for Concert Band by Sousa
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Orchestre d'harmonie
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John Philip Sousa
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Jari A
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Naval Reserve March for Concer
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JV MUSIC
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SheetMusicPlus
Concert Band - SKU: A0.722727 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. 20th Century,Folk,Patriotic. Score and parts. 39 pages. JV ...
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Concert Band - SKU: A0.722727 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. 20th Century,Folk,Patriotic. Score and parts. 39 pages. JV MUSIC #3037031. Published by JV MUSIC (A0.722727). Naval Reserve March Composed by John Philip Sousa Arranged for Concert Band by Jari Villanueva To the Officers and Men of the US Naval Reserve Intro: The song Blue RidgeFor Full Concert BandFull and set of Parts includedSousa's march The Naval Reserve was one of his naval salutes and dedicated to the officers and men of the Naval Reserve. The march incorporates his song, Blue Ridge, I’m Coming Back To You. The lyrics of the refrain begin, Blue Ridge, Blue Ridge, I hear the bugle call. Fittingly enough Sousa wrote a bugle call preceding the song which appears as the Trio in the march. This delightful bugle march is accompanied by a basic rhythmic figure on the 1st and 3rd beats of each measure and a sparse woodwind line. This band arrangement by Jari Villanueva is a delightful setting of the original arrangement that gives the woodwinds and brass a chance to shine in different sections. Pay careful attention to the dynamics to make this march really shine! A retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.Jari is a 2016 Sheet Music Plus Arranging Contest winner.https://www.youtube.com/watch?v=L4MUvnZ1sKs
$40.00
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