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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
for
Non classifié
12 433
Piano & claviers
Piano seul
11 375
Piano, Voix
1 636
Piano, Voix et Guitare
961
Orgue
799
Instruments en Do
504
1 Piano, 4 mains
330
Piano Trio: piano, violon, violoncelle
202
2 Pianos, 4 mains
170
Accompagnement Piano
107
Piano Facile
81
Piano Quatuor: piano, violon, alto, violoncelle
73
Accordéon
60
Orgue, Piano (duo)
59
Orgue, Trompette (duo)
58
Piano Quintette: piano, 2 violons, alto, violoncelle
46
Clavecin
33
2 Pianos, 8 mains
10
Piano Quatuor: piano, 2 violons, violoncelle
10
2 Accordéons
6
1 Piano, 6 mains
5
Orgue et Orchestre
3
Fake Book
2
Ensemble d'Accordéons
2
Ensemble de Pianos
1
Orgue, Voix
1
Accordéon, Corde(s)
1
Clavier
1
Piano (partie séparée)
1
2 Orgues (duo)
1
+ 24 instrumentations
Retracter
Guitares
Guitare
1 660
Guitare notes et tablatures
785
Basse electrique
349
2 Guitares (duo)
201
Piano, Guitare (duo)
122
Ukulele
112
4 Guitares (Quatuor)
101
Ligne De Mélodie, (Paroles) et Accords
70
Dulcimer
56
3 Guitares (trio)
33
Mandoline
26
Ensemble de guitares
19
Banjo
12
2 Ukuleles
6
Paroles et Accords
6
Guitare, Violon, Violoncelle (trio)
5
2 Dulcimers (duo)
5
Ukulele Baryton
4
Mandoline, Guitare (duo)
4
Guitare, Orchestre
4
Guitare (partie séparée)
3
Guitare, Quatuor à cordes
2
Luth
1
2 Guitares et Orchestre
1
Mandoline, Piano (duo)
1
Ensemble de Ukulélés
1
+ 21 instrumentations
Retracter
Voix
Chorale SATB
4 035
Voix seule
2 416
Chorale TTBB
896
Chorale 3 parties
574
Chorale SSAA
556
Voix Soprano, Piano
179
Chorale
140
Chorale Unison
124
Voix haute
122
Chorale 2 parties
102
Voix duo
87
Voix duo, Piano
86
Voix Tenor, Piano
70
Voix Baryton, Piano
66
Voix Alto, Piano
49
Voix basse, Piano
35
Voix moyenne, Piano
28
Voix Mezzo-Soprano, Piano
25
Voix Tenor
18
Voix Soprano
12
Voix, Guitare
12
Voix basse
9
Chorale SSAATTBB
4
Chorale SSATTB
3
Voix duo, Orgue
3
Chorale SSATB
3
Chorale SSAB, Piano
2
Chorale, Orgue
2
Male Voice
1
Chorale SSAB a cappella
1
Voix Baryton
1
Chorale SATBB
1
+ 27 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 224
Flûte traversière
1 180
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 114
Clarinette
1 007
Flûte traversière et Piano
952
Quatuor de Clarinettes: 4 clarinettes
843
2 Saxophones (duo)
733
Clarinette et Piano
724
Saxophone Alto
698
Flûte, Hautbois, Clarinette, Basson
639
Saxophone Tenor
609
Saxophone Alto et Piano
578
Saxophone
564
2 Clarinettes (duo)
558
Hautbois, Piano (duo)
533
3 Saxophones (trio)
518
2 Flûtes traversières (duo)
422
Saxophone Tenor et Piano
406
Ensemble de Clarinettes
385
Quatuor de Flûtes : 4 flûtes
353
Quintette de Saxophone: 5 saxophones
339
3 Clarinettes (trio)
333
Saxophone (partie séparée)
330
Ensemble de saxophones
304
Hautbois (partie séparée)
293
Ensemble de Flûtes
225
Saxophone Soprano et Piano
218
Quintette de Clarinettes: 5 clarinettes
190
Trio de Flûtes: 3 flûtes
181
Flûte, Clarinette (duo)
164
Flûte et Guitare
164
2 Hautbois (duo)
129
Hautbois, Basson (duo)
122
Flûte à Bec
103
Hautbois
97
Flûte, Hautbois, Basson
92
Flûte, Clarinette et Basson
92
Saxophone Baryton, Piano
91
Saxophone, Clarinette (duo)
89
Flûte, Hautbois, Clarinette (trio)
88
Clarinette, Guitare (duo)
75
Hautbois, Flûte
72
Saxophone Soprano
65
Flûte, Clarinette, Piano (trio)
64
3 Hautbois
62
Clarinette, Violon (duo)
53
Hautbois, Clarinette, Basson (trio d'anches)
51
Clarinette, Basson (duo)
51
Quintette de Flûte : 5 flûtes
49
Clarinette Basse, Piano
49
2 Flûtes traversières, Piano
48
Flûte, Violon
48
Clarinette (partie séparée)
47
Cor anglais, Piano
43
Hautbois, Clarinette (duo)
42
Flûte, Violon et Violoncelle
41
Clarinette, Trompette (duo)
37
Flûte, Alto (duo)
36
Cornemuse
34
Flute (partie séparée)
33
Flûte, Violon, Piano
33
2 Flûte à bec (duo)
32
Quatuor de Flûtes à bec
32
Flûte, Violoncelle
29
Clarinette et Alto
28
Flûte, Saxophone (duo)
26
Flûte, Violoncelle, Piano (trio)
25
Flûte, Hautbois (duo)
20
Flûte, Trompette (duo)
19
Flûte, Violon, Violoncelle et Piano
17
Ensemble De Flûte à bec
16
4 Hautbois
16
Clarinette, Violoncelle (duo)
16
Flûte, Basson et Piano
15
5 Flûtes à bec
15
Hautbois, Guitare (duo)
15
Cor Anglais
13
Flûte traversière, Orgue (duo)
13
2 Clarinettes, Piano
13
Flûte à bec Soprano
12
Flute, harpe et violon
12
Clarinette, Violoncelle, Piano (trio)
12
Saxophone et Orgue
11
2 Saxophones, Piano
11
2 Cors Anglais Et Pianoforte
8
Flûte à bec Alto
8
Piccolo
8
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
7
Flûte, Alto et Piano
7
Saxophone Baryton
7
2 Clarinettes, Basson
7
Cor anglais, Guitare (duo)
7
Flûte, Clarinette, Cor, Basson (Quartet)
7
Clarinette, Harpe (duo)
6
Saxophone et Guitare
6
Clarinette, Tuba
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flûte à bec Alto, Piano
5
Flûte, Hautbois, Violon
5
Flûte, alto et harpe
5
3 Flûtes à bec (trio)
5
Piccolo, Piano
5
Saxophone et Harpe
5
Flûte, Trombone (duo)
5
Flûte, Hautbois, Piano (trio)
4
Flûte, Violon, Guitare
4
Harmonica
4
Ensemble à vent
4
Flûte, Violoncelle, Guitare
3
Flûte à bec Soprano, Piano
3
Flûte, Alto et Violoncelle
3
Saxophone et Piano
3
Clarinette, Trombone (duo)
3
Flûte et Trio à cordes
3
Hautbois, Violoncelle
3
Flûte, Harpe et Violoncelle
3
Hautbois, Harpe
3
Clarinette, Basson, Piano (trio)
2
Clarinette Basse
2
Flûte à bec Tenor
2
Flûte à bec, Guitare (duo)
2
Flûte irlandaise
2
Clarinette, Alto et Piano (trio)
2
Flûte traversière, Orchestre
1
Hautbois, Orgue
1
Hautbois, Violon, Piano
1
Clarinette, Orgue
1
Hautbois, Basson et Piano
1
3 Flûtes à bec, Piano
1
Flûte, trombone et piano
1
Hautbois, violon (duo)
1
Hautbois, Trompette (duo)
1
Hautbois, Violoncelle et Piano
1
Saxophone, Tuba (duo)
1
2 clarinettes, 2 bassons
1
Clarinette, Orchestre
1
Flûte à bec Alto, Basse continue
1
Harmonica, Piano
1
Flûte et Quatuor à Cordes
1
2 Hautbois et Basson
1
Flûte, Clarinette, Violon (trio)
1
+ 136 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 382
Trompette
968
Trombone
764
Quatuor de Cuivres : 2 trompettes, trombone, tuba
642
Trombone et Piano
443
Trompette, Piano
434
Cor
319
Quatuor de cuivres: 4 trombones
305
Cor et Piano
261
Quatuor de Cuivres: 2 trompettes, Cor, trombone
260
2 Trompettes (duo)
187
Quatuor de cuivres: 4 cors
177
2 Trombones (duo)
168
Trompette (partie séparée)
168
Quatuor de Cuivres
137
2 Cors (duo)
137
Tuba et Piano
135
Ensemble de Trombones
132
Trompette, Trombone (duo)
100
Euphonium, Piano (duo)
87
Ensemble de Cors
76
2 Euphoniums et 2 Tubas
75
3 Trombones (trio)
67
Trombone (partie séparée)
65
Tuba
59
Ensemble de Trompettes
56
Trompette, Cor (duo)
51
Euphonium
50
Trompette, Saxophone (duo)
49
Cor anglais, Piano
43
4 Tubas
37
Cor (partie séparée)
36
3 Trompettes (trio)
36
Trio de Cuivres
29
Euphonium, Tuba (duo)
29
Quatuor de cuivres: 4 trompettes
25
2 Tubas (duo)
21
Trompette, Tuba (duo)
20
2 Euphoniums (duo)
19
3 Cors (trio)
15
Clarinette, Cor (duo)
13
Cor Anglais
13
Trombone, Tuba (duo)
11
Trombone basse
8
2 Cors Anglais Et Pianoforte
8
Trompette, Violoncelle et Piano
8
2 Trompettes, Clavier (piano ou orgue)
8
Trombone, Cor (duo)
7
Cor anglais, Guitare (duo)
7
Euphonium (partie séparée)
6
3 Euphoniums
6
Trompette, Orchestre
6
Trombone basse et Piano
6
Cor et Harpe
5
Cor et Orgue
5
Tuba (partie séparée)
5
Cor et Basson (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trombone, Orgue
4
Tuba et Orgue
3
Trombone, Violon (duo)
3
Trompette, Violoncelle (duo)
3
Cor, Orchestre
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Harpe
3
Trompette, violon (duo)
2
Cor, Tuba (duo)
2
Cor, Violoncelle (duo)
2
Trombone et orchestre
2
Bass Clef Instruments
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Bugle
1
Cor, Trompette, Trombone (trio)
1
3 Tubas (trio)
1
Cor, Violoncelle et Piano
1
2 Cors, Piano
1
Cornet et orchestre
1
Trompette, Trombone, Piano
1
Ensemble de Tubas
1
+ 74 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 393
Violon et Piano
1 340
Violon
1 236
Violoncelle
971
Violoncelle, Piano
781
Violon, Violoncelle (duo)
709
Alto, Piano
609
Trio à Cordes: violon, alto, violoncelle
583
Harpe
512
Alto seul
467
2 Violons (duo)
350
2 Violoncelles (duo)
335
Violon, Alto (duo)
253
2 Altos (duo)
206
Trio à Cordes: 2 violons, violoncelle
204
Alto (partie séparée)
166
4 Violoncelles
149
Alto, Violoncelle (duo)
144
Quintette à cordes: 2 violons, alto, violoncelle, basse
136
Violon, Guitare (duo)
115
Trio à cordes: 3 violins
102
Violoncelle , Guitare (duo)
102
Trio à Cordes: 3 violoncelles
100
Contre Basse
86
Trio à cordes: 3 altos
75
Contrebasse, Piano (duo)
69
2 Harpes (duo)
56
Alto, Guitare (duo)
48
Quatuor à cordes: 4 violons
42
Trio à Cordes: 2 violons, alto
40
Trio à cordes
39
Harpe, Flûte (duo)
38
Harpe, Violon (duo)
33
Violoncelle, Contrebasse (duo)
28
Quatuor à cordes : 4 altos
27
2 Contrebasses (duo)
26
Piano Trio: Violon, Alto, Piano
25
Harpe, Violoncelle (duo)
19
Ensemble de Violoncelles
18
Violon (partie séparée)
18
2 Violons, Piano
15
Alto et Harpe
14
Ensemble de Violons
14
Ensemble d'Altos
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Violoncelle, Orgue
11
Violoncelle, Orchestre
10
4 Contrebasses
10
Violon, Orgue
10
Harpe, Voix
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Violoncelle (partie séparée)
6
Violon, Clarinette, Piano (trio)
6
3 Contrebasses
6
Contrebasse (partie séparée)
6
2 Violoncelles, Piano
5
Harpe, Violon, Violoncelle
5
Harpe et Piano
5
Alto et orchestre
3
Harpe, Trombone (duo)
2
Alto, Orgue
2
Harpe et mandoline
2
Alto et Basson
2
Harpe, Orchestre
2
2 Altos, Piano
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Quatuor à cordes
1
Violon, Basse continue
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 891
Orchestre
1 847
Ensemble Jazz
1 302
Orchestre à Cordes
1 284
Ensemble de cuivres
1 071
Orchestre de chambre
771
Batterie
519
Jazz combo
334
Cloches
265
Fanfare
263
Ensemble de Percussions
135
Marimba
77
Vibraphone
47
Percussion (partie séparée)
16
Quintette à Vent
11
Orchestre, Violon
11
Percussion
11
Quatuor à Vent : 4 instruments à vents
10
Piano et Orchestre
7
Xylophone, Piano
6
2 Xylophones
6
Vibraphone et Marimba
6
Batterie (partie séparée)
4
Xylophone
3
Timbales (partie séparée)
3
Caisse Claire
3
2 Marimbas
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Voix et Orchestre
2
Instrumentation Flexible
1
Xylophone ou Marimba ou Vibraphone
1
Marimba, Piano (duo)
1
Big band
1
Trio à Vent: 3 instruments à vents
1
+ 29 instrumentations
Retracter
Autres
Formation musicale - Solfège
12
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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COR ANGLAIS
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
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OUD
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PERCU. ORCH…
PERCUSSION
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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CORNET
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METHODE : TECHNIQUES
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1 847 partitions trouvées
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1826
"When will you open the doors before God"
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dennis Patsiuk
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Dennis Patsiuk
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"When will you open the d
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Dennis Patsiuk
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1210573 By Dennis Patsiuk. By Dennis Patsiuk. Arranged by Dennis Patsiuk. Christian,Contemporary,Jazz,Multicultural,P...
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Full Orchestra - Level 4 - SKU: A0.1210573 By Dennis Patsiuk. By Dennis Patsiuk. Arranged by Dennis Patsiuk. Christian,Contemporary,Jazz,Multicultural,Praise & Worship,World. Score and Parts. 10 pages. Dennis Patsiuk #808358. Published by Dennis Patsiuk (A0.1210573). The song, based on the lyrics of the Christian poet Galina Krasnenkova, was written by the author in Minsk, Belarus in 2007. The lyrics are in Russian. The first performer was the author himself. Today, this song is performed in various countries, mainly in evangelical churches. The main message of the song's lyrics is that the love of God is an unearthly power that transforms the stony hearts of people, and all that is required for this is for a person to believe in Jesus Christ and open the door of their heart.
$80.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Wheel of Fortune
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Phillip Rawle
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Wheel of Fortune
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Phillip Rawle
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.824328 Composed by Phillip Rawle. Contemporary. Score and parts. 68 pages. Phillip Rawle #2036565. Published by Phill...
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Full Orchestra - Level 4 - SKU: A0.824328 Composed by Phillip Rawle. Contemporary. Score and parts. 68 pages. Phillip Rawle #2036565. Published by Phillip Rawle (A0.824328). A modern piece for Orchestra. The middle section is in 12 tone form (tone row) but dispite this, is quite melodic. The twelve notes represent the twelve star signs.
$5.00
Prière à Notre Dame for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Leon Boellmann
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Suzie Wilkins
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Prière à Notre D
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Suzie Wilkins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.793080 Composed by Leon Boellmann. Arranged by Suzie Wilkins. Concert,Easter,Romantic Period,Standards. Score and par...
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Full Orchestra - Level 4 - SKU: A0.793080 Composed by Leon Boellmann. Arranged by Suzie Wilkins. Concert,Easter,Romantic Period,Standards. Score and parts. 89 pages. Suzie Wilkins #3470778. Published by Suzie Wilkins (A0.793080). This beautiful, melodic movement, taken from Léon Boëllmann's famous Suite Gothique for Organ, has finally been arranged for Full Orchestra. The movement opens with a wonderful clarinet solo, accompanied by delicate strings, before gradually building up towards a full orchestral texture. The faster middle section offers a distinct contrast, with exquisite harmonies being brought to the fore by the rich brass section. This arrangement is the ideal concert piece, fully capable of being performed as a stand-alone movement. The other movements will be available soon from the same publisher.Included are both a conductor's score and all the parts, including multiple copies of the string parts to avoid the need for photocopying.Approximate duration: 4 minutes 10 seconds
$20.00
Main Theme - Soundtrack for Womfulness' podcasts (Rodrigo Pérez Ortiz)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Rodrigo Pérez Ortiz
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Marca Personal).
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Main Theme - Soundtrack for Wo
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Rodrigo Perez Ortiz
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1029793 Composed by Rodrigo Pérez Ortiz. Film/TV. Score and parts. 19 pages. Rodrigo Perez Ortiz #6321055. Publish...
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Full Orchestra - Level 4 - SKU: A0.1029793 Composed by Rodrigo Pérez Ortiz. Film/TV. Score and parts. 19 pages. Rodrigo Perez Ortiz #6321055. Published by Rodrigo Perez Ortiz (A0.1029793). This piece has been composed and produced by Rodrigo Pérez Ortiz as the main theme of the soundtrack composed for a series of podcasts produced by Lourdes Bernalte (Coaching & Marca Personal). The Main Theme Title is 1:37 seconds long and features a full orchestra with harp and piano. Both the conductor score and the individual parts of all instruments involved are included in the purchase.The music and the score can be used on any audiovisual media, such as TV, adds or films, through the obtainment of a synchronization license or performed live with a public performing license. This piece, along with the rest of the soundtrack, will be released on Spotify, Apple Music and all major music platforms in April 2021. For further information, please free to contact: email: rodrigoperezortiz05@gmail.com; phone: +34 695 49 19 35.
$15.00
Concerto for Arpeggione and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dov Rosenschein
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Concerto for Arpeggione and Or
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Joshua Rosenschein
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976526 Composed by Dov Rosenschein. 20th Century,Contemporary. Score and parts. 73 pages. Joshua Rosenschein #2332429...
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Full Orchestra - Level 4 - SKU: A0.976526 Composed by Dov Rosenschein. 20th Century,Contemporary. Score and parts. 73 pages. Joshua Rosenschein #2332429. Published by Joshua Rosenschein (A0.976526). A concerto for orchestra and a long forgotten instrument, formally called the guitarre d'Amore, a cross between a cello and a guitar.
$35.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 ...
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Full Orchestra - Level 4 - SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350877. Published by Custom Chamber Music (A0.742743). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
Flauta Carioca (2000) for flute and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Flauta Carioca
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pa...
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Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
Transformation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Alan Menken
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Mat Davis
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Transformation
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Mat Davis
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1442719 Composed by Alan Menken. Arranged by Mat Davis. Film/TV. 90 pages. Mat Davis #1022696. Published by Mat Davis...
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Full Orchestra - Level 4 - SKU: A0.1442719 Composed by Alan Menken. Arranged by Mat Davis. Film/TV. 90 pages. Mat Davis #1022696. Published by Mat Davis (A0.1442719). An arrangement of Transformation from the 1991 Walt Disney film Beauty and the Beast for Orchestra and Optional Choir.Perform Alan Menken's iconic music from Beauty and the Beast with this exciting arrangement of Transformation for Orchestra and optional choir. It is suitable for many groups from Amateur to Professional level. Arranged by professional musician, educator, and conductor Mat Davis and tested throughout the rehearsal process by a film music orchestra in Nottingham, UK.
$70.00
Bruch Ave Maria Op. 61 for Cello and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Max Bruch
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Paul Wood
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Bruch Ave Maria Op. 61 for Cel
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MyMusicScores.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1391370 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 77 pages. MyMusicScores.com #974911. Published...
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Full Orchestra - Level 4 - SKU: A0.1391370 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 77 pages. MyMusicScores.com #974911. Published by MyMusicScores.com (A0.1391370). Max Bruchâ??s â??Ave Mariaâ? is a poignant concert piece for violoncello and orchestra, inspired by the sixth movementâ??a prayer sceneâ??from his cantata â??Das Feuerkreuzâ? (The Fiery Cross), Opus 52. The cantata, drawing from Sir Walter Scottâ??s â??Lady of the Lake,â? underwent a lengthy creative process before reaching completion in 1888-89.Bruchâ??s deep affection for the Prayer Scene led him to publish it separately for voice and orchestra. However, at the urging of his friend, cellist Robert Hausmann, he reimagined it in 1892 for violoncello and orchestra, transposing it from D minor to A minor. This transformation allowed it to stand alongside his successful work â??Kol Nidrei,â? Opus 55.The PDF file contains the score and all parts.As the PDF file is large you will find bookmarks in the file to help you find the parts easily.
$35.99
Waiting For A Girl Like You
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Foreigner
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Daryl McKenzie
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Waiting For A Girl Like You
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374320 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #9...
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Full Orchestra - Level 4 - SKU: A0.1374320 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #958924. Published by Daryl McKenzie (A0.1374320). Arranged in the style of Foreigner for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of Gm (Key a minor 3rd lower than Foreigner)Note: Playable without Saxes. Full audio demo (Sibelius Sounds): click hereAlso available in the Key of Bbm (key as Foreigner): search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Kol Nidrei for Solo Cello and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Max Bruch
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John M
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Kol Nidrei for Solo Cello and
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 63 pages. Zephyr...
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Full Orchestra - Level 4 - SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 63 pages. Zephyrwindmusic.com #741670. Published by zephyrwindmusic.com (A0.1141352). German composer Max Bruch (1838-1920) wrote the sublime and introspective work Kol Nidrei for solo cello and orchestra in London in 1880. It is amongst the most performed works by Bruch. A single movement lasting approximately 12 minutes, it is scored for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, and harp. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$25.00
Fantasie-Legende for Trombone and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Axel Jørgensen
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Niels-Ole Bo Johansen
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Fantasie-Legende for Trombone
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903541 Composed by Axel Jørgensen. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score and part...
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Full Orchestra - Level 4 - SKU: A0.903541 Composed by Axel Jørgensen. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score and parts. 46 pages. Gordon Cherry #509664. Published by Gordon Cherry (A0.903541). Fantasie-Legende for Trombone and Orchestra by early 20th Century Danish composer Axel Jørgensen was forgotten for quite a while but has been rediscovered, edited, and recorded (with piano accompaniment) by noted Danish Trombonist and educator Niels-Ole Bo Johansen. The work is in a late-Romantic style with hints of impressionism, about 4 minutes in length, and is appropriate for advanced intermediate level performers (range is up to a high B). The instrumentation is for Full Score, Solo Trombone, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 3 Horns, 2 Trumpets, Timpani, and Strings. The version with piano accompaniment has been beautifully recorded by the editor, Niels-Ole Bo Johanssen from his CD, The French Connection.
$75.00
Melodie (Le Soir) for Trombone and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Alex Jørgensen
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Niels-Ole Bo Johansen
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Melodie
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.720844 Composed by Alex Jørgensen. Arranged by Niels-Ole Bo Johansen. 20th Century,Classical,Romantic Period. Scor...
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Full Orchestra - Level 4 - SKU: A0.720844 Composed by Alex Jørgensen. Arranged by Niels-Ole Bo Johansen. 20th Century,Classical,Romantic Period. Score and parts. 44 pages. Gordon Cherry #329231. Published by Gordon Cherry (A0.720844). Melodie for Trombone and Orchestra by early 20th Century Danish composer Axel Jørgensen was forgotten for quite a while but has been rediscovered, edited, and recorded by noted Danish Trombonist and educator Niels-Ole Bo Johansen. The work is in an impressionist style, about 5 minutes in length, and is appropriate for advanced intermediate level performers (range is up to an optional high D-flat).
$75.00
Waiting For A Girl Like You
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Foreigner
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Daryl McKenzie
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Waiting For A Girl Like You
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374319 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #9...
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Full Orchestra - Level 4 - SKU: A0.1374319 By Foreigner. By Lou Gramm and Mick Jones. Arranged by Daryl McKenzie. Pop,Rock. 102 pages. Daryl McKenzie #958923. Published by Daryl McKenzie (A0.1374319). Arranged in the style of Foreigner for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of Bbm (Key as Foreigner)Note: Playable without Saxes. Full audio demo (Sibelius Sounds): click hereAlso available in the Key of Gm: search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Silent Night, Holy Night (for Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest R...
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Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4822415. Published by Really Good Music, LLC. (A0.868902). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 28 pages. Really Good Music, LLC. #4822417. Published by Really Good Music, LLC. (A0.868903). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4811241. Published by Really Good Music, LLC. (A0.868899). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 25 pages. Really Good Music, LLC. #4811235. Published by Really Good Music, LLC. (A0.868900). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
Now And Forever
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Carole King
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Brad Ritchie
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Now And Forever
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Main Office Productions & Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1485187 Composed by Carole King. Arranged by Brad Ritchie. Film/TV,Pop,Rock,Singer/Songwriter. 88 pages. Main Office ...
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Full Orchestra - Level 4 - SKU: A0.1485187 Composed by Carole King. Arranged by Brad Ritchie. Film/TV,Pop,Rock,Singer/Songwriter. 88 pages. Main Office Productions & Publishing #1062264. Published by Main Office Productions & Publishing (A0.1485187). As featured in the motion picture A League of Their Own this arrangement brings Carole King's classic song written for the movie to your ensemble. A light orchestration feating a solo vocalist this arrangement will definitely bring a bit of movie nostalgia to your performance and remind you that there is no crying in baseball!Orchestration: 223(3=bcl)3 - 0000 - 3 Perc. - Hp - E. Gtr. - Pno - E,. Bass - Drum Set - Solo Vocal - StringsDuration: ca. 3:15A score video of Sibelius playback is below to give a sense of the arrangement. Thank you so much for considering this chart. If there are any questions or further information needed please feel free to contact me at brad@bradritchie.com. Also let me know if you end up purchasing. I'd love to know of any upcoming performances!
$100.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
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