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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNEMUSE
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
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AFRICAIN
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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COUNTRY
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PIANO & CLAVIERS
Piano seul
148
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86
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40
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21
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8
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7
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5
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15
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11
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1
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1
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136
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25
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22
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16
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11
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8
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7
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2
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1
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1
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1
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1
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1
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VENTS
Quatuor de Clarinettes: 4 clarinettes
29
Flûte, Hautbois, Clarinette, Basson
25
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18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
2 Clarinettes (duo)
15
Quatuor de Saxophones: 4 saxophones
14
Flûte traversière et Piano
13
Ensemble de Flûtes
13
Quatuor de Flûtes : 4 flûtes
12
Clarinette et Piano
11
Saxophone Alto et Piano
8
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7
2 Saxophones (duo)
7
2 Flûtes traversières (duo)
6
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5
Clarinette
5
3 Clarinettes (trio)
5
Flûte traversière
5
Ensemble de saxophones
5
Saxophone Tenor et Piano
5
Quintette de Saxophone: 5 saxophones
4
Flûte, Clarinette et Basson
3
Clarinette, Violon (duo)
3
Quintette de Flûte : 5 flûtes
3
Saxophone, Clarinette (duo)
3
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Quintette de Clarinettes: 5 clarinettes
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2
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2
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2
Flute, harpe et violon
2
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2
2 Saxophones, Piano
1
Clarinette Basse, Piano
1
2 Hautbois (duo)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone Baryton, Piano
1
2 Flûte à bec (duo)
1
Clarinette et Alto
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Soprano et Piano
1
Hautbois, Clarinette (duo)
1
Saxophone Alto
1
Flûte, Hautbois (duo)
1
Hautbois, Flûte
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Cor anglais, Piano
1
Saxophone Tenor
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de cuivres: 4 trombones
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trombone et Piano
7
Trompette, Piano
7
Quatuor de Cuivres
4
Quatuor de cuivres: 4 cors
3
4 Tubas
3
Trompette, Trombone (duo)
3
Trompette
3
Cor et Piano
2
Tuba et Piano
2
Trompette, Saxophone (duo)
2
Ensemble de Trombones
2
3 Trompettes (trio)
2
Tuba
1
3 Trombones (trio)
1
2 Trombones (duo)
1
Tuba et Orgue
1
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
Trompette, Basson (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
23
2 Violons (duo)
8
Alto, Piano
8
Violoncelle, Piano
6
Trio à Cordes: 2 violons, violoncelle
6
2 Violoncelles (duo)
6
2 Altos (duo)
6
Harpe
6
Trio à Cordes: violon, alto, violoncelle
5
Violon, Violoncelle (duo)
5
Violon (partie séparée)
4
Violon, Alto (duo)
4
Violoncelle
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Violon
2
Harpe, Voix
2
Trio à cordes: 3 violins
2
Ensemble de Violons
1
Violoncelle (partie séparée)
1
4 Contrebasses
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
Contre Basse
1
Harpe, Flûte (duo)
1
Alto (partie séparée)
1
Ensemble d'Altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
41
Batterie
27
Orchestre
24
Orchestre à Cordes
23
Ensemble de cuivres
16
Orchestre de chambre
15
Cloches
12
Ensemble Jazz
6
Ensemble de Percussions
5
Fanfare
1
Vibraphone
1
Orchestre, Violon
1
Jazz combo
1
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1
Rosary Sonatas: The Crucifixion
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
31.91 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
Flee as a Bird
Orchestre
Full Orchestra - Digital Download SKU: A0.834149 Composed by M. L. Daniels. Contemp…
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Full Orchestra - Digital Download SKU: A0.834149 Composed by M. L. Daniels. Contemporary. Score and parts. 67 pages. M. L. Daniels #5314587. Published by M. L. Daniels (A0.834149). Flee as a Bird is based on a 19th century hymn. After a brief intro, the hymn is stated, and then the rest of the piece contains variations on the hymn theme. As you near the end, be sure to gradually crescendo, leaving the very loudest section to be the ending section. This is the most dramatic part.
$25.00
22.8 €
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Orchestre
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M
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Flee as a Bird
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M. L. Daniels
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.63 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Cyclone Galveston (orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1147112 By Wesley Besancon. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1147112 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 104 pages. Wesley Besancon #747317. Published by Wesley Besancon (A0.1147112). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$59.99
54.71 €
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Orchestre
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Wesley Besancon
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
4th Nocturne
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976714 Composed by Erik Satie. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.976714 Composed by Erik Satie. Arranged by Robert Myers. 20th Century. Score and parts. 36 pages. WheatMyer Music #4793377. Published by WheatMyer Music (A0.976714). Near the end of his career, Erik Satie wrote five pieces for piano designated as nocturnes. Contrary to most of his oeuvre, these were serious works lacking the satire, wit, and non-conformity Satie usually exhibited. Still, they are unmistakably Satie: soothing, floating, and very French. This work is a straightforward arrangement of Satie’s 4th nocturne, applying the color and dynamic ranges of the orchestra to his piano writing. It maintains the enchanting dance-like character of the original work while the musical lines move among and between the instrument families to exploit the variety of orchestral timbres. 4th NOCTURNE is suited for the concert hall among a program of impressionist or French music, an exploration of lesser known works, or wherever a charming and brief movement would be fitting.Instrumentation: 2d1,1+1,2+1,2 2,2(Bb or C),3,1 Glock/Chimes, Perc StringsFind more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00
41.04 €
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Orchestre
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Erik Satie
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Robert Myers
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4th Nocturne
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WheatMyer Music
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SheetMusicPlus
Caprice for Horn (on Bellini's "Souvenir de la Sonnambule")
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1287713 Composed by Heinrich H…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1287713 Composed by Heinrich Hübler. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 117 pages. Trevor Denyer #878700. Published by Trevor Denyer (A0.1287713). Carl Heinrich Hübler was born in Wachwitz, near Dresden on 4th December 1822 and was the horn player in the Dresden Royal Court orchestra from 1844 until his retirement in 1891.This Caprice on the theme from Bellini's Souvenir de la Sonnambule is a delightful addition to the repertoire that deserves to be performed much more often and demonstrates Hübler's knowledge of orchestration as well as an intimate connection to the solo instrument.He also wrote a Concerto for Four Horns after being inspired by hearing Schumann's Koncertstück for Four Horns in a private performance which Schumann attended. There is also a Horn Concerto.As usual with my work, print the parts double-sided as presented and the page turns will work.
$35.00
31.92 €
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Orchestre
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Heinrich Hübler
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Caprice for Horn
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Trevor Denyer
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SheetMusicPlus
Winter Serenade (Snow falling gently)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.834148 Composed by M. L. Daniel…
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Full Orchestra - Level 4 - Digital Download SKU: A0.834148 Composed by M. L. Daniels. 20th Century. Score and parts. 50 pages. M. L. Daniels #5041763. Published by M. L. Daniels (A0.834148). This piece can be thought of as a description of a snowfall. Little swirls of wind/snow, especially near the beginning. It has a challenging F horn countermelody, but otherwise is not that difficult. It brought many compliments from the audience on its first performance. It will help to use earphones as you listen to the audio. You will need a sensitive orchestra to get the aura for this piece. They will love it.
$30.00
27.36 €
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Orchestre
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M
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Winter Serenade
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M. L. Daniels
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SheetMusicPlus
Cyclone Galveston (orchestra) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1150350 By Wesley Besancon. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1150350 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contest,Festival,New Age. Score and parts. 12 pages. Wesley Besancon #750529. Published by Wesley Besancon (A0.1150350). Let’s get one thing straight, Cyclone Galveston was not actually a cyclone. The hurricane, however, did form near Africa which makes me consider it to be a cyclone. On August 27, 1900, Galveston, Texas would feel a punch that would knock down every single building. This piece represents that with swirling woodwinds, tornadic brass, and frightening percussion. In the center of the piece, there is a calm chorale to represent the eye of the storm. After that, it goes back to the evil cyclone themes.
$24.99
22.79 €
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Orchestre
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Wesley Besancon
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Wesley Besancon
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Cyclone Galveston
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Wesley Besancon
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
59.27 €
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Orchestre
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
22.8 €
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Orchestre
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.02 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
45.59 €
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Orchestre
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
182.38 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
General's Suite Macarthur Patton - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K G…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K Goldsmith. Arranged by Chris Siddall. Film/TV. 39 pages. Chris Siddall Music Publishing #1030115. Published by Chris Siddall Music Publishing (A0.1450384). When composer Jerry Goldsmith was asked to write the score for MacArthur, people were surprised that he accepted the project because they wondered what he would have left to say, musically, after Patton. Jerry‘s feeling was that MacArthur was a totally different person, and it would be a real challenge to write about another military figure but do it in a different manner. He said “it‘s much more flamboyant in a different sort of way, and it was an interesting task“. Patton enjoyed resounding critical praise and has since been elevated to the designation of a classic. The film won Academy Awards for nearly all of its major players, with composer Jerry Goldsmith being an unfortunate exception. Goldsmith had already written many scores for World War II topics in his short mainstream career, but none would prove as memorable in any part as the march from Patton, a concert hall staple for the composer throughout his career. Despite the dominance of this theme and the fact that only roughly thirty minutes of music was employed in such a long picture, the effect of his score on the film is far more complicated than many people may realize. While the famous march, with all its bravado from brass, flutes, and snare, easily represents the identity of the character and war, Goldsmith’s work for the film actually spends more time dwelling on the deeper meanings of life that the general himself explored.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$19.99
18.23 €
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Orchestre
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Jerrald K Goldsmith
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Chris Siddall
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General's Suite Macarthur Patton - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Largo from New World Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1437383 Composed by Antonin Dvo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1437383 Composed by Antonin Dvorak. Arranged by edited by John M. Laverty. 19th Century,Classical. 63 pages. Zephyrwindmusic.com #1017479. Published by zephyrwindmusic.com (A0.1437383). Antonín Dvořák wrote a total of nine symphonies, the most recognizable of which is his Symphony No. 9, dubbed as the “New World Symphony.” The second movement, Largo, is a lovely representation of how a European composer heard a uniquely American voice, that of Harry Burleigh. The iconic English horn solo in Largo just sounds like it came from the New World. This new edition is nearly identical to the original score with a few adjustments. The clarinet parts are exclusively for clarinet in A, the horn parts are for horn in F, and the trumpet parts are for trumpet in C. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$40.00
36.48 €
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Orchestre
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Antonin Dvorak
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edited by John M
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Largo from New World Symphony
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zephyrwindmusic.com
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SheetMusicPlus
Spirit of Christmas 3/5 - Traditions
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.750070 Composed by Bradley Sowa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.750070 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 53 pages. Bradley Sowash #1081. Published by Bradley Sowash (A0.750070). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 3. Traditions (3:20) The excitement of preparing for the holidays is reflected in the fiddle-like strains of the string section. Woodwinds and brass follow with passing wisps of favorite hymns and carols. As the deadline draws nearer, our happy anticipation becomes a bit tarnished by the frenetic pace. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00
41.04 €
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Orchestre
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 3/5 - Traditions
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Bradley Sowash
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SheetMusicPlus
If Thou Be Near (Bist Du bei Mir) - Full Score
Orchestre
By Johann Sebastian Bach (1685-1750) and Gottfried Heinrich Stolzel. Arranged by Robert Lo…
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By Johann Sebastian Bach (1685-1750) and Gottfried Heinrich Stolzel. Arranged by Robert Longfield. Orchestra. Classical. Full score. 4 pages. Duration 2:30. Published by Hal Leonard - Digital Sheet Music
$5.00
4.56 €
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Orchestre
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Johann Sebastian Bach
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Robert Longfield
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If Thou Be Near
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Heather Sorenson: Jesus, Be Near to Me (COMPLETE) - orchestra/band
Orchestre
Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill lev…
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Instantly printable sheet music by Heather Sorenson for orchestra/band of MEDIUM skill level. / gospel
$43.99
40.11 €
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Orchestre
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Heather Sorenson
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Virtualsheetmusic
Johann Sebastian Bach: If Thou Be Near (Bist Du bei Mir) (COMPLETE) - orchestra
Orchestre
Instantly printable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill lev…
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Instantly printable sheet music by Johann Sebastian Bach for orchestra of MEDIUM skill level. / classical
$54.99
50.15 €
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Orchestre
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Johann Sebastian Bach
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Virtualsheetmusic
Gottfried Heinrich Stolzel: If Thou Be Near (Bist Du bei Mir) (COMPLETE) for orchestra
Orchestre
Instantly downloadable sheet music by Gottfried Heinrich Stolzel for orchestra of MEDIUM s…
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Instantly downloadable sheet music by Gottfried Heinrich Stolzel for orchestra of MEDIUM skill level.
$80.99
73.86 €
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Orchestre
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Gottfried Heinrich Stolzel
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Virtualsheetmusic
Gottfried Heinrich Stolzel: If Thou Be Near (Bist Du bei Mir), Full Score for orchestra
Orchestre
Instantly downloadable sheet music by Gottfried Heinrich Stolzel for orchestra of MEDIUM s…
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Instantly downloadable sheet music by Gottfried Heinrich Stolzel for orchestra of MEDIUM skill level.
$10.99
10.02 €
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Orchestre
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Gottfried Heinrich Stolzel
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Virtualsheetmusic
Paisano Suite
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.814731 Composed by Richard E Br…
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Full Orchestra - Level 4 - Digital Download SKU: A0.814731 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 232 pages. Dacker Music #2991487. Published by Dacker Music (A0.814731). The music of Paisano Suite was composed in 1982 for the Austin Ballet Theatre on a grant from the City of Austin. The resulting ballet was produced in February, 1983 under the title Ballabile, with choreography by ABT Artistic Director Stanley Hall.This music was originally scored for a small pit orchestra, and it was only in 2012 that it was shortened and re-orchestrated to create this suite for full orchestra. Since the original title is a term used specifically for dance music, and the new version of the work is meant to be a concert suite rather than a ballet, it was also re-titled after the Paisano Ranch, in the central Texas Hill Country, where it was originally composed and which served as its inspiration.The entire nearly twenty-minute suite is actually based on a fairly modest amount of musical material and the eight short movements are thematically all very closely related. The overall framework is highly unified in that way.Scored for woodwinds, horns, and trumpets in pairs; 1 trombone, tympani, and strings.1. Prelude 2. Scherzo 3. Berceuse 4. Fugue 5. Pastorale 6. Caprice 7. Romanza 8. FinaleThe price includes license to make as many copies of string parts as necessary.Grade 5 - Duration 19:00
$80.00
72.95 €
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Orchestre
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Richard E Brown
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Paisano Suite
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Dacker Music
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SheetMusicPlus
March to Babylon
Orchestre
Full Orchestra - Advanced - Digital Download Composed by Michael Ware. 21st Century, …
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Full Orchestra - Advanced - Digital Download Composed by Michael Ware. 21st Century, Contemporary Classical, Sacred, Movies, Repertoire. 102 pages. Published by MusicWare Press
March to Babylon is a cinematic orchestral composition by Michael Ware written for Oklahoma Baptist University Concerto Aria. This dramatic work depicting the ancient Israelites being carried away captive to Babylon would be a crowd pleaser for nearly any orchestral programming.<br> Download includes PDF full score (legal size) and PDF instrumental parts (letter size).
$70.00
63.83 €
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Orchestre
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Michael Ware
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March to Babylon
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MusicWare Press
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SheetMusicPlus
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