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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Introspective
Non classifié
214
Piano & claviers
Piano seul
367
Orgue
39
Instruments en Do
27
Piano Facile
21
Piano, Voix
16
Piano, Voix et Guitare
5
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Orgue, Piano (duo)
1
Piano (partie séparée)
1
+ 5 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
5
Ligne De Mélodie, (Paroles) et Accords
4
Ukulele
1
Mandoline, Piano (duo)
1
Voix
Chorale SATB
113
Chorale 3 parties
34
Voix Tenor
25
Voix Soprano
24
Voix Alto, Piano
24
Voix Baryton, Piano
19
Chorale 2 parties
18
Voix duo, Piano
12
Chorale TTBB
7
Chorale Unison
6
Chorale SSAA
4
Voix haute
1
+ 7 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
36
Flûte traversière et Piano
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Alto et Piano
28
Quatuor de Saxophones: 4 saxophones
27
Ensemble de saxophones
26
Quintette de Saxophone: 5 saxophones
22
Flûte, Hautbois, Clarinette, Basson
19
Clarinette et Piano
16
Flûte traversière
15
Saxophone Alto
13
2 Flûtes traversières (duo)
10
Hautbois (partie séparée)
10
Cor anglais, Piano
9
Clarinette
8
Ensemble de Clarinettes
7
Saxophone Tenor et Piano
7
Saxophone (partie séparée)
6
Quatuor de Flûtes : 4 flûtes
5
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
3
2 Saxophones (duo)
3
Hautbois
3
2 Clarinettes (duo)
3
Saxophone Tenor
3
2 Hautbois (duo)
3
Saxophone Baryton
2
Saxophone Soprano
2
2 Clarinettes, Piano
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Flûtes traversières, Piano
2
Ensemble de Flûtes
2
2 Hautbois, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à Bec
2
Clarinette Basse, Piano
2
Clarinette, Guitare (duo)
1
2 Saxophones, Piano
1
Flûte, Clarinette, Piano (trio)
1
3 Saxophones (trio)
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres
21
Cor et Piano
14
Trompette, Piano
13
Trombone et Piano
12
Trompette
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone
10
Cor anglais, Piano
9
Cor
9
Tuba
8
Euphonium, Piano (duo)
5
Ensemble de Trompettes
4
Trio de Cuivres
4
Ensemble de Trombones
4
Tuba et Piano
4
Trombone (partie séparée)
4
2 Cors (duo)
3
Ensemble de Cors
3
Trompette (partie séparée)
3
2 Trompettes (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 cors
2
2 Cors, Piano
2
Trombone, Tuba (duo)
2
Quatuor de cuivres: 4 trombones
1
2 Trombones (duo)
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
58
Violon et Piano
39
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
20
Alto, Piano
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violon
18
Violoncelle
14
Alto seul
11
4 Violoncelles
6
Contre Basse
6
2 Violoncelles (duo)
5
2 Violons (duo)
5
Contrebasse, Piano (duo)
4
2 Altos (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
2
2 Violoncelles, Piano
2
2 Violons, Piano
2
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
Ensemble d'Altos
1
Harpe
1
Ensemble de Violons
1
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
47
Orchestre à Cordes
18
Orchestre
16
Cloches
13
Ensemble Jazz
6
Ensemble de cuivres
3
Xylophone, Piano
2
Marimba
1
Orchestre de chambre
1
Fanfare
1
Batterie (partie séparée)
1
2 Marimbas
1
Vibraphone
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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SheetMusicPlus
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Nouveautes
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Crtitères actifs :
Introspective
Orchestre
Partitions à imprimer
16 partitions trouvées
<
1
Symphony no. 1 - Score Only
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Classique
#
Robert Dusek
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Symphony no. 1 - Score Only
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DaCapo, LLC
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1492029 Composed by Robert Dusek. Classical,Contemporary. 60 pages. DaCapo, LLC #1068703. Published by DaCapo, LLC (A...
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Full Orchestra - Level 4 - SKU: A0.1492029 Composed by Robert Dusek. Classical,Contemporary. 60 pages. DaCapo, LLC #1068703. Published by DaCapo, LLC (A0.1492029). PLEASE NOTE: This download contains only the score. To rent or buy parts for performance, please contact Robert Dusek directly: bob@robertdusek.com. This PDF is formatted to 11x17 (ledger) size.A short symphony: one movement cast in three contrasting sections. Extensve use of percussion and piano seemlessly connect the different sections. The piece begins quite introspectively, but gradually progresses to a heroic conclusion. The writing is very thick, leading to often a cacopheny of sound that can be driving and dramatic.
$15.00
Paris Without You
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Orchestre
#
Phil Sims
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Paris Without You
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Imagine Music - Digital
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SheetMusicPlus
Tenor Saxophone Solo with Orchestra - SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Im...
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Tenor Saxophone Solo with Orchestra - SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Imagine Music - Digital (IZ.OMW223). 8.5 x 11 inches.The Waking, by Theodore Roethke, is an enigmatic villanelle written in 1953, a year after he got married. In it the poet puts forward various ideas about life and how to live it. A villanelle is based on repeated lines (a refrain) that connects each stanza as the poem progresses.Theodore Roethke's poetry is known for its exploration of the self through reflection on family and nature; there is plenty of depth and technical skill. His mental illness also caused him to look into the darkness from time to time, recording his inner life in personal poems.Growing up, he spent lots of time in his father's garden and greenhouses and soil and plants and roots and things often turn up in his work. In fact the greenhouse, for Roethke, was a symbol 'for the whole of life, a womb, a heaven-on-earth.'The Waking doesn't contain a greenhouse but it does have symbolism and takes the reader into unexpected places. It is both introspective and positive in its outlook.
$120.00
One-Note Concerto for piano and orchestra
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
David Rubinstein
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One-Note Concerto for piano an
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David Rubinstein
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. David Rubinstein ...
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Full Orchestra - Level 4 - SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. David Rubinstein #844042. Published by David Rubinstein (A0.1249638). ...one of the very few piano concertos ever written that I could handle technically. -Peter Schickele (P.D.Q. Bach) Transposed orchestral score and parts - one PDF.One-Note Concerto: a neo-classical romp on the key of B7 for piano and orchestra in three short movements. Premiered by the Hartford Symphony in 2006.One-Note Concerto combines a wide range of melodies that are surprisingly woven together through the reiteration - by the 'soloist' - of a single pitch (a very high “Bâ€). From carnival-like tunes in the first movement, to introspective waltzes in the second, to a violent (yet lighthearted!) presto in the finale, this concerto aggressively pursues a sense of musical drama with its tongue firmly placed in its cheek.† -  Jamie Allen, director of the Santa Fe New Music YouthFest.
$75.00
How Great Thou Art - score and parts
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Orchestre
#
INTERMÉDIAIRE
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Philip Orem
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How Great Thou Art - score and
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.872611 Arranged by Philip Orem. Christian,Contemporary,Sacred. Score and parts. 58 pages. Philip Orem #3516997. Publi...
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Full Orchestra - Level 3 - SKU: A0.872611 Arranged by Philip Orem. Christian,Contemporary,Sacred. Score and parts. 58 pages. Philip Orem #3516997. Published by Philip Orem (A0.872611). My arrangement of my grandmother's favorite hymn. The first verse is introspective with the second growing bigger starting with low brass before a tutti orchestra reaches the climax and then settles into the opening mood.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$80.00
Sinfonietta, Op. 62 - Score Only
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Orchestre
#
AVANCÉ
#
Contemporain
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Joseph Jones
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Sinfonietta, Op. 62 - Score On
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Joseph Jones
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1205126 Composed by Joseph Jones. Classical,Contemporary. 67 pages. Joseph Jones #803313. Published by Joseph Jones (...
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Full Orchestra - Level 5 - SKU: A0.1205126 Composed by Joseph Jones. Classical,Contemporary. 67 pages. Joseph Jones #803313. Published by Joseph Jones (A0.1205126). This ca. 15-16 minute long, 4 movement work for orchestra is by turns earnest, whimsical, introspective, and intense. This work can fit just about anywhere on a program--it would make an especially energetic opener! It's a challenging and rewarding piece which is suitable for advanced high school and conservatory orchestras as well as professional ensembles. The movements are: 1. Fanfare 2. Allegretto 3. Adagio 4. Scherzo The orchestration is 2 flute (2nd dbl. piccolo) 2 oboe 2 clarinet 2 bassoon 4 horn 3 trumpet 3 trombone Timpani Strings.
$75.00
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
#
AVANCÉ
#
Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
Kol Nidrei for Solo Cello and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Max Bruch
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John M
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Kol Nidrei for Solo Cello and
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 63 pages. Zephyr...
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Full Orchestra - Level 4 - SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 63 pages. Zephyrwindmusic.com #741670. Published by zephyrwindmusic.com (A0.1141352). German composer Max Bruch (1838-1920) wrote the sublime and introspective work Kol Nidrei for solo cello and orchestra in London in 1880. It is amongst the most performed works by Bruch. A single movement lasting approximately 12 minutes, it is scored for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, and harp. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$25.00
River's Tale
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Jacob Arispe
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River's Tale
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Jacob Arispe
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1432431 Composed by Jacob Arispe. Broadway,Musical/Show,Spiritual. 34 pages. Jacob Arispe #1012924. Published by Jaco...
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Full Orchestra - Level 4 - SKU: A0.1432431 Composed by Jacob Arispe. Broadway,Musical/Show,Spiritual. 34 pages. Jacob Arispe #1012924. Published by Jacob Arispe (A0.1432431). River's Tale begins with a triumphant and adventurous overture, evoking the spirited journey along the river's currents. As the melody flows, the mood shifts, delving into darker waters, where the currents of uncertainty and challenge surge. Yet, amidst the shadows, a poignant ballad emerges, carrying the listener through an emotional narrative of longing and introspection. Through ebbs and flows, River's Tale navigates the complexities of the human experience, ultimately emerging as a testament to resilience and the transformative power of the soul's journey.
$35.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
#
AVANCÉ
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Contemporain
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Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 1, Op. 79 - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Joseph Jones
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Symphony No. 1, Op. 79 - Score
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Joseph Jones
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1335204 Composed by Joseph Jones. 21st Century,Classical. 112 pages. Joseph Jones #921052. Published by Joseph Jones ...
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Full Orchestra - Level 4 - SKU: A0.1335204 Composed by Joseph Jones. 21st Century,Classical. 112 pages. Joseph Jones #921052. Published by Joseph Jones (A0.1335204). I. Adagio-Agitato II. Lento III. Scherzo IV. Adagio-Agitato-AdagioComposed in January 2022, this is a 4 movement symphony for full orchestra. It is a work of great intensity, passion, introspection, and emotional complexity and should prove a wonderful addition to your concert. This is suitable for professional, college/conservatory, and advanced youth orchestras.
$100.00
Golden Hour
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Orchestre
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INTERMÉDIAIRE
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Pop musique
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Jvke
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Diogo Martins and Sara Lopes
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Golden Hour
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Diogo Martins
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1281289 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Diogo Martins and Sara Lopes. Pop. Score and Parts. 1...
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Full Orchestra - Level 3 - SKU: A0.1281289 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Diogo Martins and Sara Lopes. Pop. Score and Parts. 19 pages. Diogo Martins #867334. Published by Diogo Martins (A0.1281289). Golden Hour is a captivating musical masterpiece composed by Jvke (Jake Lawson) and arranged for tenor saxophone solo and concert band. This enchanting composition takes its inspiration from the magical moments that occur during the twilight of a sunlit day. As the sun begins to set, casting its warm, golden glow across the landscape, a sense of tranquility and introspection permeates the air. The piece opens with a gentle and lyrical marimba and vibraphone duo playing the iconic melody of the piano that Jvke played.The concert band, in turn, weaves a tapestry of harmonies and textures that complement the soloist's performance. The lush instrumentation adds depth and color to the overall experience, accentuating the serene ambiance of the Golden Hour. Soft woodwind harmonies, shimmering brass chords, and delicate percussion accompaniment provide a seamless backdrop for the saxophone solo, creating a harmonious balance between the soloist and the ensemble.As the piece progresses, the music gradually builds in intensity, representing the gradual transition from twilight to dusk. The interplay between the soloist and the ensemble intensifies, symbolizing the beauty and complexities of life's fleeting moments.In the climax, the saxophone's soaring melodies soar over the powerful ensemble, culminating in a breathtaking and emotionally charged finale. The music captures the essence of the fleeting beauty of a golden hour, leaving the audience captivated and moved by its evocative storytelling.
$55.00
Macerate
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Orchestre
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AVANCÉ
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Scores by Ken
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Macerate
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1301791 Composed by Scores by Ken. Contemporary,Film/TV,Video Game. Score and Parts. 69 pages. Scores by Ken #891383....
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Full Orchestra - Level 5 - SKU: A0.1301791 Composed by Scores by Ken. Contemporary,Film/TV,Video Game. Score and Parts. 69 pages. Scores by Ken #891383. Published by Scores by Ken (A0.1301791). Macerate | Scores by Ken About the PieceMacerate, written by Ken Naidu, is an instrumental score inducing the feelings of the Bittersweet, Ethereal, Serene and Introspection. It's a perfect score to portray the journey of a character. About the ComposerFrom the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
Aesop
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Scores by Ken
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Aesop
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1301782 By Scores by Ken. By Ken Naidu. Contemporary,Film/TV,Video Game. Score and Parts. 63 pages. Scores by Ken #89...
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Full Orchestra - Level 4 - SKU: A0.1301782 By Scores by Ken. By Ken Naidu. Contemporary,Film/TV,Video Game. Score and Parts. 63 pages. Scores by Ken #891373. Published by Scores by Ken (A0.1301782). Aesop | Scores by Ken About the PieceAesop, written by Ken Naidu, is a short cue inducing feelings of Melancholy, Uplift, Mystery and Energy. It's a perfect score for introspection. About the ComposerFrom the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
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Orchestre
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Ange
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Tho...
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Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
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Introspective
