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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Just This Way - LEMPICKA
Non classifié
633
Piano & claviers
Piano seul
413
Piano, Voix
385
Piano Facile
230
Piano, Voix et Guitare
143
Instruments en Do
45
Orgue
21
1 Piano, 4 mains
18
2 Pianos, 4 mains
11
Accompagnement Piano
8
Piano Trio: piano, violon, violoncelle
6
Piano grosses notes
5
Accordéon
5
Piano (partie séparée)
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
62
Guitare
32
Ligne De Mélodie, (Paroles) et Accords
24
Basse electrique
18
Ukulele
14
Guitare (partie séparée)
8
2 Guitares (duo)
7
Mandoline
3
Banjo
3
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
185
Chorale 3 parties
99
Chorale TTBB
58
Chorale 2 parties
35
Chorale SSAA
29
Chorale Unison
24
Pack Instrumental pour Chorale
16
Voix duo
6
Voix seule
5
Voix Soprano, Piano
5
Voix Tenor, Piano
4
Voix duo, Piano
4
Voix Alto, Piano
3
Voix Baryton, Piano
3
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix haute
2
Voix Tenor
2
Chorale
2
Chorale SSATTB
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
+ 17 instrumentations
Retracter
Vents
Clarinette
63
2 Saxophones (duo)
62
Saxophone (partie séparée)
57
Flûte traversière
52
Flûte traversière et Piano
46
Clarinette et Piano
39
Saxophone Alto
37
Quatuor de Saxophones: 4 saxophones
33
Saxophone Tenor
32
Hautbois (partie séparée)
30
2 Clarinettes (duo)
26
Hautbois, Piano (duo)
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone Alto et Piano
23
Saxophone, Clarinette (duo)
22
2 Flûtes traversières (duo)
22
Saxophone Tenor et Piano
22
Clarinette, Trompette (duo)
18
Saxophone Soprano et Piano
18
Clarinette, Violon (duo)
17
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Baryton, Piano
15
2 Hautbois (duo)
13
Flûte, Clarinette (duo)
11
Ensemble de Clarinettes
10
Clarinette (partie séparée)
9
Ensemble de saxophones
8
Hautbois, Flûte
8
Flûte, Violon
8
Hautbois, Clarinette (duo)
7
Flûte, Saxophone (duo)
7
Flûte irlandaise
7
Ensemble de Flûtes
7
Clarinette et Alto
7
Hautbois
6
Flûte, Alto (duo)
6
Saxophone Soprano
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Saxophone: 5 saxophones
6
Flute (partie séparée)
6
Flûte, Trompette (duo)
6
Cor anglais, Piano
5
Hautbois, Basson (duo)
5
Flûte à Bec
4
Flûte et Guitare
4
3 Clarinettes (trio)
4
Ocarina
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
3
3 Saxophones (trio)
3
Clarinette, Violoncelle (duo)
2
Clarinette Basse, Piano
2
Saxophone Baryton
2
Flûte, Clarinette et Basson
2
Cor Anglais
2
Flûte à bec Soprano
2
Harmonica
2
Flûte à bec Alto
1
Saxophone
1
Flûte, Violon et Violoncelle
1
Clarinette, Trombone (duo)
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano, Piano
1
5 Flûtes à bec
1
Flute, harpe et violon
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon, Piano
1
Hautbois, Guitare (duo)
1
+ 67 instrumentations
Retracter
Cuivres
Trompette
42
Trombone
38
Cor
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette (partie séparée)
27
Trombone et Piano
26
Trompette, Piano
26
Cor et Piano
24
Trombone (partie séparée)
24
Tuba
22
Tuba et Piano
20
Trompette, Saxophone (duo)
17
Trompette, Trombone (duo)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
2 Trompettes (duo)
11
2 Trombones (duo)
9
Euphonium, Piano (duo)
6
Quatuor de Cuivres
6
Cor anglais, Piano
5
Euphonium
5
Cor (partie séparée)
5
Trompette, Cor (duo)
4
2 Cors (duo)
4
2 Tubas (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Tuba (partie séparée)
3
Cor Anglais
2
Ensemble de Cors
2
2 Cors, Piano
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 trombones
1
Clarinette, Cor (duo)
1
Ensemble de Trompettes
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon
62
Violon et Piano
56
Violoncelle
50
Violon, Violoncelle (duo)
41
Violoncelle, Piano
38
Alto seul
36
Alto, Piano
31
Harpe
25
Trio à Cordes: violon, alto, violoncelle
22
2 Violons (duo)
22
Contrebasse, Piano (duo)
19
Contre Basse
17
Violon, Alto (duo)
17
2 Violoncelles (duo)
13
Trio à Cordes: 2 violons, violoncelle
11
2 Altos (duo)
11
Alto (partie séparée)
10
Violon (partie séparée)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
7
Contrebasse (partie séparée)
6
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
2 Contrebasses (duo)
2
Alto et Basson
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Basson (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Ensemble de Violoncelles
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
175
Ensemble Jazz
55
Orchestre à Cordes
47
Orchestre
39
Fanfare
26
Ensemble de cuivres
22
Orchestre de chambre
12
Cloches
12
Batterie
7
Jazz combo
7
Ensemble de Percussions
7
Percussion (partie séparée)
6
Batterie (partie séparée)
6
Marimba
2
Xylophone, Piano
1
Timbales (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Quickpartitions
SheetMusicPlus
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Prix + au -
Nouveautes
A-Z
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avancé
expert
avec audio
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Crtitères actifs :
Just This Way - LEMPICKA
Orchestre
Partitions à imprimer
39 partitions trouvées
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1
26
This Is Me
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Orchestre
#
FACILE
#
Benj Pasek and Justin Paul
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Paul Lorenz
#
This Is Me
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Paul Lorenz
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.547172 Composed by Benj Pasek and Justin Paul. Arranged by Paul Lorenz. Broadway,Contest,Festival,Film/TV,Musical/Sho...
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Full Orchestra - Level 2 - SKU: A0.547172 Composed by Benj Pasek and Justin Paul. Arranged by Paul Lorenz. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop,Wedding. Score and parts. 66 pages. Paul Lorenz #157068. Published by Paul Lorenz (A0.547172). Best version of THIS IS ME from The Greatest Showman for orchestra, choir (SATB) and piano. Sheet music download, complete score and all individual instrument and voice parts.
$159.99
Love and Loss
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Orchestre
#
AVANCÉ
#
Contemporain
#
Dane Anthony Madrigal
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Love and Loss
#
Dane Anthony Madrigal
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1015102 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. Score and Parts. 34 pages. Dane Anthony Madriga...
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Full Orchestra - Level 5 - SKU: A0.1015102 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. Score and Parts. 34 pages. Dane Anthony Madrigal #6487505. Published by Dane Anthony Madrigal (A0.1015102). Love and Loss is a work detailing a small love story of a young man from the early nineteen-sixties. There are two primary emotions that are implied just through the title. Therefore there are two prime areas of material that play with one another through a straight form. In this way, the listener can rest assured that love works out for this young fellow.The piece is meant to have a tone that sounds enchanting and well charmed. As the piece continues to evolve, it becomes clear that there is actually a chaotic and destructive nature in love. When trying to find peace in the chaos, there is only one way to resolve it, together.
$120.00
Bruno Mars' Greatest Hits: Flute
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Orchestre
#
Pop musique
#
Bruno Mars
#
Victor Lopez
#
Bruno Mars' Greatest Hits: Flu
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016902_F1 Flute. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 2 pages. Alfred Music - Digit...
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Full Orchestra - SKU: AX.00-PC-0016902_F1 Flute. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_F1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
Bruno Mars' Greatest Hits: Timpani
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Orchestre
#
Pop musique
#
Bruno Mars
#
Victor Lopez
#
Bruno Mars' Greatest Hits: Tim
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016902_TMP Timpani. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 1 pages. Alfred Music - Di...
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Full Orchestra - SKU: AX.00-PC-0016902_TMP Timpani. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_TMP). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
Bruno Mars' Greatest Hits: Bassoon
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Orchestre
#
Pop musique
#
Bruno Mars
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Victor Lopez
#
Bruno Mars' Greatest Hits: Bas
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016902_B1 Bassoon. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 3 pages. Alfred Music - Dig...
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Full Orchestra - SKU: AX.00-PC-0016902_B1 Bassoon. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_B1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
Bruno Mars' Greatest Hits: Cello
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Orchestre
#
Pop musique
#
Bruno Mars
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Victor Lopez
#
Bruno Mars' Greatest Hits: Cel
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016902_VC1 Cello. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 3 pages. Alfred Music - Digi...
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Full Orchestra - SKU: AX.00-PC-0016902_VC1 Cello. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_VC1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
Bruno Mars' Greatest Hits: Mallets
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Orchestre
#
Pop musique
#
Bruno Mars
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Victor Lopez
#
Bruno Mars' Greatest Hits: Mal
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016902_M1 Mallets. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 2 pages. Alfred Music - Dig...
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Full Orchestra - SKU: AX.00-PC-0016902_M1 Mallets. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_M1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
Bruno Mars' Greatest Hits: Score
#
Orchestre
#
Pop musique
#
Bruno Mars
#
Victor Lopez
#
Bruno Mars' Greatest Hits: Sco
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0005144 Score. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Score. 28 pages. Alfred Music - Digita...
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Full Orchestra - SKU: AX.00-PR-0005144 Score. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Score. 28 pages. Alfred Music - Digital Sheet Music #00-PR-0005144. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005144). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$9.00
Largo from New World Symphony
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Orchestre
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AVANCÉ
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Antonin Dvorak
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edited by John M
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Largo from New World Symphony
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zephyrwindmusic.com
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1437383 Composed by Antonin Dvorak. Arranged by edited by John M. Laverty. 19th Century,Classical. 63 pages. Zephyrwi...
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Full Orchestra - Level 5 - SKU: A0.1437383 Composed by Antonin Dvorak. Arranged by edited by John M. Laverty. 19th Century,Classical. 63 pages. Zephyrwindmusic.com #1017479. Published by zephyrwindmusic.com (A0.1437383). Antonín Dvořák wrote a total of nine symphonies, the most recognizable of which is his Symphony No. 9, dubbed as the “New World Symphony.” The second movement, Largo, is a lovely representation of how a European composer heard a uniquely American voice, that of Harry Burleigh. The iconic English horn solo in Largo just sounds like it came from the New World. This new edition is nearly identical to the original score with a few adjustments. The clarinet parts are exclusively for clarinet in A, the horn parts are for horn in F, and the trumpet parts are for trumpet in C. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$40.00
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Brahms Sonata in F-minor, Opus 5, 5th movement, as a Symphony
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Orchestre
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AVANCÉ
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Classique
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 5 - SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 105 pages. Aere R Greenway #873570. Published by Aere R Greenway (A0.1282260). Brahms composed his piano sonata in F-minor, in 1853, at the age of 20. Â Markings in the piano music, such as 'like cello', or in another place 'like pizzicato', suggest he was thinking in orchestral terms. Â Indeed, the earliest sketches of his 1st symphony come from the year his sonata in F-minor was published. Â Yet he worked at least 14 years on his first symphony, finally publishing it in 1876, at age 43. Â What if Brahms had orchestrated his sonata in F-minor, opus 5, publishing it as his first symphony, in his youth, rather than at age 43? Â Attempting to answer that, I embarked on a big project, to orchestrate Brahms sonata in F-minor, into a symphony. Â And you can listen to it yourself, as the music of Brahms comes shining through, as a symphony that 'might have been'. Â Though the instrument choices and dynamics adjustments for orchestra are mine, the music is all Brahms. Â See what you think. Â This is the 5th movement, the Finale. Â The music of Brahms is a long-time favorite of symphony audiences, and this could be a hit with your audience, as well.
$47.97
Santa Falls from the Housetop
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Orchestre
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INTERMÉDIAIRE
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M
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M
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Santa Falls from the Housetop
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57...
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Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57 pages. M. L. Daniels #13363. Published by M. L. Daniels (A0.834139). This orchestra music is just for fun, as you can hear when the audience laughs at the end of the recording. Someone must tell the audience what to expect in order to get a good response. The music is made up mostly of public domain Christmas music, woven together in unusual ways, including different melodies appearing at the same time. The audience is told that Santa has had too much Christmas Cheer to drink, and the smears in the trombones indicate his condition. Half the fun is when the melodies bump into each other, and when pieces of Stars and Stripes and National Emblem March find their way into the mix. At the end, the music indicates Santa is falling, and lands with a big thud. Enjoy!
$25.00
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Easy On Me
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Orchestre
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FACILE
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Adele
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Paul Lorenz
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Easy On Me
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1494427 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Classical,Musical/Show,Pop,Rock...
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Full Orchestra - Level 2 - SKU: A0.1494427 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Classical,Musical/Show,Pop,Rock,Soul. 39 pages. Paul Lorenz #1071020. Published by Paul Lorenz (A0.1494427). Adele Easy On Me Orchestral Version by Paul Lorenz – Sheet Music for a Breathtaking Crossover Masterpiece Discover the extraordinary orchestral arrangement of Adele’s iconic hit Easy On Me by the renowned composer and arranger Paul Lorenz. This exclusive sheet music offers musicians and ensembles the chance to perform a piece that blends the emotional depth of Adele’s original song with the grandeur and sophistication of a full orchestra. Whether you are a professional musician or part of an ensemble, this sheet music is designed to elevate your performance and captivate your audience. A Unique Orchestral Experience Paul Lorenz, known for his collaborations with the London Symphony Orchestra, has created a version of Easy On Me that is both powerful and moving. The arrangement captures the soul of Adele’s lyrics and melodies while introducing rich, orchestral textures that add a new dimension to the song. This sheet music allows you to bring that same majestic sound to your own performances, whether in a concert hall, studio, or classroom setting. What You’ll Find in This Sheet Music Complete Orchestral Score: The sheet music includes a full score, meticulously arranged to ensure that every instrument shines. Each part is crafted with precision, allowing musicians to deliver a flawless performance.Individual Parts for All Instruments: From strings to woodwinds, brass, and percussion, every section of the orchestra is represented. The individual parts are easy to follow, making it simple for musicians of all levels to perform together.Detailed Performance Notes: Paul Lorenz has included insights and tips on how to best bring out the emotion and dynamics of the piece. These notes are invaluable for conductors and musicians looking to deliver a performance that resonates with their audience. Why Choose Paul Lorenz’s Orchestral Arrangement? This sheet music is more than just notes on a page; it’s a gateway to an unforgettable musical experience. Paul Lorenz’s arrangement of Easy On Me has been praised for its innovative approach to orchestral music, combining classical techniques with contemporary elements. By choosing this sheet music, you’re not only adding a stunning piece to your repertoire but also embracing a composition that bridges the gap between pop and classical music. Perfect for Concerts, Recitals, and Special Performances This orchestral version of Easy On Me is ideal for a wide range of performances. Whether you’re planning a concert, a recital, or a special event, this piece will leave a lasting impression on your audience. Its universal appeal makes it suitable for diverse audiences, ensuring that everyone in attendance will be moved by the performance. Get Your Copy Today Don’t miss out on the opportunity to perform this beautiful and powerful orchestral arrangement of Easy On Me. Purchase your copy of Paul Lorenz’s sheet music today and take the first step towards an unforgettable performance. Available in digital and print formats, this sheet music is ready to be part of your next musical journey.
$149.90
Legendary Adriana
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Orchestre
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Amphibia Cultural Legacy
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Legendary Adriana
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Amphibia Cultural Legacy
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SheetMusicPlus
Full Orchestra - SKU: A0.650893 Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Musical/Show,New Age,Opera. Score and parts. 2 pag...
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Full Orchestra - SKU: A0.650893 Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Musical/Show,New Age,Opera. Score and parts. 2 pages. Amphibia Cultural Legacy #259640. Published by Amphibia Cultural Legacy (A0.650893). Amphibia Cultural Legacy has done it again with its incredible orchestral cover remix of the Legendary Adriana. This stunning piece of music is based on the original score from The Baby Factory NZ commercial videos. Still, Amphibia Cultural Legacy has taken it to a new level by adding additional instruments and layers.The result is a breathtaking rendition that does justice to the iconic Adriana. The orchestration is masterful, with each instrument perfectly balanced and playing off one another in a way that creates a truly immersive and emotional listening experience. Whether you're a fan of classical music or appreciate great artistry, this is a track you won't want to miss out on.Overall, Legendary Adriana is yet another testament to the incredible talent of Amphibia Cultural Legacy.
$20.00
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
Praha (Prague) Movement II - The Three Kings (Score)
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Orchestre
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AVANCÉ
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Mike Lyons
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Praha
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.767044 Composed by Mike Lyons. 20th Century,Contemporary,World. Score and parts. 23 pages. Lyons Music Services #5348...
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Full Orchestra - Level 5 - SKU: A0.767044 Composed by Mike Lyons. 20th Century,Contemporary,World. Score and parts. 23 pages. Lyons Music Services #53489. Published by Lyons Music Services (A0.767044). This is the second movement of my orchestral tone poem about Prague, This movement gives a musical picture of the three most famous kings of Prague, King Wnceslas, King Vitas and King Adalbert (Sigismund). Each played a major part in the history of Prague and the Czech republic. The movement is divided into three sections which are summed up by the final section as we see the River Vltava flowing through the great city on its way to the sea. At just over 6 minutes this would be a great piece for a light concert.
$25.00
Silver Threads Among The Gold
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Amelita Galli-Curci, Billy Vau
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Javier Soria Laso
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Silver Threads Among The Gold
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Javier Soria Laso
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1336407 By Amelita Galli-Curci, Billy Vaughn, Bing Crosby, Chris Walden, Dick Curless, Janey Kirk, Jerry Lee Lewis, J...
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Full Orchestra - Level 4 - SKU: A0.1336407 By Amelita Galli-Curci, Billy Vaughn, Bing Crosby, Chris Walden, Dick Curless, Janey Kirk, Jerry Lee Lewis, Jo Stafford, John McCormack, Maud Powell, Papa Bue's Viking Jazz Band, Red Nichols, Richard Jose, Sammy Rimington, Sidney Bechet, Slim Whitman, and etc. By Eben Eugene Rexford and Hart Pease Danks. Arranged by Javier Soria Laso. 19th Century,Classical,Standards. 18 pages. Javier Soria Laso #922205. Published by Javier Soria Laso (A0.1336407). The well-known 19th Century ballad written by Hank Pease Danks & Eben Eugene Rexford is still popular among the public, and as a testament of its popularity, it gets a majestic yet peaceful orchestral arrangement in this occasion even with a modern harmonization that yet still supports the tune. This arrangement features nice spots for flute, bassoon, English horn & clarinet as well as the French horn & string sections. The bass clarinet is also included in a duet with the bassoon [although in the original recording one of the French horns was in place of the bass clarinet]. This arrangement can be useful for opening or closing your concert as well as an interlude in a pacific way! About ss are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you dont have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$5.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Repetitions
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Orchestre
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FACILE
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Adam Grim
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Repetitions
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Adam B. Grim
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.939372 Composed by Adam Grim. Concert,Contemporary,Standards. Score and parts. 4 pages. Adam B. Grim #5726213. Publis...
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Full Orchestra - Level 2 - SKU: A0.939372 Composed by Adam Grim. Concert,Contemporary,Standards. Score and parts. 4 pages. Adam B. Grim #5726213. Published by Adam B. Grim (A0.939372). This piece is inspired by Terry Riley's In C. Repetitions is a solo for found objects and The Repeater Orchestra, a free program online that mimics live sounds in real time, and plays them back in a stereo/spacial environment. It has non-standard notation in a way, with single bits written on a staff arranged in an order to play them. The player is given freedom to repeat things as many times as they want, making the piece possible to play in under 2 minutes, to well into the dozens. In my interpretation (shown in the YouTube video), it takes around 11 minutes. This piece is about making a soundscape of repeated patterns, and overlapping and combining them to create one conglomerate. Instruments include: planks of wood, a bucket of water, ceramic tiles, a glass bottle with marbles in it, a can, and a separate glass bottle for hitting. Implements include: a 2 paintbrush, a ring, rubber xylophone mallets, and oak dowel rods with Moleskin wrapped on one tip. Note, I apologize for the feedback near the first third of the recording, I had to adjust the settings, and did not hear the feedback as hard as the computer did!
$4.99
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Just This Way - LEMPICKA
