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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Major to Minor
Non classifié
458
Piano & claviers
Piano seul
563
Piano, Voix
225
Piano Facile
122
Orgue
37
Piano, Voix et Guitare
35
Instruments en Do
28
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
5
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
3
Piano (partie séparée)
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
2 Accordéons
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
75
Basse electrique
66
Guitare
59
Banjo
8
Ukulele
5
Guitare (partie séparée)
4
2 Guitares (duo)
4
Dulcimer
3
Mandoline
3
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
2
Paroles et Accords
2
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
85
Chorale 3 parties
21
Chorale 2 parties
20
Chorale SSAA
12
Chorale Unison
10
Chorale TTBB
8
Voix haute
4
Voix seule
2
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Voix Soprano, Orchestre
1
Voix duo
1
Voix duo, Piano
1
Voix Alto, Piano
1
Voix basse, Piano
1
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
63
Clarinette et Piano
40
Hautbois, Piano (duo)
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Clarinette
28
Flûte traversière
26
Saxophone Alto et Piano
24
Quatuor de Saxophones: 4 saxophones
21
Saxophone Tenor et Piano
21
Saxophone Soprano et Piano
20
Saxophone (partie séparée)
19
2 Flûtes traversières (duo)
15
Saxophone Alto
14
Flûte et Guitare
14
Saxophone Baryton, Piano
12
Ensemble de Flûtes
10
Flûte, Hautbois, Clarinette, Basson
10
3 Saxophones (trio)
10
Quatuor de Flûtes : 4 flûtes
9
Saxophone Tenor
9
Cor anglais, Piano
8
Ensemble de Clarinettes
8
Quatuor de Clarinettes: 4 clarinettes
7
2 Clarinettes (duo)
7
3 Clarinettes (trio)
7
Clarinette Basse, Piano
7
Clarinette, Guitare (duo)
7
Hautbois (partie séparée)
6
2 Saxophones (duo)
6
Flûte, Clarinette (duo)
6
Quintette de Saxophone: 5 saxophones
4
Trio de Flûtes: 3 flûtes
4
Hautbois
3
Flute (partie séparée)
3
Flûte, Hautbois, Clarinette (trio)
3
Harmonica
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violon (duo)
2
Instruments en Mib
2
Clarinette (partie séparée)
2
Cor anglais, Guitare (duo)
2
Flûte à Bec
2
2 Hautbois (duo)
2
Saxophone
2
Flûte à bec Alto
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Flûte
2
Clarinette et Alto
1
Ensemble de saxophones
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
2 Flûtes traversières, Piano
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Cor anglais et Harpe (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Basson et Piano
1
Flûte irlandaise
1
Flûte, Violon, Piano
1
Flûte traversière, Basse continue
1
Cor Anglais
1
Clarinette, Trompette (duo)
1
Saxophone, Clarinette (duo)
1
Saxophone et Guitare
1
Clarinette, Trombone (duo)
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Piano (trio)
1
Ensemble De Flûte à bec
1
Flute, harpe et violon
1
2 Clarinettes, Basson
1
Flûte à bec Tenor
1
+ 68 instrumentations
Retracter
Cuivres
Trompette
38
Trombone et Piano
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette, Piano
24
Euphonium, Piano (duo)
18
Trombone
17
Cor
15
Trombone (partie séparée)
14
Tuba et Piano
12
Cor et Piano
11
Trompette (partie séparée)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor anglais, Piano
8
Tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
3 Euphoniums
3
Cor (partie séparée)
2
Ensemble de Trombones
2
Instruments en Sib
2
Cor anglais, Guitare (duo)
2
2 Trombones (duo)
2
2 Trompettes (duo)
2
Tuba (partie séparée)
2
Bass Clef Instruments
2
Trio de Cuivres
1
Cor anglais et Harpe (duo)
1
3 Trombones (trio)
1
Clarinette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
Trompette, Saxophone (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
72
Violon et Piano
65
Violoncelle, Piano
44
Violon
44
Alto, Piano
43
Harpe
29
Violoncelle
25
2 Violons (duo)
17
Violon, Violoncelle (duo)
16
Contrebasse, Piano (duo)
12
Trio à Cordes: violon, alto, violoncelle
9
Violon (partie séparée)
9
Contre Basse
9
Alto seul
9
Alto (partie séparée)
8
2 Violoncelles (duo)
7
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
3
Contrebasse (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle (partie séparée)
2
2 Altos (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
2
Violoncelle, Basse continue
2
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Violoncelle (duo)
1
Violon, Basse continue
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Violon, Basson (duo)
1
Harpe, Voix
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
177
Orchestre à Cordes
69
Cloches
34
Orchestre
30
Ensemble Jazz
29
Ensemble de cuivres
21
Ensemble de Percussions
7
Orchestre de chambre
7
Jazz combo
6
Marimba
3
Fanfare
3
Batterie (partie séparée)
2
Piano et Orchestre
2
Vibraphone
2
Xylophone, Piano
1
Batterie
1
Percussion (partie séparée)
1
Xylophone
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Instruments
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BALALAIKA
BANJO
BASSE
BASSON
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Major to Minor
Orchestre
Partitions à imprimer
30 partitions trouvées
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26
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256...
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Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
Concerto in A Minor for Double Bass and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto in A Minor for Double
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809759 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 148 pages. R. E. Proctor #2897651. ...
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Full Orchestra - Level 5 - SKU: A0.809759 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 148 pages. R. E. Proctor #2897651. Published by R. E. Proctor (A0.809759). A more challenging work for the double bass and orchestra than the Concerto in Bb Major. Rhythmic with interesting melodies and harmonies the Concerto in A Minor gives the soloist an opportunity to display his / her facility on the double bass while remaining interesting to a wide cross-section of listeners. The harp plays a major roll in this work setting the harmonic background on which the bass plays over. Set in the standard fast / slow / fast arrangement of movements in the traditional concerto format. The approximate performance length is 15 minutes and 44 seconds. The full range of the standard double bass is explored. Piano reduction available separately. See my publisher page on this website. Email to: musicbyrobertproctor@hotmail.com.
$19.95
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony in C minor - Full Score - Score Only
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Orchestre
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AVANCÉ
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Alice Mary Smith
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edited by John M Laverty
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Symphony in C minor - Full Sco
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyr...
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Full Orchestra - Level 5 - SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$50.00
F# minor
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Orchestre
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FACILE
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Contemporain
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Don Hicks
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F# minor
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Don Hicks
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.844066 Composed by Don Hicks. Contemporary. Score and parts. 14 pages. Don Hicks #3620957. Published by Don Hicks (A0...
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Full Orchestra - Level 2 - SKU: A0.844066 Composed by Don Hicks. Contemporary. Score and parts. 14 pages. Don Hicks #3620957. Published by Don Hicks (A0.844066). Each year I get new students who have never held a violin mixed in with my more experienced students from previous years. I wanted to write something that had parts that would challenge my experienced students and other parts that would be playable by my beginners. A Major is the key that most violin players start in. F# minor shares the same key signature, so, I was able to come up with an exciting sounding piece for all to enjoy. Score, all parts and play along mp3 are included.
$8.99
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Publishe...
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Full Orchestra - Intermediate - Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes
Sergei Rachmaninoff?s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets (B flat)
2 Bassoons
4 Horns (F)
3 Trumpets (B flat)
2 Trombones
1 Bass Trombone
1 Tuba
Timpani
Snare Drum
Tambourine
Harp (substitute piano ifnecessary)
Violins I and II
Viola
Violincello
Double Bass
$24.99
Bach : Concerto pour violon et hautbois en ré mineur, BWV 1060R - II. Adagio (fa majeur)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Bach
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Concerto pour violon et hautbo
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour violon et hautbois en re mineur, BWV 1060R - II. Adagio (fa majeur). Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Concerto pour violon et hautbois en re mineur, BWV 1060R - II. Adagio (fa majeur). Partition pour Trio -- Classique
19.99€
Bach : Concerto pour violon et hautbois en ré mineur, BWV 1060R - II. Adagio (bémol majeur)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Bach
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Concerto pour violon et hautbo
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour violon et hautbois en re mineur, BWV 1060R - II. Adagio (bemol majeur). Partition pour Trio -- Classiq...
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Telechargez la partition Bands et Ensembles Concerto pour violon et hautbois en re mineur, BWV 1060R - II. Adagio (bemol majeur). Partition pour Trio -- Classique
12.99€
The Way We Were
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Orchestre
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AVANCÉ
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Barbra Streisand
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Fred Barton
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The Way We Were
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Fred Barton Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1436997 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. 20th Cen...
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Full Orchestra - Level 5 - SKU: A0.1436997 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. 20th Century,Film/TV,Pop,Standards. 81 pages. Fred Barton Music #1017064. Published by Fred Barton Music (A0.1436997). A sweeping, cinematic arrangement for vocal and symphony orchestra. After a mysterioso orchestral introduction, the vocal first chorus rides the major and minor harmonies inherent in the song. An upward modulation brings the repeat of the bridge into a fuller orchestral treatment with more power in the vocal, all leading up to the final shattering climax on the last A section – before descending back into the haunting quality of the opening chorus in the last bars.
$99.99
In Bleak Midwinter's Moonlight - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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French Canadian Carol and Gust
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Mark R Lewis
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In Bleak Midwinter's Moonlight
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Mark R Lewis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sac...
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Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
Amazing Grace (for Flex Ensemble or Full Orchestra)
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Orchestre
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INTERMÉDIAIRE
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John Newton
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Jay Welenc
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Amazing Grace
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Jay Welenc
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1000004 Composed by John Newton. Arranged by Jay Welenc. Contemporary,Folk,Sacred,Standards. Score and Parts. 22 page...
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Full Orchestra - Level 3 - SKU: A0.1000004 Composed by John Newton. Arranged by Jay Welenc. Contemporary,Folk,Sacred,Standards. Score and Parts. 22 pages. Jay Welenc #6138861. Published by Jay Welenc (A0.1000004). A fresh instrumental treatment of the treasured melody, this rendition depicts the journey of spiritual awakening. A mix of major and minor modalities adds inspiring harmonies, leading to canonic treatment and a rousing final statement. Perfect for concert or solemn settings. Scored for a flexible ensemble of winds/strings or full orchestra.
$25.00
Suite from the opera "Hamlet", op. 64a
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Suite from the opera "Ham
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian ...
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Full Orchestra - Level 4 - SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
EASIER SCHOOL ORCHESTRA SERIES 5 Toreador March (Carmen)
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Orchestre
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FACILE
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Classique
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Georges Bizet
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John Beale
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EASIER SCHOOL ORCHESTRA SERIES
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John Beale
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.984864 Composed by Georges Bizet. Arranged by John Beale. Romantic Period. Score and parts. 44 pages. John Beale #479...
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Full Orchestra - Level 2 - SKU: A0.984864 Composed by Georges Bizet. Arranged by John Beale. Romantic Period. Score and parts. 44 pages. John Beale #4791151. Published by John Beale (A0.984864). I arranged music for my school's musicians to come together and perform in our school concerts. I chose and arranged many well-known pieces but, unfortunately, can only publish the public domain music. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. A great piece to start a concert with its well-known tune. Tune is in the Flute for the Fminor section then Violin 1, Recorder and Flute in the Fmajor section.
$15.00
G - Every Day Warm-Ups for Full Orchestra
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Orchestre
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Timothy Bandy
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G - Every Day Warm-Ups for Ful
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - SKU: A0.944932 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209975. Published by T...
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Full Orchestra - SKU: A0.944932 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209975. Published by Timothy Bandy (A0.944932). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
B - Every Day Warm-Ups for Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Timothy Bandy
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Timothy Bandy
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B - Every Day Warm-Ups for Ful
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.944924 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 4...
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Full Orchestra - Level 3 - SKU: A0.944924 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5209327. Published by Timothy Bandy (A0.944924). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
A - Every Day Warm-Ups for Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Timothy Bandy
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A - Every Day Warm-Ups for Ful
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.944922 Composed by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #520...
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Full Orchestra - Level 3 - SKU: A0.944922 Composed by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209317. Published by Timothy Bandy (A0.944922). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
Gb - Every Day Warm-Ups for Full Orchestra
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Orchestre
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Timothy Bandy
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Gb - Every Day Warm-Ups for Fu
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - SKU: A0.944931 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209973. Published by T...
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Full Orchestra - SKU: A0.944931 Composed by Timothy Bandy. Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209973. Published by Timothy Bandy (A0.944931). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
Ab - Every Day Warm-Ups for Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Timothy Bandy
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Timothy Bandy
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Ab - Every Day Warm-Ups for Fu
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.944920 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 4...
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Full Orchestra - Level 3 - SKU: A0.944920 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 45 pages. Timothy Bandy #5207865. Published by Timothy Bandy (A0.944920). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression1/2 Step Long tones: Descending, Ascending5 Note Major/Minor Scales: Descending, AscendingWhole tone scales: Ascending, DescendingBlues Scale5 Chromatic Scale Exercises2 Diminished Scale Exercises3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/MinorHarmonic ProgressionParts included in Conductor’s ScoreFlute, Oboe, Bb ClarinetTrumpet, F Horn, Trombone, TubaViolin, Viola, Cello (Bassoon), Dbl Bass (Rhythm)Piano, Mallet PercussionAlso Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
Bb - Every Day Warm-Ups for Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Timothy Bandy
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Timothy Bandy
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Bb - Every Day Warm-Ups for Fu
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Timothy Bandy
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.944923 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 4...
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Full Orchestra - Level 3 - SKU: A0.944923 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209325. Published by Timothy Bandy (A0.944923). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center. 15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00
Silent Night, Holy Night (for Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest R...
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Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
Dwarves, Op. 10
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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Dwarves, Op. 10
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Ian Deterling
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Publi...
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Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Published by Ian Deterling (A0.742984). Composed by Ian Deterling, published by Deterling Music I wrote Dwarves in 2018 for Brian Langley - a good friend and wonderful band director. One day over a cup of coffee, he suggested that I should look into writing/arranging works for Flex-Band - a way of scoring music so that ensembles that frequently have to deal with ‘incomplete’ instrumentation (‘incomplete’ as far as traditional concert band ensembles go) can still perform works with the guarantee that all the parts are covered and the ensemble is properly balanced. Dwarves is the first piece I wrote specifically for Flex-Band. This orchestral arrangement was made specifically for the Northshore Philharmonic Orchestra - Tracey Gibbens, conductor. I always find it fascinating yet challenging (in a good way) whenever I revisit a work/adapt and rewrite it for a different instrumentation. Dwarves was definitely no exception. While working on different chord voicing, counter melodies, and having the full pallet of orchestral timbres at my disposal, I decided to transpose the piece up to B Minor (original key of G Minor). I felt this added an extra degree of brilliance while allowing some melodies and musical ideas to be dropped an octave for a contrasting heavier low end. Dwarves is based primarily on two different themes - the A theme (minor and serious) and the B (major, a bit more uplifting). There is a ‘C’ section, but it is loosely based on a variation of the A theme.
$60.00
No More Tears (enough Is Enough)
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Orchestre
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AVANCÉ
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Barbra Streisand and Donna Sum
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Matt Amy
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No More Tears
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1304465 By Barbra Streisand and Donna Summer. By Bruce Roberts and Paul Jabara. Arranged by Matt Amy. Contemporary,Di...
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Full Orchestra - Level 5 - SKU: A0.1304465 By Barbra Streisand and Donna Summer. By Bruce Roberts and Paul Jabara. Arranged by Matt Amy. Contemporary,Disco,Funk,Pop. Score and Parts. 134 pages. Matt Amy Music #893956. Published by Matt Amy Music (A0.1304465). Key: C major intro; A minor disco modulating to G minor BPM: 66 - 136Style: Ballad/Disco (as per original)Duration: 4’20“ Ensemble type: Pops OrchestraInstrumentation:- Lead Vocal- Piccolo- 2 Flutes- 2 Oboe- 2 Clarinets- Bass Clarinet- 2 Bassoon- 2 Alto Saxophones- 2 Tenor Saxophones- Baritone Saxophone- 4 Horns- 3 Trumpets- 3 Trombones- Tuba- Keyboard 1- Keyboard 2 (opt.)- Guitar- Bass- Drums- 3 Percussion- Timpani- Harp- Violin 1- Violin 2- Viola- Cello- Contrabass.
$50.00
Colors Of The Wind
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Vanessa Williams
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Mat Davis
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Colors Of The Wind
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Mat Davis
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1404314 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Mat Davis. Film/TV. 56 pages. Mat Davis...
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Full Orchestra - Level 4 - SKU: A0.1404314 By Vanessa Williams. By Alan Menken and Stephen Schwartz. Arranged by Mat Davis. Film/TV. 56 pages. Mat Davis #987415. Published by Mat Davis (A0.1404314). A stunning arrangement of Colors of the Wind from Pocohontas for Vocal Solo and Orchestra, suitable for any orchestras. Guaranteed to stir the emotions of your audience.It would make a fantastic addition to a film music programme, but also easily fit into a programme alongside classical repetoire or make a lovely encore to any concert. It has been tested throughout the arrangement process by an amateur film music orchestra in UK to ensure that it is suitable and balances well. I have tried to keep it as close to the original as possible, the key is dropped to C Minor/Major and there are some alterations and edits to make it more accessible. The solo instrument can be changed if requested. www.matdavismusic.co.uk.
$59.99
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