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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once I Was
Non classifié
1 181
Piano & claviers
Piano seul
509
Piano, Voix et Guitare
346
Instruments en Do
304
Piano, Voix
216
Piano Facile
46
Orgue
38
1 Piano, 4 mains
12
2 Pianos, 4 mains
11
Accompagnement Piano
8
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Clavier
1
Accordéon
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
58
Guitare
57
Guitare notes et tablatures
28
2 Guitares (duo)
9
Ukulele
5
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
3
Mandoline
3
3 Guitares (trio)
3
Basse electrique
2
Paroles et Accords
2
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
227
Chorale 3 parties
60
Chorale 2 parties
43
Voix duo, Piano
21
Chorale TTBB
21
Chorale Unison
18
Voix Baryton, Piano
11
Chorale SSAA
9
Voix seule
7
Voix haute
6
Pack Instrumental pour Chorale
5
Voix duo
5
Voix Soprano, Piano
5
Voix Tenor, Piano
3
Chorale SSATTB
2
Voix Tenor
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
127
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Ensemble de saxophones
105
Ensemble de Clarinettes
50
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière et Piano
41
Quatuor de Clarinettes: 4 clarinettes
32
Flûte, Hautbois, Clarinette, Basson
32
Saxophone Alto et Piano
31
Clarinette et Piano
31
2 Saxophones (duo)
26
Clarinette
23
Flûte traversière
22
Hautbois, Piano (duo)
21
Saxophone Tenor et Piano
21
2 Clarinettes (duo)
20
Ensemble de Flûtes
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Flûtes : 4 flûtes
17
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
17
Hautbois (partie séparée)
14
Saxophone Baryton, Piano
10
Saxophone, Clarinette (duo)
8
Cor anglais, Piano
8
2 Hautbois (duo)
8
Clarinette (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor
6
Clarinette, Guitare (duo)
6
Clarinette, Violon (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte et Guitare
5
Saxophone (partie séparée)
5
Hautbois, Clarinette (duo)
5
Clarinette Basse, Piano
5
Flute (partie séparée)
5
Trio de Flûtes: 3 flûtes
4
Flûte, Violon
3
Hautbois, Basson (duo)
3
3 Saxophones (trio)
3
Flûte, Alto (duo)
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Saxophone Soprano
3
Hautbois, Flûte
3
Flûte, Violon, Piano
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Cor Anglais
3
2 Flûtes traversières, Piano
2
Piccolo
2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Ocarina
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
+ 69 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
35
Ensemble de Trompettes
27
Trompette
25
Trombone et Piano
21
Quatuor de Cuivres
20
Trompette, Piano
17
Cor et Piano
12
2 Trombones (duo)
11
2 Trompettes (duo)
10
Trompette (partie séparée)
9
Trombone
9
2 Cors (duo)
9
Cor anglais, Piano
8
Tuba et Piano
8
Trombone (partie séparée)
7
Trio de Cuivres
7
Tuba
7
Cor
7
Trompette, Saxophone (duo)
6
Ensemble de Cors
6
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Tubas (duo)
4
Cor (partie séparée)
3
Trombone basse et Piano
3
Cor Anglais
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
2
Tuba (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Tubas
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trombone basse
1
Cor et Orgue
1
Trombone et orchestre
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
125
Violon et Piano
64
Violon
36
Trio à Cordes: violon, alto, violoncelle
28
Violoncelle, Piano
26
Alto, Piano
26
Harpe
23
2 Violoncelles (duo)
22
Violoncelle
20
Violon, Violoncelle (duo)
19
2 Violons (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
18
Alto seul
12
Violon, Alto (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
8
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
4
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
3
Harpe, Voix
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Alto et Basson
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
594
Orchestre
102
Orchestre à Cordes
94
Ensemble de cuivres
50
Orchestre de chambre
45
Ensemble Jazz
21
Ensemble de Percussions
11
Jazz combo
8
Fanfare
4
Percussion (partie séparée)
4
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Xylophone
1
Batterie (partie séparée)
1
Batterie
1
2 Marimbas
1
Cloches
1
Marimba
1
Orchestre, Violon
1
+ 15 instrumentations
Retracter
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GUITARE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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MANDOLINE
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Once I Was
Orchestre
Partitions à imprimer
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101
A Himalaya Concerto (all orchestral and solo parts, excluding full score)
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Orchestre
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AVANCÉ
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Stuart Brown
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1 solo cimbalom
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A Himalaya Concerto
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Stuart Brown Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #189260...
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Full Orchestra - Level 5 - SKU: A0.835443 Composed by Stuart Brown. Concert,Contemporary,Film/TV. Score and parts. 856 pages. Stuart Brown Music #1892609. Published by Stuart Brown Music (A0.835443). ** ADVISORY NOTE: This composition was written for a professional clarinettist, who has performed it twice (once in UK, once in Australia). As regards level of difficulty, it is on a par with Richard Strauss's oboe concerto, i.e. one of the most challenging solo works available for the instrument. Purchase only if you feel up to the challenge! ** Copyright © Stuart Brown, July 13th 2015, All rights reserved Performing rights apply (administered by PRS for Music in the UK and the USA) For a description of this work, please refer to A Himalaya Concerto (full score) (item number S0.103467, THIS MUST BE PURCHASED SEPARATELY. For a complete bundled product that gives you the maximum flexibility please refer to the composer's own website, search for Stuart Brown Music shop bundles.) This pack contains: 1 solo clarinet; 1 solo cimbalom; 1 piccolo; 3 flutes; 2 oboes; 1 cor anglais; 2 bassoons; 2 double bassoons; 4 horns; 2 trumpets; 2 tenor trombones; 2 bass trombones; 1 tuba; 1 timpani; 1 tubular bells; 16 first violins; 14 second violins; 12 violas; 10 cellos; 8 double basses.
$165.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Concerto for Trumpet and Orchestra (2014)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Trumpet and Orche
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 ...
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Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
$9.99
THE GREAT WALL CONCERTO For Piano & Orchestra
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Orchestre
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AVANCÉ
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Pi
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White Piano International Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World....
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Full Orchestra - Level 5 - SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Concerto for Double Bass & Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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July 2020 &
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Concerto for Double Bass &
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malc...
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Full Orchestra - Level 5 - SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malcolm D Robertson (A0.927995). Composed in June & July 2020 & completed on the 19th July 2020. As a former Double Bass player, I thought it was about time a composed a concerto for my former instrument. The Concerto uses a relatively small orchestra (Flute, Oboe, Cor Anglais, 2 Clarinets, Bassoon, 2 Horns, Timpani, Harp & Strings), the string section should not be too large, 8,8,6,6,3, would be a preferable size. The solo Double Bass doesn't have a large amount of carrying power & so the dynamics for the soloist are marked up, as the MIDI playback isn't great for a solo Bass, the soloist's dynamics have been notched up still further in places for MIDI playback purposes, but can be adjusted down in concert performance. The bass clef has largely been used for the solo purely because the tenor clef option sounds an octave too high on the Musescore program. The Concerto is in 3 movements and about 17 minutes in duration.Parts are available upon request.
$12.99
Concerto for Orchestra
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Orchestre
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott...
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Orchestra - SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
A. Arensky - Double Concerto, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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A
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A
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A. Arensky - Double Concerto,
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #963624. Published by...
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Full Orchestra - Level 4 - SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #963624. Published by Arkady Leytush (A0.1378908). A. Arensky Double Concerto for Violin, Cello and Orchestra, Based on Piano Trio D - minor, Op.32, Orchestrated by A. Leytush. A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.
$60.00
Concerto for Soprano Saxophone and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Judith Cloud
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Concerto for Soprano Saxophone
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Judith Cloud
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.981233 Composed by Judith Cloud. 20th Century. Score and parts. 62 pages. Judith Cloud #6710253. Published by Judith ...
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Full Orchestra - Level 5 - SKU: A0.981233 Composed by Judith Cloud. 20th Century. Score and parts. 62 pages. Judith Cloud #6710253. Published by Judith Cloud (A0.981233). Concerto for Soprano Saxophone was commissioned and premiered by Swedish saxophonist Anders Paulsson in 1998 with the Northern Arizona University Orchestra, Robert Baldwin conducting. I knew of Paulsson’s expertise and artistry as I had composed my cantata Feet of Jesus with his playing in mind. The first movement contains thematic material that is repeated and developed in the second and third movements. I wanted to take advantage of the melodic potential of the soprano sax, exploring nuances of color throughout the range. There are slight suggestions of jazz elements. This first movement introduces the sound of the soprano saxophone and suggests what is to come later on with more challenging technical passages.
$25.00
A. Arensky - Double Concerto for Violin, (2nd movement), Based on Piano Trio D - minor, Op.32, Orche
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Orchestre
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Classique
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A
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A
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A. Arensky - Double Concerto f
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008369 Composed by A. Arensky. Arranged by A. Leytush. Romantic Period. Score and parts. 60 pages. Arkady Leytush #4824111. Pu...
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Full Orchestra - SKU: A0.1008369 Composed by A. Arensky. Arranged by A. Leytush. Romantic Period. Score and parts. 60 pages. Arkady Leytush #4824111. Published by Arkady Leytush (A0.1008369). A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.Timing (4 movements): 32 min.Original version: https://www.youtube.com/watch?v=WR7IgPqscJE&t=1019sFor the rent of Score & Parts please contact at: Leytush51@msn.com
$35.00
The Western New York Trombone Concerto
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Orchestre
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William Pagan-Perez
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The Western New York Trombone
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William Pagan-Perez
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SheetMusicPlus
Full Orchestra - SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Publi...
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Full Orchestra - SKU: A0.933829 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 272 pages. William Pagan-Perez #4736067. Published by William Pagan-Perez (A0.933829). The Western New York Trombone Concerto (For Trombone and Symphony Orchestra)  I. Arriving to Cheektowaga on 2017 II. The Lights of the Niagara Falls III. Tonawanda’s Rhapsody 2018 The Western New York Trombone Concerto was inspired in real life experiences, in the smell, the food, the scenic views, and the great personal relationships of the composer during his first year living in the City of the Good Neighbors (Buffalo, NY). More than have a traditional virtuoso solo music featuring fast and extreme technical phrases, this concerto wants to introduce the trombone as a melodic instrument for those beginner listeners that are discovering the trombone for the first time. The concerto has colorful sticky melodies and exciting rhythmic patterns to produces a great experience to the listener.
$125.00
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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Orchestre
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AVANCÉ
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Contemporain
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Jazz
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James Nathaniel Holland
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Flute Concerto The Hummingbird
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published...
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Full Orchestra - Level 5 - SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
I Will The Wondrous Story (Hyfrydol) [Eb] - Orchestra/Mixed Ensemble Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Rowland H
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Brendan Elliget MAGA 537
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I Will The Wondrous Story
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750913 Composed by Rowland H. Prichard (1830). Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and part...
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Full Orchestra - Level 3 - SKU: A0.750913 Composed by Rowland H. Prichard (1830). Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 39 pages. BJE Music #4832615. Published by BJE Music (A0.750913). A straightforward arrangement for Orchestra, Concert Band or a mixed ensemble with flexible instrumentation: woodwind, brass, piano or organ and strings.The original tune (Hyfrydol) by Rowland H. Prichard was composed in 1830. The Descant part can be played on Flute, Clarinet or Trumpet during the last verse.This setting was designed to work with a full orchestra down to a small church group of various combinations and should work with a few instruments and a keyboard.The MP3 was recorded with NotePerformer…
$30.00
Alexander Glazunov - Grand Concert Waltz in E-Flat Major, Op. 41, For Piano and Orchestra, Orche
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Orchestre
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Classique
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Alexander Glazunov
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Arkady Leytush
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Alexander Glazunov - Grand Con
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008425 Composed by Alexander Glazunov. Arranged by Arkady Leytush. Romantic Period. Score and parts. 82 pages. Arkady Leytush ...
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Full Orchestra - SKU: A0.1008425 Composed by Alexander Glazunov. Arranged by Arkady Leytush. Romantic Period. Score and parts. 82 pages. Arkady Leytush #6599291. Published by Arkady Leytush (A0.1008425). Glazunov's orchestral repertoire includes two famous waltzes op. 47 and 51. Big concert waltz op. 41 was written exclusively for piano. I had a great desire to change the salon scale of this work, moving it to the concert stage, making a transcription for piano with a large symphony orchestra. The structure and periodicity of the musical form allowed me to realize this idea as a dialogue, a duet of a soloist and an orchestra. In some episodes, only the orchestra or only the solo piano sounds, while a number of other places are more like a typical concert for piano and orchestra. I hope this new transcription should be of an interest for both, pianists and conductors. Considering the compactness of the sound (7 minutes), this piece could, for example, decorate a concert program after performing a concert for piano and orchestra as an encore.
$60.00
I Knew I Loved You: Score
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Orchestre
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Methodes
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Ennio Morricone
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Roy Phillippe
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I Knew I Loved You: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0001533 Score. Composed by Ennio Morricone. Arranged by Roy Phillippe. Instructional. Score. 16 pages. Alfred Musi...
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Full Orchestra - SKU: AX.00-PR-0001533 Score. Composed by Ennio Morricone. Arranged by Roy Phillippe. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0001533. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0001533). UPC: 038081322063.This hauntingly beautiful composition by legendary film composer Ennio Morricone was premiered by Celine Dion on the 2007 Academy Awards telecast and will fit perfectly on any pops or film music concert. Beginning in the key of A Major then modulating to D major, this arrangement can be performed by strings alone or full orchestra. (3:10).
$7.00
Crown of Thorns, Crowns of Glory (When I Survey the Wondrous Cross) for Soprano Solo and Orchestra
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Orchestre
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AVANCÉ
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Musique Sacrée
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Edward Miller, Isaac Watts, Wi
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Michael Thomas Andrews
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Crown of Thorns, Crowns of Glo
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Michael Thomas Andrews
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thoma...
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Full Orchestra - Level 5 - SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thomas Andrews. Christian,Classical,Easter,Religious,Sacred. Score and Parts. 112 pages. Michael Thomas Andrews #863342. Published by Michael Thomas Andrews (A0.1270957). This new work was premiered at the Royal Albert Hall at The Coronation Prom on the date of His Majesty The King's Coronation by soprano Joanne Lunn and the All Souls Orchestra. Â This imaginative arrangement of 'When I Survey the Wondrous Cross' with the final verse of 'Love Divine, All Loves Excelling' for soprano solo and orchestra begins with a pianissimo muted string texture as we fix our eyes upon the cross of Christ before crescendoing to a glorious finale in which we lay our crowns before the King of all Creation. Â This would be a perfect addition to a concert with full symphony orchestra and a soprano soloist with an extensive vocal range. Â If desired, the top vocal C in the final verse in bar 123 may be replaced by holding the top A across the full beat.
$75.00
Souvenirs d'un concert (Serenata) for Tenor and Orchestra
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Orchestre
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AVANCÉ
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Classique
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C
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Alexander Timofeev
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Souvenirs d'un concert
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Alexander Timofeev
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.966146 Composed by C. Adolfo Bracco. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 144 pages. Ale...
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Full Orchestra - Level 5 - SKU: A0.966146 Composed by C. Adolfo Bracco. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 144 pages. Alexander Timofeev #6669179. Published by Alexander Timofeev (A0.966146). This is an arrangement for Tenor and Orchestra of Souvenirs d'un concert (Serenata) by C. Adolfo Bracco. Lyricist: Enrico Caruso. This arrangement of Serenata was inspired by the famous recording sung by Mario Lanza. Tenor range: D3-B4.  Full Score, and Parts are included. The arrangement is scored for Tenor and Orchestra: 2-2-2-2, 2-0-2-0, 1 perc., harp, strings.  The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (2), Trombones (2), Percussion (1), Harp (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4).  If more string parts are needed, please purchase two or more copies of this arrangement.
$79.99
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
Mac Huff: When I Was Your Man (arr. Mac Huff) (complete set of parts) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Rock
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Mac Huff
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Virtualsheetmusic
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / pop,rock,concert
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / pop,rock,concert
$29.99
Symphonie in C, 1. Allegro Vivo
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Georges Bizet
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Donald Jay Smith
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Symphonie in C, 1. Allegro Viv
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Donald Jay Smith Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Ro...
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Full Orchestra - Level 4 - SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 164 pages. Donald Jay Smith Music #987680. Published by Donald Jay Smith Music (A0.1404615). I adapted this movement of Bizet's only symphony for my high school orchestra so that they would have the experience and challenge of performing a major symphonic work written by Bizet when he was 17 years old-like many of them. The movement fit programing concerns (only lasting 12 minutes, 8 minutes without the repeat) and instrumentation demands for the orchestra I had at the school at that time. I found limited similar repertoire available that was appropriate to challenge my students. I was also personally motivated to dig deeper into this piece by adapting it, much like early composers learned by serving as copyists for previous musical legends. More recently, I performed this as a guest conductor with a senior level honors orchestra in Massachussetts. In both cases the work was the focus of musical stimulation as well as inspiring fully engaged student conversation about many aspects of this movement. In short, the students enjoyed preparing and performing the piece, almost as much as the audiences were impressed by the performances. Hopefully Bizet's teacher at the Paris Conservatiore, Charles Gounod, rewarded Bizet with a good grade! I put in the extra time to publish this so that many other students would have the opportunity to study this piece, composer, style and period of music. I sincerely hope that you and your orchestra will enjoy Allegro vivo from Symphonie in C Major!
$49.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
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