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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Slow Sam
Sheetmusicplus
Non classifié
148
Piano & claviers
Piano seul
90
Piano, Voix et Guitare
21
Piano, Voix
10
Piano Facile
7
Orgue
4
Instruments en Do
4
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
2
Accompagnement Piano
1
Accordéon
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Ukulele
298
Mandoline
262
Guitare
205
Guitare notes et tablatures
43
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare (partie séparée)
2
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale 3 parties
10
Chorale TTBB
6
Voix seule
5
Chorale Unison
4
Voix duo
1
Chorale 2 parties
1
Chorale SSAA
1
Voix haute
1
Voix Soprano, Piano
1
+ 5 instrumentations
Retracter
Vents
Ocarina
263
Flûte à bec Soprano
254
Harmonica
190
Flûte à bec Alto
182
Flûte à bec Alto, Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Quintette de Saxophone: 5 saxophones
17
2 Saxophones (duo)
17
2 Clarinettes (duo)
10
Quatuor de Saxophones: 4 saxophones
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone, Clarinette (duo)
8
2 Flûtes traversières (duo)
8
Flûte traversière et Piano
7
Clarinette, Violon (duo)
6
Saxophone Soprano et Piano
6
Saxophone (partie séparée)
5
Clarinette, Trompette (duo)
5
Flûte traversière
4
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
4
Flûte et Guitare
4
Clarinette
4
3 Saxophones (trio)
3
Flûte, Clarinette (duo)
3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
Hautbois, Basson (duo)
3
Saxophone Alto et Piano
3
Saxophone Alto
3
Clarinette et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon
3
Saxophone Tenor
3
Ensemble de saxophones
2
Ensemble de Clarinettes
2
5 Flûtes à bec
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte à Bec
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois (partie séparée)
1
Saxophone Baryton, Piano
1
Cor anglais, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Piano (duo)
1
Flûte, Violon, Piano
1
+ 48 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette, Saxophone (duo)
6
Trompette
6
Trombone et Piano
5
Trombone (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
4
2 Trombones (duo)
4
Ensemble de Trompettes
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Cor
2
Ensemble de Cors
2
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Trombone
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Tuba et Piano
1
Cor anglais, Piano
1
2 Tubas (duo)
1
3 Trombones (trio)
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon
10
Harpe
8
Violon, Violoncelle (duo)
7
2 Altos (duo)
5
Violoncelle
5
2 Violons (duo)
5
Violon, Alto (duo)
4
Violon et Piano
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle, Piano
3
2 Violoncelles (duo)
3
Alto, Piano
2
4 Violoncelles
2
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Alto, Guitare (duo)
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Violoncelle, Contrebasse (duo)
1
Contrebasse (partie séparée)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
21
Orchestre d'harmonie
19
Orchestre
18
Orchestre à Cordes
14
Batterie
11
Jazz combo
7
Ensemble de cuivres
7
Orchestre de chambre
7
Ensemble de Percussions
2
Cloches
2
Batterie (partie séparée)
1
Vibraphone
1
Fanfare
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Slow Sam
SheetMusicPlus
Partitions à imprimer
18 partitions trouvées
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1
Jazz Brazilian Piano Concerto No 1 in Three Movements (Full Score and Individual Parts)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Jazz Brazilian Piano Concerto
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730384 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 379 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.730384 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 379 pages. James Nathaniel Holland #3073409. Published by James Nathaniel Holland (A0.730384). American composer James Nathaniel Holland brings the piano and orchestra together with a Brazilian beat in this exciting new piano concerto. Virtuosic, rhythmic and beautiful it would any nice addition to any concert, summer outdoor concert or any classical pianist looking for a jazz piece vehicle. Â Offered here full score and all individual parts, including piano solo part. 2 Pianos/4 hands, full score with parts, or parts only sold separately. CD To Warmer Climes (Symphony No 2 and Piano Concerto No. 1) also available on-line.Instrumentation: Fl1, Alto fl/fl2, ob12, cl1, bcl/cl2, bsn1, cbsn/bsn2, h1234, tpt 12, trmb12,btrm1, tim, prc (sus. cym (st./mall), tri./cow bell, agogos, pandeiro, bdrm(or surdo)) piano soloist, vln solo, stringsMovement 1 - Slow Samba Six Days in Rio Movement 2 - Slow South American Nights Movement 3 - Fast Samba Brazilian Carnival (Duration: 35 minutes).
$55.95
Jazz Brazilian Piano Concerto No 1 in Three Movements (Individual Parts Only)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Jazz Brazilian Piano Concerto
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730385 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 241 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.730385 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 241 pages. James Nathaniel Holland #3073415. Published by James Nathaniel Holland (A0.730385). American composer James Nathaniel Holland brings the piano and orchestra together with a Brazilian beat in this exciting new piano concerto. Virtuosic, rhythmic and beautiful it would any nice addition to any concert, summer outdoor concert or any classical pianist looking for a jazz piece vehicle.  Offered here individual parts only.  Full score only, 2 Pianos/4 hands, full score with parts, or CD To Warmer Climes sold separately.Instrumentation: Fl1, Alto fl/fl2, ob12, cl1, bcl/cl2, bsn1, cbsn/bsn2, h1234, tpt 12, trmb12,btrm1, tim, prc (sus. cym (st./mall), tri./cow bell, agogos, pandeiro, bdrm(or surdo)) piano soloist, vln solo, stringsMovement 1 - Slow Samba Six Days in Rio Movement 2 - Slow South American Nights Movement 3 - Fast Samba Brazilian Carnival (Duration: 35 minutes).
$35.95
Joy to the World (Orchestra Accompaniment)
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Orchestre
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Musique Sacrée
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Issac Watts, George Handel
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Sam Cardon, Garrett Breeze
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Joy to the World
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Lagom Music
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SheetMusicPlus
Full Orchestra - SKU: A0.723432 Composed by Issac Watts, George Handel. Arranged by Sam Cardon, Garrett Breeze. Christmas,Praise & Worship,Sacred. Score...
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Full Orchestra - SKU: A0.723432 Composed by Issac Watts, George Handel. Arranged by Sam Cardon, Garrett Breeze. Christmas,Praise & Worship,Sacred. Score and parts. 73 pages. Lagom Music #6230959. Published by Lagom Music (A0.723432). This arrangement begins slow and sparse, with the women singing the first verse in unison. It builds in intensity as the second verse is sung by men in lush harmony, then makes a dramatic shift in tempo and key for a joyous final verse sung by the full choir. Arranged by Sam Cardon and Garrett Breeze.Also available SATB + Piano: http://bit.ly/2Mi35hgVisit https://garrettbreeze.com to read my blog and discover new music!
$125.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Flauta Carioca (2000) for flute and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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2222-2221-timp-2perc-strings
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Flauta Carioca
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pa...
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Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
Gnossienne No. 1
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Orchestre
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FACILE
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Classique
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Classique
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Erik Satie
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Hans Rudolf
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Gnossienne No. 1
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Hans Rudolf
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Part...
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Full Orchestra - Level 2 - SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Parts. 37 pages. Hans Rudolf #798204. Published by Hans Rudolf (A0.1199137). Gnossienne No. 1 is a solo piano piece by French composer Erik Satie. It was written in 1890 and published in 1893. The piece is part of a series of six Gnossiennes and is perhaps Satie's best known and most frequently performed work.The piece is written in a slow tempo and is marked Lent (slow) and douloureux (painful). It has a simple and repetitive melody played over a slow, dreamy accompaniment. The harmonies are also very sparse, often consisting of only two or three chords.The title Gnossienne is thought to have been invented by Satie himself, and its meaning is not entirely clear. Some suggest that it is a reference to the ancient Greek city of Gnossos on the island of Crete, while others believe that it is an allusion to gnosis, a mystical knowledge in which Satie was interested. For me, I translate Gnossienne simply as knowledge.Overall, Gnossienne No. 1 is a beautiful and haunting piece of music that has captured the imagination of audiences and performers alike for over a century.My orchestration attempts to counter the painful character, at least in part, with a rebellion and triumph over pain. The most unusual detail is the rhythmization by the timpani, which can be perceived as a driving, an eternity of the same or also as a will to continue.
$19.99
Last Of The Summer Wine Theme
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Orchestre
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INTERMÉDIAIRE
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Ronald Hazlehurst
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Kevin Riley
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Last Of The Summer Wine Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin...
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Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.
$50.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Concerto for Jazz Band and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Concerto for Jazz Band and Orc
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809890 Composed by Robert E. Proctor. Contemporary,Jazz. Score and parts. 386 pages. R. E. Proctor #4897823. Publishe...
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Full Orchestra - Level 3 - SKU: A0.809890 Composed by Robert E. Proctor. Contemporary,Jazz. Score and parts. 386 pages. R. E. Proctor #4897823. Published by R. E. Proctor (A0.809890). A work for full orchestra and jazz band. Arranged in standard concerto format of three movements; fast – slow – fast. Each of the three movements contains an improvisational section, of varying lengths, with repeats as needed for the soloists. (Demonstration solos are included which are not intended for performance.) Approximate duration: 25:18 depending on number of repeats taken. The audio sample has no repeats.
$19.95
Sleazy Louise
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Richard Bowyer
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Sleazy Louise
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Richard Bowyer
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Ri...
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Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Richard Bowyer (A0.1009742). Fat Fred and Sleazy Louise Got together one day; Fat Fred was easy to please, And she was going his way.... This is a reworking of a fun piece I originaally wrote over 30 years ago, and I have to admit that after all this time I can't actually remember why I gave it the title Sleazy Louise. But in the slow, smoochy middle section (not included in the sample recording) you'll hear that there is something a bit disreputable, down-at-heel and nicotine-stained about this lady. Scored for full orchestra, including alto and tenor saxophones, there are optional additional parts for baritone saxophone, Eb horn, treble clef trombone in Bb, easy violin and descant recorder. The violin cues in the clarinet part should only be played if the violins need reinforcing. Sleazy Louise has been performed in several countries, notably when some orchestral players fitted silly words to it and sang it to startled onlookers in Red Square, Moscow!
$50.00
Tombland Fanfare
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Orchestre
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AVANCÉ
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Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
2 Classical Favourites for School Orchestra (volume five)
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Orchestre
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DÉBUTANT
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Classique
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Wolfgang Amadeus Mozart, Ludwi
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David Burndrett
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2 Classical Favourites for Sch
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David Burndrett
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1369155 Composed by Wolfgang Amadeus Mozart, Ludwig van Beethoven. Arranged by David Burndrett. Classical. 48 pages. ...
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Full Orchestra - Level 1 - SKU: A0.1369155 Composed by Wolfgang Amadeus Mozart, Ludwig van Beethoven. Arranged by David Burndrett. Classical. 48 pages. David Burndrett #953504. Published by David Burndrett (A0.1369155). No.1 Eine Kleine Nachtmusik (first movement)No.2 Beethoven Symphony No.7 (slow movement)I have arranged these pieces so that it can be played by grade three standard players upwards!As usual, I have added an optional violin three part, which is the same as the viola part, for if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$14.95
Un Piccolo Concerto
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Orchestre
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AVANCÉ
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Contemporain
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Guido Alfonso Medina Rivera
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Guido Alfonso Medina Rivera
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Un Piccolo Concerto
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SGAE
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1007901 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. 20th Century,Concert,Contem...
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Full Orchestra - Level 5 - SKU: A0.1007901 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. 20th Century,Concert,Contemporary. Score and parts. 220 pages. SGAE #3918741. Published by SGAE (A0.1007901). From the formal point of view, Un Piccolo Concerto is structured in three movements: I: Moderato, II: Homage to Ponce, mostly slow and II: Aires Mexicanos, allegro with verve. From the harmonic point of view, in the first movement a modal language is used, with some very tonal parts, the use of pantonalism or a very accelerated path through different tones and some use of blue elements, with a leitmotiv that is will repeat several times, giving the work a minimalist accent. The second movement, however, is very tonal, epic, with different changes of tone and mode in its development. In the third, the procedure is totally tonal, although very modulant, where they try to reflect the Mexican airs, because that is its main purpose. In this movement the same leitmotiv of the first one is also exploited, but with the rhythmic variant that supposes the ternary subdivision (6/8). In all movements, special care has been taken to respect the guitar aspect, both in technique and style. The estimated duration is approximately 17:30, although it could vary according to the sense given to the rittardando, taste of the interpreter and intermediates between movements.
$50.00
Double Concerto for Flute and Guitar (SCORE ONLY)
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Orchestre
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Apostolos Paraskevas
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Double Concerto for Flute and
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publication...
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Full Orchestra - SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
Piano Concerto No. 21 Movement 2, "Elvira Madagin"
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Orchestre
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Classique
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Wolfgang Amadeus Mozart
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edited by John M
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Piano Concerto No. 21 Movement
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - SKU: A0.1142445 Composed by Wolfgang Amadeus Mozart. Arranged by edited by John M. Laverty. Classical. Score and parts. 62 pages. Zephy...
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Full Orchestra - SKU: A0.1142445 Composed by Wolfgang Amadeus Mozart. Arranged by edited by John M. Laverty. Classical. Score and parts. 62 pages. Zephyrwindmusic.com #742820. Published by zephyrwindmusic.com (A0.1142445). With its thinly scored accompaniment, Mozart’s masterpiece published here provides the soloist with ample opportunities to explore the many colors and expressive tools that make for a wonderful stand alone slow movement. Due to an appearance in the 1967 Swedish ï¬lm Elvira Madagin, the concerto is widely known by the same name. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$25.00
Symphony No. 1 (Complete) - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Drake Mabry
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Symphony No. 1
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Drake Mabry
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.799454 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 179 pages. Drake Mabry #1911267. Publishe...
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Full Orchestra - Level 4 - SKU: A0.799454 Composed by Drake Mabry. 20th Century,Contemporary. Score and parts. 179 pages. Drake Mabry #1911267. Published by Drake Mabry (A0.799454). The work, written in 1983 is in 5 movements with a prelude and postlude framing the work, a central slow movement featuring the soprano saxophone and percussion and then 2 scherzos, one on each side of the central, 3rd movement. Thus an arch form of ABCBA. The 2 scherzos share the same material but in the 1st scherzo, this is done in a horizontal manner and in the 2nd scherzo the material is treated vertically. The 3rd and central movement is a Lament featuring a solo soprano saxophone and solo percussionist who dialogue between themselves and with the orchestra. The duration is 24 minutes.
$12.99
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
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Orchestre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Waltz of the Roses, for Orches
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by...
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Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
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