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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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LUTH, THEOR…
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MARIMBA
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CLASSIQUE - BAROQUE …
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Non classifié
1379
PIANO & CLAVIERS
Piano seul
694
Piano, Voix
154
Piano Facile
154
Instruments en Do
94
Piano, Voix et Guitare
83
Orgue
73
1 Piano, 4 mains
21
Piano Trio: piano, violon, violoncelle
13
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
8
Accompagnement Piano
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
1
Clavier
1
Clavecin
1
Accordéon
1
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GUITARES
Guitare
87
Guitare notes et tablatures
50
Guitare (partie séparée)
12
Ligne De Mélodie, (Paroles) et Accords
10
Mandoline
7
Banjo
5
Ukulele
5
2 Guitares (duo)
4
Piano, Guitare (duo)
2
Paroles et Accords
2
Basse electrique
2
2 Dulcimers (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Dulcimer
1
Instrumentations suivantes
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VOIX
Chorale SATB
314
Chorale 3 parties
76
Chorale TTBB
44
Chorale 2 parties
35
Chorale SSAA
33
Chorale Unison
23
Voix Soprano, Piano
14
Voix duo, Piano
14
Voix Alto, Piano
13
Voix Tenor, Piano
6
Voix haute
6
Voix Baryton, Piano
6
Voix duo
5
Chorale SSAATTBB
4
Voix seule
4
Chorale SSATB
3
Voix basse, Piano
2
Voix Tenor
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Voix Baryton
1
Chorale SSAB a cappella
1
Voix basse
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
206
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
145
2 Saxophones (duo)
126
Flûte traversière et Piano
119
Quintette de Saxophone: 5 saxophones
102
Clarinette et Piano
100
Hautbois, Piano (duo)
81
Saxophone Alto et Piano
73
Saxophone Tenor et Piano
66
Saxophone (partie séparée)
63
2 Clarinettes (duo)
62
Saxophone, Clarinette (duo)
53
Quatuor de Clarinettes: 4 clarinettes
50
2 Flûtes traversières (duo)
48
Flûte, Hautbois, Clarinette, Basson
47
Flûte traversière
47
Saxophone Alto
45
Saxophone Soprano et Piano
45
Clarinette
40
Saxophone Tenor
39
Clarinette, Violon (duo)
37
Ensemble de saxophones
33
Saxophone Baryton, Piano
31
Quatuor de Flûtes : 4 flûtes
30
Clarinette, Trompette (duo)
30
Flûte, Clarinette (duo)
30
3 Saxophones (trio)
26
Cor anglais, Piano
25
2 Hautbois (duo)
23
Flûte, Saxophone (duo)
19
Ensemble de Clarinettes
19
Hautbois, Basson (duo)
19
Hautbois, Clarinette (duo)
19
Clarinette Basse, Piano
18
Flûte, Violon
18
Hautbois, Flûte
18
Clarinette et Alto
18
Hautbois (partie séparée)
16
Flûte, Alto (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
Hautbois
15
Flûte, Trompette (duo)
15
2 Flûte à bec (duo)
13
Ensemble de Flûtes
11
3 Clarinettes (trio)
11
Quintette de Flûte : 5 flûtes
9
Flute (partie séparée)
8
Flûte et Guitare
7
Trio de Flûtes: 3 flûtes
6
Ocarina
6
Clarinette, Basson (duo)
6
Clarinette, Guitare (duo)
5
Flûte à Bec
5
Quatuor de Flûtes à bec
5
Flûte, Clarinette et Basson
5
Flûte à bec Soprano, Piano
5
Flûte à bec Alto
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Ensemble De Flûte à bec
4
Harmonica
4
Flûte à bec Soprano
4
3 Flûtes à bec (trio)
3
Flûte, Violoncelle
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone Soprano
2
2 Clarinettes, Piano
2
Flûte à bec Alto, Piano
2
Cor anglais, Guitare (duo)
2
5 Flûtes à bec
2
Saxophone Baryton
2
Flûte à bec Tenor
2
Flûte, Clarinette, Piano (trio)
2
Saxophone et Guitare
2
2 Saxophones, Piano
2
Hautbois, Basson et Piano
1
Clarinette, Harpe (duo)
1
Saxophone
1
Flûte à Bec, Piano
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
Ensemble de Hautbois
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
1
Flûte, Violon et Violoncelle
1
Clarinette, Orgue
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Saxophone et Orgue
1
2 Flûtes traversières, Piano
1
Clarinette Basse
1
Cornemuse
1
Flûte irlandaise
1
2 Flûtes à bec, Guitare
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
161
Trombone et Piano
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette
62
Trompette, Piano
59
Cor et Piano
58
Trombone
40
Trompette, Saxophone (duo)
39
Ensemble de Trompettes
39
Tuba et Piano
37
Euphonium, Piano (duo)
32
Trombone (partie séparée)
29
Cor
28
Trompette (partie séparée)
27
Cor anglais, Piano
25
Tuba
25
Quatuor de Cuivres
25
2 Trombones (duo)
25
2 Trompettes (duo)
23
Trompette, Trombone (duo)
21
Ensemble de Trombones
17
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Cor (partie séparée)
8
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
2 Euphoniums et 2 Tubas
5
2 Cors (duo)
5
Quatuor de cuivres: 4 trompettes
4
3 Trompettes (trio)
3
3 Trombones (trio)
3
4 Tubas
3
Ensemble de Cors
3
Cor anglais, Guitare (duo)
2
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Tuba et Orgue
2
Trio de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
Trombone basse
1
Trombone basse et Piano
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
154
Violoncelle, Piano
81
Alto, Piano
76
Violon
59
Violoncelle
59
Harpe
51
Violon, Violoncelle (duo)
37
2 Violoncelles (duo)
36
Contrebasse, Piano (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Violons (duo)
32
Alto seul
31
Trio à Cordes: violon, alto, violoncelle
29
2 Altos (duo)
28
Contre Basse
26
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
12
Contrebasse (partie séparée)
8
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
Harpe, Flûte (duo)
4
Violon, Guitare (duo)
4
Harpe, Quatuor à cordes
3
Quatuor à cordes: 4 violons
3
Harpe, Voix
3
Violon (partie séparée)
3
Trio à cordes: 3 violins
3
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Quatuor à cordes : 4 altos
3
2 Harpes (duo)
2
2 Contrebasses (duo)
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Orgue
1
3 Harpes
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
427
Orchestre
128
Ensemble Jazz
104
Orchestre à Cordes
77
Ensemble de cuivres
50
Orchestre de chambre
45
Fanfare
37
Jazz combo
23
Cloches
22
Ensemble de Percussions
12
Batterie (partie séparée)
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
4
Marimba
3
Vibraphone
2
Orchestre, Violon
2
Percussion
2
Percussion (partie séparée)
2
Xylophone, Piano
1
Piano et Orchestre
1
Instrumentations suivantes
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AUTRES
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.59 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.55 €
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Orchestre
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Jeremy Goh
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SheetMusicPlus
Tennessee
Orchestre
Full Orchestra - Digital Download SKU: A0.509587 Composed by Hans Zimmer. Arranged …
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Full Orchestra - Digital Download SKU: A0.509587 Composed by Hans Zimmer. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 40 pages. Published by Kevin Riley (A0.509587). Pearl Harbor is a 2001 American romantic war drama film directed by Michael Bay, produced by Bay and Jerry Bruckheimer and written by Randall Wallace. It stars Ben Affleck, Kate Beckinsale, Josh Hartnett, Cuba Gooding Jr., Tom Sizemore, Jon Voight, Colm Feore, and Alec Baldwin. The film presented a heavily fictionalized version of the attack on Pearl Harbor by Japanese forces on December 7, 1941, focusing on a love story set amid the lead up to the attack, its aftermath, and the Doolittle Raid. The film was a box office success, earning $59 million in its opening weekend and nearly $450 million worldwide, but received generally negative reviews from critics, who criticized the story, long runtime, screenplay and dialogue, pacing, performances and historical inaccuracies, although the visual effects and music score were praised. It was nominated for four Academy Awards, winning in the category of Best Sound Editing. However, it was also nominated for six Golden Raspberry Awards, including Worst Picture. This marked the first occurrence of a Worst Picture-nominated film winning an Academy Award.
$70.00
63.89 €
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Orchestre
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Hans Zimmer
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Kevin Riley
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Tennessee
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Kevin Riley
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SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.86 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
The Aftermath
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1446348 Composed by Gavin Green…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1446348 Composed by Gavin Green. Contemporary,New Age,Thriller. 36 pages. Gavin.G #1026157. Published by Gavin.G (A0.1446348). This song comes from two different perspectives of intense emotions of grief, confusion, and worry while the other is happy, oblivious to the horrors that are upon him.
$50.00
45.63 €
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Orchestre
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Gavin Green
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The Aftermath
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Gavin.G
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SheetMusicPlus
"Prayer" (after Mozart) from Orchestral Suite No. 3
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1237996 Composed by Piotr Tchai…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1237996 Composed by Piotr Tchaikovsky. Arranged by Paul Ferington. Classical,Lent,Religious,Romantic Period,Sacred. Score and Parts. 27 pages. Paul K Ferington #833464. Published by Paul K Ferington (A0.1237996). A powerful 3:30 arrangement of Tchaikovsky's tribute to Mozart, from Tchaikovsky's Orchestral Suite No. 3;  this instrumental setting of Mozart's choral work Ave Verum Corpus K. 618 is the 3rd movement in this Suite, here expanded to include additional wind parts with the strings; perfect for church orchestras as an opening Prelude, Offertory, or in services celebrating Communion. (Violins are on one part with optional divisi;  violas play a few measures of treble clef, and bassoons/cellos a few measures of tenor clef, all due to the high ranges of Tchaikovsky's notation.) Tchaikovsky uses the key of Bb major and this is retained.
$18.95
17.29 €
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Orchestre
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Piotr Tchaikovsky
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Paul Ferington
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"Prayer"
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Paul K Ferington
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
Requiem, A Secular Song of Transcendence for SATB Chorus and Orchestra FULL SCORE AND PARTS
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1283154 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1283154 Composed by James Nathaniel Holland. Arranged by James Nathaniel Holland. 21st Century,Contemporary. Score and Parts. 251 pages. James Nathaniel Holland #874449. Published by James Nathaniel Holland (A0.1283154). Full Orchestral Score with Individual Instrument Parts, and Separate SATB Choral Part (without accompaniment).  This musical work is a non-religious, secular Requiem, appropriate for concert, memorial service, or funeral with original text and music by American composer James Nathaniel Holland. A meditation that begins with a blessing on those who are departed, on the permeance of the existence of life, then contemplating the unknown, the faith that all is ordered as should be, the joyous dedication to live one’s life well, and the emotional finale that expresses the hope of existence after death.  Scored for medium/small orchestra.  Instrumentation: fl, ob, cl12, bsn, hrn12, tpt, tromb, btrmb or tba, timp, perc (bd, snr, tam, hand cym., tri.), SATB Choir, hrp or pno., stringsDuration:  35 minutesPiano Vocal Score/Reduced Orchestral Score available, but sold separately.Video Demo:  https://youtu.be/rFskKBUmvSM.
$30.25
27.61 €
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Orchestre
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James Nathaniel Holland
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James Nathaniel Holland
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Requiem, A Secular Song of Transcendence for SATB Chorus and Orchestra FULL SCORE AND PARTS
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James Nathaniel Holland
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.51 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.68 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
I Write The Songs
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Br…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
63.89 €
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Orchestre
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
The Parting Glass
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Tr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman. The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish. The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return. This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend. It is intentionally written with basic instrumentation. It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble. This would be a great performance piece for a high school or community orchestra.
$30.00
27.38 €
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Orchestre
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Scottish Traditional
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Josiah V
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The Parting Glass
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Josiah V. Smiddy
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SheetMusicPlus
Symphony in C minor - Full Score - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1395044 Composed by Alice Mary Smith. Arranged by edited by John M Laverty. 19th Century,Classical. 147 pages. Zephyrwindmusic.com #978510. Published by zephyrwindmusic.com (A0.1395044). British composer Alice Mary Smith (1839-1884) was in her early 20’s when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith’s composition received a high level of praise from the British press following the work’s premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s.This edition is based entirely on Smith’s original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete.Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation:2 Flutes2 Oboes2 Clarinets in B-flat2 Bassoons2 Horns in F2 Trumpets in C3 TrombonesTimpaniStrings.
$50.00
45.63 €
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Orchestre
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Alice Mary Smith
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edited by John M Laverty
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Symphony in C minor - Full Score - Score Only
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zephyrwindmusic.com
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SheetMusicPlus
Mi Amigo
Orchestre
Full Orchestra - Digital Download SKU: A0.1023002 Composed by Christopher M Pile. A…
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Full Orchestra - Digital Download SKU: A0.1023002 Composed by Christopher M Pile. Arranged by Christopher M Pile. Contemporary,Patriotic,World. Score and parts. 48 pages. Christopher M Pile #4299629. Published by Christopher M Pile (A0.1023002). This Orchestral music was written in memory of the crew of the B-17 Flying Fortress - 'Mi Amigo'. The crew died after their plane crashed in Endcliffe Park, Sheffield, Uk on the 22nd February 1944.The ten bells at the end of the music are in memory of each of the 10 brave crew.
$3.99
3.64 €
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Orchestre
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Christopher M Pile
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Christopher M Pile
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Mi Amigo
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Christopher M Pile
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SheetMusicPlus
Chinatown - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Golds…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1077397 Composed by Jerry Goldsmith. Arranged by Chris Siddall. Film/TV. Score and parts. 8 pages. Chris Siddall Music Publishing #681583. Published by Chris Siddall Music Publishing (A0.1077397). After Phillip Lambro’s original score for Chinatown was rejected at the last minute, composer Jerry Goldsmith was brought in to “save the dayâ€. It’s amazing to think that what is now considered a classic score, and a template for the film noir sound, was written in only ten days. In a meeting with producer Robert Evans, it was suggested that they wanted a contemporary 1930s feel to the music, but Jerry pushed back on this idea saying that this was already displayed on the screen, and that the underscore should enhance the emotion, and emotions are timeless. Jerry hadn’t yet considered what he was going to write, when asked what he envisiged in terms of orchestration, so he quickly replied “four pianos, four harps, strings, solo trumpet and two percussion†which Evans liked the idea of. Having spoken himself into this “trapâ€, Jerry then had to go home and write it, and it turned out to be an interesting combination of instruments to write for Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
4.55 €
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Orchestre
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Jerry Goldsmith
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Chris Siddall
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Chinatown - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holl…
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Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Published by Hudson Holland (A0.1347063). This piece of music was written as an impressionistic interpretation of the wind and weather patterns here in Florida.The piece begins in a windy afternoon with storms building in the distance. By rehearsal marking A, a small whirlwind forms lifting the listener up into the clouds.What began as a soaring flight quickly turns into dark, dismal clouds of a thunderstorm. At rehearsal marking D, the listener is taken even higher into the sky, above the clouds to see a beautiful purple sunset.The score is marked Ephemerally. In this piece, ephemerally is used to evoke a sense of transient and evanescent beauty, often leaving a lasting impression despite its brevity..
$99.99
91.26 €
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Orchestre
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Hudson Holland
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Hudson Holland
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Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
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Hudson Holland
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.75 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.25 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
The Song Is You
Orchestre
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxop…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1035234 Composed by Jerome Kern. Arranged by Drew Zaremba. Contemporary. Score and parts. 141 pages. ZarembaMusic #4764659. Published by ZarembaMusic (A0.1035234). This high octane swinger was written just for Chuck Findley, and is now available for all budding trumpet stars! This fast intense arrangement features trumpet soloist as well as an open section for many others to blow on. Then, after an epic trumpet soli, the band comes back with a big shout chorus. Enjoy on YouTube on the UNT YouTube channel! No doubles in this version, trumpet goes to a written F#6, very difficult, but very fun!
$75.00
68.45 €
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Orchestre
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Jerome Kern
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Drew Zaremba
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The Song Is You
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ZarembaMusic
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SheetMusicPlus
Double Concerto for Flute and Guitar (SCORE ONLY)
Orchestre
Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. …
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Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
31.94 €
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Orchestre
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Apostolos Paraskevas
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Double Concerto for Flute and Guitar
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Silver Sickle Publications
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SheetMusicPlus
La Passerella Di Addio
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. Score and Parts. 166 pages. Flavio Regis Cunha #892557. Published by Flavio Regis Cunha (A0.1302948). 🎶 Unleash Your Orchestra's Potential with 'Otto e Mezzo for Orchestra'! 🎶Calling all maestros, musicians, and music aficionados! Elevate your performances to extraordinary heights with 'La Passerella Di Addio for Orchestra,' a magnum opus meticulously composed by the legendary Italian film composer, Nino Rota, and brilliantly arranged by the maestro Flavio Regis Cunha.✨ Why 'La Passerella Di Addio for Orchestra' Stands Apart: ✨🌟 Cinematic Grandeur: Immerse your audience in the captivating melodies that defined the golden era of Italian cinema. Nino Rota's timeless composition, brought to life by Flavio Regis Cunha, resonates with emotive richness, painting vivid musical landscapes that stir the soul.🌟 Unmatched Versatility: Break free from the constraints of standard ensemble formats! 'La Passerella Di Addio for Orchestra' is a musical chameleon, seamlessly adapting to the unique dynamics of school orchestras, and professional ensembles. Its adaptive brilliance ensures a performance that is nothing short of spectacular, tailored to your specific setting.🌟 Masterful Arrangement: Dive into the nuances of expertly crafted sheet music. Flavio Regis Cunha's arrangement strikes the perfect balance between complexity and accessibility, catering to musicians of all levels. Whether you're a seasoned virtuoso or a budding talent, this composition challenges and inspires, fostering musical growth.🌟 Spellbinding Storytelling: Every note in 'Otto e Mezzo for Orchestra' narrates a story, evoking emotions that linger long after the performance concludes. From the delicate whispers to the powerful crescendos, experience the enchanting journey that this composition offers, leaving your audience enthralled and yearning for more.🎻 Unlock Limitless Musical Horizons - Get Your Copy Now! 🎻Don't miss this chance to infuse your orchestra with the magic of 'La Passerella Di Addio for Orchestra.' Whether you're orchestrating a divine church recital, a spirited school concert, or a professional orchestral masterpiece, this sheet music is your passport to musical brilliance.🎵 Transform Ordinary Moments into Extraordinary Memories! 🎵Order your copy today and embark on a musical odyssey that transcends boundaries. Let the melodies of Nino Rota and the expertise of Flavio Regis Cunha redefine your orchestra's legacy. Elevate your performances, mesmerize your audience, and create memories that resonate for a lifetime.🔥 **Seize the Baton and Make Your Orchestra's Mark! Order Now! 🔥Level: Advanced intermediate Format: Concert, 9 x 12 inchesSize: 166 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font.
$89.99
82.13 €
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Orchestre
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Nino Rota
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Flavio Regis Cunha
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La Passerella Di Addio
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Flavio Regis Cunha
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.27 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Caprice for Horn (on Bellini's "Souvenir de la Sonnambule")
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1287713 Composed by Heinrich H…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1287713 Composed by Heinrich Hübler. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 117 pages. Trevor Denyer #878700. Published by Trevor Denyer (A0.1287713). Carl Heinrich Hübler was born in Wachwitz, near Dresden on 4th December 1822 and was the horn player in the Dresden Royal Court orchestra from 1844 until his retirement in 1891.This Caprice on the theme from Bellini's Souvenir de la Sonnambule is a delightful addition to the repertoire that deserves to be performed much more often and demonstrates Hübler's knowledge of orchestration as well as an intimate connection to the solo instrument.He also wrote a Concerto for Four Horns after being inspired by hearing Schumann's Koncertstück for Four Horns in a private performance which Schumann attended. There is also a Horn Concerto.As usual with my work, print the parts double-sided as presented and the page turns will work.
$35.00
31.94 €
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Orchestre
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Heinrich Hübler
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Caprice for Horn
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Trevor Denyer
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SheetMusicPlus
Munamiktia - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). “Munamiktia†(To marry) is based on the six sones from “Los Chapetones†(a folkloric dance from Panchimalco, El Salvador). “Los Chapetones†is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between Doña Lucrecia de Castilla and Don Tomás Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely Sánchez (cultural researcher), Marcial Gudiel (folkloric dance researcher), and Concepción Clará de Guevara (anthropologist) for the creation of the work “Panchimalco†in 1982 work that was commissioned by the National Dance School of El Salvador “Morena Celariéâ€. The editors of the “Diccionario de la Música Española e Hispanoamericana†(Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making “Los Chapetones†something exclusive from El Salvador. For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composer’s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia
$99.99
91.26 €
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Orchestre
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Juan Guerra González
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Munamiktia - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
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