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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Void
Non classifié
241
Piano & claviers
Instruments en Do
192
Piano seul
106
Piano, Voix
53
Piano Facile
30
Accompagnement Piano
22
Piano Quatuor: piano, violon, alto, violoncelle
15
Orgue
11
Piano, Voix et Guitare
8
1 Piano, 4 mains
5
Ensemble d'Accordéons
2
Accordéon
2
Orgue, Trompette (duo)
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
25
Guitare
23
Ukulele
13
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
3
2 Dulcimers (duo)
3
4 Guitares (Quatuor)
3
2 Guitares (duo)
2
Dulcimer
2
Paroles et Accords
2
Piano, Guitare (duo)
1
3 Guitares (trio)
1
+ 7 instrumentations
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Voix
Chorale SATB
25
Chorale 3 parties
20
Chorale Unison
5
Chorale SSAA
4
Chorale TTBB
4
Chorale 2 parties
4
Voix Soprano, Piano
2
Voix seule
1
Chorale SSAATTBB
1
+ 4 instrumentations
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Vents
2 Clarinettes (duo)
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte traversière et Piano
10
3 Clarinettes (trio)
9
Clarinette et Piano
7
Saxophone Alto et Piano
5
Clarinette
5
2 Saxophones (duo)
4
Saxophone Tenor et Piano
4
Flûte et Guitare
4
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière
3
Flûte, Hautbois, Clarinette, Basson
2
Hautbois (partie séparée)
2
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Piano (duo)
2
Clarinette, Guitare (duo)
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Basson
1
2 Flûtes traversières (duo)
1
Saxophone Tenor
1
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Alto
1
Flûte, Clarinette (duo)
1
3 Saxophones (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 25 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone
5
Trompette
4
Trompette, Piano
3
2 Cors (duo)
3
Trombone et Piano
2
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba et Orgue
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Trombone, Cor (duo)
1
Quatuor de Cuivres
1
Tuba
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
130
Violon et Piano
30
Violon, Violoncelle (duo)
30
Violoncelle, Piano
20
Alto, Piano
18
Trio à Cordes: violon, alto, violoncelle
16
Harpe
14
Contrebasse, Piano (duo)
11
2 Violons (duo)
6
Trio à Cordes: 2 violons, violoncelle
4
Violon (partie séparée)
2
Violon
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
2 Contrebasses (duo)
1
2 Violons, Piano
1
2 Violoncelles (duo)
1
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
51
Orchestre à Cordes
23
Orchestre
12
Ensemble de cuivres
10
Ensemble Jazz
7
Batterie
3
Ensemble de Percussions
2
Orchestre de chambre
2
Jazz combo
1
Percussion (partie séparée)
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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The Void
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Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.87 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Theme From "The A Team"
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1374380 Composed by Mike Post a…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374380 Composed by Mike Post and Pete Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV. 71 pages. Kevin Riley #958983. Published by Kevin Riley (A0.1374380). The A-Team is an American action-adventure television series that ran on NBC from January 1983 to March 1987 about former members of a fictitious United States Army Special Forces unit. The four members of the team were tried by court martial for a crime they had not committed. They were convicted and sentenced to serve terms in a military prison, but later escaped to Los Angeles and began working as soldiers of fortune, while trying to clear their names and avoid capture by law enforcement and military authorities. The series was created by Stephen J. Cannell and Frank Lupo. A feature film based on the series was released by 20th Century Fox in 2010.Mike Post (born Leland Michael Postil, September 29, 1944) is an American composer, best known for his television theme music for various shows, including The White Shadow; Law and Order; Law and Order: Special Victims Unit; The A-Team; The Byrds of Paradise; NYPD Blue; Renegade; The Rockford Files; L.A. Law; Quantum Leap; Magnum, P.I.; and Hill Street Blues. He was also the producer of the Van Halen IIIalbum by the band Van Halen.
$80.00
73.75 €
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Orchestre
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Mike Post and Pete Carpenter
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Kevin Riley
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Law and Order
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Theme From "The A Team"
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Kevin Riley
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.95 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Here Comes The Sun
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1020747 By The Beatles. By Geor…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1020747 By The Beatles. By George Harrison. Arranged by Brian Strohmetz. Rock. Score and parts. 56 pages. Brian Strohmetz #6736305. Published by Brian Strohmetz (A0.1020747). This arrangement features a String Quartet with the Full Orchestra. A great way to show off a guest quartet or your strongest students!Here Comes the Sun is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by George Harrison and is one of his best-known compositions. Harrison wrote the song in early 1969 at the country house of his friend Eric Clapton, where Harrison had chosen to play truant for the day to avoid attending a meeting at the Beatles' Apple Corps organisation. The lyrics reflect his relief at the arrival of spring and the temporary respite he was experiencing from the band's business affairs.
$74.99
69.13 €
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Orchestre
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The Beatles
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Brian Strohmetz
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Here Comes The Sun
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Brian Strohmetz
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SheetMusicPlus
Into The Void
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.733914 By Jason Nesmith. By Jas…
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Full Orchestra - Level 4 - Digital Download SKU: A0.733914 By Jason Nesmith. By Jason Nesmith. Arranged by Jason Nesmith/Nick Fevola. 20th Century,Classical,Contemporary,Film/TV. Score and parts. 27 pages. JEL Music Group inc. #342077. Published by JEL Music Group inc. (A0.733914).
$3.00
2.77 €
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Orchestre
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Jason Nesmith
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Jason Nesmith/Nick Fevola
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Into The Void
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JEL Music Group inc.
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
69.14 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Origins
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755154 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published by Sy Brandon (A0.755154). Origins musically represents three important recent scientific explorations of space and matter that are designed to give humans a better understanding of the origins of the universe and the origins of life. The first movement, Black Holes and Cyclotrons, represents the quest to understand and reproduce the relationship between gravitation and energy that scientists believe caused the big bang and our ever-expanding universe. The music of this movement represents the danger inherent in these explorations into the unknown. There are sections of the movement that are lighter in nature that depict subatomic particles dancing around in a particle accelerator. The end of the movement increases in tempo reflecting the ever-increasing speeds of particle accelerators and the gravitational pull of black holes. The Surface of Mars is the title of the second movement that depicts NASA’s Mars Exploration Rover Mission. The rovers Spirit and Opportunity have explored the surface of Mars and have revealed the surface as being mostly a barren landscape void of life. The outer sections of this movement reflect this discovery. The middle section of the movement represents the excitement of one of the rovers finding indications of water having existed on Mars and therefore the possibility that life may have also existed. The third movement, Window Into Deep Space, is a tribute to the Hubble Space Telescope. This movement has many uplifting sections as the Hubble Space Telescope has provided views of the universe never before seen from Earth. It also has sections of anxiety as this mission was wrought with several failures that nearly derailed it. The promise of increased understanding of our universe is reflected in the ending of this composition. The score prints on legal size paper and the parts on letter.
$39.95
36.83 €
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Orchestre
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Sy Brandon
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Origins
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Sy Brandon
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SheetMusicPlus
Carson Cooman: Orbital for orchestra, score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
11.02 €
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Orchestre
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Carson Cooman
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Carson Cooman: Orbital for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Yellow Submarine
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742587 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742587 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Rock. Score and parts. 53 pages. Arte Nova Music Lab #6431887. Published by Arte Nova Music Lab (A0.742587). Yellow Submarine is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Eleanor Rigby. Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the Billboard Hot 100 chart.The Beatles recorded Yellow Submarine during a period characterised by experimentation in the recording studio. After taping the basic track and vocals in late May 1966, they held a session to overdub nautical sound effects, party ambience and chorus singing, recalling producer George Martin's previous work with members of the Goons. As a novelty song coupled with Eleanor Rigby, a track devoid of any rock instrumentation, the single marked a radical departure for the group. It was also the first time they had issued a single in the UK consisting of album tracks. The song inspired the 1968 animated film Yellow Submarine and appeared as the opening track on the accompanying soundtrack album.
$60.00
55.31 €
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Orchestre
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The Beatles
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Javier MartÃnez Maya
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Yellow Submarine
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Arte Nova Music Lab
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SheetMusicPlus
"Te Deum", op. 5 - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
46.1 €
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Orchestre
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Adrian Gagiu
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Adrian Gagiu
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"Te Deum", op. 5 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Prière à Notre Dame for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.793080 Composed by Leon Boellma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.793080 Composed by Leon Boellmann. Arranged by Suzie Wilkins. Concert,Easter,Romantic Period,Standards. Score and parts. 89 pages. Suzie Wilkins #3470778. Published by Suzie Wilkins (A0.793080). This beautiful, melodic movement, taken from Léon Boëllmann's famous Suite Gothique for Organ, has finally been arranged for Full Orchestra. The movement opens with a wonderful clarinet solo, accompanied by delicate strings, before gradually building up towards a full orchestral texture. The faster middle section offers a distinct contrast, with exquisite harmonies being brought to the fore by the rich brass section. This arrangement is the ideal concert piece, fully capable of being performed as a stand-alone movement. The other movements will be available soon from the same publisher.Included are both a conductor's score and all the parts, including multiple copies of the string parts to avoid the need for photocopying.Approximate duration: 4 minutes 10 seconds
$20.00
18.44 €
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Orchestre
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Leon Boellmann
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Suzie Wilkins
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Prière à Notre Dame for Orchestra
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Suzie Wilkins
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SheetMusicPlus
Overture 1812 - easy version
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1501066 Composed by Peter Ilyic…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1501066 Composed by Peter Ilyich Tchaikovsky. Arranged by Guilherme Sparrapan. 19th Century,Classical,Holiday. 88 pages. Guilherme Sparrapan #1077022. Published by Guilherme Sparrapan (A0.1501066). This arrangement of Tchaikovsky's Overture 1812 is set in G major to simplify the string parts. The range for the woodwinds and brass has been chosen to maintain the music's richness while avoiding excessive difficulty. I’ve selected several moods and passages from the original work. The arrangement spans 8 minutes and is divided into four distinct sections, culminating in a climax at the end.
$40.00
36.88 €
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Orchestre
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Peter Ilyich Tchaikovsky
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Guilherme Sparrapan
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Overture 1812 - easy version
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Guilherme Sparrapan
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SheetMusicPlus
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The Void
