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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme from
Non classifié
263
Piano & claviers
Piano seul
379
Piano Facile
243
Instruments en Do
217
1 Piano, 4 mains
20
Orgue
18
Piano, Voix et Guitare
14
Accompagnement Piano
13
Piano, Voix
10
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Clavier
1
Accordéon, Corde(s)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 13 instrumentations
Retracter
Guitares
Guitare
53
Mandoline
48
Guitare notes et tablatures
28
2 Guitares (duo)
9
Ligne De Mélodie, (Paroles) et Accords
8
Piano, Guitare (duo)
5
Ukulele
3
4 Guitares (Quatuor)
2
Banjo
1
Basse electrique
1
3 Guitares (trio)
1
Ensemble de guitares
1
Dulcimer
1
Paroles et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
7
Chorale 2 parties
4
Chorale Unison
3
Chorale 3 parties
3
Voix duo, Piano
3
Chorale SSAATTBB
1
Voix duo
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière et Piano
67
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Clarinette et Piano
56
Clarinette
51
Quatuor de Saxophones: 4 saxophones
38
Hautbois, Piano (duo)
38
Saxophone Alto et Piano
38
Flûte à bec Soprano
37
Clarinette (partie séparée)
35
Flûte à bec Alto
33
Harmonica
32
Flûte traversière
32
Quintette de Saxophone: 5 saxophones
31
Saxophone Tenor et Piano
31
Quatuor de Clarinettes: 4 clarinettes
29
Saxophone (partie séparée)
28
2 Saxophones (duo)
24
2 Flûtes traversières (duo)
24
Saxophone Soprano et Piano
21
Saxophone Baryton, Piano
19
Hautbois (partie séparée)
17
Quatuor de Flûtes : 4 flûtes
17
2 Clarinettes (duo)
16
Ensemble de saxophones
15
Saxophone Alto
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette Basse, Piano
12
Cor anglais, Piano
12
Flute (partie séparée)
12
Saxophone
11
Saxophone Tenor
11
Flûte, Clarinette (duo)
10
3 Saxophones (trio)
9
Quintette de Clarinettes: 5 clarinettes
8
3 Clarinettes (trio)
7
Flûte et Guitare
7
Ensemble de Clarinettes
6
Hautbois
5
Trio de Flûtes: 3 flûtes
4
Clarinette, Basson (duo)
4
Hautbois, Basson (duo)
3
Quintette de Flûte : 5 flûtes
3
2 Hautbois (duo)
3
Flûte à Bec
2
Hautbois, Clarinette (duo)
2
Saxophone Baryton
2
Flûte, Clarinette et Basson
2
Saxophone Soprano
2
2 Saxophones, Piano
2
Clarinette, Violoncelle (duo)
2
Flûte, Alto et Piano
1
Flûte à bec, Guitare (duo)
1
Piccolo, Piano
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Violon (duo)
1
Clarinette, Alto et Piano (trio)
1
Saxophone, Clarinette (duo)
1
Flûte, Violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Violoncelle
1
Flûte, Hautbois (duo)
1
Clarinette et Alto
1
Ensemble de Flûtes
1
Flûte, Clarinette, Piano (trio)
1
Ensemble De Flûte à bec
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
+ 65 instrumentations
Retracter
Cuivres
Trombone et Piano
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trompette, Piano
38
Cor et Piano
31
Trompette
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trombone (partie séparée)
20
Euphonium, Piano (duo)
19
Trompette (partie séparée)
16
Trombone
16
Cor (partie séparée)
14
Cor
13
Cor anglais, Piano
12
Trompette, Trombone (duo)
11
Tuba et Piano
11
Tuba (partie séparée)
8
Tuba
8
2 Trombones (duo)
6
Ensemble de Trombones
6
2 Trompettes (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 trombones
5
Trompette, Cor (duo)
5
Quatuor de Cuivres
4
3 Trompettes (trio)
3
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
Trombone, Cor (duo)
2
Ensemble de Trompettes
2
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Tubas (trio)
1
Tuba et Orgue
1
Cor et Basson (duo)
1
4 Tubas
1
Trompette, Violoncelle (duo)
1
Trompette, Saxophone (duo)
1
Trompette, Basson (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
74
Violon et Piano
68
Violoncelle, Piano
59
Violon
51
Violon (partie séparée)
50
Alto, Piano
41
Violoncelle
32
Alto seul
31
2 Violons (duo)
21
Violon, Violoncelle (duo)
20
Contrebasse (partie séparée)
17
Harpe
17
Trio à Cordes: violon, alto, violoncelle
15
2 Violoncelles (duo)
14
Violoncelle (partie séparée)
14
Contre Basse
11
Violon, Alto (duo)
9
Contrebasse, Piano (duo)
9
4 Violoncelles
8
Trio à Cordes: 2 violons, violoncelle
8
Trio à cordes
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Altos (duo)
7
Alto (partie séparée)
6
2 Harpes (duo)
6
Alto, Violoncelle (duo)
5
Trio à Cordes: 3 violoncelles
4
Piano Trio: Violon, Alto, Piano
3
Alto, Guitare (duo)
2
Trio à cordes: 3 altos
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Harpe, Violon (duo)
1
Alto et Basson
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
252
Orchestre à Cordes
120
Orchestre
54
Percussion (partie séparée)
18
Ensemble de cuivres
15
Orchestre de chambre
14
Timbales (partie séparée)
6
Cloches
4
Instrumentation Flexible
2
2 Xylophones
2
Fanfare
2
Percussion
2
Xylophone
1
Batterie (partie séparée)
1
Ensemble Jazz
1
Ensemble de Percussions
1
Orchestre, Violon
1
Timbales
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Artistes
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Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
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English
Partitions Gratuites
19
Partitions Numériques
54
Librairie Musicale
53
Matériel de Musique
10
Partitions numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Theme from
CLASSIQUE - BAROQUE - ROMANTIQUE
Orchestre
Partitions à imprimer
54 partitions trouvées
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1
26
51
Theme From Havanaise (8-Piece Digital Pack)
#
Orchestre
#
FACILE
#
Classique
#
Contemporain
#
Camille Saint-Saens
#
Robert Longfield
#
Theme From Havanaise
#
Hal Leonard - Digital
#
SheetMusicPlus
Orchestra Piano - Level 2 - SKU: HX.250422 Composed by Camille Saint-Saens. Arranged by Robert Longfield. Classical. Individual instrument part. 2 pages...
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Orchestra Piano - Level 2 - SKU: HX.250422 Composed by Camille Saint-Saens. Arranged by Robert Longfield. Classical. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.250422).
Digital Pack includes
:
Theme From Havanaise - Full Score
Theme From Havanaise - Violin 1
Theme From Havanaise - Violin 2
Theme From Havanaise - Violin 3 (Viola Treble Clef)
Theme From Havanaise - Viola
Theme From Havanaise - Cello
Theme From Havanaise - Bass
Theme From Havanaise - Piano
$50.00
Variations on a Theme of Haydn
#
Orchestre
#
Classique
#
Johannes Brahms
#
Variations on a Theme of Haydn
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Orchestra - SKU: S9.Q12454 (Variations on the St. Anthony Chorale). Composed by Johannes Brahms. This edition: study score. Ernst Eulenburg - Orc...
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Orchestra - SKU: S9.Q12454 (Variations on the St. Anthony Chorale). Composed by Johannes Brahms. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 56a. Ernst Eulenburg & Co. GmbH - Digital #Q12454. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12454). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
Nimrod from Enigma Variations
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Edward Elgar
#
John M
#
Nimrod from Enigma Variations
#
zephyrwindmusic.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1142119 Composed by Edward Elgar. Arranged by John M. Laverty. Classical. Score and parts. 26 pages. Zephyrwindmusic....
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Full Orchestra - Level 4 - SKU: A0.1142119 Composed by Edward Elgar. Arranged by John M. Laverty. Classical. Score and parts. 26 pages. Zephyrwindmusic.com #742496. Published by zephyrwindmusic.com (A0.1142119). British composer Edward Elgar (1857-1934) wrote his famous Variations on an Original Theme, Op. 36 in 1898-1899. Better known as the Enigma Variations, it is made up of fourteen variations, the best known of which is number nine, Nimrod. Often performed as a stand alone composition, it has been used many diverse situations from ï¬lm to the concert hall. This edition is based entirely on the original 1899 edition for full orchestra, edited to meet 21st century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$25.00
Theme From Havanaise - Full Score
#
Orchestre
#
Classique
#
Camille Saint-Saens
#
Robert Longfield
#
Theme From Havanaise - Full Sc
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Camille Saint-Saens (1835-1921). Arranged by Robert Longfield. Orchestra. Classical. Orchestra. 8 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Camille Saint-Saens (1835-1921). Arranged by Robert Longfield. Orchestra. Classical. Orchestra. 8 pages. Published by Hal Leonard - Digital Sheet Music
$5.00
Theme from Symphony No.40 (Orchestra/ Concert Band Flexible Instrumentation)
#
Orchestre
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Theme from Symphony No.40
#
SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Frank Chow. Classical. Score and parts. 55 pages. Frank Chow #6854839. Published by Frank...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Frank Chow. Classical. Score and parts. 55 pages. Frank Chow #6854839. Published by Frank Chow
$40.00
Rock Theme From "serpico"
#
Orchestre
#
INTERMÉDIAIRE
#
Classique
#
Mikis Theodorakis
#
Dritan Hasbiu
#
Rock Theme From "serpico"
#
Dritan
#
SheetMusicPlus
Full Orchestra - Level 3 - Composed by Mikis Theodorakis (1925-). Arranged by Dritan Hasbiu. Classical. Score and parts. 13 pages. Dritan #299130. P...
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Full Orchestra - Level 3 - Composed by Mikis Theodorakis (1925-). Arranged by Dritan Hasbiu. Classical. Score and parts. 13 pages. Dritan #299130. Published by Dritan
$55.99
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
#
Orchestre
#
Classique
#
Schubert/Crossland
#
SCHUBERT SYMPHONY NO. 8 IN B M
#
Neil Crossland
#
SheetMusicPlus
Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossl...
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Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
Overture to Royal Fireworks Music: Cello
#
Orchestre
#
Classique
#
George Frideric Handel
#
Richard Meyer
#
Festival.
#
Overture to Royal Fireworks Mu
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016461_VC1 Cello. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred...
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Full Orchestra - SKU: AX.00-PC-0016461_VC1 Cello. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016461_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016461_VC1). UPC: 038081484150.Combined with an introductory theme from the suite, the overture is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements of the themes are regal and fun to play. (2:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Overture to Royal Fireworks Music: Flute
#
Orchestre
#
Classique
#
George Frideric Handel
#
Richard Meyer
#
Festival.
#
Overture to Royal Fireworks Mu
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016461_F1 Flute. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred ...
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Full Orchestra - SKU: AX.00-PC-0016461_F1 Flute. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016461_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016461_F1). UPC: 038081484150.Combined with an introductory theme from the suite, the overture is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements of the themes are regal and fun to play. (2:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Overture to Royal Fireworks Music: Bassoon
#
Orchestre
#
Classique
#
George Frideric Handel
#
Richard Meyer
#
Festival.
#
Overture to Royal Fireworks Mu
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016461_B1 Bassoon. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfre...
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Full Orchestra - SKU: AX.00-PC-0016461_B1 Bassoon. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016461_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016461_B1). UPC: 038081484150.Combined with an introductory theme from the suite, the overture is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements of the themes are regal and fun to play. (2:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Overture to Royal Fireworks Music: Timpani
#
Orchestre
#
Classique
#
George Frideric Handel
#
Richard Meyer
#
Festival.
#
Overture to Royal Fireworks Mu
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016461_TMP Timpani. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfr...
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Full Orchestra - SKU: AX.00-PC-0016461_TMP Timpani. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016461_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016461_TMP). UPC: 038081484150.Combined with an introductory theme from the suite, the overture is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements of the themes are regal and fun to play. (2:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$3.00
Overture to Royal Fireworks Music: Score
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Orchestre
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Classique
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George Frideric Handel
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Richard Meyer
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Festival.
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Overture to Royal Fireworks Mu
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0004699 Score. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Score. 15 pages. Alfred M...
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Full Orchestra - SKU: AX.00-PR-0004699 Score. Composed by George Frideric Handel. Arranged by Richard Meyer. Classical. Score. 15 pages. Alfred Music - Digital Sheet Music #00-PR-0004699. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004699). UPC: 038081484150.Combined with an introductory theme from the suite, the overture is among the most majestic Baroque music ever written. Perfectly set as a first full orchestra experience, the contrasting statements of the themes are regal and fun to play. (2:45) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$7.00
Geelong Football Club Theme Song ("Toreador" from Carmen) Voice and Pops Orchestra. Key of C.
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georges Bizet
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Daryl McKenzie
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Geelong Football Club Theme So
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.734060 Composed by Georges Bizet. Arranged by Daryl McKenzie. Multicultural,Opera,World. Score and parts. 39 pages. D...
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Full Orchestra - Level 4 - SKU: A0.734060 Composed by Georges Bizet. Arranged by Daryl McKenzie. Multicultural,Opera,World. Score and parts. 39 pages. Daryl McKenzie #5203453. Published by Daryl McKenzie (A0.734060). The Geelong Australian Football League Club Song (Lyrics not included due to copyright restrictions - Google them!) in a sing-along style for Voice and Pops Orchestra. Key of C major. 1 min 30sec duration. This arrangement was commissioned by the Melbourne Symphony Orchestra.Full audio demo: https://drive.google.com/file/d/1tFqmvKNLHfX6veKB6e3L6vR5V_-ZsCci/view?usp=sharingInstrumentation: Voice, Fl1, Fl2/Picc, 2 Ob, 2Cl, 2Bsn, 4 Hn, 3Tpt, 3Trb, Tba, Timp, 2 Perc, Drum Kit, Harp, Bass Guitar, Piano (opt), Vln1, Vln2, Vla, Vcl, CBMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
Caprice for Horn (on Bellini's "Souvenir de la Sonnambule")
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Orchestre
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AVANCÉ
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Classique
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Heinrich Hübler
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Caprice for Horn
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1287713 Composed by Heinrich Hübler. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Ro...
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Full Orchestra - Level 5 - SKU: A0.1287713 Composed by Heinrich Hübler. Arranged by Transcribed and typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 117 pages. Trevor Denyer #878700. Published by Trevor Denyer (A0.1287713). Carl Heinrich Hübler was born in Wachwitz, near Dresden on 4th December 1822 and was the horn player in the Dresden Royal Court orchestra from 1844 until his retirement in 1891.This Caprice on the theme from Bellini's Souvenir de la Sonnambule is a delightful addition to the repertoire that deserves to be performed much more often and demonstrates Hübler's knowledge of orchestration as well as an intimate connection to the solo instrument.He also wrote a Concerto for Four Horns after being inspired by hearing Schumann's Koncertstück for Four Horns in a private performance which Schumann attended. There is also a Horn Concerto.As usual with my work, print the parts double-sided as presented and the page turns will work.
$35.00
Tema y Variaciones
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Orchestre
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Classique
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Salvador Rojo Gamón
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Impressionism.
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Tema y Variaciones
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Salvador Rojo-Gamon
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SheetMusicPlus
Full Orchestra - SKU: A0.962393 Composed by Salvador Rojo Gamón. 20th Century,Baroque,Classical,Romantic Period. Score and parts. 144 pages. Salvador...
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Full Orchestra - SKU: A0.962393 Composed by Salvador Rojo Gamón. 20th Century,Baroque,Classical,Romantic Period. Score and parts. 144 pages. Salvador Rojo-Gamon #4897055. Published by Salvador Rojo-Gamon (A0.962393). The main theme from my work A trip to the Moon with variations based in:Clarinet Concerto by MozartPiano Concerto by ChaikovskyConcert for two horns by VivaldiMahler & Impressionism.
$60.00
Taras Bulba - Overture
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mykola Lysenko
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Steven Nunes
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Taras Bulba - Overture
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Nagamon Publications
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1088189 By Mykola Lysenko. By Mykola Lysenko. Arranged by Steven Nunes. Classical,Romantic Period. Score and Parts. 1...
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Full Orchestra - Level 4 - SKU: A0.1088189 By Mykola Lysenko. By Mykola Lysenko. Arranged by Steven Nunes. Classical,Romantic Period. Score and Parts. 125 pages. Nagamon Publications #692441. Published by Nagamon Publications (A0.1088189). Mykola Lysenko was a Ukrainian composer, pianist, conductor and ethnomusicologist of the late Romantic period. In his time he was the central figure of Ukrainian music, with an oeuvre that includes operas, art songs, choral works, orchestral and chamber pieces, and a wide variety of solo piano music. He is often credited with founding a national music tradition during the Ukrainian national revival. Taras Bulba is an opera in four acts with a libretto by Mykhailo Starytsky (the composer's cousin) after the novel Taras Bulba by Nikolai Gogol. The story was about a Cossack who kills his son after he betrayed those fighting for their freedom. This enjoyable and tuneful overture uses several themes from the opera, and is in the vein of other late Romantic Eastern European music. This PDF includes the full score and parts ready for printing.
$40.00
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256...
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Full Orchestra - Level 3 - SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
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Orchestre
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Stanley M Hoffman
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Homage to Bach - Variation 6 -
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score an...
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Chamber Orchestra - Level 3 - SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940). See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs---Homage to Bach7 Variations for Harpsichord and Chamber Orchestraafter Prelude in C Minor (BWV 999) - ca. 12 minutesPrelude (Harpsichord Solo)1. Theme and Variation 1 (Chamber Orchestra)2.  Variation 2 - Maggiore (Harpsichord Solo)3. Variation 3 - Tempestoso (Chamber Orchestra)4. Variation 4 - In 5 (Harpsichord Solo)5. Variation 5 - Waltz - (Tutti)6. Variation 6 - Molto Cantabile (Harpsichord Solo)7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)Music by Johann Sebastian Bach (1680–1750)Variations by Stanley M. Hoffman (b. 1959) (BMI)Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: © Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com  All rights reserved.The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.
$7.00
Golliwog's Cakewalk (Full Orchestra) – Score and Parts – Transposed to E
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Orchestre
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Parts. 64 pages. O...
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Full Orchestra - Level 3 - SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Parts. 64 pages. OlivePress Music #6617947. Published by OlivePress Music (A0.1002399). One of Debussy's most popular piano pieces comes to the full orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$29.99
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – in Eb (Original key)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 5...
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Full Orchestra - Level 3 - SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650359. Published by OlivePress Music (A0.1045772). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (this one) or E (transposed from original). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
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Orchestre
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 5...
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Full Orchestra - Level 3 - SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650358. Published by OlivePress Music (A0.1045771). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (original key) or E (this one). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
Enigma Variations - IX. Nimrod (Score & Parts)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Steven Klaus
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Enigma Variations - IX. Nimrod
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NiceChart
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.931978 Composed by Edward Elgar. Arranged by Steven Klaus. Romantic Period. Score and parts. 37 pages. NiceChart #476...
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Full Orchestra - Level 3 - SKU: A0.931978 Composed by Edward Elgar. Arranged by Steven Klaus. Romantic Period. Score and parts. 37 pages. NiceChart #4764129. Published by NiceChart (A0.931978). This ninth of fourteen variations on a theme is the most well known, and is known for being as solemn as it is regal. It is a powerful composition that is still used in everything from movies, to the opening ceremonies of London’s 2012 Olympic Games. This piece is a great introduction to Elgar’s work and legacy as one of the all-time great English composers.Includes supplemental parts for piano, guitar and marimba.
$65.00
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