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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Wind It Up
Sheetmusicplus
Non classifié
184
Piano & claviers
Piano seul
51
Piano, Voix
5
Piano, Voix et Guitare
4
Piano Facile
4
Orgue
3
Instruments en Do
3
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 4 mains
1
Accompagnement Piano
1
+ 5 instrumentations
Retracter
Guitares
Guitare
5
Guitare notes et tablatures
1
Voix
Chorale SATB
16
Voix Soprano, Piano
2
Voix duo
1
Chorale SSAA
1
Chorale 3 parties
1
Voix haute
1
Chorale TTBB
1
+ 2 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
103
Quatuor de Saxophones: 4 saxophones
68
Quatuor de Clarinettes: 4 clarinettes
61
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Flûtes : 4 flûtes
23
Ensemble de Clarinettes
14
Quintette de Saxophone: 5 saxophones
14
Hautbois, Piano (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Trio de Flûtes: 3 flûtes
12
3 Clarinettes (trio)
11
3 Saxophones (trio)
10
Ensemble de Flûtes
10
2 Clarinettes (duo)
8
Ensemble de saxophones
8
Saxophone Alto et Piano
5
Clarinette
5
Clarinette (partie séparée)
5
Flûte traversière et Piano
5
Clarinette et Piano
4
Flûte, Clarinette (duo)
3
Saxophone Soprano et Piano
3
Saxophone Alto
3
Saxophone Tenor et Piano
3
Flûte, Clarinette et Basson
3
Hautbois (partie séparée)
2
2 Flûtes traversières (duo)
2
Flûte, Hautbois, Basson
2
2 Saxophones (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte traversière
2
Flûte à bec Tenor
1
Flûte à Bec, Piano
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Basson (duo)
1
Flûte et Guitare
1
Quintette de Flûte : 5 flûtes
1
Saxophone Tenor
1
+ 37 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba (partie séparée)
2
Trombone et Piano
2
Trompette, Piano
2
Cor et Piano
2
Trompette (partie séparée)
2
2 Cors (duo)
2
Clarinette, Cor (duo)
1
Ensemble de Tubas
1
Tuba et Piano
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
Trompette, Trombone (duo)
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
+ 14 instrumentations
Retracter
Cordes
Violon et Piano
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
Alto, Piano
4
Violon (partie séparée)
4
Violoncelle, Piano
3
Violon
3
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Harpe
2
Contrebasse, Piano (duo)
2
Harpe, Violon (duo)
2
Alto, Guitare (duo)
1
Violoncelle
1
Contre Basse
1
Violon, Violoncelle (duo)
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
134
Orchestre
32
Ensemble Jazz
10
Fanfare
10
Orchestre de chambre
5
Ensemble d'École
5
Ensemble de cuivres
5
Orchestre à Cordes
4
Percussion (partie séparée)
2
Ensemble de Percussions
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Wind It Up
SheetMusicPlus
Partitions à imprimer
32 partitions trouvées
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Ho...
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Full Orchestra - Level 5 - SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
It's All About Love!: Bassoon
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Orchestre
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Classique
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George Gershwin and Ira Gershw
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Jack Bullock
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It's All About Love!: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015740_B1 Bassoon. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 1 pag...
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Full Orchestra - SKU: AX.00-PC-0015740_B1 Bassoon. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015740_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015740_B1). UPC: 038081353166.The Gershwins say it best! And in this music the key is the passion, LOVE! Music compositions written by George and Ira Gershwin are immortal, with wonderful melodies, beautiful harmonies and intriguing word and melody thoughts. The three songs in this medley, Love Walked In, The Man I Love and Love is Sweeping the Country, fit those descriptions perfectly. Playable by strings with optional piano accompaniment, and any combination of winds may be added up to full orchestra.
$3.00
It's All About Love!: Flute
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Orchestre
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Classique
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George Gershwin and Ira Gershw
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Jack Bullock
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It's All About Love!: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015740_F1 Flute. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages...
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Full Orchestra - SKU: AX.00-PC-0015740_F1 Flute. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015740_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015740_F1). UPC: 038081353166.The Gershwins say it best! And in this music the key is the passion, LOVE! Music compositions written by George and Ira Gershwin are immortal, with wonderful melodies, beautiful harmonies and intriguing word and melody thoughts. The three songs in this medley, Love Walked In, The Man I Love and Love is Sweeping the Country, fit those descriptions perfectly. Playable by strings with optional piano accompaniment, and any combination of winds may be added up to full orchestra.
$3.00
It's All About Love!: Mallets
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Orchestre
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Classique
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George Gershwin and Ira Gershw
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Jack Bullock
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It's All About Love!: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015740_M1 Mallets. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 1 pag...
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Full Orchestra - SKU: AX.00-PC-0015740_M1 Mallets. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015740_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015740_M1). UPC: 038081353166.The Gershwins say it best! And in this music the key is the passion, LOVE! Music compositions written by George and Ira Gershwin are immortal, with wonderful melodies, beautiful harmonies and intriguing word and melody thoughts. The three songs in this medley, Love Walked In, The Man I Love and Love is Sweeping the Country, fit those descriptions perfectly. Playable by strings with optional piano accompaniment, and any combination of winds may be added up to full orchestra.
$3.00
It's All About Love!: Timpani
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Orchestre
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Classique
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George Gershwin and Ira Gershw
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Jack Bullock
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It's All About Love!: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015740_TMP Timpani. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 1 pa...
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Full Orchestra - SKU: AX.00-PC-0015740_TMP Timpani. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015740_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015740_TMP). UPC: 038081353166.The Gershwins say it best! And in this music the key is the passion, LOVE! Music compositions written by George and Ira Gershwin are immortal, with wonderful melodies, beautiful harmonies and intriguing word and melody thoughts. The three songs in this medley, Love Walked In, The Man I Love and Love is Sweeping the Country, fit those descriptions perfectly. Playable by strings with optional piano accompaniment, and any combination of winds may be added up to full orchestra.
$3.00
It's All About Love!: Cello
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Orchestre
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Classique
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George Gershwin and Ira Gershw
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Jack Bullock
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It's All About Love!: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015740_VC1 Cello. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 page...
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Full Orchestra - SKU: AX.00-PC-0015740_VC1 Cello. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015740_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015740_VC1). UPC: 038081353166.The Gershwins say it best! And in this music the key is the passion, LOVE! Music compositions written by George and Ira Gershwin are immortal, with wonderful melodies, beautiful harmonies and intriguing word and melody thoughts. The three songs in this medley, Love Walked In, The Man I Love and Love is Sweeping the Country, fit those descriptions perfectly. Playable by strings with optional piano accompaniment, and any combination of winds may be added up to full orchestra.
$3.00
It's All About Love!: Score
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Orchestre
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Classique
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Comédie Musicale
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George Gershwin and Ira Gershw
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Jack Bullock
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It's All About Love!: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0004053 Score. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Score. 20 pages....
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Full Orchestra - SKU: AX.00-PR-0004053 Score. Composed by George Gershwin and Ira Gershwin. Arranged by Jack Bullock. Classical. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0004053. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004053). UPC: 038081353166.The Gershwins say it best! And in this music the key is the passion, LOVE! Music compositions written by George and Ira Gershwin are immortal, with wonderful melodies, beautiful harmonies and intriguing word and melody thoughts. The three songs in this medley, Love Walked In, The Man I Love and Love is Sweeping the Country, fit those descriptions perfectly. Playable by strings with optional piano accompaniment, and any combination of winds may be added up to full orchestra.
$9.00
When Peace Like A River (It Is Well With My Soul) - Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Brendan Elliget
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When Peace Like A River
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750911 Arranged by Brendan Elliget. Christian,Sacred. Score and parts. 39 pages. BJE Music #4823551. Published by BJE...
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Full Orchestra - Level 3 - SKU: A0.750911 Arranged by Brendan Elliget. Christian,Sacred. Score and parts. 39 pages. BJE Music #4823551. Published by BJE Music (A0.750911). A lovely arrangement for Orchestra. Key of Ab to Bb in the last verse. This tune was composed by Philip Paul Bliss (1838-76); an American writer of hymns and a Gospel singer. In the 2nd verse, the melody is taken up by the Trombones and Cellos in a very easy comfortable range. The Descant part is played in the 3rd Verse at the change of key; A flourish of Woodwind, Strings, Trumpets, and Horns finishes with a rousing climax in the final chords. There is an optional Piano part (Nor shown on the score). There are also optional parts for Clarinet 3 and Bass Clarinet.If you use this arrangement, please let me know how it goes!The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 2:50 mins
$25.00
Let It Be - Beatles for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Rock
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Kris Allen, The Beatles
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Javier Martínez Maya
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Let It Be - Beatles for Orches
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Intermediate - By Kris Allen, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 42 pages. Published by Arte ...
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Full Orchestra - Intermediate - By Kris Allen, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 42 pages. Published by Arte Nova Music Lab
"Let It Be" is a song by the English rock band the Beatles, released on 6 March 1970 as a single, and (in an alternative mix) as the title track of their album Let It Be. It was written and sung by Paul McCartney, and credited to the Lennon?McCartney partnership. The single version of the song, produced by George Martin, features a softer guitar solo and the orchestral section mixed low, compared to the album version, produced by Phil Spector, featuring a more-aggressive guitar solo and the orchestral sections mixed higher.
At the time, it had the highest debut on the Billboard Hot 100, beginning its chart run at number 6 and eventually reaching the top. It was the Beatles' final single before McCartney announced his departure from the band. Both the Let It Be album and the US single "The Long and Winding Road" were released after McCartney's announced departure from and the subsequent break-up of the group.
Taken from https://en.wikipedia.org/wiki/Let_It_Be_(Beatles_song)
$60.00
Sword Art Online
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Orchestre
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INTERMÉDIAIRE
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Sword Art Online
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Joseph Perkins
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Sword Art Online
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Joseph Perkins
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1268065 By Sword Art Online. By Yuki Kajiura. Arranged by Joseph Perkins. 21st Century,Children,Contemporary,Film/TV,...
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Full Orchestra - Level 3 - SKU: A0.1268065 By Sword Art Online. By Yuki Kajiura. Arranged by Joseph Perkins. 21st Century,Children,Contemporary,Film/TV,Video Game. Score and Parts. 104 pages. Joseph Perkins #860621. Published by Joseph Perkins (A0.1268065). This arrangement can be used as string orchestra arrangement (with piano and Percussion) or with addition of winds up to full orchestra. It is possible to play this arrangement without piano by using the alternate Violin 1 and Violin 2 parts. Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone II. Baritone Saxophone doubles Trombone III. For this specific arrangement: There are alternate Violin 1 and 2 parts for use if you do not have trumpets or piano. The piece has been transposed from the original keys to easier keys. Winds that have more than 4 sharps in their respective key signature have courtesy accidentals in their parts. There is an alternate half note in some of the parts that can be played instead of the runs to lessen difficulty. Trumpet 1 can go up to a B, but there are optional lower notes if needed.
$49.99
A DREAM (SATB Chorus [divisi] and Orchestra) - Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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A DREAM
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by s...
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Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by stanleymhoffman.com (A0.1388556). Program Notes: The fact that the text for this work even exists is a miracle. It was written by Abraham (Abramek) Koplowicz, a Jewish boy who was exterminated by the Nazis during the Holocaust. Abramek was born in 1930 in Lodz, Poland, and died 1944 in that country's infamous concentration camp at Auschwitz-Birkenau. He wrote this poem during the time that his family was trapped in the Lodz ghetto. This poem was not found until 1983 when Eliezer (Lolek) Grynfeld, the poet's half-brother, discovered it among their late father's belongings. Choristers who sing this work will be transported on a magical flight around the world through time and space along with their audiences. â??A Dream (Marzenie)When I am twenty years of age,I will burst forth from this cageAnd begin to see our splendid EarthFor the first time since my birth!In my motorized bird Iâ??ll soar so highAbove the world, up in the sky,Over rivers and the seas, With such stupefying ease,With my brother wind and sister cloud, Iâ??llMarvel at the Euphrates and the Nile;The goddess Isis ruled the land that linksThe Pyramids and the massive Sphynx.I will glide above Niagara Falls,And sunbathe where the Sahara calls;If I want to escape the scorching heat,I will fly up north to an Arctic retreat.I will top the cloudy peaks of Tibetan fameAnd survey the fabled land whence the Magi came.From the Island of KangaroosIâ??ll take my time and cruiseTo the ruins of Pompeii      At the edge of Naples Bay,Iâ??ll continue to the Holy Land, then seekThe home of Homer, the celebrated Greek.More and more astonished will I growAt the beauty of the Earth below.In all my travelling Iâ??ll be twinnedWith my siblings, cloud and wind.â??Abraham (â??Abramekâ?) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau)Translation by Sarah Lawson and MaÅ?gorzata Koraszewska© Copyright 1993 by Eliezer Grynfeld. All rights reserved.Used by permission of Eliezer Grynfeld.â??Music: © Copyright 2024 by Stanley M. Hoffman.www.stanleymhoffman.comAll rights reserved.
$77.50
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Latvian National Anthem for Symphony Orchestra
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Orchestre
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INTERMÉDIAIRE
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Patriotique
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Sy
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,T...
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Full Orchestra - Level 3 - SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
Symphony #45 Finale (Presto-Adagio) Set
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Orchestre
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INTERMÉDIAIRE
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Classique
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Franz Joseph Haydn
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Larry VanMersbergen
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Symphony #45 Finale
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VanMersbergen Publications
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.980035 Composed by Franz Joseph Haydn. Arranged by Larry VanMersbergen. Classical. Score and parts. 180 pages. VanMer...
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Full Orchestra - Level 3 - SKU: A0.980035 Composed by Franz Joseph Haydn. Arranged by Larry VanMersbergen. Classical. Score and parts. 180 pages. VanMersbergen Publications #2956679. Published by VanMersbergen Publications (A0.980035). This is the famous last movement that became the first protest song. The Farewell Symphony is completed when each instrument is finished in the adagio and the player quietly leaves the stage and walks down the center aisle. It is up to the conductor how this is done. It is possible to have groups of strings leave as each wind instrument leaves, or to have the group slowly become smaller down to the last two violins. Moved to the key of Em to make it playable by High School Orchestras. Has been performed at Adlai E. Stevenson High School, Lincolnshire, IL. .
$45.00
The Cross Kirk and the lang walk
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Orchestre
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. H...
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Full Orchestra - Level 3 - SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
Times Square per 4 Percussionisti Solisti ed Orchestra di Fiati
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Orchestre
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INTERMÉDIAIRE
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Giuseppe Mazzamuto
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Giuseppe Mazzamuto
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Times Square per 4 Percussioni
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Giuseppe Mazzamuto
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.737480 By Giuseppe Mazzamuto. By Giuseppe Mazzamuto. Arranged by Giuseppe Mazzamuto. Classical,Contemporary,Film/TV,T...
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Full Orchestra - Level 3 - SKU: A0.737480 By Giuseppe Mazzamuto. By Giuseppe Mazzamuto. Arranged by Giuseppe Mazzamuto. Classical,Contemporary,Film/TV,Traditional. Score and parts. 22 pages. Giuseppe Mazzamuto #345634. Published by Giuseppe Mazzamuto (A0.737480). Times Square is an original composition by Giuseppe Mazzamuto vibraphonist and composer from Palermo. The composition premiered for the Summer Season of the Sicilian Symphonic Orchestra Foundation on 5, 6 and 7 July 2019, takes inspiration from typical American sounds similar to the Marching Band albeit with a totally new organic, in fact in addition to the 4 solo percussionists, of which one drummer, part of the orchestral ensemble of wind only: 1 piccolo, 2 flutes, 2 oboes, 1 English horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones and 1 bass tuba. From a formal point of view it is composed of 5 musical paintings in a single time, it is in fact an imaginary journey that takes the four solo percussionists through the 5 districts of New York: Queens, Staten Island, the Bronx, Brookyn up to the center. of Manhattan, Times Square precisely.
$15.00
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
Nimrod from Enigma Variations
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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John M
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Nimrod from Enigma Variations
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zephyrwindmusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1142119 Composed by Edward Elgar. Arranged by John M. Laverty. Classical. Score and parts. 26 pages. Zephyrwindmusic....
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Full Orchestra - Level 4 - SKU: A0.1142119 Composed by Edward Elgar. Arranged by John M. Laverty. Classical. Score and parts. 26 pages. Zephyrwindmusic.com #742496. Published by zephyrwindmusic.com (A0.1142119). British composer Edward Elgar (1857-1934) wrote his famous Variations on an Original Theme, Op. 36 in 1898-1899. Better known as the Enigma Variations, it is made up of fourteen variations, the best known of which is number nine, Nimrod. Often performed as a stand alone composition, it has been used many diverse situations from ï¬lm to the concert hall. This edition is based entirely on the original 1899 edition for full orchestra, edited to meet 21st century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$25.00
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Pu...
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Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Pu...
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Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ofer Ben-Amots
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Enchanted Landscapes, A Sympho
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The Composer's Own Press
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Publis...
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Full Orchestra - Level 4 - SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem, which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2), ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
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Orchestre
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 5...
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Full Orchestra - Level 3 - SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650358. Published by OlivePress Music (A0.1045771). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (original key) or E (this one). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
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