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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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BASSON
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BOUZOUKI
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PIANO & CLAVIERS
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594
Orgue
30
Piano, Voix
26
1 Piano, 4 mains
25
Instruments en Do
22
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15
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13
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10
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VOIX
Chorale SATB
269
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60
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47
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18
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7
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6
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4
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1
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
2 Saxophones (duo)
59
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54
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33
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33
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32
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31
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30
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29
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26
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25
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24
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23
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22
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19
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18
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18
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15
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14
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10
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Quintette de Flûte : 5 flûtes
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Saxophone Tenor
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Flûte, Hautbois (duo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Trompette, Saxophone (duo)
23
Trompette
22
Trombone et Piano
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Trombone
18
2 Trombones (duo)
17
Trompette, Trombone (duo)
14
Trompette, Piano
13
2 Trompettes (duo)
12
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone (partie séparée)
9
Cor et Piano
8
Quatuor de cuivres: 4 trombones
7
Quatuor de Cuivres
6
Ensemble de Trombones
6
Tuba et Piano
6
Euphonium, Piano (duo)
5
Ensemble de Trompettes
4
Quatuor de cuivres: 4 cors
4
Cor
3
Cor (partie séparée)
3
Tuba
3
Cor anglais, Piano
2
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
3 Euphoniums
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
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Ensemble de Cors
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Tuba (partie séparée)
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Cor et Harpe
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Quatuor de cuivres: 2 trompettes, 2 trombones
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
212
Violon, Violoncelle (duo)
95
Violon et Piano
42
Trio à Cordes: violon, alto, violoncelle
38
Trio à Cordes: 2 violons, violoncelle
36
Violoncelle, Piano
30
Violon
28
2 Violoncelles (duo)
26
Violon, Alto (duo)
24
2 Violons (duo)
22
Violoncelle (partie séparée)
22
Harpe
21
Alto, Piano
21
2 Altos (duo)
15
Alto seul
7
Violoncelle
6
Violoncelle, Contrebasse (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe, Flûte (duo)
5
Contrebasse, Piano (duo)
5
Harpe, Violon (duo)
5
Trio à Cordes: 2 violons, alto
5
Harpe, Violoncelle (duo)
4
Alto (partie séparée)
4
Violon, Guitare (duo)
4
4 Violoncelles
4
Alto et Harpe
3
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
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Alto, Violoncelle (duo)
2
4 Contrebasses
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Trio à Cordes: 3 violoncelles
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Violoncelle, Orgue
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Harpe et Piano
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Ensemble de Violoncelles
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Violoncelle , Guitare (duo)
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Alto et Basson
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
186
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177
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133
Orchestre à Cordes
97
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72
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64
Cloches
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Orchestre de chambre
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Batterie
22
Ensemble de Percussions
19
Fanfare
16
Marimba
9
Batterie (partie séparée)
4
Vibraphone
2
Piano et Orchestre
1
Percussion (partie séparée)
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2 Xylophones
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Xylophone, Piano
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AUTRES
Formation musicale - Solfège
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Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.24 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Into My Mind
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
13.85 €
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2 Pianos, 4 mains
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Helen Porter
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medium/advanced players
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Into My Mind
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Helen Porter
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SheetMusicPlus
Tango for the Road - for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
16.62 €
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2 Pianos, 4 mains
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Ofer Ben-Amots
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Tango for the Road - for two pianos
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The Composer's Own Press
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SheetMusicPlus
Amazing Graces
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1312781 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1312781 Composed by American Traditional. Arranged by Carol Petersen. Christian,Comedy,Sacred,Spiritual. Score. 4 pages. Carol Petersen #901625. Published by Carol Petersen (A0.1312781). Written for 2-piano, 4-hand, this inspiring arrangement of Amazing Grace uses swing-style jazz rhythms and harmonies.
$4.00
3.69 €
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2 Pianos, 4 mains
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American Traditional
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Carol Petersen
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Amazing Graces
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Carol Petersen
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SheetMusicPlus
Hark! The Herald Angels Sing (2 piano duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
4.85 €
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2 Pianos, 4 mains
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Felix Bartholdy Mendelssohn
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Sandra Zylstra
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
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