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Piano seul
435
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145
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61
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60
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51
Piano, Voix et Guitare
42
Instruments en Do
33
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33
Orgue
31
2 Pianos, 4 mains
20
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3
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3
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2
2 Pianos, 8 mains
2
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2
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6
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4
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4
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2
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1
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173
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70
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25
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18
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14
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9
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5
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2
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2
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2
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2
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2
Voix Tenor
2
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1
Chorale SSAATTBB
1
Voix haute
1
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VENTS
2 Saxophones (duo)
70
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65
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50
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42
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42
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41
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39
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35
2 Clarinettes (duo)
35
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33
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26
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26
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24
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23
Flûte traversière
21
3 Saxophones (trio)
18
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17
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15
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14
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13
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12
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12
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11
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11
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10
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10
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9
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9
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8
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8
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8
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7
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7
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7
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5
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4
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3
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2
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2
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5 Flûtes à bec
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
123
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
26
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22
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19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres
12
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11
Cor
10
2 Cors (duo)
9
Ensemble de Trombones
8
Trompette (partie séparée)
8
Cor et Piano
8
Euphonium, Piano (duo)
7
Trombone
7
Cor anglais, Piano
7
Tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
5
Trio de Cuivres
3
Ensemble de Cors
3
Tuba et Piano
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Quatuor de cuivres: 4 trombones
3
3 Trombones (trio)
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
2
2 Tubas (duo)
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Tuba et Orgue
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Cor Anglais
1
Cor (partie séparée)
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Trompette, Cor (duo)
1
Trombone, Cor (duo)
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Trombone basse et Piano
1
3 Tubas (trio)
1
Euphonium
1
3 Trompettes (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
270
Violon, Violoncelle (duo)
180
Violon
160
Trio à Cordes: violon, alto, violoncelle
158
Violon et Piano
67
Violoncelle, Piano
38
Alto, Piano
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
29
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
18
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Quatuor à cordes: 4 violons
3
Ensemble de Violons
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 3 violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Basse continue
1
Violon, Clarinette, Piano (trio)
1
Violon, Violoncelle, Clarinette
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Trio à Cordes: 2 violons, alto
1
2 Harpes (duo)
1
2 Altos, Piano
1
Violon, Guitare (duo)
1
Ensemble d'Altos
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
169
Orchestre à Cordes
162
Orchestre
74
Ensemble de cuivres
68
Cloches
43
Orchestre de chambre
33
Ensemble Jazz
30
Fanfare
20
Jazz combo
15
Ensemble de Percussions
12
Batterie
4
Batterie (partie séparée)
3
Marimba
1
Piano et Orchestre
1
Orchestre, Violon
1
Percussion
1
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AUTRES
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A Second Time
2 Pianos, 4 mains
Partitions à imprimer
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THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.07 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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THREAD, Between the Octaves A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
A Little Christmas Music for Piano 4-Hands (new edition)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.913867 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.913867 Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. Children,Christmas,Concert,Holiday,Instructional. Score. 9 pages. Lena Orsa #6098909. Published by Lena Orsa (A0.913867). Difficult (second) version of 'A Little Christmas Music' for piano duet.Christmas. It’s the most magical time of the year. This music is full of Holiday spirit and positive emotions. Can you hear the Christmas bells?
$5.99
5.41 €
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2 Pianos, 4 mains
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Lena Orsa
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Lena Orsa
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A Little Christmas Music for Piano 4-Hands
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Lena Orsa
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SheetMusicPlus
Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
8.99 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Canon in F - 2 Pianos, 4 Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Wa…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
6.31 €
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2 Pianos, 4 mains
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Bill Walker
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Bill Walker
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Canon in F - 2 Pianos, 4 Hands
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Bill Walker Music Publishing
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SheetMusicPlus
Monologe
2 Pianos, 4 mains
2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970).…
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2 pianos (4 hands) - Digital Download Composed by Bernd Alois Zimmermann (1918-1970). This edition: Sheet music. Downloadable. Duration 16 minutes 30 seconds. Schott Music - Digital #Q2510. Published by Schott Music - Digital
In January 1964 Bernd Alois Zimmermann interrupted the completion of his<br> opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann's collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe - this<br> is a piece for two pianists. real monologues of these pianists who, though<br> simultaneously,[...] do not always play at the same 'time'. [...] losing themselves in their 'own thoughts', as it were.' (Zimmermann).
$35.99
32.51 €
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2 Pianos, 4 mains
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Bernd Alois Zimmermann
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Monologe
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Schott Music - Digital
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SheetMusicPlus
Sonata for Two Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
22.58 €
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2 Pianos, 4 mains
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
29.76 €
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2 Pianos, 4 mains
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carol of the Bells Easy Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.781261 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.781261 Composed by Mykola Leontovych. Arranged by Harry Haden-Brown. Christian,Christmas,Classical,Film/TV,Pop. Score. 3 pages. Harry Haden-Brown #3916679. Published by Harry Haden-Brown (A0.781261). A simple piano duet of the popular Christmas Carol - Carol of the Bells as featured in many movies including Home Alone.The Primo part is meant for Beginning or intermediate student to learn in minimal time. The secondo part, whilst still simple, is a bit more difficult and could be played by a teacher. An intermediate student could also play the Secondo part. .
$4.99
4.51 €
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2 Pianos, 4 mains
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Mykola Leontovych
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Harry Haden-Brown
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Carol of the Bells Easy Piano Duet
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Harry Haden-Brown
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SheetMusicPlus
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
9.03 €
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2 Pianos, 4 mains
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
7.45 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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James Nathaniel Holland
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SheetMusicPlus
Avenger Theme
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.928325 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.928325 Composed by Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Levy. Arranged by Kris McNaney. Contemporary. Score. 19 pages. Kris McNaney #5373247. Published by Kris McNaney (A0.928325). 4-part piano piece written for Primo I, Secondo I, Primo II, and Secondo II. This was arranged for piano extravaganzas with multiple pianos being played at the same time. A minimum of two pianos is required to play this piece with two players at each piano. The skill level required for this is Advanced Intermediate.
$4.99
4.51 €
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2 Pianos, 4 mains
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Haim Saban, Jeremy Adam Sweet, Jeremy Sweet, Ron Kenan, and Shuki Levy
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Kris McNaney
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Avenger Theme
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Kris McNaney
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.03 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
It Is Well with My Soul (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.565569 By Philip P. Bliss. By Horatio G. Spafford and Philip P. Bliss. Arranged by Sharon Wilson Music. Christian,Easter,Praise & Worship,Romantic Period,Sacred. Score. 18 pages. Sharon Wilson #4793639. Published by Sharon Wilson (A0.565569). The beloved hymn When Peace Like a River by Phil P. Bliss is presented here as a flowing, peaceful intermediate 2 pianos, 4-hands duet (hymn tune VILLE DU HAVRE). Both PIANO 1 and PIANO 2 get to lead with the melody at times making this a fun and equally challenging piece for both players while adding variety for the listeners.PIANO1 plays the melody for the first verse and chorus. After a short interlude PIANO 2 then leads with the melody for the second verse and chorus. This beautiful, uplifting piano duo arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:15.The purchase price includes a 9-page score with both piano parts on each page plus an alternate format with the two piano parts on separate pages (4 pages each).
$5.99
5.41 €
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2 Pianos, 4 mains
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Philip P
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Sharon Wilson Music
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It Is Well with My Soul
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Sharon Wilson
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SheetMusicPlus
Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.41 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.41 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
Whiter Than Snow (2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458061 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.41 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
In Dulci Jubilo - Piano Duet
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.721091 Composed by Franz Liszt. Arranged by Music-Scores.com. Christmas,Concert,Romantic Period,Sacred. Score. 11 pages. Music-Scores.com #3879931. Published by Music-Scores.com (A0.721091). In Dulci Jubilo; Les bergers à la crèche; Shepherds at the Manger. No. 3 from Weihnachtsbaum, or Christmas Tree Suite. A delightfully delicate piece of a contrasting character to most of Liszt's piano works.For piano duet, 3 handsPlaying time 2 minutes, 30 seconds.
$5.95
5.37 €
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2 Pianos, 4 mains
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Franz Liszt
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Music-Scores
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Les bergers à la crèche
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In Dulci Jubilo - Piano Duet
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Music-Scores.com
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SheetMusicPlus
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
2 Pianos, 4 mains
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacr…
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00
15.36 €
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2 Pianos, 4 mains
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume 2
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sandra dee zylstra
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SheetMusicPlus
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