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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Get Some!
Non classifié
975
Piano & claviers
Piano seul
568
Piano, Voix
197
Piano, Voix et Guitare
158
Piano Facile
157
1 Piano, 4 mains
32
Instruments en Do
31
Orgue
30
Accompagnement Piano
9
Piano (partie séparée)
8
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 14 instrumentations
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Guitares
Guitare notes et tablatures
92
Guitare
67
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
19
Guitare (partie séparée)
15
Basse electrique
9
2 Guitares (duo)
8
4 Guitares (Quatuor)
6
Paroles et Accords
6
3 Guitares (trio)
4
Mandoline
3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Banjo
1
+ 9 instrumentations
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Voix
Chorale SATB
237
Chorale 3 parties
77
Chorale TTBB
55
Chorale 2 parties
41
Chorale Unison
38
Chorale SSAA
37
Voix Soprano, Piano
22
Voix duo, Piano
7
Voix seule
4
Voix duo
4
Voix Alto, Piano
3
Chorale SSATTB
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 11 instrumentations
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Vents
2 Saxophones (duo)
78
Saxophone (partie séparée)
62
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Quatuor de Saxophones: 4 saxophones
55
Saxophone Alto
52
Flûte traversière et Piano
51
Flûte traversière
47
Clarinette
46
Flûte, Hautbois, Clarinette, Basson
37
Clarinette et Piano
34
Quintette de Saxophone: 5 saxophones
32
Quatuor de Clarinettes: 4 clarinettes
31
Hautbois, Piano (duo)
31
2 Clarinettes (duo)
30
Saxophone Alto et Piano
27
2 Flûtes traversières (duo)
26
Quintette de Clarinettes: 5 clarinettes
24
Saxophone Tenor
23
Ensemble de saxophones
21
Saxophone Tenor et Piano
18
Saxophone, Clarinette (duo)
17
Ensemble de Clarinettes
17
3 Saxophones (trio)
16
Flûte et Guitare
15
Saxophone Soprano et Piano
15
Hautbois
14
Quatuor de Flûtes : 4 flûtes
13
3 Clarinettes (trio)
11
2 Hautbois (duo)
11
Hautbois (partie séparée)
11
Clarinette, Violon (duo)
10
Ensemble de Flûtes
9
Quintette de Flûte : 5 flûtes
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Baryton, Piano
8
Hautbois, Flûte
8
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Trio de Flûtes: 3 flûtes
7
Hautbois, Basson (duo)
7
Flute (partie séparée)
7
Clarinette (partie séparée)
6
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette, Guitare (duo)
5
Flûte, Violon
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Trompette (duo)
5
Flûte, Clarinette et Basson
4
Cor anglais, Guitare (duo)
3
Clarinette et Alto
3
Clarinette Basse, Piano
3
Saxophone Soprano
3
Flûte, Alto et Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violoncelle
2
Saxophone
2
2 Flûte à bec (duo)
2
Saxophone Baryton
2
Cor Anglais
2
Flûte à bec Soprano, Piano
2
Quatuor de Flûtes à bec
2
Harmonica
2
5 Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte, Hautbois, Basson
1
2 Saxophones, Piano
1
Ensemble de Hautbois
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Orgue
1
+ 72 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Trombone (partie séparée)
47
Trompette
44
Trompette (partie séparée)
40
Trombone
38
Trompette, Piano
33
Trombone et Piano
31
Cor et Piano
28
Tuba
24
Cor
24
Tuba et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Trompettes (duo)
16
2 Trombones (duo)
13
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 trombones
10
Cor (partie séparée)
10
Tuba (partie séparée)
8
Quatuor de cuivres: 4 cors
8
Trompette, Trombone (duo)
7
Ensemble de Trombones
7
Quatuor de Cuivres
6
2 Cors (duo)
6
Euphonium, Piano (duo)
5
Bass Clef Instruments
4
Ensemble de Trompettes
4
2 Tubas (duo)
4
4 Tubas
3
Cor anglais, Guitare (duo)
3
3 Trompettes (trio)
3
2 Cors Anglais Et Pianoforte
2
Cor Anglais
2
2 Euphoniums (duo)
2
3 Trombones (trio)
1
Trompette, Basson (duo)
1
Euphonium
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Tuba et Orgue
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
Ensemble de Cors
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon
94
Violon, Violoncelle (duo)
68
Violon et Piano
63
Harpe
49
Trio à Cordes: violon, alto, violoncelle
46
Violoncelle
40
Alto, Piano
38
Violoncelle, Piano
33
Trio à Cordes: 2 violons, violoncelle
30
Alto seul
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violoncelles (duo)
24
2 Violons (duo)
21
Contrebasse (partie séparée)
14
Violon (partie séparée)
13
Violon, Alto (duo)
12
Contre Basse
12
2 Altos (duo)
11
Contrebasse, Piano (duo)
10
Alto, Violoncelle (duo)
8
Quatuor à cordes: 4 violons
7
Alto (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Violoncelle (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Flûte (duo)
2
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
406
Orchestre à Cordes
124
Ensemble de cuivres
88
Orchestre
81
Fanfare
80
Ensemble Jazz
47
Cloches
33
Orchestre de chambre
29
Jazz combo
14
Batterie
11
Ensemble de Percussions
9
Marimba
8
Batterie (partie séparée)
7
Ensemble d'École
6
Percussion (partie séparée)
6
Percussion
4
Xylophone, Piano
3
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Vibraphone
2
Piano et Orchestre
1
2 Xylophones
1
+ 17 instrumentations
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Autres
Instruments
ACCORDEON
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CONTREBASSE
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CORNEMUSE
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DULCIMER
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Profs-edition
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2 Pianos, 4 mains
Partitions à imprimer
7 partitions trouvées
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1
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
#
Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
#
achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Owen Meldon
#
Sonata for Two Pianos, I. Alle
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Owen Meldon
#
SheetMusicPlus
Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #8...
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Percussion Quartet Marimba - Level 5 - SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99
C it, Play it!
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2 Pianos, 4 mains
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DÉBUTANT
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Alison Mathews
#
C it, Play it!
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Alison Mathews
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews ...
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2 Pianos,4 Hands,Piano Duet - Level 1 - SKU: A0.1265430 Composed by Alison Mathews. Children,Contemporary,Instructional. Score. 8 pages. Alison Mathews #858248. Published by Alison Mathews (A0.1265430). This is short lively piece for 4 hands that reinforces the landmark Cs, both on the stave and on the keyboard. Level one uses C3, C4, C5 and level two uses C2 to C6 with a final flourish using all 8 Cs! Originally written to be played at 2 pianos I’ve included a duet version which involves some extra moving around the keyboard for both players to ensure your pupil always plays at the correct octave. It’s easy to fit into lesson time alongside flashcard games or to supplement your method book. You can even extend it further by getting your student to create their own part, deciding on the order of Cs and rhythm!
$4.99
One Handed Trio #4
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Tom Rule
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One Handed Trio #4
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MaconMacMusicGuy
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812....
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.492547 By Tom Rule. By Tom Rule. Classical,Instructional,Jazz. Score. 6 pages. MaconMacMusicGuy #107812. Published by MaconMacMusicGuy (A0.492547). Composer’s note: Every piece in the “One Handed Trio†series can be played by 1, 2, or 3 players. They can be played on just piano, keyboards, or any combination - in fact, each piece will have a completely different feel and effect depending on what sounds are used. Feel free to experiment! Each part has OHT #4 has a lot of repetition. Figure out all the separate bits in “your†part, learn them, and THEN try to string them together. That will make it much more fun when you put the piece together. The sample mp3 has two versions, one after another. The first has only piano on all three parts - the repeat uses other keyboard sounds, just to give you a taste of what is possible. Go ahead - explore! Have some fun with this! ….and if you enjoy it, please rate, review, leave a note, and tell others about it. This composer will be grateful.
$1.99
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,J...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
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