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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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168
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93
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25
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5
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5
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4
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3
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2
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1
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1
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Guitare
35
Guitare notes et tablatures
7
Piano, Guitare (duo)
6
Voix
Voix Baryton, Piano
2
Chorale SATB
1
Voix duo, Piano
1
Vents
Flûte traversière et Piano
26
Clarinette et Piano
18
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14
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14
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12
Saxophone Baryton, Piano
8
Hautbois, Piano (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
Cor anglais, Piano
6
Quatuor de Saxophones: 4 saxophones
6
Hautbois, Basson (duo)
6
2 Clarinettes (duo)
5
Flûte, Violoncelle
5
Flûte, Alto (duo)
5
Clarinette Basse, Piano
5
Clarinette et Alto
5
3 Clarinettes (trio)
5
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5
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Hautbois, Clarinette (trio)
4
Quintette de Clarinettes: 5 clarinettes
3
2 Saxophones (duo)
3
Clarinette
3
2 Flûtes traversières (duo)
2
Trio de Flûtes: 3 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
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2
Flûte à bec Alto, Basse continue
2
Flûte et Guitare
2
Clarinette, Violoncelle (duo)
2
Flûte traversière
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Basson
1
Saxophone Alto
1
Flûte, alto et harpe
1
Clarinette, Violon (duo)
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Guitare (duo)
1
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14
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13
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9
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8
Cor anglais, Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette
4
Trombone
2
Ensemble de Cors
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone basse et Piano
1
Trompette (partie séparée)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Tuba et Piano
1
2 Trombones (duo)
1
Cor
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
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Violon et Piano
29
Alto, Piano
19
Violoncelle, Piano
18
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle
11
Violon
11
Harpe
9
Violoncelle, Contrebasse (duo)
9
Violon, Violoncelle (duo)
9
Violon, Alto (duo)
6
Alto (partie séparée)
5
Flûte, Contrebasse (duo)
5
4 Violoncelles
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
3
2 Altos (duo)
2
Contrebasse (partie séparée)
1
2 Violons (duo)
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
Alto seul
1
Violoncelle, Basse continue
1
2 Violoncelles (duo)
1
2 Contrebasses (duo)
1
Trio à Cordes: 3 violoncelles
1
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13
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11
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7
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3
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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FORMATION MUSI…
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HARMONICA
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LUTH
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Sonata for Four
Flûte traversière
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Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
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Flûte traversière
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AVANCÉ
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Carson Cooman
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Carson Cooman: Sonata in memor
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishin...
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Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up†from “coming downâ€).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.†The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes†ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.
$16.95
Sonata for Four
