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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FLUTE TRAVERSI…
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87
PIANO & CLAVIERS
Piano seul
106
Piano Facile
7
Instruments en Do
5
Orgue
4
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 8 mains
1
Piano, Voix et Guitare
1
Piano, Voix
1
Accompagnement Piano
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GUITARES
Guitare
15
Guitare notes et tablatures
10
Basse electrique
9
Banjo
3
Ukulele
2
Dulcimer
2
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Dobro
1
Ensemble de guitares
1
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VOIX
Chorale SATB
12
Chorale 3 parties
4
Voix haute
2
Voix duo
2
Chorale TTBB
1
Chorale SSAATTBB
1
Voix Tenor
1
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VENTS
Saxophone
47
Flûte traversière
20
Clarinette
19
2 Saxophones (duo)
9
2 Clarinettes (duo)
7
Saxophone, Clarinette (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
5
Saxophone Tenor
4
Hautbois, Piano (duo)
4
Clarinette et Piano
4
Flûte, Clarinette (duo)
4
2 Flûtes traversières (duo)
4
Ensemble de Clarinettes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Alto et Piano
3
Ensemble de Flûtes
3
Hautbois, Clarinette (duo)
2
Saxophone Tenor et Piano
2
Flûte à Bec
2
Flûte traversière et Piano
2
Flûte, Violon
2
Clarinette, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Hautbois, Basson (duo)
2
Saxophone Soprano
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Violon (duo)
2
Clarinette et Alto
2
3 Clarinettes (trio)
1
Flûte et Guitare
1
Quintette de Saxophone: 5 saxophones
1
Quatuor de Saxophones: 4 saxophones
1
3 Saxophones (trio)
1
Saxophone Soprano et Piano
1
Flûte, Trompette (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Violoncelle
1
2 Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Soprano
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Ensemble de Trompettes
26
Trompette
25
Trombone
21
Trompette, Piano
6
Ensemble de Trombones
6
Trombone et Piano
4
2 Trompettes (duo)
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Cors
3
Euphonium, Piano (duo)
3
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Tuba
1
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
Cor
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Trombone (duo)
1
Trompette (partie séparée)
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
7
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
4
Violon, Violoncelle (duo)
3
Violon
3
2 Violoncelles (duo)
2
Violon, Alto (duo)
2
Violoncelle, Piano
2
Alto, Piano
2
Violoncelle
2
Contrebasse, Piano (duo)
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Alto seul
1
Violoncelle, Orgue
1
2 Altos (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Batterie
18
Ensemble de cuivres
11
Orchestre à Cordes
9
Ensemble Jazz
8
Orchestre d'harmonie
3
Orchestre de chambre
2
Ensemble de Percussions
2
Orchestre
2
Xylophone, Piano
1
Percussion
1
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AUTRES
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Trompette
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The Blues Brothers : The Blues Brothers - Jailhouse Rock (niveau difficile)
Trompette
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The Blues Brothers
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The Blues Brothers
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The Blues Brothers : The Blues Brothers - Sweet Home Chicago (niveau intermédiaire/difficile)
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The Blues Brothers
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The Blues Brothers : The Blues Brothers - Everybody Needs Somebody To Love (niveau difficile)
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The Blues Brothers
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The Blues Brothers
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The Blues Brothers : The Blues Brothers - Sweet Home Chicago (niveau difficile, brass trompette)
Trompette
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The Blues Brothers
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The Blues Brothers
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Tomplay
The Blues Brothers : The Blues Brothers - Sweet Home Chicago (niveau difficile)
Trompette
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The Blues Brothers
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The Blues Brothers
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Cab Calloway : The Blues Brothers - Minnie the Moocher (niveau difficile)
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The Blues Brothers
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Francesco Mancini : The Blues Brothers - Peter Gunn Theme (niveau difficile)
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Francesco Mancini
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The Blues Brothers
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Tomplay
Francesco Mancini : The Blues Brothers - Peter Gunn Theme (niveau intermédiaire/difficile)
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Francesco Mancini
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The Blues Brothers
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Tomplay
Cab Calloway : The Blues Brothers - Minnie the Moocher (niveau intermédiaire/difficile)
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The Blues Brothers
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Tomplay
Taj Mahal & Rachell : The Blues Brothers - She Caught the Katy (niveau difficile)
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Taj Mahal & Rachell
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The Blues Brothers
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Taj Mahal & Rachell : The Blues Brothers - She Caught the Katy (niveau intermédiaire/difficile)
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The Blues Brothers
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The Righteous Brothers : Unchained Melody (niveau difficile)
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Trompette
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The Righteous Brothers
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Unchained Melody
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Tomplay
The Beatles,Simon & Garfunkel,The Righteous Brothers,Bobby Hebb,The Mamas & the Papas : Le meilleur des années 60' pour la trompette, Difficile, Vol. 2
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19.99 €
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Trompette
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The Beatles,Simon & Garfun
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Le meilleur des années 60' po
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Tomplay
Ben E. King,Ed Sheeran,Percy Sledge,The Righteous Brothers,John Legend : Les plus belles chansons d'amour à jouer à la trompette pour un mariage, Difficile, Vol. 1
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Trompette
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Ben E. King,Ed Sheeran,Percy S
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Les plus belles chansons d'amo
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Tomplay
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.5 €
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Trompette
#
Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.5 €
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Trompette
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Eric Bolvin
#
The Arban Manual - Hooten Edition
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SheetMusicPlus
The Progressive Warm Up-Trumpet Edition
Trompette
Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin…
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Trumpet, Horn in F - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. 42 pages. Published by Faded Duck Music
A creative and thorough way to warm-up and keep your chops in shape in less than 30 minutes daily!<br> <br> Description<br> The Warm Up is an integral component of every brass player’s daily practice. Brass teachers have always been at odds as to what a good warm-up should consist of. My teacher Claude Gordon believed that there should be no prescribed warm-up, as the first notes of the day would fill that need. Others believe in a set warm-up that is done the same every day and never changes. And then there are those teachers who believe a warm-up should cover every aspect of playing, sometimes lasting two hours or more. I end up in the middle of all this with The Progressive Warm-Up.
$16.95
15.5 €
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Trompette
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Eric Bolvin
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The Progressive Warm Up-Trumpet Edition
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SheetMusicPlus
Supplemental Practice Alternatives for Trumpet
Trompette
Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21s…
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Trumpet - Level 4 - Digital Download SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exercises. 42 pages. Charles Decker Music Press #4303103. Published by Charles Decker Music Press (A0.817143). Supplemental Practice Alternatives is a thirty-page compilation of alternative practice approaches designed to improve and stabilize essential trumpet performance skills that was developed over four decades of teaching ambitious trumpeters at all levels. These alternative practice approaches provide practical variations and suggestions on how to apply them to the myriad of etude and study books with the objective of advancing and mastering crucial aspects of trumpet performance. Supplemental Practice Alternatives include study approaches for First and Third-Valve Slide Intonation Control; Single and Multiple-Tonguing Consistency Development; Range Expansion Tone Control; Lip Trill and Shake Development; Long-Tone Studies Using Basic Triad and 7th Chord Modes; Developing Quick Modal Transitioning Capability Between Basic Scales (major, minors, whole tone, chromatic); Review of Supplemental Scales Frequently Encountered (whole tone, blues, pentatonic); Advancing Fingering Coordination with emphasis on third-finger control; and two helpful supplements - a review of Common Italian terms Categorized into Meaningful Genres and 25 Practice Suggestions passed on by generations of successful musicians..For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) as well as my First Technical Studies for Trumpet for young students with Charles Decker Music Press at Sheet Music Plus. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
9.1 €
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Trompette
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Charles Decker
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Supplemental Practice Alternatives for Trumpet
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Charles Decker Music Press
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SheetMusicPlus
Intermediate Serial Studies for Trumpet
Trompette
Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Con…
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Trumpet - Level 4 - Digital Download SKU: A0.817142 Composed by Charles Decker. Contemporary,Instructional. Educational Exercises. 25 pages. Charles Decker Music Press #4112429. Published by Charles Decker Music Press (A0.817142). Cited by the International Trumpet Guild Journal as a great introduction to the world of atonal music, Intermediate Serial Studies for Trumpet bridges the gap between tonal music and more difficult atonal literature with 20 short twelve-tone studies set primarily in the middle and lower registers. Settings vary from lyrical to marcato and tempos range from adagio to allegro. Using serial twelve-tone technique, each study's tone row is used only in original and retrograde (reversed) forms. Interval review in the studies begins with seconds and gradually expands to focus on thirds, fourths, tritones, fifths, sixths and sevenths. While 14 different time signatures are presented, beat subdivisions are not complex to facilitate precise rhythmic execution. Atonal music need not be barren of musical expression as applying creative interpretation with technical accuracy can make the music vibrant and exciting.See also with Charles Decker Music Press at Sheet Music Plus my Supplemental Practice Approaches for Trumpet and First Technical Studies for Trumpet that help develop trumpeters' skills and musicianship.If looking for trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this link to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
9.1 €
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Trompette
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Charles Decker
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Intermediate Serial Studies for Trumpet
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Solos - Intermediate to Advanced
Trompette
By Costel Puscoiu. For Trumpet. Classic. 138 pages. Published by Mel Bay Publications - Di…
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By Costel Puscoiu. For Trumpet. Classic. 138 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619112568. Twenty-five solos for the intermediate to advanced trumpet player by classic masters such as Vivaldi, Beethoven, Brahms, Bizet, Tchaikovsky, Mozart, Grieg and others. Free piano accompaniments for each solo are available as internet downloads.
$19.99
18.28 €
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Trompette
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Costel Puscoiu
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Trumpet Solos - Intermediate to Advanced
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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