Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Of Course
Non classifié
414
Piano & claviers
Piano seul
549
Piano, Voix
91
Piano Facile
67
Orgue
55
Piano, Voix et Guitare
29
1 Piano, 4 mains
19
2 Pianos, 4 mains
6
Accompagnement Piano
6
Instruments en Do
5
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
2
Piano (partie séparée)
1
Ensemble d'Accordéons
1
+ 11 instrumentations
Retracter
Guitares
Basse electrique
225
Guitare
32
Ukulele
29
Guitare notes et tablatures
18
Ukulele Baryton
7
Mandoline
5
Dulcimer
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare (partie séparée)
1
2 Guitares (duo)
1
Banjo
1
Orchestre à Plectres
1
Paroles et Accords
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
98
Chorale TTBB
30
Chorale SSAA
23
Chorale 3 parties
18
Chorale 2 parties
12
Chorale Unison
11
Voix duo
4
Voix duo, Piano
3
Voix Tenor, Piano
3
Voix Soprano, Piano
2
Voix seule
2
Voix haute
1
Chorale SSAATTBB
1
Voix Tenor
1
+ 9 instrumentations
Retracter
Vents
Flûte, Harpe et Violoncelle
40
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
2 Saxophones (duo)
26
Flûte traversière et Piano
25
Clarinette et Piano
23
Saxophone Alto et Piano
21
Quatuor de Clarinettes: 4 clarinettes
21
Flûte, Hautbois, Clarinette, Basson
20
Hautbois, Piano (duo)
18
Clarinette, Harpe (duo)
16
Quatuor de Saxophones: 4 saxophones
15
Saxophone Tenor et Piano
13
2 Clarinettes (duo)
11
Quintette de Saxophone: 5 saxophones
11
Clarinette
11
2 Flûtes traversières (duo)
10
Saxophone Soprano et Piano
8
Saxophone, Clarinette (duo)
8
Flûte, Violon
6
Clarinette, Violon (duo)
6
Ensemble de Clarinettes
6
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Cor anglais, Piano
5
Clarinette, Trompette (duo)
5
Saxophone (partie séparée)
5
Flûte et Guitare
5
3 Saxophones (trio)
4
2 Hautbois (duo)
4
Flûte, Saxophone (duo)
4
Flûte traversière
4
Hautbois, Basson (duo)
3
Flûte, Alto (duo)
3
Clarinette (partie séparée)
3
Flûte, Clarinette (duo)
3
Saxophone Alto
3
Ensemble de Flûtes
3
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Guitare (duo)
3
Clarinette Basse, Piano
3
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Ensemble de saxophones
2
Flûte à bec Tenor
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Piano
2
Flûte à bec Soprano, Piano
2
Hautbois (partie séparée)
2
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violon et Violoncelle
2
Clarinette, Basson (duo)
2
3 Flûtes à bec (trio)
2
Saxophone Tenor
1
Ensemble De Flûte à bec
1
Hautbois, Basson et Piano
1
Saxophone et Guitare
1
Ensemble à vent
1
Saxophone
1
Flute (partie séparée)
1
Cor anglais, Guitare (duo)
1
2 Flûte à bec (duo)
1
Flute, harpe et violon
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
Clarinette et Alto
1
Flûte, Hautbois, Basson
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 66 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette
14
Trombone (partie séparée)
12
Tuba et Piano
12
Trompette (partie séparée)
11
Trombone et Piano
11
Trompette, Piano
10
2 Trompettes (duo)
6
2 Trombones (duo)
6
Cor et Piano
6
Cor anglais, Piano
5
Trompette, Saxophone (duo)
5
Trompette, Trombone (duo)
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
3 Trombones (trio)
3
Cor
3
Trombone
3
Euphonium, Piano (duo)
3
Trombone, Orgue
2
Cor (partie séparée)
2
Tuba
2
Ensemble de Trompettes
2
Quatuor de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
2 Cors (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Cor anglais, Guitare (duo)
1
Tuba (partie séparée)
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
+ 31 instrumentations
Retracter
Cordes
Harpe
245
Harpe, Violon (duo)
110
Harpe, Flûte (duo)
63
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
36
Violon
21
Alto, Piano
18
Violoncelle
16
Violon, Violoncelle (duo)
14
2 Violons (duo)
13
Trio à Cordes: violon, alto, violoncelle
12
Violoncelle, Piano
9
Violon, Alto (duo)
9
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
8
Violon (partie séparée)
7
Alto (partie séparée)
3
Alto seul
3
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle, Basse continue
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
2
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Ensemble de Violons
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
247
Orchestre à Cordes
61
Orchestre
48
Ensemble Jazz
47
Ensemble de cuivres
25
Orchestre de chambre
18
Cloches
7
Fanfare
6
Jazz combo
6
Percussion
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Batterie
1
+ 8 instrumentations
Retracter
Autres
Formation musicale - Solfège
21
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
3
Librairie Musicale
21
Matériel de Musique
399
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Of Course
Trombone
Partitions à imprimer
3 partitions trouvées
<
1
Ben's Basics - Method for Tenor Trombone with F attachment / Bass Trombone
#
Trombone
#
INTERMÉDIAIRE/AVANCÉ
#
Ben van Dijk
#
Ben's Basics - Method for Teno
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.1076363 Composed by Ben van Dijk. Instructional. Individual part. 108 pages. Gordon Cherry #680517. Published by Gordo...
(+)
Trombone Solo - Level 4 - SKU: A0.1076363 Composed by Ben van Dijk. Instructional. Individual part. 108 pages. Gordon Cherry #680517. Published by Gordon Cherry (A0.1076363). This new 4th edition of Ben van Dijk's book Ben's Basics - Method for Bass Trombone / Tenor Trombone with F attachment is now available from Cherry Classics Music. Below are Ben's thoughts about the book, which is a culmination of ideas from his years as one of the great pedagogs of the Trombone. In this book, I’d like to give you some guidance in various areas of trombone playing. Of course, there are many more topics one could address, but I have focused on three areas in this book. 1. Breathing 2. Daily Routines 3. Warm-up It is my hope to give you some perspective and direction, but it is definitely not my idea to make you dependent on this book. On the contrary, I hope to encourage you to look for ideas yourself and be as inventive as possible. Most of my ideas come from many years of playing and teaching combined with all the wonderful contacts I have had with different experts on these matters during my career. It’s a combination of the ideas which have helped me to come to where I am right now. They also have proven to be of value to many of my students. During many of the master classes I have given in the past years, students and colleagues have asked me to write down my ideas and bundle them into a book.
$37.50
There's A Place For Us
#
Trombone
#
FACILE
#
Carrie Underwood
#
Gary D
#
There's A Place For Us
#
DR GARY D BELSHAW
#
SheetMusicPlus
Trombone Solo - Level 2 - SKU: A0.796667 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by Gary D. Belshaw (ASCAP...
(+)
Trombone Solo - Level 2 - SKU: A0.796667 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by Gary D. Belshaw (ASCAP). Country,Pop. Individual part. 6 pages. DR GARY D BELSHAW #3392273. Published by DR GARY D BELSHAW (A0.796667). From the motion picture The Chronicles of Narnia; The Voyage of the Dawn Treader. If you loved the story and the wonderful characters, you'll want to learn to play this inspiring music. Specifically arranged for the Early Intermediate trombonist, this is a perfect solo for concert or recital. Great for the talent show at church, school, or any social organization event. And, of course, wonderful just for your own amazement. Duration is about 1-1/2 minutes.Follow Gary D. Belshaw Music on Facebook and Twitter. Your comments are coveted.
$4.99
9.28.85
#
Trombone
#
AVANCÉ
#
Drake Mabry
#
9.28.85
#
Drake Mabry
#
SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published ...
(+)
Trombone Solo - Level 5 - SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Of Course
