Ecce Sacerdos Magnus (?Behold the Great Priest?) comes from the early European tradition of plainchant. Bruckner?s setting of the responsory, originally scored for eight-part mixed choir, organ and three trombones, brings certain medieval qualities to an otherwise Romantic-era composition.



This transcription for 10-part brass choir is appropriate for intermediate level and above and attempts to retain the majesty, power, and beauty of the original piece. It should be approached as a choral piece: connected and fluid. The harmonic language is essentially triadic; great care should be taken in the tuning of each chord throughout the piece.



Instrumentation is for: 3 Trumpets in B-flat, 2 Horns, 3 Trombones, Euphonium and Tuba.



Listen to the live performance by a young group of musicians conducted by Dr. Paul Stevens, Professor of Horn at KU.

The Queen's Gambit is a miniseries that Netflix released in October 2020, and it quickly became one of their most-watched shows around the world.

Show aside, it has one of the most exciting musical scores, with the title number being my absolute favorite of the entire soundtrack, written by Carlos Rafael Rivera.

Scored for 2 trumpets, 2 french horns, 2 trombones, and 2 tubas. There are 2-part divisis here and there in all parts except the 2nd tuba.

Geared for the more advanced groups, this piece is on fire from start to finish. At under 2 minutes, you and your choir will have quite the workout. This would be a great opener or closer for your concerts.

Duration: 1.75 minutes

?The Firefly? is the second movement of 'Between Flowers AndThe Moon - Four Japanese Death Poems?, composed by Natalie Goossens. The workis written for Brass Choir.

The PDFincludes: Full Score/ Parts: 3 Trumpets in C, 4 Horns in F, 2 Trombones, BassTrombone, Euphonium and Tuba.
Duration: ca. 02?24?

This is a super cool version of Star Trek's Voyager! This arrangement has 10 parts. The 10th part can be played easily by a Tuba or Bass Trombone.
The 1st part starts with the first three notes being very high...although those three notes can be dropped down the octave and it will still sound great.
Parts 1 - 5 have Bass Clef and Tenor Clef versions.
As written... the ranges of the parts are as follows.

1st - D natural an octave above the staff down to B natural on the second line of the staff.
2nd - B natural an octave above the staff down to the B natural on the second line of the staff.
3rd - A natural an octave above the staff down to the B natural on the second line of the staff.
4th - B natural an octave above the staff down to the B natural on the second line of the staff.
5th - G natural an octave above the staff down to the D natural on the middle line of the staff.
6th - E natural an octave above the staff down to the G natural on the bottom line of the staff.
7th - G natural an octave above the staff down to the D natural on the middle line of the staff.
Bass 1 - G natural on the top space of the staff down to the D below the staff.
Bass 2 - F sharp on the second from the top line of the staff down to the A flat below the staff.
Tuba/Bass 3 - C natural on the second from the bottom of the staff down to the A below the staff.

This is Jerry Goldsmith's Universal Studios Theme arranged for Brass Band and a choir.

Ave Maria, composed in 1889 is the first movement of Verdi's Quattro pezzi sacri for a cappella chorus. Verdi was inspired to compose this work, prompted by the challenge put forth to harmonize the Enigmatic Scale (Scala Enigmatica Armonizzata) by composer Adolfo Crescentini. The rather bizarre scale is passed around to all the parts throughout the entire work and is part of the mystery of this sacred work.

This 4-minute piece has been brilliantly arranged by Denis Jiron for 13-part Brass Ensemble with the following instrumentation: Cornet in B-flat, 3 Flugelhorns, 4 Horns, 2 Trombones, Bass Trombone, Euphonium, and Tuba.

This work may be performed by moderately advanced performers.

An arrangement for Brass Band for the main title theme from the latest Star Trek series.

A great arrangement for Brass Band of this McCartney song used as theme music for the 1973 James Bond film of the same name.

Versatile Brass Music from the Movies Collection

This is an arrangement that I have done of the opening anthem from the original 'Top Gun movie starring Tom Cruize & Ali McGraw.

The arrangement is relatively straightforward and should suit all levels of band. At a little over 2 minutes in length, it is an ideal opener to a 'Film music set' for any concert programme.

A dramatic arrangement for Brass Band of this number from the film Top Gun. Opening quietly, the main theme progresses through a series of key changes with the "guitar solo" transcribed for Solo Cornet before the DS and the build up to the climatic ending.