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ALTO
AUTOHARPE
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From The Jump
Non classifié
45
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86
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33
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31
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13
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5
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4
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4
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1
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1
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1
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1
+ 6 instrumentations
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6
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6
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2
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1
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1
4 Guitares (Quatuor)
1
Guitare notes et tablatures
1
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15
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11
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9
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6
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5
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3
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2
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2
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2
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1
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13
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12
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11
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11
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11
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6
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5
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4
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3
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3
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3
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2
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2
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1
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1
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1
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1
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1
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1
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8
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7
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5
Trompette (partie séparée)
5
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4
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2
Trompette, Piano
2
Trombone et Piano
1
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1
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1
Euphonium
1
4 Tubas
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Tuba et Piano
1
Tuba
1
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11
Violoncelle
10
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8
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3
Violoncelle, Piano
3
Violon et Piano
3
Harpe
3
Contrebasse (partie séparée)
2
Alto, Piano
2
Trio à Cordes: violon, alto, violoncelle
2
4 Contrebasses
1
Violon, Alto (duo)
1
Violon, Violoncelle (duo)
1
Violon, Guitare (duo)
1
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14
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10
Orchestre
5
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3
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1
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From The Jump
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Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
Come With Joy- An Organ Suite for Weddings--#3 Festive Psalm
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Pat Boozer
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Come With Joy- An Organ Suite
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Pat Boozer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1012921 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 8 pages. Pat Boozer #5771939. Published by P...
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Organ - Level 3 - SKU: A0.1012921 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 8 pages. Pat Boozer #5771939. Published by Pat Boozer (A0.1012921). FESTIVE PSALM, a bridal recessional, is the 3rd of three pieces in the set, COME WITH JOY. This wedding suite contains a bridesmaids' processional (REGENCY), a bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together, however, there is a sense of unity of thought and of keys if all three are used in the wedding service.This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes.An audio file of FESTIVE PSALM is included here. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$6.00
Come With Joy- An Organ Suite for Weddings
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Orgue
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FACILE
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Pat Boozer
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Come With Joy- An Organ Suite
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Pat Boozer
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1012922 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 15 pages. Pat Boozer #5771529. Published by ...
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Organ - Level 2 - SKU: A0.1012922 Composed by Pat Boozer. Concert,Graduation,Holiday,Sacred,Wedding. Score. 15 pages. Pat Boozer #5771529. Published by Pat Boozer (A0.1012922). COME WITH JOY is a wedding suite containing a bridesmaids' processional (REGENCY), bridal fanfare and march (SONG OF JOY), and a bright, quickly paced recessional (FESTIVE PSALM), which incorporates the melodies of the first two processionals in the B section. The bridal fanfare and bridal march was written for our daughter's wedding and later the other two were written in complimentary keys to complete the suite. Each piece may also be used separately, however, and do not have to be used together. This suite answers the need of brides who wish to have new music to use for her special day. With this suite, even though it was written as a cohesive group, the bride may choose to use as many or as few as she wishes and the bridal march with fanfare is certainly worth a consideration!An audio file of Song of Joy is included here to give you an idea of the flavor of the suite. It is the bridal march with fanfare. The recessional, FESTIVE PSALM, is lengthy and can accommodate large wedding parties without continuous repetition of the main theme. There are several sections in the work, keeping the interest level high because there's no continuous repetition of one main theme. For smaller wedding parties, where less exit music is needed, there are markings of suggested jump spots so that an entire section, or sections, can be omitted. The fact that two of the themes are taken from the previous two processionals ties the music together into an exciting cohesive unit. The music in this suite can also be used for church or school graduations, anniversaries, service music in church settings and other occasions.Regarding difficulty, the manuals require intermediate skills, but the pedals are fairly easy. Most organists who have experience in playing for weddings will be able to handle the techniques required for this suite.
$12.00
Pavane and Galliard, Op. 243 (Organ Solo) by Vidas Pinkevicius
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Orgue
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FACILE
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Vidas Pinkevicius
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Pavane and Galliard, Op. 243
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1387347 Composed by Vidas Pinkevicius. 21st Century,Classical,Contemporary. Score. 4 pages. Vidas Pinkevicius #971196. Publish...
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Organ - Level 2 - SKU: A0.1387347 Composed by Vidas Pinkevicius. 21st Century,Classical,Contemporary. Score. 4 pages. Vidas Pinkevicius #971196. Published by Vidas Pinkevicius (A0.1387347). This piece was written for my colleague organist's and prolific composer's from the US Carson Cooman's Pavane and Galliard project. Both dances could be played on a single manual organ without pedals but organists are free to play optional pedal lines on larger instruments as well on variety of registrations. Both pieces are created using a single theme which gets transformed rhythmically from singing duple rhythms in Pavane to jumping triple rhythms in Galliard. Dedicated to Carson Cooman.
$4.99
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