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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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JAZZ
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POP ROCK - POP MUSIC
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PUNK
RAGTIME
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Note4Piano
Noviscore
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SheetMusicPlus
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expert
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Non classifié
840
PIANO & CLAVIERS
Piano seul
528
Piano Facile
187
Piano, Voix
180
Orgue
96
Piano, Voix et Guitare
49
Piano Trio: piano, violon, violoncelle
23
1 Piano, 4 mains
15
Instruments en Do
14
Orgue, Trompette (duo)
10
Piano Quatuor: piano, violon, alto, violoncelle
8
Accompagnement Piano
7
Orgue, Piano (duo)
6
Clavecin
3
Accordéon
3
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 4 mains
2
Clavier
1
2 Accordéons
1
Ligne De Mélodie, Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
2 Pianos, 8 mains
1
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GUITARES
Guitare
109
Guitare notes et tablatures
79
Ukulele
21
Mandoline
12
2 Guitares (duo)
11
Ligne De Mélodie, (Paroles) et Accords
8
Basse electrique
7
4 Guitares (Quatuor)
4
Banjo
3
Paroles et Accords
3
3 Guitares (trio)
2
Mandoline, Piano (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Guitare Pedal Steel
1
Partitions De Groupes
1
Orchestre à Plectres
1
Piano, Guitare (duo)
1
Guitare (partie séparée)
1
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VOIX
Chorale SATB
83
Chorale 3 parties
31
Chorale Unison
14
Chorale 2 parties
12
Chorale TTBB
10
Chorale SSAA
8
Voix duo, Piano
5
Voix seule
4
Voix duo
4
Voix haute
3
Voix Tenor, Piano
3
Voix basse, Piano
2
Voix moyenne, Piano
2
Voix Soprano, Piano
2
Chorale SSAATTBB
2
Chorale
2
Chorale, Orgue
1
Voix, Guitare
1
Voix Moyenne
1
Voix basse
1
Chorale SSAB, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
102
Flûte traversière et Piano
83
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Flûte, Hautbois, Clarinette, Basson
67
Quatuor de Clarinettes: 4 clarinettes
66
Clarinette et Piano
54
Hautbois, Piano (duo)
49
2 Flûtes traversières (duo)
45
2 Saxophones (duo)
44
Saxophone Alto et Piano
40
Flûte traversière
38
Clarinette
37
2 Clarinettes (duo)
35
Quintette de Saxophone: 5 saxophones
35
Quatuor de Flûtes : 4 flûtes
32
Flûte à bec Soprano
28
Saxophone Tenor et Piano
26
Saxophone (partie séparée)
26
3 Saxophones (trio)
24
3 Clarinettes (trio)
24
2 Flûte à bec (duo)
19
Saxophone Alto
19
Trio de Flûtes: 3 flûtes
18
Flûte, Clarinette (duo)
18
Saxophone Soprano et Piano
17
Quatuor de Flûtes à bec
13
Cor anglais, Piano
13
Hautbois (partie séparée)
12
Saxophone Baryton, Piano
12
Clarinette, Basson (duo)
11
Flûte à bec Alto
11
Flûte à bec Soprano, Piano
10
Harmonica
9
Flûte à Bec
9
Quintette de Clarinettes: 5 clarinettes
9
2 Hautbois (duo)
9
Saxophone Tenor
9
Ensemble de Flûtes
9
Clarinette, Violoncelle (duo)
9
Hautbois, Basson (duo)
9
Quintette de Clarinette: Clarinette, Quatuor à Cordes
8
Flûte, Violoncelle, Piano (trio)
8
Flûte, Clarinette et Basson
8
Clarinette (partie séparée)
7
Flute (partie séparée)
7
Flûte, Violoncelle
7
3 Flûtes à bec (trio)
6
Flûte, Trombone (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Ensemble de Clarinettes
6
Flûte, Violon et Violoncelle
5
Hautbois, Violoncelle
5
Quintette de Flûte : 5 flûtes
5
2 Flûtes traversières, Piano
5
Flûte et Guitare
5
Hautbois
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Ensemble de saxophones
4
Hautbois, Clarinette (duo)
4
Clarinette Basse, Piano
4
Clarinette, Harpe (duo)
4
Flute, harpe et violon
4
Saxophone et Orgue
4
2 Saxophones, Piano
4
Flûte et Trio à cordes
4
Flûte, Clarinette, Piano (trio)
3
Flûte, Violon, Piano
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto, Piano
3
4 Hautbois
3
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Clarinette, Violon (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Saxophone
2
Flûte, Basson et Piano
2
Flûte à bec, Guitare (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
5 Flûtes à bec
2
Flûte, Hautbois, Piano (trio)
2
Flûte à Bec, Piano
2
Flûte, Violoncelle, Guitare
2
Flûte, Violon, Violoncelle et Piano
2
Ensemble de Hautbois
2
Saxophone Soprano
2
Hautbois, Harpe
2
Flûte, Violon
2
Ensemble De Flûte à bec
2
Flûte, Hautbois (duo)
2
Saxophone, Clarinette (duo)
2
Saxophone, Violon (duo)
2
Flûte et Quatuor à Cordes
1
Flûte, trombone et piano
1
Saxophone Baryton
1
Piccolo
1
2 Clarinettes, Basson
1
Flûte traversière, Orgue (duo)
1
Clarinette, Trombone (duo)
1
Cor Anglais
1
Flûte irlandaise
1
Saxophone et Guitare
1
Flûte, Clarinette, Violon (trio)
1
2 Flûtes traversières, Harpe
1
Clarinette et Alto
1
Clarinette, trompette et piano
1
Hautbois, Flûte
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Violon
1
Clarinette, Orgue
1
Flûte, Hautbois, Basson
1
Flûte, Alto (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trompette, Piano
42
Trompette
36
Trombone et Piano
26
Trombone
26
Trompette (partie séparée)
24
2 Trompettes (duo)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor et Piano
19
2 Trombones (duo)
17
Cor
16
Trompette, Trombone (duo)
15
Quatuor de Cuivres
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Cor anglais, Piano
13
Tuba
12
Euphonium, Piano (duo)
11
Trombone (partie séparée)
10
Tuba et Piano
9
2 Cors (duo)
9
Quatuor de cuivres: 4 trombones
8
Quatuor de cuivres: 4 cors
7
2 Euphoniums et 2 Tubas
7
Quatuor de cuivres: 4 trompettes
6
Trombone basse
6
Cor, Violoncelle (duo)
6
Ensemble de Trompettes
5
Cor (partie séparée)
4
Trompette, Violoncelle (duo)
4
2 Tubas (duo)
4
Euphonium
4
Ensemble de Trombones
4
4 Tubas
4
Euphonium, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, violon (duo)
3
3 Trombones (trio)
3
Trompette, Cor (duo)
3
3 Tubas (trio)
2
Trio de Cuivres
2
Trompette, Saxophone (duo)
2
Trombone, Violon (duo)
2
Trombone, Cor (duo)
2
Tuba (partie séparée)
2
Ensemble de Cors
2
3 Trompettes (trio)
2
Trompette, Trombone, Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Euphoniums
1
Cor Anglais
1
Tuba et Orgue
1
Cor, Tuba (duo)
1
Trompette, Basson (duo)
1
3 Euphoniums
1
Cor, Violoncelle et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
951
Trio à Cordes: violon, alto, violoncelle
206
Violon et Piano
78
Trio à Cordes: 2 violons, violoncelle
73
Violon
62
Quintette à cordes: 2 violons, alto, violoncelle, basse
53
Violoncelle, Piano
53
Alto, Piano
48
Violon, Violoncelle (duo)
43
Harpe
43
Trio à Cordes: 3 violoncelles
37
2 Violons (duo)
36
Quatuor à cordes: 4 violons
36
Trio à cordes: 3 violins
32
Violoncelle (partie séparée)
32
Alto seul
26
2 Violoncelles (duo)
24
Violon, Alto (duo)
23
Violoncelle
20
Quatuor à cordes : 4 altos
17
Trio à cordes: 3 altos
14
2 Altos (duo)
14
Alto, Violoncelle (duo)
13
Trio à cordes
12
Contre Basse
11
Contrebasse, Piano (duo)
11
4 Violoncelles
11
Trio à Cordes: 2 violons, alto
11
Violon (partie séparée)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Alto (partie séparée)
7
2 Harpes (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Harpe, Flûte (duo)
6
Piano Trio: Violon, Alto, Piano
5
Alto et Basson
4
Violon, Basson (duo)
4
Violon, Guitare (duo)
4
Harpe, Violon (duo)
4
Contrebasse (partie séparée)
4
Violoncelle, Contrebasse (duo)
3
Harpe et Piano
3
2 Violoncelles, Piano
2
Violon, Orgue
2
Alto, Guitare (duo)
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
2
2 Contrebasses (duo)
2
Violoncelle , Guitare (duo)
2
Violon, Violoncelle, Clarinette
1
Ensemble d'Altos
1
Flûte, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violons
1
4 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
411
Orchestre d'harmonie
48
Ensemble de cuivres
33
Cloches
22
Orchestre de chambre
16
Orchestre
15
Ensemble Jazz
14
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Ensemble de Percussions
5
Fanfare
3
Marimba
3
Timbales (partie séparée)
2
Vibraphone
2
Percussion (partie séparée)
2
Batterie
2
Batterie (partie séparée)
2
Quintette à Vent
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Des Bach
Saxophone Baryton, Piano
Partitions à imprimer
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Bach: Sheep May Safely Graze for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.26 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Jesu, joy of man's desiring by Bach for Baritone Sax and Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049442 Composed by J…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1049442 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Score and part. 6 pages. Woods Only, Arrangements #653792. Published by Woods Only, Arrangements (A0.1049442). This easy arrangement for baritone sax and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99
1.83 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Ander
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Jesu, joy of man's desiring by Bach for Baritone Sax and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Jesu, Joy of Man's Desiring
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1214109 Composed by J…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1214109 Composed by Johann Sebastian Bach. Arranged by Jean Szulc. Baroque,Classical. Score and part. 4 pages. Jean Szulc #811306. Published by Jean Szulc (A0.1214109). Arrangement of the famous Jesu, Joy of Man's Desiring by Johann Sebastian Bach. Have fun playing this classic!
$6.99
6.42 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
#
Jean Szulc
#
Jesu, Joy of Man's Desiring
#
Jean Szulc
#
SheetMusicPlus
Jesu, Joy of Man's Desiring
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1214108 Composed by J…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1214108 Composed by Johann Sebastian Bach. Arranged by Jean Szulc. Baroque,Classical. Score and part. 4 pages. Jean Szulc #811305. Published by Jean Szulc (A0.1214108). Arrangement of the famous Jesu, Joy of Man's Desiring by Johann Sebastian Bach. Have fun playing this classic!
$6.99
6.42 €
#
Saxophone Baryton, Piano
#
Johann Sebastian Bach
#
Jean Szulc
#
Jesu, Joy of Man's Desiring
#
Jean Szulc
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Ba…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.26 €
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Saxophone Baryton, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Jesu, Joy Of Man's Desiring
Saxophone Baryton, Piano
Baritone Saxophone & Piano - Grade 2 - Digital Download SKU: R0.35131 O Jesus qu…
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Baritone Saxophone & Piano - Grade 2 - Digital Download SKU: R0.35131 O Jesus que ma joie demeure / Jesu, meine Freude. Composed by Johann Sebastian Bach. Arranged by Marc Reift. Baritone Saxophone & Piano. Score and parts. 6 pages. Duration 2'48. Editions Marc Reift - Digital #35131. Published by Editions Marc Reift - Digital (R0.35131).
$8.95
8.22 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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Marc Reift
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Jesu, Joy Of Man's Desiring
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Editions Marc Reift - Digital
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SheetMusicPlus
Jesu, Joy of Man’s Desiring for Baritone Saxophone with Piano by Bach BWV
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1430846 Composed by J…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1430846 Composed by Johann Sebastian Bach. Arranged by れある やすけ. Baroque,Chamber,Christian,Easter. Score and part. 6 pages. Simple Chamber「単純な室内楽」 #1011349. Published by Simple Chamber「単純な室内楽」 (A0.1430846). This is an arrangement of Bach’s piece, Jesu, Joy of Man’s Desiring BWV 147, adapted for a baritone sax and piano. This arrangement with chord symbols is a pedagogical tool for teachers and a learning opportunity for music students. In this arrangement, the complexity of the original composition has been carefully simplified, making it accessible and attractive to beginner musicians. Each part, from the highest to the lowest, presents a gradation of difficulty, allowing musicians to develop their skills effectively. This arrangement is useful for teachers, as it offers a pedagogical tool to introduce students to chamber music and Bach’s works. Even simplified, the arrangement maintains the beauty of Bach’s original composition. This arrangement is an excellent choice for music students, teachers, and Johann Sebastian Bach lovers.
$3.99
3.66 €
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Saxophone Baryton, Piano
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Johann Sebastian Bach
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れある やすけ
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Jesu, Joy of Man’s Desiring for Baritone Saxophone with Piano by Bach BWV
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Simple Chamber「単純な室内楽」
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SheetMusicPlus
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Ma…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
22.91 €
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Saxophone Baryton, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Fe…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Saxophone Baryton, Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Smoke Gets In Your Eyes
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178681 By The Platte…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178681 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Debra E. Stempien, Gregory H. Turner. Broadway,Jazz,Musical/Show,Standards. Score and part. 5 pages. Standard Time #778644. Published by Standard Time (A0.1178681). This classic song is arranged for bari sax solo with piano accompaniment. Â The sax carries the melody through the A sections and provides harmonic lines while the piano takes over the melody during the bridge. Â Please note that the recording features the soprano sax version of this arrangement, which is in a different key. Â Play along with the accompaniment at the link provided.
$7.99
7.34 €
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Saxophone Baryton, Piano
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The Platters
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Debra E
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Smoke Gets In Your Eyes
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Standard Time
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SheetMusicPlus
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