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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Second Time
Non classifié
865
Piano & claviers
Piano seul
452
Piano Facile
139
Accompagnement Piano
61
Piano, Voix
61
1 Piano, 4 mains
52
Piano, Voix et Guitare
42
Piano Trio: piano, violon, violoncelle
35
Instruments en Do
33
Orgue
31
2 Pianos, 4 mains
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
39
2 Guitares (duo)
16
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
7
Ukulele
6
Guitare (partie séparée)
6
Mandoline
5
4 Guitares (Quatuor)
4
Mandoline, Guitare (duo)
4
3 Guitares (trio)
2
2 Ukuleles
1
Dulcimer
1
Basse electrique
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
186
Chorale 2 parties
71
Chorale 3 parties
41
Chorale Unison
25
Chorale SSAA
25
Chorale TTBB
18
Voix duo, Piano
15
Voix Soprano, Piano
10
Voix duo
5
Chorale
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quatuor de Saxophones: 4 saxophones
50
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière et Piano
42
2 Flûtes traversières (duo)
42
Flûte, Hautbois, Clarinette, Basson
40
Quintette de Saxophone: 5 saxophones
37
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
26
Clarinette et Piano
26
Clarinette
24
Saxophone, Clarinette (duo)
24
Flûte traversière
20
3 Saxophones (trio)
18
Flûte, Clarinette (duo)
17
2 Hautbois (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Saxophone (partie séparée)
12
Saxophone Tenor et Piano
12
Hautbois, Flûte
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois (partie séparée)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
8
Clarinette et Alto
8
Flûte et Guitare
8
Saxophone Alto
8
Cor anglais, Piano
7
Saxophone Soprano et Piano
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
7
Flûte, Trompette (duo)
7
Flûte, Violon
7
Flûte, Saxophone (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Baryton, Piano
6
Flûte, Clarinette et Basson
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
3 Flûtes à bec (trio)
5
Ensemble de saxophones
5
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
4
Flûte à bec Alto
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
3
Flute (partie séparée)
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Flûte, Violoncelle
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Harpe
1
Saxophone
1
5 Flûtes à bec
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
27
2 Trompettes (duo)
22
Trombone et Piano
22
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres
12
Trombone (partie séparée)
11
Cor
10
2 Cors (duo)
9
Trompette (partie séparée)
9
Cor et Piano
8
Ensemble de Trombones
8
Cor anglais, Piano
7
Trombone
7
Tuba
7
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trio de Cuivres
3
4 Tubas
3
Tuba et Piano
3
Ensemble de Cors
3
2 Tubas (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
1
Cor Anglais
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon, Violoncelle (duo)
180
Violon
160
Trio à Cordes: violon, alto, violoncelle
159
Violon et Piano
68
Violoncelle, Piano
39
Alto, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
29
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
18
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Ensemble de Violons
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Guitare (duo)
1
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre à Cordes
163
Orchestre
74
Ensemble de cuivres
70
Cloches
43
Ensemble Jazz
36
Orchestre de chambre
33
Fanfare
20
Jazz combo
15
Ensemble de Percussions
12
Batterie
4
Batterie (partie séparée)
3
Piano et Orchestre
1
Percussion
1
Marimba
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Vous avez sélectionné:
A Second Time
Saxophone Baryton, Piano
Partitions à imprimer
6 partitions trouvées
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1
Waltz in A Minor (Chopin) - Baritone Saxophone and Piano - Chamber music
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Raymond Fenech
#
Waltz in A Minor
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Raymond Fenech
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instruct...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4623209. Published by Raymond Fenech (A0.760540). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Mendelssohn: Wedding March for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standa...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Symphony No. 7 by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Perio...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1158467 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758753. Published by Woods Only, Arrangements (A0.1158467). This arrangement adapted for baritone saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Morning Has Broken
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Saxophone Baryton, Piano
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DÉBUTANT
#
Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548735 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415195. Published by jmsgu3 (A0.548735). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Symphony No. 5 by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1154912 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755188. Published by Woods Only, Arrangements (A0.1154912). This adaptation was intended for a small group of baritone saxophone and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
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