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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Com
Non classifié
210 892
Piano & claviers
Piano seul
268 478
Piano, Voix et Guitare
154 839
Piano, Voix
113 915
Piano Facile
70 435
Orgue
16 261
Instruments en Do
13 712
Piano grosses notes
10 023
1 Piano, 4 mains
7 954
Accordéon
6 451
Accompagnement Piano
5 713
Piano Trio: piano, violon, violoncelle
2 231
Piano (partie séparée)
1 724
2 Pianos, 4 mains
1 476
Ligne De Mélodie, Piano
564
Piano Quatuor: piano, violon, alto, violoncelle
561
Piano Quintette: piano, 2 violons, alto, violoncelle
542
Piano Quatuor: piano, 2 violons, violoncelle
476
Orgue, Trompette (duo)
429
Orgue, Piano (duo)
382
Clavecin
292
1 Piano, 6 mains
240
Accordéon, Voix
217
Clavier
168
Instrument seul et Orgue
165
2 Pianos, 8 mains
94
2 Accordéons
78
Ensemble d'Accordéons
56
Orgue, Voix
47
2 Orgues (duo)
30
Tous Les Instruments
23
Fake Book
16
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Orgue et Orchestre
5
Concertina
3
3 Pianos
2
Piano Trio: Instruments de chambre mixtes
2
+ 35 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79 494
Ligne De Mélodie, (Paroles) et Accords
50 514
Guitare
29 947
Paroles et Accords
24 260
Ukulele
18 834
Basse electrique
13 343
2 Guitares (duo)
2 261
Guitare (partie séparée)
2 141
Banjo
1 567
Mandoline
1 343
4 Guitares (Quatuor)
1 058
Dulcimer
931
Piano, Guitare (duo)
908
Ensemble de guitares
713
3 Guitares (trio)
524
Basse électrique (partie séparée)
415
Ukulele Baryton
326
Partitions De Groupes
280
Guitare Pedal Steel
210
Ensemble de Ukulélés
207
Dobro
92
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
79
Mandoline, Guitare (duo)
65
Guitare Tab, Voix, Basse, Batterie
40
Guitare, Violon, Violoncelle (trio)
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
Orchestre à Plectres
16
Guitare, Orchestre
12
2 Mandolines (duo)
11
Guitare, Quatuor à cordes
11
Cithare
8
Luth
7
Bouzouki
5
2 Guitares et Orchestre
4
2 Guitares et Piano
2
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
+ 35 instrumentations
Retracter
Voix
Chorale SATB
68 098
Chorale 3 parties
27 449
Pack Instrumental pour Chorale
19 899
Chorale 2 parties
15 987
Chorale TTBB
13 375
Voix seule
9 130
Chorale
8 739
Chorale SSAA
6 988
Chorale Unison
6 279
Voix duo, Piano
3 663
Voix haute
2 146
Voix duo
1 547
Voix Soprano, Piano
1 467
Voix Tenor, Piano
848
Voix basse, Piano
799
Voix Alto, Piano
796
Voix Baryton, Piano
596
Voix, Guitare
407
Voix moyenne, Piano
395
Chorale SSATB
332
Voix Moyenne
247
Chorale SSAATTBB
238
Voix Mezzo-Soprano, Piano
195
Chorale SSATTB
160
Voix Tenor
141
Chorale SSATBB
125
Soli, choeur mixte et accompagnement
106
Chorale SATTB
93
Chorale SSAB a cappella
83
Voix Soprano
82
Voix haute, Piano
63
Chorale SSAB, Piano
62
Chorale, Orgue
59
Voix et basse continue
55
Chorale SSAATB
53
Voix basse
51
Voix d'Enfants
43
Chorale SAATB A Cappella
32
Chorale SATBB
25
Male Voice
25
Voix Baryton
19
Chorale, Orchestre
13
Chorale SATTBB, Clavier
11
Chorale SSAATB A Cappella
10
Voix duo, Orgue
10
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
6
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
+ 45 instrumentations
Retracter
Vents
Saxophone (partie séparée)
26 513
Flûte traversière
22 680
Clarinette
20 320
Saxophone
18 238
Clarinette (partie séparée)
14 985
Flûte traversière et Piano
14 253
Saxophone Alto
13 052
Saxophone Tenor
11 413
Quatuor de Saxophones: 4 saxophones
11 324
Clarinette et Piano
10 299
Saxophone Alto et Piano
7 845
Hautbois, Piano (duo)
7 614
2 Saxophones (duo)
7 493
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7 395
Flute (partie séparée)
7 113
Flûte, Hautbois, Clarinette, Basson
6 620
2 Flûtes traversières (duo)
6 416
Hautbois (partie séparée)
6 341
Quatuor de Clarinettes: 4 clarinettes
5 957
Saxophone Tenor et Piano
5 657
2 Clarinettes (duo)
5 452
Quatuor de Flûtes : 4 flûtes
3 451
Saxophone Soprano et Piano
3 360
Quintette de Saxophone: 5 saxophones
2 906
Hautbois
2 661
3 Saxophones (trio)
2 563
Flûte à Bec
2 456
3 Clarinettes (trio)
2 456
Flûte, Clarinette (duo)
2 070
Flûte et Guitare
2 065
Ensemble de Clarinettes
1 933
Trio de Flûtes: 3 flûtes
1 925
Ensemble de Flûtes
1 578
Saxophone Baryton, Piano
1 513
Quintette de Clarinettes: 5 clarinettes
1 413
Saxophone Soprano
1 412
Ensemble de saxophones
1 395
Instruments en Mib
1 296
2 Hautbois (duo)
1 292
2 Flûte à bec (duo)
1 269
Cor anglais, Piano
1 173
Hautbois, Basson (duo)
1 067
Harmonica
1 055
Quatuor de Flûtes à bec
997
Flûte, Violon
913
Ocarina
902
Clarinette, Violon (duo)
855
Flûte à bec Soprano
811
Hautbois, Clarinette (duo)
804
Clarinette Basse, Piano
730
Flûte, Clarinette et Basson
712
Flûte, Hautbois, Clarinette (trio)
695
Saxophone, Clarinette (duo)
674
Flûte, Violon, Piano
656
Clarinette, Basson (duo)
582
Flûte, Violoncelle
555
Flûte à bec Alto
542
Flûte, Hautbois, Basson
535
3 Flûtes à bec (trio)
513
Clarinette, Guitare (duo)
511
Flûte, Hautbois (duo)
508
Hautbois, Clarinette, Basson (trio d'anches)
505
Quintette de Flûte : 5 flûtes
432
Piccolo
426
Clarinette Basse
410
Saxophone Baryton
401
Hautbois, Flûte
392
Cor Anglais
373
Clarinette, Violoncelle (duo)
371
Flûte à bec Soprano, Piano
371
Flûte, Clarinette, Piano (trio)
364
Clarinette, Trompette (duo)
351
Flûte à bec Alto, Piano
348
Flûte, Trompette (duo)
339
Flûte, Alto (duo)
333
Piccolo, Piano
330
Flûte, Violoncelle, Piano (trio)
315
Flûte, Violon et Violoncelle
313
Clarinette et Alto
306
5 Flûtes à bec
281
Flûte à Bec, Piano
276
2 Saxophones, Piano
274
Flûte à bec Tenor
272
Flûte, Saxophone (duo)
271
2 Flûtes traversières, Piano
268
Clarinette, Harpe (duo)
263
Ensemble De Flûte à bec
256
Hautbois, Violoncelle
245
Saxophone et Guitare
243
3 Hautbois
235
Hautbois, violon (duo)
219
Saxophone et Piano
209
2 Clarinettes, Piano
206
Flûte, Trombone (duo)
181
Flûte, Basson et Piano
175
Hautbois, Guitare (duo)
135
Clarinette, Violoncelle, Piano (trio)
132
Flûte, Hautbois, Piano (trio)
130
Flûte, Hautbois, Violon
124
Flûte irlandaise
121
Clarinette, Trombone (duo)
119
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
110
Cor anglais, Guitare (duo)
103
Hautbois, Trompette (duo)
102
2 Clarinettes, Basson
101
Ensemble à vent
100
Cornemuse
93
4 Hautbois
87
Flûte à bec, Guitare (duo)
85
Flûte, Alto et Piano
81
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
78
Hautbois et alto (duo)
77
Flûte traversière, Orgue (duo)
77
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Flûte et Trio à cordes
68
Saxophone et Orgue
63
Flûte, Violon, Violoncelle et Piano
63
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte à bec Alto, Basse continue
55
Saxophone, Basson (duo)
49
Hautbois, trombone (duo)
48
Hautbois, Harpe
46
Flûte et Quatuor à Cordes
45
Flûte, Tuba (duo)
45
Clarinette, Alto et Piano (trio)
45
Harmonica, Piano
45
Saxophone et Harpe
44
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Flûte traversière, Basse continue
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Hautbois, Basson et Piano
32
Flûte, Violoncelle, Guitare
31
Flûte traversière, Orchestre
31
Clarinette, Tuba
30
Flûte, Violon, Guitare
29
Hautbois, Violoncelle et Piano
28
2 Flûtes à bec, Piano
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Clarinette, Orgue
25
Flute, Cor (duo)
25
Clarinette, trompette et piano
25
Clarinette, Orchestre
24
2 Hautbois, Piano
22
Hautbois, Violon, Piano
19
Flûte, Alto et Violoncelle
19
Hautbois, Clarinette et Piano (Trio)
16
Clarinette, Contrebasse (duo)
16
Cor anglais et Harpe (duo)
15
Saxophone et Orchestre
15
2 Flûtes traversières, Guitare
14
Ensemble de Hautbois
14
2 Harmonicas
11
Flûte à bec Soprano, Basse continue
11
Hautbois, Orgue
10
2 Hautbois et Cor anglais
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Harpe
10
Clarinette, Quatuor à cordes et Piano
9
2 Hautbois et Basson
9
Saxophone, Tuba (duo)
9
Flûte de Pan
8
Hautbois et Orchestre
7
Flûte, Guitare, Piano
7
2 Flûtes, 2 Clarinettes (Quatuor)
7
2 Flûtes, Basse continue
6
Melodica
5
Hautbois, Quatuor à cordes
4
Clarinette, Saxophone, Piano
3
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes à bec, Guitare
2
3 Flûtes à bec, Piano
2
2 clarinettes, 2 bassons
2
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 175 instrumentations
Retracter
Cuivres
Trompette
18 717
Trombone (partie séparée)
18 496
Trompette (partie séparée)
18 010
Trombone
15 513
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10 430
Cor
8 796
Trompette, Piano
7 331
Cor (partie séparée)
6 820
Trombone et Piano
6 118
Tuba (partie séparée)
4 974
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4 492
Cor et Piano
4 478
2 Trompettes (duo)
3 197
Tuba
3 160
2 Trombones (duo)
2 742
Quatuor de Cuivres
2 255
Tuba et Piano
2 159
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 862
Bass Clef Instruments
1 823
Quatuor de cuivres: 4 trombones
1 472
Trompette, Trombone (duo)
1 458
Euphonium, Piano (duo)
1 306
Euphonium
1 268
Instruments en Sib
1 234
2 Cors (duo)
1 204
Cor anglais, Piano
1 173
Quatuor de cuivres: 4 cors
1 044
2 Euphoniums et 2 Tubas
1 036
Trio de Cuivres
718
4 Tubas
654
Trompette, Saxophone (duo)
651
Trompette, Cor (duo)
566
Ensemble de Trombones
502
3 Trombones (trio)
490
3 Trompettes (trio)
402
Tuba ou Euphonium ou Saxhorn
381
Cor Anglais
373
Cornet A Pistons
368
2 Tubas (duo)
366
Quatuor de cuivres: 4 trompettes
310
Instruments en Fa
303
Ensemble de Cors
282
Trombone basse et Piano
281
Ensemble de Trompettes
272
Trompette, Tuba (duo)
245
Trombone, Tuba (duo)
231
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
153
Euphonium, Tuba (duo)
147
Trombone, violoncelle (duo)
140
Trompette, violon (duo)
135
Trombone, Cor (duo)
126
Trombone basse
123
Trompette, Basson (duo)
119
Cor, Violoncelle (duo)
118
Cor, Tuba (duo)
117
Quatuor de cuivres: 2 trompettes, 2 trombones
114
3 Cors (trio)
108
Cor anglais, Guitare (duo)
103
Trombone, Violon (duo)
93
Trompette, Violoncelle (duo)
88
Ensemble de Tubas
84
Euphonium (partie séparée)
83
2 Euphoniums (duo)
81
Trombone, Orgue
62
Cor et Harpe
56
Trompette, Trombone, Piano
50
Cor et Basson (duo)
49
Trompette, Violoncelle et Piano
45
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
2 Trombones, Piano
42
Trompette, Harpe
39
Trompette et Guitare
37
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
35
3 Tubas (trio)
31
Trombone, Alto (duo)
28
Cor et Orgue
22
4 Euphoniums
20
Cor, Trompette, Trombone (trio)
20
Trompette, Orchestre
19
Bugle
18
2 Cors, Piano
18
Cornet et Piano
17
Cor anglais et Harpe (duo)
15
3 Euphoniums
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Cor, Orchestre
10
Trompette, Euphonium (duo)
8
Trombone et orchestre
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33 581
Violon
23 514
Violon et Piano
19 176
Violoncelle
15 590
Alto seul
12 971
Violoncelle, Piano
12 133
Violon (partie séparée)
10 216
Harpe
9 019
Alto, Piano
8 930
2 Violons (duo)
6 170
Violon, Violoncelle (duo)
5 850
Contrebasse (partie séparée)
5 089
Trio à Cordes: violon, alto, violoncelle
4 653
2 Violoncelles (duo)
4 353
Alto (partie séparée)
3 466
Violoncelle (partie séparée)
3 294
Violon, Alto (duo)
2 692
Contre Basse
2 420
2 Altos (duo)
2 124
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 117
Contrebasse, Piano (duo)
1 790
Trio à Cordes: 2 violons, violoncelle
1 780
Alto, Violoncelle (duo)
1 427
4 Violoncelles
1 123
Trio à cordes: 3 violins
1 014
Violon, Guitare (duo)
911
Trio à cordes
880
Piano Trio: Violon, Alto, Piano
817
Harpe, Flûte (duo)
726
Trio à Cordes: 3 violoncelles
710
Violoncelle , Guitare (duo)
681
2 Harpes (duo)
639
Quatuor à cordes: 4 violons
530
Harpe, Violon (duo)
411
Trio à Cordes: 2 violons, alto
367
Alto, Guitare (duo)
362
Trio à cordes: 3 altos
357
2 Contrebasses (duo)
354
2 Violons, Piano
347
Quatuor à cordes : 4 altos
346
Violoncelle, Contrebasse (duo)
326
Violon, Basson (duo)
257
Alto et Basson
167
Quintette à cordes: 2 violons, 2 altos, violoncelle
163
Harpe, Violoncelle (duo)
128
2 Violoncelles, Piano
119
Harpe et Piano
107
Violon, Clarinette, Piano (trio)
105
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
95
Ensemble de Violoncelles
93
Harpe (partie séparée)
90
Violon, Orgue
81
Violoncelle, Orgue
75
2 Altos, Piano
72
Alto et Harpe
72
Violoncelle, Orchestre
68
4 Contrebasses
66
Flûte, Contrebasse (duo)
60
Violon, Basse continue
55
Harpe, Violon, Violoncelle
48
Ensemble de Violons
48
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
3 Harpes
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et mandoline
24
Autoharp
21
Alto et orchestre
19
Alto, Orgue
16
Violon, Contrebasse (duo)
16
Violon, Violoncelle, Clarinette
16
Violoncelle et Marimba
15
Harpe, Trombone (duo)
15
Violon, Trompette et Piano
14
4 Harpes
12
Harpe, Orchestre
9
Harpe et Orgue
8
5 Harpes
6
Harpe, Quatuor à cordes
6
Ensemble de Contre basses
3
Violon, Clarinette et Guitare
3
+ 79 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
77 069
Orchestre
20 984
Orchestre à Cordes
19 328
Fanfare
17 443
Ensemble Jazz
16 961
Batterie
12 806
Percussion (partie séparée)
9 158
Cloches
6 577
Ensemble de cuivres
5 670
Orchestre de chambre
3 612
Percussion
3 170
Batterie (partie séparée)
2 658
Jazz combo
2 528
Timbales (partie séparée)
2 283
Ensemble de Percussions
1 557
Marimba
708
Timbales
544
Xylophone
524
Vibraphone
454
Quintette à Vent
310
Instrumentation Flexible
282
Caisse Claire
189
Xylophone, Piano
156
Piano et Orchestre
144
Quatuor à Vent : 4 instruments à vents
120
Vibraphone (partie séparée)
96
Orchestre, Violon
71
Big band
69
2 Xylophones
63
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Quintette de Cuivres: autres combinaisons
41
Xylophone (partie séparée)
35
Vibraphone et Marimba
33
Batterie-Fanfare
32
Vibraphone, Piano
29
Orchestre Symphonique
27
Ensemble d'École
25
2 Marimbas
24
3 Marimbas
18
Trio à Vent: 3 instruments à vents
18
Marimba, Piano (duo)
17
Marimba et Orgue
13
Xylophone ou Marimba ou Vibraphone
12
Voix et Orchestre
11
3 Percussions
11
2 Percussions
8
Bongos
7
2 Caisses Claires (duo)
6
Conga
4
Mariachi
4
Cajon
4
Marimba ou Xylophone et Piano
3
Bodhran
3
4 Percussions
2
Voix Mezzo-Soprano, Orchestre
2
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
+ 52 instrumentations
Retracter
Autres
Formation musicale - Solfège
421
Théorie de la musique
53
Papeterie
33
Eveil Musical
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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Saxophone Baryton, Piano
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Fauré: Élégie Op. 24 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
JESUS, I COME (Duet – Baritone Sax & Piano with Parts)
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Saxophone Baryton, Piano
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Gospel Spirituel
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Musique Sacrée
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GEORGE C
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Gary Lanier
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JESUS, I COME
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The Lanier Company
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SheetMusicPlus
Composed by GEORGE C. STEBBINS. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 12 page...
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Composed by GEORGE C. STEBBINS. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 12 pages. Published by The Lanier Company (S0.115095). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$5.99
Sullivan: The Lost Chord for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Come, Thou Fount of Every Blessing (Jupiter) - Solo Bari Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Gustav Holst / John Wyeth
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Garrett Breeze
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Come, Thou Fount of Every Bles
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Lagom Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.723283 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Gr...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.723283 Composed by Gustav Holst / John Wyeth. Arranged by Garrett Breeze. Christian,Concert,Contemporary,Graduation,Sacred. Score and part. 11 pages. Lagom Music #6083317. Published by Lagom Music (A0.723283). This beautiful solo arrangement is one of composer Garrett Breeze’s most memorable works as it seamlessly weaves together two of England’s most beloved hymn tunes: Nettleton and Thaxted. Nettleton is most commonly heard today as the tune for the popular hymn Come, Thou Fount of Every Blessing. Thaxted has a prominent place in classical repertoire as the focal point of Gustav Holst’s Jupiter from The Planets. Suitable for church services, weddings, graduations, and recitals.Visit https://garrettbreeze.com to read my blog and discover new music!
$5.99
Ode to Joy by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ba
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic P...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
Comptine D'un Autre Été: L'après-Midi
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Saxophone Baryton, Piano
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FACILE
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Yann Tiersen
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Harry Walker
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Comptine D'un Autre Ét&
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SCORE EDITIONS
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.1473824 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,F...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.1473824 By Yann Tiersen. By Yann Tiersen. Arranged by Harry Walker. 21st Century,Chamber,Contest,Festival,Film/TV,Wedding. Score and part. 9 pages. SCORE EDITIONS #1051543. Published by SCORE EDITIONS (A0.1473824). Comptine d'un autre été: L'après-midi is one of the most iconic pieces by French composer Yann Tiersen known for its poetic simplicity and melancholic melody. This piece was originally composed for the film Amélie (2001), a work that received worldwide acclaim for both its cinematography and soundtrack. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99
LORD, I'M COMING HOME (for Baritone Sax and Piano with Score/Part)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William J
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Gary Lanier
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LORD, I'M COMING HOME
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The Lanier Company
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.617579 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The L...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.617579 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. Score and part. 13 pages. The Lanier Company #5789479. Published by The Lanier Company (A0.617579). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Baritone Sax and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
3 HYMNS OF PEACE AND COMFORT (for Baritone Sax with Piano - Instrument Part included)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Cleland B
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Gary Lanier
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(3) Near the Cross
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3 HYMNS OF PEACE AND COMFORT
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The Lanier Company
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.617395 Composed by Cleland B. McAfee, Lowell Mason, and William H. Doane. Arranged by Gary Lanier. Contempo...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.617395 Composed by Cleland B. McAfee, Lowell Mason, and William H. Doane. Arranged by Gary Lanier. Contemporary,Praise & Worship,Sacred. Score and part. 25 pages. The Lanier Company #4968757. Published by The Lanier Company (A0.617395). 3 HYMNS OF PEACE AND COMFORT by Gary Lanier is for Baritone Sax with Piano. The songs titles are (1) Near to the Heart of God, (2) Nearer My God to Thee, & (3) Near the Cross. All for the price of 2. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where inspirational music is desired (25 pages).
$14.99
Schubert: Moment Musicaux for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Moonlight Sonata by Beethoven for Baritone Sax
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romant...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1156946 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757290. Published by Woods Only, Arrangements (A0.1156946). This arrangement adapted for baritone saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
Handel: Largo from Xerxes for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,We...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
Comptine D'un Autre Été: L'après-Midi
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Yann Tiersen
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Glauco Fernandes
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Comptine D'un Autre Ét&
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Glauco Fernandes
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1474244 By Yann Tiersen. By Yann Tiersen. Arranged by Glauco Fernandes. 21st Century,Chamber,Contemporary,F...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1474244 By Yann Tiersen. By Yann Tiersen. Arranged by Glauco Fernandes. 21st Century,Chamber,Contemporary,Film/TV. Score and part. 4 pages. Glauco Fernandes #1051850. Published by Glauco Fernandes (A0.1474244). Comptine D'un Autre Été: L'après-Midi, by Yann Tiersen, is an unforgettable piece from the soundtrack of the movie Amélie. This special arrangement has been carefully crafted to capture the essence and delicacy of the original music, making it ideal for professional musicians who want to enchant their audience at events and weddings, teachers looking for quality material for their lessons, and music students who wish to expand their repertoire with a captivating and emotional piece. Get your sheet music now and transform your performances and lessons with this contemporary classic.Tags: Yann Tiersen, Comptine D'un Autre Été, L'après-Midi, Amélie, piano, sheet music, arrangement, classical music, soundtrack, event, wedding, music lesson, music student.
$7.99
Comptine D'un Autre Été: L'après-Midi
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Yann Tiersen
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Glauco Fernandes
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Comptine D'un Autre Ét&
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Glauco Fernandes
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1474243 By Yann Tiersen. By Yann Tiersen. Arranged by Glauco Fernandes. 21st Century,Chamber,Contemporary,F...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1474243 By Yann Tiersen. By Yann Tiersen. Arranged by Glauco Fernandes. 21st Century,Chamber,Contemporary,Film/TV. Score and part. 4 pages. Glauco Fernandes #1051849. Published by Glauco Fernandes (A0.1474243). Comptine D'un Autre Été: L'après-Midi, by Yann Tiersen, is an unforgettable piece from the soundtrack of the movie Amélie. This special arrangement has been carefully crafted to capture the essence and delicacy of the original music, making it ideal for professional musicians who want to enchant their audience at events and weddings, teachers looking for quality material for their lessons, and music students who wish to expand their repertoire with a captivating and emotional piece. Get your sheet music now and transform your performances and lessons with this contemporary classic.Tags: Yann Tiersen, Comptine D'un Autre Été, L'après-Midi, Amélie, piano, sheet music, arrangement, classical music, soundtrack, event, wedding, music lesson, music student.
$7.99
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Sc...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
O Mio Babbino Caro - Giacomo Puccini (Bariton Sax + Piano)
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Giacomo Puccini
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Digital Book Music
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O Mio Babbino Caro - Giacomo P
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Digital Book Music
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1034304 Composed by Giacomo Puccini. Arranged by Digital Book Music. Classical. Score and part. 2 pages. Di...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1034304 Composed by Giacomo Puccini. Arranged by Digital Book Music. Classical. Score and part. 2 pages. Digital Book Music #639647. Published by Digital Book Music (A0.1034304). O Mio Babbino Caro - Giacomo Puccini (Bariton Sax + Piano).
$4.99
Pachelbel: Canon for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages....
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Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
ADESTE FIDELES - O COME, ALL YE FAITHFUL - for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Traditional
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Ivan Marini
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ADESTE FIDELES - O COME, ALL Y
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www.dalsegno.eu
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.770525 Composed by Traditional. Arranged by Ivan Marini. Christmas,Multicultural,Sacred,Standards,World. Sc...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.770525 Composed by Traditional. Arranged by Ivan Marini. Christmas,Multicultural,Sacred,Standards,World. Score and part. 3 pages. Www.dalsegno.eu #6109045. Published by www.dalsegno.eu (A0.770525). Easy setting of one of the most beautiful Christmas Carols.Really useful for instrumental classes, to build a repertoire, for concerts, recitals, Christmas rites etc.Backing track available for free on YouTube.Complete set of score and separate part.Other transpositions or custom settings available at simply request.Duration: ca. 2 mins., 3 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
Schubert: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Barito
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317589. Published by jmsgu3 (A0.551572). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
ARE YOU WASHED IN THE BLOOD (Duet - Baritone Sax & Piano with Score/Part)
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Saxophone Baryton, Piano
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Gospel Spirituel
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Musique Sacrée
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Elisha Albright Hoffman
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Gary Lanier
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ARE YOU WASHED IN THE BLOOD
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The Lanier Company
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SheetMusicPlus
Composed by Elisha Albright Hoffman. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 10...
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Composed by Elisha Albright Hoffman. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 10 pages. Published by The Lanier Company (S0.186967). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$6.99
ONLY TRUST HIM (Duet – Baritone Sax & Piano with Parts)
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Saxophone Baryton, Piano
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Gospel Spirituel
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Musique Sacrée
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JOHN H
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Gary Lanier
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ONLY TRUST HIM
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The Lanier Company
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SheetMusicPlus
Composed by JOHN H. STOCKTON. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Set of Parts, Solo P...
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Composed by JOHN H. STOCKTON. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Set of Parts, Solo Part. 9 pages. Published by The Lanier Company (S0.127207). - Score,Set of Parts,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$6.99
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