Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Of Course
Non classifié
414
Piano & claviers
Piano seul
549
Piano, Voix
91
Piano Facile
67
Orgue
55
Piano, Voix et Guitare
29
1 Piano, 4 mains
19
2 Pianos, 4 mains
6
Accompagnement Piano
6
Instruments en Do
5
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Piano (duo)
2
Clavecin
2
Piano (partie séparée)
1
Ensemble d'Accordéons
1
+ 11 instrumentations
Retracter
Guitares
Basse electrique
225
Guitare
32
Ukulele
29
Guitare notes et tablatures
18
Ukulele Baryton
7
Mandoline
5
Dulcimer
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
3 Guitares (trio)
1
Mandoline, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Guitare (partie séparée)
1
2 Guitares (duo)
1
Banjo
1
Orchestre à Plectres
1
Paroles et Accords
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
98
Chorale TTBB
30
Chorale SSAA
23
Chorale 3 parties
18
Chorale 2 parties
12
Chorale Unison
11
Voix duo
4
Voix duo, Piano
3
Voix Tenor, Piano
3
Voix Soprano, Piano
2
Voix seule
2
Voix haute
1
Chorale SSAATTBB
1
Voix Tenor
1
+ 9 instrumentations
Retracter
Vents
Flûte, Harpe et Violoncelle
40
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
2 Saxophones (duo)
26
Flûte traversière et Piano
25
Clarinette et Piano
23
Saxophone Alto et Piano
21
Quatuor de Clarinettes: 4 clarinettes
21
Flûte, Hautbois, Clarinette, Basson
20
Hautbois, Piano (duo)
18
Clarinette, Harpe (duo)
16
Quatuor de Saxophones: 4 saxophones
15
Saxophone Tenor et Piano
13
2 Clarinettes (duo)
11
Quintette de Saxophone: 5 saxophones
11
Clarinette
11
2 Flûtes traversières (duo)
10
Saxophone Soprano et Piano
8
Saxophone, Clarinette (duo)
8
Flûte, Violon
6
Clarinette, Violon (duo)
6
Ensemble de Clarinettes
6
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Cor anglais, Piano
5
Clarinette, Trompette (duo)
5
Saxophone (partie séparée)
5
Flûte et Guitare
5
3 Saxophones (trio)
4
2 Hautbois (duo)
4
Flûte, Saxophone (duo)
4
Flûte traversière
4
Hautbois, Basson (duo)
3
Flûte, Alto (duo)
3
Clarinette (partie séparée)
3
Flûte, Clarinette (duo)
3
Saxophone Alto
3
Ensemble de Flûtes
3
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Guitare (duo)
3
Clarinette Basse, Piano
3
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Ensemble de saxophones
2
Flûte à bec Tenor
2
Hautbois, Clarinette (duo)
2
Flûte, Violon, Piano
2
Flûte à bec Soprano, Piano
2
Hautbois (partie séparée)
2
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violon et Violoncelle
2
Clarinette, Basson (duo)
2
3 Flûtes à bec (trio)
2
Saxophone Tenor
1
Ensemble De Flûte à bec
1
Hautbois, Basson et Piano
1
Saxophone et Guitare
1
Ensemble à vent
1
Saxophone
1
Flute (partie séparée)
1
Cor anglais, Guitare (duo)
1
2 Flûte à bec (duo)
1
Flute, harpe et violon
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Alto, Piano
1
Clarinette et Alto
1
Flûte, Hautbois, Basson
1
Cor anglais et Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 66 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette
14
Trombone (partie séparée)
12
Tuba et Piano
12
Trompette (partie séparée)
11
Trombone et Piano
11
Trompette, Piano
10
2 Trompettes (duo)
6
2 Trombones (duo)
6
Cor et Piano
6
Cor anglais, Piano
5
Trompette, Saxophone (duo)
5
Trompette, Trombone (duo)
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
3 Trombones (trio)
3
Cor
3
Trombone
3
Euphonium, Piano (duo)
3
Trombone, Orgue
2
Cor (partie séparée)
2
Tuba
2
Ensemble de Trompettes
2
Quatuor de Cuivres
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
2 Cors (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Cors
1
Cor anglais, Guitare (duo)
1
Tuba (partie séparée)
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Cor anglais et Harpe (duo)
1
+ 31 instrumentations
Retracter
Cordes
Harpe
245
Harpe, Violon (duo)
110
Harpe, Flûte (duo)
63
Quatuor à cordes: 2 violons, alto, violoncelle
45
Violon et Piano
36
Violon
21
Alto, Piano
18
Violoncelle
16
Violon, Violoncelle (duo)
14
2 Violons (duo)
13
Trio à Cordes: violon, alto, violoncelle
12
Violoncelle, Piano
9
Violon, Alto (duo)
9
2 Violoncelles (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
8
Violon (partie séparée)
7
Alto (partie séparée)
3
Alto seul
3
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle, Basse continue
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
2
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Ensemble de Violons
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
247
Orchestre à Cordes
61
Orchestre
48
Ensemble Jazz
47
Ensemble de cuivres
25
Orchestre de chambre
18
Cloches
7
Fanfare
6
Jazz combo
6
Percussion
2
Percussion (partie séparée)
2
Ensemble de Percussions
2
Batterie
1
+ 8 instrumentations
Retracter
Autres
Formation musicale - Solfège
21
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
6
Librairie Musicale
0
Matériel de Musique
399
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Of Course
Saxophone Baryton, Piano
Partitions à imprimer
6 partitions trouvées
<
1
Luther: Out of the Depths for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Scor...
(+)
Baritone Saxophone,Piano - Level 1 - SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Pachelbel: Canon for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Baritone
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages....
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
Classique
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
(+)
Baritone Saxophone,Piano - Level 2 - SKU: A0.549425 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494017. Published by jmsgu3 (A0.549425). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Minuet by Boccherini for Baritone Sax
#
Saxophone Baryton, Piano
#
DÉBUTANT
#
Luigi Boccherini
#
Ander
#
Minuet by Boccherini for Barit
#
Woods Only, Arrangements
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160616 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Weddin...
(+)
Baritone Saxophone,Piano - Level 1 - SKU: A0.1160616 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760911. Published by Woods Only, Arrangements (A0.1160616). This simple arrangement adapted for baritone saxophone and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
Fauré: Élégie Op. 24 for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Élé
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic ...
(+)
Baritone Saxophone,Piano - Level 4 - SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
It's Been A Long, Long Time
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKe...
(+)
Baritone Saxophone,Piano - Level 3 - SKU: A0.592551 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366361. Published by David McKeown (A0.592551). It’s Been a Long Long Time is arranged as a solo for one Baritone Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Of Course
