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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
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Charles Wesley
Non classifié
355
Piano & claviers
Piano seul
184
Piano Facile
94
Piano, Voix et Guitare
57
Piano, Voix
32
Orgue
17
Accompagnement Piano
16
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
8
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
2 Pianos, 4 mains
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Accordéon
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
25
Guitare
14
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
10
4 Guitares (Quatuor)
3
Paroles et Accords
1
2 Guitares (duo)
1
Banjo
1
Ensemble de guitares
1
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Voix
Chorale SATB
161
Chorale 3 parties
33
Pack Instrumental pour Chorale
25
Chorale Unison
25
Chorale TTBB
10
Chorale 2 parties
9
Voix duo, Piano
3
Chorale SSAA
2
Chorale
1
Voix seule
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
+ 7 instrumentations
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Vents
Flûte traversière et Piano
39
Hautbois, Piano (duo)
25
Saxophone Alto et Piano
21
Clarinette et Piano
20
Saxophone Tenor et Piano
20
Flûte, Hautbois, Clarinette, Basson
18
Quatuor de Saxophones: 4 saxophones
16
2 Saxophones (duo)
15
Flûte traversière
12
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto
11
Quatuor de Flûtes : 4 flûtes
10
2 Flûtes traversières (duo)
10
Clarinette
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Saxophone Soprano et Piano
6
3 Saxophones (trio)
6
Flûte, Violon, Violoncelle et Piano
5
Flûte, Clarinette (duo)
5
Saxophone Tenor
5
Flûte, Violon, Piano
4
Hautbois
4
Ensemble de Clarinettes
4
Clarinette Basse, Piano
4
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon
3
Clarinette, Violon (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Basson et Piano
3
Saxophone Baryton, Piano
3
Flûte, Clarinette, Piano (trio)
3
Saxophone (partie séparée)
3
Cor anglais, Piano
3
Quatuor de Flûtes à bec
3
Clarinette, Basson, Piano (trio)
2
Flûte, Violoncelle
2
Clarinette, Violoncelle (duo)
2
Clarinette Basse
2
Flute (partie séparée)
2
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
2
Hautbois, Basson (duo)
2
2 Saxophones, Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes (duo)
2
Flûte, Alto (duo)
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Hautbois (partie séparée)
2
Flûte, Alto et Piano
2
Clarinette, Alto et Piano (trio)
2
Flûte et Guitare
2
3 Clarinettes (trio)
2
Clarinette (partie séparée)
2
Flûte, Hautbois, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette et Basson
1
Clarinette et Alto
1
2 Flûte à bec (duo)
1
2 Clarinettes, Piano
1
Hautbois, violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
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1
Flûte à Bec
1
Clarinette, trompette et piano
1
Ocarina
1
Flûte, Trombone (duo)
1
Hautbois et alto (duo)
1
Ensemble de Flûtes
1
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22
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22
Trompette, Piano
22
Trompette
11
Trompette, Trombone (duo)
10
Trombone
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette (partie séparée)
8
2 Trompettes (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor et Piano
6
Trombone (partie séparée)
5
Quatuor de Cuivres
5
Tuba et Piano
4
Cor
4
Euphonium, Piano (duo)
3
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
3
Quatuor de cuivres: 4 trombones
3
2 Trombones (duo)
3
Trompette, Trombone, Piano
3
Cor anglais, Piano
3
3 Trompettes (trio)
2
Trio de Cuivres
2
Tuba
2
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
3 Cors (trio)
1
2 Tubas (duo)
1
Euphonium
1
Trompette, Violoncelle et Piano
1
3 Trombones (trio)
1
Cor (partie séparée)
1
+ 28 instrumentations
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Cordes
Violon et Piano
54
Alto, Piano
42
Violoncelle, Piano
38
Quatuor à cordes: 2 violons, alto, violoncelle
31
Violon, Violoncelle (duo)
25
Violon, Alto (duo)
19
Violon
19
Violoncelle
12
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
10
Alto, Violoncelle (duo)
9
2 Violons (duo)
8
Contrebasse, Piano (duo)
7
Harpe
7
2 Violoncelles (duo)
4
Contre Basse
4
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Violon, Violoncelle
3
Quatuor à cordes: 4 violons
2
Violoncelle, Contrebasse (duo)
2
2 Altos (duo)
2
Violoncelle (partie séparée)
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Violon, Basson (duo)
2
2 Violons, Piano
2
4 Violoncelles
2
Trio à cordes: 3 violins
1
Violon, Violoncelle, Clarinette
1
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
Alto (partie séparée)
1
Ensemble de Violons
1
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26
Cloches
16
Ensemble de cuivres
6
Orchestre d'harmonie
4
Orchestre à Cordes
3
Orchestre de chambre
3
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2
Timbales
2
Jazz combo
1
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1
Fanfare
1
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Vous avez sélectionné:
Charles Wesley
Tuba
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Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It B
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cu...
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Piano,Tuba - Level 3 - SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
CHRIST THE LORD IS RISEN TODAY
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Tuba
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FACILE
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Musique Sacrée
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Charles Wesley,
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Jo Araujo
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CHRIST THE LORD IS RISEN TODAY
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Jo Araújo
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.1199788 By Charles Wesley,. By John Hartley, Charles Wesley, Chris Eaton, Abby Scott. Arranged by Jo Araujo. Christian,Eas...
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Tuba Solo - Level 2 - SKU: A0.1199788 By Charles Wesley,. By John Hartley, Charles Wesley, Chris Eaton, Abby Scott. Arranged by Jo Araujo. Christian,Easter,Folk,Grunge,Praise & Worship. Individual part. 1 pages. Jo Araújo #798757. Published by Jo Araújo (A0.1199788). One of the most played songs in the world at Easter time.
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