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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
JMS Music
Non classifié
357
Piano & claviers
Instruments en Do
36
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano seul
25
Piano, Voix
22
Piano Trio: piano, violon, violoncelle
15
Piano Facile
7
Orgue
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano, Voix et Guitare
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
2
Voix
Chorale SATB
104
Chorale 3 parties
2
Chorale 2 parties
2
Chorale TTBB
1
Chorale SSAA
1
Vents
Flûte traversière et Piano
96
Clarinette et Piano
71
Hautbois, Piano (duo)
57
Saxophone Alto et Piano
57
Saxophone Tenor et Piano
52
Saxophone Baryton, Piano
51
Saxophone Soprano et Piano
51
2 Saxophones (duo)
43
Clarinette Basse, Piano
38
Cor anglais, Piano
35
Quatuor de Saxophones: 4 saxophones
31
2 Clarinettes (duo)
30
2 Flûtes traversières (duo)
28
Clarinette
21
Ensemble de Flûtes
21
Quatuor de Clarinettes: 4 clarinettes
15
3 Saxophones (trio)
12
3 Clarinettes (trio)
12
2 Hautbois (duo)
10
Quatuor de Flûtes : 4 flûtes
8
Piccolo, Piano
7
Hautbois, Basson (duo)
5
Ensemble de Clarinettes
5
Clarinette, Harpe (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette, Violoncelle (duo)
3
Flûte, Clarinette (duo)
3
Hautbois, Harpe
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de saxophones
3
Hautbois, Violoncelle
3
Flûte, Violoncelle
3
Saxophone Alto
2
Saxophone et Harpe
2
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Flûte, Alto (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Saxophone: 5 saxophones
1
2 Flûtes traversières, Piano
1
2 Hautbois et Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor
1
Hautbois, Guitare (duo)
1
Flûte traversière
1
+ 43 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
52
Cor et Piano
45
Trombone et Piano
45
Cor anglais, Piano
35
Trompette, Piano
27
2 Cors (duo)
19
Trompette
16
2 Trombones (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Tuba et Piano
9
2 Euphoniums (duo)
8
2 Trompettes (duo)
8
2 Tubas (duo)
6
2 Cors Anglais Et Pianoforte
4
Trompette, Trombone (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba et Orgue
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone, Tuba (duo)
2
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Cor
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
170
Violon et Piano
64
Alto, Piano
55
Trio à Cordes: violon, alto, violoncelle
50
Violoncelle, Piano
48
2 Violons (duo)
14
2 Violoncelles (duo)
12
Violon, Violoncelle (duo)
12
Harpe
8
Violon, Alto (duo)
8
2 Altos (duo)
8
Violoncelle
8
Harpe, Flûte (duo)
6
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Alto, Violoncelle (duo)
4
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
2
Trio à cordes
2
Alto (partie séparée)
1
Alto et Harpe
1
Contrebasse, Piano (duo)
1
Violon
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
73
Ensemble Jazz
66
Orchestre
41
Orchestre d'harmonie
31
Jazz combo
28
Ensemble de cuivres
7
Orchestre de chambre
6
+ 2 instrumentations
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ACCORDEON
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AUTRES INST…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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Vous avez sélectionné:
JMS Music
Flûte, Hautbois, Clarinette, Basson
Partitions à imprimer
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The Chase - WW Quartet - based on Bach Invention #1
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Flûte, Hautbois, Clarinette, Basson
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Contemporain
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Paull Hemmer
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bassoon
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The Chase - WW Quartet - based
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PJMS MUSIC
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - SKU: A0.798344 Composed by Paull Hemmer. Contemporary. 8 pages. PJMS MUSIC #6022083. Published by PJMS MUSIC (A0.79...
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Woodwind Ensemble,Woodwind Quartet - SKU: A0.798344 Composed by Paull Hemmer. Contemporary. 8 pages. PJMS MUSIC #6022083. Published by PJMS MUSIC (A0.798344). The Chase (based on Bach Invention #1) features oboe, flute, clarinet & bassoon. Each instrument has a primary role in the short composition which is designed to stimulate blending instruments and precise counting. Instrumentalist will discover it fun to perform.
$15.00
Solage: Le basile for Mixed Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Solage
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James M
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Solage: Le basile for Mixed Wo
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,H...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Bassoon Duo
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Beethoven: Three Equali WoO 30 for Double Reed Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Classique
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.551808 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Co...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.551808 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. 17 pages. Jmsgu3 #5722789. Published by jmsgu3 (A0.551808). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet
$29.95
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