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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
214
Piano & claviers
Piano seul
115
Piano Facile
18
Piano, Voix et Guitare
15
Piano, Voix
13
Orgue
12
1 Piano, 4 mains
3
Instruments en Do
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Clavecin
1
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
11
Guitare
6
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
3
Guitare (partie séparée)
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
+ 3 instrumentations
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Voix
Chorale SATB
40
Chorale 3 parties
18
Chorale 2 parties
16
Chorale Unison
6
Chorale TTBB
5
Chorale SSAA
4
Voix duo
3
Voix haute
1
Voix Baryton, Piano
1
Voix Soprano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 7 instrumentations
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Vents
Flûte traversière et Piano
19
2 Saxophones (duo)
16
Saxophone Tenor et Piano
12
Hautbois, Piano (duo)
11
3 Saxophones (trio)
10
Clarinette et Piano
10
Saxophone (partie séparée)
10
Saxophone Alto et Piano
10
Saxophone, Clarinette (duo)
9
Saxophone Soprano et Piano
9
2 Clarinettes (duo)
8
Flûte traversière
8
Clarinette, Violon (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
3 Clarinettes (trio)
7
Trio de Flûtes: 3 flûtes
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto
5
Quatuor de Saxophones: 4 saxophones
5
Saxophone Tenor
5
2 Flûtes traversières (duo)
5
Clarinette, Trompette (duo)
4
Flûte, Clarinette, Piano (trio)
4
Ensemble de Flûtes
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Clarinette (duo)
4
Flûte, trombone et piano
4
Flûte, Saxophone (duo)
3
2 Hautbois (duo)
3
Hautbois, Flûte
3
Clarinette (partie séparée)
3
Flûte, Violon et Violoncelle
3
Flûte, Violon
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette et Alto
3
Hautbois, Clarinette (duo)
3
Clarinette
3
2 Clarinettes, Piano
3
Clarinette, Guitare (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Saxophone Baryton
2
Cor anglais, Piano
2
Hautbois, Basson (duo)
2
Hautbois (partie séparée)
2
Hautbois
2
Flute (partie séparée)
2
Flûte, Trompette (duo)
2
Saxophone Soprano
2
Flûte, Violon, Violoncelle et Piano
2
Saxophone Baryton, Piano
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Clarinette et Basson
2
Hautbois, Basson et Piano
1
Flûte et Guitare
1
Flûte, Violoncelle
1
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Saxophone, Piano
1
Flûte à bec Soprano, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de saxophones
1
Flûte, Violon, Guitare
1
Flûte à bec Alto, Piano
1
Clarinette, trompette et piano
1
Flûte à bec Tenor
1
Ensemble de Clarinettes
1
+ 65 instrumentations
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Cuivres
Trombone et Piano
16
Trompette, Piano
14
Trompette
10
Trombone (partie séparée)
8
Trompette (partie séparée)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette, Saxophone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
5
Cor et Piano
5
2 Trompettes (duo)
4
Cor
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trompettes
3
Cor (partie séparée)
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Tuba
2
Cor anglais, Piano
2
Tuba et Piano
2
Tuba (partie séparée)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle et Piano
1
Trompette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
Cor, Violoncelle (duo)
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
18
Alto, Piano
13
Violoncelle, Piano
11
Trio à Cordes: violon, alto, violoncelle
10
Violon
8
2 Violoncelles (duo)
7
Violoncelle
6
Violon, Violoncelle (duo)
5
4 Violoncelles
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
4
Alto seul
3
Violon, Alto (duo)
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
2
Violon (partie séparée)
2
2 Altos (duo)
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Harpe
2
Contre Basse
2
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
+ 21 instrumentations
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Orchestre & Percussions
Orchestre
44
Orchestre d'harmonie
34
Fanfare
22
Orchestre à Cordes
17
Ensemble Jazz
16
Orchestre de chambre
14
Ensemble de cuivres
5
Cloches
5
Jazz combo
4
Ensemble de Percussions
4
Percussion (partie séparée)
2
Batterie
2
Batterie (partie séparée)
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Flûte, Hautbois, Clarinette, Basson
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He Came Down (with Go Tell It On The Mountain) (for Woodwind Quartet and Piano)
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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He Came Down
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Exultet Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.620385 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. ...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.620385 Composed by Traditional. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. 21 pages. Exultet Music #3258915. Published by Exultet Music (A0.620385). The two most joyful Christmas carols that are played and sung throughout the Christmas season have been freshly arranged and merged as one choral piece that is scored for Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon) and Piano accompaniment. Accessible and appropriate for any church or concert setting.
$12.99
Solage: Le basile for Mixed Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Solage
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James M
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Solage: Le basile for Mixed Wo
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,H...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
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