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Vous avez sélectionné:
There's No Other Way
Flûte, Hautbois, Clarinette, Basson
Partitions à imprimer
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Let's Have Another Cup Of Coffee
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1274172 Composed by Irving Berlin. Arranged by Alex Tinlin. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. 8 pages. Alex Tinlin #866307. Published by Alex Tinlin (A0.1274172). My arrangement for Wind Quartet of Irving Berlin's song 'Let's have another cup of coffee' from the stage production 'Face The Music', and the motion picture 'There's No Business Like Show Business'.
$13.99
12.97 €
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Flûte, Hautbois, Clarinette, Basson
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Irving Berlin
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Alex Tinlin
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Let's Have Another Cup Of Coffee
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Alex Tinlin
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SheetMusicPlus
Solage: Le basile for Mixed Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.54 €
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Flûte, Hautbois, Clarinette, Basson
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Solage
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James M
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Solage: Le basile for Mixed Woodwind Quartet
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jmsgu3
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SheetMusicPlus
16 Favourite Hymns for Wind Quartet (Vol 2.)
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.587222 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.587222 Composed by Various. Arranged by David McKeown. Christian,Praise & Worship,Sacred,Standards. 67 pages. David McKeown #3108003. Published by David McKeown (A0.587222). 16 Favourite Hymns for Wind Quartet (Vol 2.) is a collection of commonly performed traditional hymns. The score is arranged for one Flute, one Oboe, one Clarinet and one Bassoon, but the file also contains alternative/additional parts for Flute on part 2 Clarinet on parts 2 and 4 and Bass Clarinet on part 4. The file contains the score plus the separate parts. 16 Favourite Hymns for Wind Quartet (Vol 2.) are fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short audio sample and the linked youtube performance are from the Clarinet Quartet version of these arrangements · There are also solo and duet versions available of the same hymns, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building repertoire for church bands and other ensembles. · The keys chosen are the standard singing keys The hymns are in alphabetical order and are as follows · Hail to the Lord’s Anointed, (Ellacombe) · He who would Valiant Be, (Monk’s Gate) · Holiness by Faith in Jesus, (Rousseau) · How Sweet the Name, (Lloyd) · I Vow to Thee My Country, (Thaxted) · I Will Sing the Wondrous Story, (Hyfrodol) · Just a Closer Walk with Thee, (Closer Walk) · The King of Love, (Dominus Regit Me) · The Lord’s My Shepherd, (Crimond) · Love Divine, (Austrian Hymn, Haydn) · Nearer My God to Thee, (Bethany) · Oh Love that will not Let Me Go, (St Margaret) · Purer Yet Purer, (Lyndhurst) · Shall We Gather by the River, · There is a Green Hill, (Horsley) · When I Survey the Wondrous Cross, (Rockingham) Volume 1 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$11.50
10.66 €
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Flûte, Hautbois, Clarinette, Basson
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Various
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David McKeown
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16 Favourite Hymns for Wind Quartet
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David McKeown
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SheetMusicPlus
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