A dreamy song of the French composer Michel Legrand.

The song is also knownin English as ?The Windmills Of Your Mind?. Noel Harrison sung the firstEnglish version for the 1968 movie The Thomas Crown Affair. It won the Oscarfor best song in 1968. The song has become a standard, covered by more than 80recording artists. I was also inspired by the version of Frida Boccara.
A beautiful, timeless song for your concert program. For youth choirs andconcert choirs.

Duration: 3'00"

This SSAA arrangement of Christopher Tin's "Baba Yetu" will be accessible to any high school or community women's choir.
There is occasional divisi of all 4 parts.

Dorothy Horn is an arranger who lives in Sydney and whose arrangements are designed to be singable by community choirs whose members include people with varying musical backgrounds. Dorothy aims to keep her arrangements simple, singable, fairly easy to memorize, within comfortable singing range, while still conveying the beauty and feel of the song.
https://youtu.be/zlrx5qcdjSM

Choral arrangement of Somewhere Only We Know (originally performed by Keane, covered by Lily Allen)

Arranged for 4 parts: Soprano 1, Soprano 2, Alto 1 and Alto 2.

Perfect for school ensembles and community choirs without large numbers of lower voices.

Celtic Thunder's fun song, SSAA, A Cappella, barbershop style, arranged in Eb Major with key changes to Ab Major, E Major, and F Major, 5 pages.

Created for my own ladies choir, this 4 part song is suitable for any female chorus including high school or community group. Quick and easy to learn with opportunities for optional solos, duets and trios. Rehearsal marks for easy reference and a simple piano accompaniment that can be simplified if needed. Melody is moved around different parts throughout song.
This is nice slowed down as per the example but can also be sung at the tempo of the original.
Any questions please contact laura@chichestermusicalprojects.co.uk.

A straightforward arrangement of Dua Lipa's Break My Heart. Suitable for quartets or choirs, should work for most school and community choirs. Good for practising tight rhythms.

Approx performance time: 3:20
Difficulty: Early Intermediate
Clean?: Yes
Range: S1 C4-E5, S2 C4-E5, A1 Bb3-G4, A2 G3-G4

An uplifting song arranged by members of the LABBS Music Judging Category in 4 part close harmony for women's voicings, in the barbershop style (internal melody). Sticking fairly close to the original, the arrangement features solos of each voicepart on the melody, and rousing homophonic choruses. The standard tag builds to a satisfying climax, with an optional extended tag that sends it through the roof!

The arrangement is suitable for most female barbershop choruses and quartets as a fun, fairly quick learn for performance repertoire. Each voicepart is well within the standard barbershop ranges of most arrangements (Basses: low E, one low D has an alternate note offered). Note: if you are unfamiliar with the scoring of female barbershop music, be aware the bass clef should be sung an octave higher than written, as designated by the 8 above the clef.

This arrangement is not suitable for use in barbershop contests.

This song and arrangement would also be a great choice for other genres of female choirs and a cappella quartets or ensembles, including high school / college / secondary school choirs wanting to try the barbershop style. It is a fun and modern song containing a strong and poignant message about not bending to peer pressure and being your own person and remaining true to yourself.

Learning tracks available separately from www.hbteachtracks.co.uk

www.labbs.org.uk

https://www.facebook.com/SingLABBS/

This is an arrangement for women's barbershop groups. Note that the traditional barbershop part names (Tenor, Lead, Baritone & Bass are used, despite the women's (SSAA) ranges.

I wrote this arrangement originally as a wedding present for one of my friends, to be sung by her bridesmaids, but have since altered the score to generalise it for women's choruses/choirs.

Approx performance time: 4:10
Difficulty: Intermediate
Clean?: Yes
Range: S1 F4-D5, S2 G3-D5 (tune), A1 D4-Bb5 A2 G3-G4

A sweet arrangement of Dido's "Thank You", for treble voices. The arrangement features some simple group vocal percussion, and flowing harmonic passages. Great for an intermediate women's choir or a cappella group, or advanced school choir piece.

You can contact me at dockerkrystal@gmail.com for rehearsal tracks, or any other enquiries.

A straightforward but fun arrangement of Don't Start Now by Dua Lipa. This song would benefit from some added percussion, but works fine without.

Approx performance time: 3:20
Difficulty: Early Intermediate
Clean?: Yes
Range: S1 E4-D5, S2 D4-B4, A1 A3-B4 (tune), A2 F#3-E4and#65279;

Church anthem, SA Choral with instrumental. Flute, English Horn and Clarinet, Piano and Bass. Horn in F and Alto Sax are included as extra parts to replace English Horn. Score and all parts are included. Church service almost anytime of the year. Praise song. Great for a choir with a strong women's section.

Arrangement of ABBA's classsic 'Thank You For The Music', for ladies chorus.

A cappella arrangement of the jazz standard, SSAA. As recorded by GQ. and#65279; Learning tracks available at https://kksounds.com/learning-track/scotch-and-soda/and#65279; and#65279; My contact info is at https://scottkarrangements.com Suitable for medium ability High School female choirs and higher. Slow swing, duration 2:30.

This heartfelt ballad is from the hit Broadway production Waitress the Musical, written by Sara Bareilles. This arrangement originally premiered at the Barbershop Harmony Society's 2019 International Convention by Momma's Boys, a men's quartet, but all voicings (SSAA, TTBB, SATB) are available. This piece works well for small ensemble (quartet minimum) or a large choir.

This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests.

Words and Music by David Guetta, Sia Furler, Giorgio Tuinfort and Nik Van De Wall. Arranged in 2017 by Boo de Bruin. 16 pages (because it's written on four staves for ease of reading) for Sweet Adelines (ladies' barbershop) quartet or SSAA choir. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).

This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow.

Vocal ranges are:
Tenor: F#4 - F#5 (F# above middle C to F# above high C)
Lead: A#3 - D#5 (A# below middle C to D# above high C)
Baritone: A#3 - B4 (A# below middle C to B above middle C)
Bass: F#3 - D#4 (F# below middle C to D# above middle C)

Attached recording provided by Helen Warner.