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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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FLUTE A BEC
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FORMATION MUSI…
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HARMONICA
HARPE
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LUTH
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PERCUSSION
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975
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568
Piano, Voix
197
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158
Piano Facile
157
1 Piano, 4 mains
32
Instruments en Do
31
Orgue
30
Accompagnement Piano
9
Piano (partie séparée)
8
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 14 instrumentations
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Guitares
Guitare notes et tablatures
92
Guitare
67
Ukulele
23
Ligne De Mélodie, (Paroles) et Accords
19
Guitare (partie séparée)
15
Basse electrique
9
2 Guitares (duo)
8
4 Guitares (Quatuor)
6
Paroles et Accords
6
3 Guitares (trio)
4
Mandoline
3
Ensemble de guitares
3
Piano, Guitare (duo)
2
Banjo
1
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Voix
Chorale SATB
237
Chorale 3 parties
77
Chorale TTBB
55
Chorale 2 parties
41
Chorale Unison
38
Chorale SSAA
37
Voix Soprano, Piano
22
Voix duo, Piano
7
Voix seule
4
Voix duo
4
Voix Alto, Piano
3
Chorale SSATTB
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 11 instrumentations
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Vents
2 Saxophones (duo)
78
Saxophone (partie séparée)
62
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Quatuor de Saxophones: 4 saxophones
55
Saxophone Alto
52
Flûte traversière et Piano
51
Flûte traversière
47
Clarinette
46
Flûte, Hautbois, Clarinette, Basson
37
Clarinette et Piano
34
Quintette de Saxophone: 5 saxophones
32
Quatuor de Clarinettes: 4 clarinettes
31
Hautbois, Piano (duo)
31
2 Clarinettes (duo)
30
Saxophone Alto et Piano
27
2 Flûtes traversières (duo)
26
Quintette de Clarinettes: 5 clarinettes
24
Saxophone Tenor
23
Ensemble de saxophones
21
Saxophone Tenor et Piano
18
Saxophone, Clarinette (duo)
17
Ensemble de Clarinettes
17
3 Saxophones (trio)
16
Flûte et Guitare
15
Saxophone Soprano et Piano
15
Hautbois
14
Quatuor de Flûtes : 4 flûtes
13
3 Clarinettes (trio)
11
2 Hautbois (duo)
11
Hautbois (partie séparée)
11
Clarinette, Violon (duo)
10
Ensemble de Flûtes
9
Quintette de Flûte : 5 flûtes
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone Baryton, Piano
8
Hautbois, Flûte
8
Flûte, Clarinette (duo)
8
Clarinette, Trompette (duo)
8
Trio de Flûtes: 3 flûtes
7
Hautbois, Basson (duo)
7
Flute (partie séparée)
7
Clarinette (partie séparée)
6
Flûte, Saxophone (duo)
6
Flûte, Alto (duo)
6
Hautbois, Clarinette (duo)
6
Clarinette, Guitare (duo)
5
Flûte, Violon
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Trompette (duo)
5
Flûte, Clarinette et Basson
4
Cor anglais, Guitare (duo)
3
Clarinette et Alto
3
Clarinette Basse, Piano
3
Saxophone Soprano
3
Flûte, Alto et Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violoncelle
2
Saxophone
2
2 Flûte à bec (duo)
2
Saxophone Baryton
2
Cor Anglais
2
Flûte à bec Soprano, Piano
2
Quatuor de Flûtes à bec
2
Harmonica
2
5 Flûtes à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte, Hautbois, Basson
1
2 Saxophones, Piano
1
Ensemble de Hautbois
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Orgue
1
+ 72 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Trombone (partie séparée)
47
Trompette
44
Trompette (partie séparée)
40
Trombone
38
Trompette, Piano
33
Trombone et Piano
31
Cor et Piano
28
Tuba
24
Cor
24
Tuba et Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
2 Trompettes (duo)
16
2 Trombones (duo)
13
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
12
Quatuor de cuivres: 4 trombones
10
Cor (partie séparée)
10
Tuba (partie séparée)
8
Quatuor de cuivres: 4 cors
8
Trompette, Trombone (duo)
7
Ensemble de Trombones
7
Quatuor de Cuivres
6
2 Cors (duo)
6
Euphonium, Piano (duo)
5
Bass Clef Instruments
4
Ensemble de Trompettes
4
2 Tubas (duo)
4
4 Tubas
3
Cor anglais, Guitare (duo)
3
3 Trompettes (trio)
3
2 Cors Anglais Et Pianoforte
2
Cor Anglais
2
2 Euphoniums (duo)
2
3 Trombones (trio)
1
Trompette, Basson (duo)
1
Euphonium
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Tuba et Orgue
1
Trompette, Euphonium (duo)
1
Instruments en Sib
1
Ensemble de Cors
1
+ 38 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon
94
Violon, Violoncelle (duo)
68
Violon et Piano
63
Harpe
49
Trio à Cordes: violon, alto, violoncelle
46
Violoncelle
40
Alto, Piano
38
Violoncelle, Piano
33
Trio à Cordes: 2 violons, violoncelle
30
Alto seul
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
2 Violoncelles (duo)
24
2 Violons (duo)
21
Contrebasse (partie séparée)
14
Violon (partie séparée)
13
Violon, Alto (duo)
12
Contre Basse
12
2 Altos (duo)
11
Contrebasse, Piano (duo)
10
Alto, Violoncelle (duo)
8
Quatuor à cordes: 4 violons
7
Alto (partie séparée)
6
Trio à Cordes: 3 violoncelles
5
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Violoncelle (partie séparée)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Flûte (duo)
2
Harpe, Voix
2
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
+ 40 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
406
Orchestre à Cordes
124
Ensemble de cuivres
88
Orchestre
81
Fanfare
80
Ensemble Jazz
47
Cloches
33
Orchestre de chambre
29
Jazz combo
14
Batterie
11
Ensemble de Percussions
9
Marimba
8
Batterie (partie séparée)
7
Ensemble d'École
6
Percussion (partie séparée)
6
Percussion
4
Xylophone, Piano
3
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Vibraphone
2
Piano et Orchestre
1
2 Xylophones
1
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--INSTRUMENTS--
ACCORDEON
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Harpe
Partitions à imprimer
49 partitions trouvées
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1
26
Rorie Dall's Sister's Lament for Double-strung Lap Harp
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Harpe
#
FACILE
#
Celtique/Irlandais
#
Rory Dall
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Karen Peterson
#
Rorie Dall's Sister's Lament f
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Karen Peterson
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SheetMusicPlus
Harp - Level 2 - SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Pu...
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Harp - Level 2 - SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.com
$4.99
A Time For Us (Love Theme)
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Nino Rota
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A Time For Us
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Learning the Harp
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1500755 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smut...
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Lever Harp - Level 4 - SKU: A0.1500755 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Film/TV,Romantic Period. Score. 5 pages. Learning the Harp #1076835. Published by Learning the Harp (A0.1500755). This rendition of A Time for Us is a beautiful performance piece that displays the full range of the harp! It sounds very impressive to play and creates such a hauntingly beautiful atmosphere. In this piece you’ll get practice with lots of 4-finger arpeggios between the two hands, jumping between registers, series of octaves and 10th intervals, many lever changes and some glissandos. If you learn along with the Video Course, Carrie will show you how to go beyond just playing the notes on the page by sharing tips on how to bring out the melody line so it sounds musical and doesn’t get lost among the many notes. She’ll also show you exactly how to practice those lever changes so that they feel controlled and predictable rather than rushed and frantic! This piece is challenging but so rewarding to play.Difficulty Level and Skills Required: Late-Intermediate. The right hand often plays the melody line and sometimes serves as a continuation of the left-hand accompaniment. The right hand also handles the quick placement of rolled chords under the melody and series of octaves. The left hand consists of 10th intervals, jumps between registers, and executes more challenging cross-under passages. Together, the two hands perform continuous placements, arpeggios, glissandos, and numerous lever changes.Type of Harp: For big harps, 34 strings or larger.Range: The lowest note is D almost two octaves below middle C, and the highest note is A two and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). Many F lever changes throughout.
$5.99
Rorie Dall's Sister's Lament for Double-strung Harp
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Harpe
#
FACILE
#
Celtique/Irlandais
#
Rory Dall
#
Karen Peterson
#
Rorie Dall's Sister's Lament f
#
Karen Peterson
#
SheetMusicPlus
Harp - Level 2 - SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Pu...
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Harp - Level 2 - SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament
$4.99
La Paloma for lever harp (no levers required)
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Harpe
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FACILE
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Kim Kirkman
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Kim Kirkman
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La Paloma for lever harp
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Kim Kirkman
#
SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1206188 By Kim Kirkman. By S.Yradier. Arranged by Kim Kirkman. 19th Century,Folk,Multicultural,Traditional,Wedding,World....
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Lever Harp - Level 2 - SKU: A0.1206188 By Kim Kirkman. By S.Yradier. Arranged by Kim Kirkman. 19th Century,Folk,Multicultural,Traditional,Wedding,World. Score. 2 pages. Kim Kirkman #804385. Published by Kim Kirkman (A0.1206188). La Paloma (The Dove) arranged for harp. No levers required.I have kept the triplets away from the duplets so that you don't have to do complicated left and right hands together.Some lovely thirds and sixths to try. It's a beautiful tune.
$1.99
Harping Cats and Dogs
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Harpe
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DÉBUTANT
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Kathryn Cater
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Harping Cats and Dogs
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Kathryn Cater
#
SheetMusicPlus
Harp - Level 1 - SKU: A0.1011694 Composed by Kathryn Cater. Concert,Instructional,Standards. Score. 26 pages. Kathryn Cater #3436601. Published by Kathr...
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Harp - Level 1 - SKU: A0.1011694 Composed by Kathryn Cater. Concert,Instructional,Standards. Score. 26 pages. Kathryn Cater #3436601. Published by Kathryn Cater (A0.1011694). For lever or pedal harp. Student pieces from level 1 to level 3.This collection has some very easy pieces. The most difficult, Baron’s Blues, is a jazzy piece that is actually easier on lever harp than on the pedal harp, because all the accidentals use lever pre-sets! This is also true of Walkin’ Wally. Danny Solves the Mystery sounds much more difficult than it is. Hands cross, but do not play at the same time. Lullaby for Smokey gently puts the hands together in easy patterns. Walkin’ Wally is more challenging, but my students enjoyed it so much they practiced! 60’s rock vamp and walking bass makes it fun. Grumpy Dreams of Flying was composed for a student who wanted something mysterious sounding. Dreamy glissandi throughout most of this piece create the effect. Chasing Buddy is fast and cute, just like the Jack Russel Terrier it’s named after. Baron’s Blues is supposed to sound like a whiny puppy who just wants someone to play with him. Not too fast! Forest Friends has a new age feel with the additional benefit of being an etude for interval practice. Buckwheat’s Baby is a study on I, IV and V7 chords.
$12.00
Wheel of the Year
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Harpe
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INTERMÉDIAIRE
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Contemporain
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Halloween
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Carol Wood
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Wheel of the Year
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - SKU: A0.797493 Composed by Carol Wood. Celtic,Halloween,Holiday,New Age,Spiritual. Score. 22 pages. Afghan Press Music for the Harp #48...
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Harp - Level 3 - SKU: A0.797493 Composed by Carol Wood. Celtic,Halloween,Holiday,New Age,Spiritual. Score. 22 pages. Afghan Press Music for the Harp #4886961. Published by Afghan Press Music for the Harp (A0.797493). While all eight of these Celtic holidays may not be truly ancient, several of them certainly are; some, like Samhain, have had Christianizing veils cast over them but have kept many of the pre-Christian customs associated with their celebration. Interested harpists will find a wealth of available information about these holidays, their names, and their customs. Imbolc, February 1st or 2nd, is also the Feast of St. Bridget or Brigid and is associated with the ancient goddess of that name in Celtic mythology.Ostara is the name sometimes given to the neo-Celtic celebration of the Spring Equinox. This piece depicts the dawn of the day and of the year. Beltaine, the joyous celebration of spring’s warmth and wealth of flowers and new greenery, occurs on the first day of May. The longest day of the year and the shortest night mark the Summer Solstice-Midsummer. Since long before Shakespeare’s funny and lyrical play A Midsummer Night’s Dream, the Summer Solstice has been associated with magic.Lughnasadh, on August 1st, is the festival of the first harvest. A version of the name of this festival survives in Manx and Scots Gaelic as well as in Irish Gaelic, and the name itself derives from Lugh, one of the most important Celtic godsMabon marks the Autumn Equinox and the end of summer; for me, it is a wistful moment of the year-extremely beautiful yet transitory. Samhain is one of the most significant celebrations in the Celtic year- the word itself means the end of summer, the beginning of the dark part of the year. It survives even in non-Celtic countries as Halloween, thanks to its adoption into the Christian calendar as All Hallows’ Eve. It is said to be the time when the veils between this world and the next are at their most thin.The Winter Solstice is marked in many European cultures as a time for celebrating the birth of the new light and a time for decorating with evergreens like holly. For The Holly King, modal and traditional versions of the carol The Holly and the Ivy, were used because of the lyrics’ references to the rising of the sun, and the running of the deer.
$12.00
The Creative Harpist
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Harpe
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INTERMÉDIAIRE
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Methodes
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Louise Trotter
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The Creative Harpist
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Published by Afgha...
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Harp - Level 3 - SKU: A0.797465 Composed by Louise Trotter. Instructional. Score. 67 pages. Afghan Press Music for the Harp #4855295. Published by Afghan Press Music for the Harp (A0.797465). This revised book combines three of Ms. Trotter's popular books: Getting Started in Pop Harp, The Creative Folk Harpist, and Let's Play Country Harp.Included are compilations from workshop presentations into this book which contains repertoire suggestions, ways to tune your harp, scales and chords, intervals, seventh chords and minor scales, diminished chords, voicing, inversions, bass patterns, chord progressions, steps in making an arrangement , introductions, endings, and how to play variations on the melody. To be a creative and versatile pop harpist, classic training is valuable and necessary. However, the habit of playing every note as written is sometimes hard to break when learning to improvise. The act of playing notes spontaneously may be overwhelming to the classically trained harpist. There are more and more written arrangements for popular music available to buy, but is satisfying to have the skills to arrange one's own pieces. It is possible to play popular music from a fake book or by ear, with training. The suggestions in this book should help bridge the gap from classical to pop, and hopefully provide some tools for the improvisation necessary for playing popular music. These ideas come from Louise's own experience, and from workshops with nationally knows pop and jazz harpists. It is hoped that the material presented will open up new avenues for the harpist to arrange and improvise in order to widen opportunities to perform.With simple melodies and uncomplicated harmonies, this book also instructs the harpist on the basics of achieving that country-western sound, as well as techniques on imitating such traditional country western instruments as guitar, banjo, fiddle, string bass, and piano. A good book for any harpist wishing to enlarge their repertoire to include this style of music.
$20.00
A Time For Us (Love Theme)
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Harpe
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DÉBUTANT
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Nino Rota
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A Time For Us
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Learning the Harp
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SheetMusicPlus
Lever Harp - Level 1 - SKU: A0.1500749 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smut...
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Lever Harp - Level 1 - SKU: A0.1500749 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Film/TV,Romantic Period. Score. 3 pages. Learning the Harp #1076828. Published by Learning the Harp (A0.1500749). This simple and satisfying arrangement of A Time for Us is a wonderful piece to help you reinforce good hand position and continue making progress in your playing! You'll get practice with rolled chords, playing with hands together, a glissando, and even a couple of lever changes. If you learn along with the Video Course, Carrie will give plenty of reminders about hand position to keep you on the right track, and she'll walk you through exactly how to practice each section so you can play fluently and confidently. She'll also show you how to practice those lever changes so they feel controlled and simple. You're going to love playing this piece!Difficulty Level and Skills Required: Late-Beginner. The right hand plays the melody with overlapping brackets, sometimes playing two notes at a time. The left hand plays 3-1 and 4-2-1 shapes with rolled chords, a glissando, and a couple of lever changes.Type of Harp: For big and small harps, 26 strings or larger.Range: The lowest note is C below middle C, and the highest note is E just more than two octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). A couple of F lever changes throughout.
$5.99
In The Bleak Midwinter
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Harpe
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INTERMÉDIAIRE
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Noël
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Mark A
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In The Bleak Midwinter
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Learning the Harp
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1334985 Composed by Mark A. Brymer. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christian,Christmas. Score. 7 pag...
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Lever Harp - Level 3 - SKU: A0.1334985 Composed by Mark A. Brymer. Arranged by Carrie Tollett and Christy-Lyn Dosé. Christian,Christmas. Score. 7 pages. Learning the Harp #916727. Published by Learning the Harp (A0.1334985). The arrangement highlights the song’s beautiful melodies and calming nature. It’s such a nice piece to add to your holiday repertoire! Among the many lush rolled chords and arpeggios, you’ll get to play a few left and right-hand harmonics along with a glissando. There are some challenging moments where the left hand jumps around registers. Difficulty Level & Skills Required: Mid-Intermediate. The left hand has moments of jumping between registers, late placing, and many cross-unders. The right hand carries the melody line with some interesting rhythms and quick placing. Both hands have many rolled chords, and there are some special techniques such as right and left harmonics and a glissando.Type of Harp: Big harp version is for 33-string harps or larger, but small harp version works for 26-string harps or larger.Range: For big harps: Lowest note is D, almost two octaves below middle C. Highest note is F, two and a half octaves above middle C. For small harps: Lowest note is C, one octave below middle C. Highest note is F, two and a half octaves above middle C.Levers/Pedals: In the key of F major. There are no lever changes in this piece.What's Included: PDF download of 7 pages. Fingering and bracketing are included.TO NOTE: We also have a Mid-Beginner level and an Early-Intermediate level of this song available for sale.
$5.00
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)- Full Ensemble performance
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multic...
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264873 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 277. Blue Steer Studios #857711. Published by Blue Steer Studios (A0.1264873). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 2 part
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Harpe
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INTERMÉDIAIRE
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Harp - Level 3 - SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Bl...
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Harp - Level 3 - SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Blue Steer Studios #6206579. Published by Blue Steer Studios (A0.1026509). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 3 part
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Harpe
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INTERMÉDIAIRE
#
Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Harp - Level 3 - SKU: A0.1026507 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Bl...
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Harp - Level 3 - SKU: A0.1026507 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206583. Published by Blue Steer Studios (A0.1026507). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Harp 3 part only
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Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,Ne...
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Celtic Harp,Folk Harp,Pedal Harp - Level 4 - SKU: A0.1264880 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857718. Published by Blue Steer Studios (A0.1264880). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)-Easy Harp 5 part only
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Harpe
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DÉBUTANT
#
Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Celtic Harp,Folk Harp,Pedal Harp - Level 1 - SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,Ne...
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Celtic Harp,Folk Harp,Pedal Harp - Level 1 - SKU: A0.1264883 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Folk,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #857722. Published by Blue Steer Studios (A0.1264883). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor)- Full Ensemble performance
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Harpe
#
INTERMÉDIAIRE/AVANCÉ
#
Laura Olson
#
Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
#
SheetMusicPlus
Harp - Level 4 - SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full ...
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Harp - Level 4 - SKU: A0.1267054 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. Full Performance. Duration 279. Blue Steer Studios #859689. Published by Blue Steer Studios (A0.1267054). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$1.99
Black Hounds of Cŵn Annwn for Harp Ensemble (E minor)-Harp 1 part
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Harpe
#
INTERMÉDIAIRE/AVANCÉ
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Harp - Level 4 - SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Bl...
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Harp - Level 4 - SKU: A0.1026506 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 7 pages. Blue Steer Studios #6206575. Published by Blue Steer Studios (A0.1026506). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************Â
$3.99
A Time For Us (Love Theme)
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Harpe
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INTERMÉDIAIRE
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Nino Rota
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A Time For Us
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Learning the Harp
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1500752 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smut...
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Lever Harp - Level 3 - SKU: A0.1500752 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Film/TV,Romantic Period. Score. 5 pages. Learning the Harp #1076831. Published by Learning the Harp (A0.1500752). A Time for Us is an iconic piece to add to your repertoire that sounds so fitting on the harp! This arrangement is very elegant and satisfying to play. In this piece, you’ll get practice with arpeggios, jumping between registers in the left hand, some quick lever changes, and glissandos. If you learn along with the Video Course, Carrie will give plenty of reminders to reinforce your hand position and help you master those lever changes so they feel very smooth and controlled rather than frantic. She’ll also show you how to bring this arrangement to life through dynamics and playing with expression!Difficulty Level and Skills Required: Mid-Intermediate. The right hand plays the melody line with quick placing and some interesting rhythms. The left hand has the accompaniment with many 10th intervals, ascending 4-2-1 shapes, and jumping between registers. There are multiple lever changes and glissandos throughout.Type of Harp: 33 strings and larger.Range: The lowest note is D almost two octaves below middle C, and the highest note is G two and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). Many F lever changes throughout.
$5.99
The Secret Garden
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Zbigniew Antoni Preisner
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Rachael Acheson
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The Secret Garden
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1415294 Composed by Zbigniew Antoni Preisner. Arranged by Rachael Acheson. 20th Century,Broadway,Children,Film/TV,Musical...
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Lever Harp - Level 4 - SKU: A0.1415294 Composed by Zbigniew Antoni Preisner. Arranged by Rachael Acheson. 20th Century,Broadway,Children,Film/TV,Musical/Show. Score. 4 pages. TheHarpLibrarian #997026. Published by TheHarpLibrarian (A0.1415294). This recognizable theme from the 1993 film adaptation of The Secret Garden appears in several different tracks from the score, but most notably in Leaving the Docks and Showing Dickon Garden.I arranged the piece specifically for my 26-string Fullsicle Harpsicle harp, and it should fit on other small harp models with a similar range. But you can, of course, also play it on larger harp models (either lever or pedal), as well.Because the original version was a piano solo, I had to re-organize some of the left-hand chord structures to get it to fit the range of my small harp. But, even with this adaptation, I was able to keep it in the original key (two sharps, so D Major), meaning that owners of Sharpsicle Harpsicle models, and some Roosebeck Pakistani harps, should be able to play this piece, as well as Fullsicle Harpsicle model owners.There are no lever changes or extended techniques, but, at full-speed, the piece can prove much more challenging than it looks at first glance. In particular, I recommend practicing that quick, repetitive Alberti bass in the left-hand with a loose, exagerated oscillation movement to prevent tightness or injury. Also be wary of starting out at a speed that you can't maintain throughout the entirety of the performance. Meteronomes are your friend.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99
So How Was Your Day
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Harpe
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INTERMÉDIAIRE
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Contemporain
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Joyce Rice
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So How Was Your Day
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 3 - SKU: A0.797301 Composed by Joyce Rice. Contemporary. Score. 25 pages. Afghan Press Music for the Harp #4802088. Published by Afghan Pre...
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Harp - Level 3 - SKU: A0.797301 Composed by Joyce Rice. Contemporary. Score. 25 pages. Afghan Press Music for the Harp #4802088. Published by Afghan Press Music for the Harp (A0.797301). Teachers learn to be creative, especially with adult students. These are relevant pieces for the adult advanced beginner. Written for lever or pedal harp with well-marked fingerings. Lyrics are included for some songs. Some pieces are challenging because there are quite a few lever changes. Those who play pedal harp may need to write in pedal changes.Table of Contents:Dust Rag, Rush Hour Radio Rondo, Um, I Need A Costume For Tomorrow (with words that a harried seamstress can relate to), Get Them To The Bus On Time: Six Canonettes (also with cute lyrics), Internet Handshake: Theme and Variations, Please, Baby, Sleep, Dirty Dishes Blues
$10.00
Whimsical Witches' Waltz: A Composition for Small or Beginner Harp
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Harpe
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FACILE
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Halloween
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Rachael Acheson
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Whimsical Witches' Waltz: A Co
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #96...
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Lever Harp - Level 2 - SKU: A0.1380924 Composed by Rachael Acheson. Classical,Film/TV,Halloween,Medieval,Spiritual. Score. 3 pages. TheHarpLibrarian #965699. Published by TheHarpLibrarian (A0.1380924). This is my first original composition for small solo harp. I like to think it gives spooky filmscore / Wednesday Addams vibes, with a neoclassical air, while still remaining very accessible to a less-experienced musician with a small, simple, or budget instrument.It is in the key of A minor (i.e. no sharps or flats) with no lever changes. It should also already fit the range of most common small harp models, including Harpsicle harps (even if your model has no levers!), Roosebeck Pakistani harps (it goes no lower than the F below middle C), Harp-E harps (it goes no higher than your high E), Dusty Strings Ravenna, Musicmakers Sonnet Lap Harp, and others. It can also, obviously, be played on any and all larger harp models.Played at full-speed, some of the turn-arounds in the right-hand, as well as the octave jump in the middle, can prove tricky (as you can see from my own playing in the video!). But played under tempo and more expressively, it could be accessible even to beginner/early-intermediate harpists, so long as you are learning to replace fingers and change directions.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.Also note: If the preview shows a 4/4 timing, this is a software rendering error. I have already uploaded a new pdf with the correct preview, in 3/4 waltz time. But know, in the meantime, that the actual, full score itself is, and has always been, rendered correctly in 3/4 timing.
$5.99
Ylang Ylang Ep
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Fkj
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Stephanie Claussen
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Ylang Ylang Ep
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Stephanie Claussen
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1290883 By Fkj. By Vincent Fenton. Arranged by Stephanie Claussen. 21st Century,Contemporary,Jazz,Multicultural,New Age,W...
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Lever Harp - Level 4 - SKU: A0.1290883 By Fkj. By Vincent Fenton. Arranged by Stephanie Claussen. 21st Century,Contemporary,Jazz,Multicultural,New Age,World. Score. 4 pages. Stephanie Claussen #881568. Published by Stephanie Claussen (A0.1290883). I arranged this short version of Ylang Ylang for a harp student of mine. The chromaticism of the piece called for some tricky lever solutions but I managed to create an arrangement that has no lever changes. Your harp needs to be tuned in 3 flats and have all the levers. I don't recommend trying this version on pedal harp. I've included a page of rhythm exercises to help with some of the interesting rhythmic figures in the piece. My biggest recommendation is that you listen to the recording a lot!This piece is fun and relaxing to play and would make wonderful background music for any low-key event: a cocktail hour, a slow exercise class, getting ready for a wedding, etc.
$5.99
Black Coffee
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Harpe
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DÉBUTANT
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Blues
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Jazz
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Julie London
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Tamsin Dearnley
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Black Coffee
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Tamsin Dearnley
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SheetMusicPlus
Lever Harp - Level 1 - SKU: A0.1467792 By Julie London. By Paul Francis Webster and Sonny Burke. Arranged by Tamsin Dearnley. Blues,Jazz. Score. 1 pages...
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Lever Harp - Level 1 - SKU: A0.1467792 By Julie London. By Paul Francis Webster and Sonny Burke. Arranged by Tamsin Dearnley. Blues,Jazz. Score. 1 pages. Tamsin Dearnley #1046090. Published by Tamsin Dearnley (A0.1467792). Always wanted to get into blues and jazz but weren't sure where to start?This beginner version of the wonderfull jazz standard 'black Coffee' contains some delicious harmonies - but only two (easy) lever changes! Even if you've not been playing the harp long, this piece will still be within your reach!Arranged for a lever harp tuned in E flat. Range of the piece is F2 - C6.
$4.99
Ceapach Dáinig
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Harpe
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P
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Harpoline
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Ceapach Dáinig
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Harpoline
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SheetMusicPlus
Harp - SKU: A0.912239 Composed by P.W.Joyce. Arranged by Harpoline. Celtic,Concert,Holiday. Score. 2 pages. Harpoline #6332579. Published by Harpoline (...
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Harp - SKU: A0.912239 Composed by P.W.Joyce. Arranged by Harpoline. Celtic,Concert,Holiday. Score. 2 pages. Harpoline #6332579. Published by Harpoline (A0.912239). More than likely Patrick W. Joyce only collected this tune, but thanks to his efforts it still exists. I had never heard of it until I read through some of his collections. I have arranged this for Irish harp. Fingerings have been added. You will need to have your harp tuned so you can get two flats for the key of B â™. If you want to play an Irish tune which is not often heard, but speaks immediately to the heart, this is it. .
$4.00
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