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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Com
Non classifié
210 892
Piano & claviers
Piano seul
268 478
Piano, Voix et Guitare
154 839
Piano, Voix
113 915
Piano Facile
70 435
Orgue
16 261
Instruments en Do
13 712
Piano grosses notes
10 023
1 Piano, 4 mains
7 954
Accordéon
6 451
Accompagnement Piano
5 713
Piano Trio: piano, violon, violoncelle
2 231
Piano (partie séparée)
1 724
2 Pianos, 4 mains
1 476
Ligne De Mélodie, Piano
564
Piano Quatuor: piano, violon, alto, violoncelle
561
Piano Quintette: piano, 2 violons, alto, violoncelle
542
Piano Quatuor: piano, 2 violons, violoncelle
476
Orgue, Trompette (duo)
429
Orgue, Piano (duo)
382
Clavecin
292
1 Piano, 6 mains
240
Accordéon, Voix
217
Clavier
168
Instrument seul et Orgue
165
2 Pianos, 8 mains
94
2 Accordéons
78
Ensemble d'Accordéons
56
Orgue, Voix
47
2 Orgues (duo)
30
Tous Les Instruments
23
Fake Book
16
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Orgue et Orchestre
5
Concertina
3
3 Pianos
2
Piano Trio: Instruments de chambre mixtes
2
+ 35 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79 494
Ligne De Mélodie, (Paroles) et Accords
50 514
Guitare
29 947
Paroles et Accords
24 260
Ukulele
18 834
Basse electrique
13 343
2 Guitares (duo)
2 261
Guitare (partie séparée)
2 141
Banjo
1 567
Mandoline
1 343
4 Guitares (Quatuor)
1 058
Dulcimer
931
Piano, Guitare (duo)
908
Ensemble de guitares
713
3 Guitares (trio)
524
Basse électrique (partie séparée)
415
Ukulele Baryton
326
Partitions De Groupes
280
Guitare Pedal Steel
210
Ensemble de Ukulélés
207
Dobro
92
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
79
Mandoline, Guitare (duo)
65
Guitare Tab, Voix, Basse, Batterie
40
Guitare, Violon, Violoncelle (trio)
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
Orchestre à Plectres
16
Guitare, Orchestre
12
2 Mandolines (duo)
11
Guitare, Quatuor à cordes
11
Cithare
8
Luth
7
Bouzouki
5
2 Guitares et Orchestre
4
2 Guitares et Piano
2
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
+ 35 instrumentations
Retracter
Voix
Chorale SATB
68 098
Chorale 3 parties
27 449
Pack Instrumental pour Chorale
19 899
Chorale 2 parties
15 987
Chorale TTBB
13 375
Voix seule
9 130
Chorale
8 739
Chorale SSAA
6 988
Chorale Unison
6 279
Voix duo, Piano
3 663
Voix haute
2 146
Voix duo
1 547
Voix Soprano, Piano
1 467
Voix Tenor, Piano
848
Voix basse, Piano
799
Voix Alto, Piano
796
Voix Baryton, Piano
596
Voix, Guitare
407
Voix moyenne, Piano
395
Chorale SSATB
332
Voix Moyenne
247
Chorale SSAATTBB
238
Voix Mezzo-Soprano, Piano
195
Chorale SSATTB
160
Voix Tenor
141
Chorale SSATBB
125
Soli, choeur mixte et accompagnement
106
Chorale SATTB
93
Chorale SSAB a cappella
83
Voix Soprano
82
Voix haute, Piano
63
Chorale SSAB, Piano
62
Chorale, Orgue
59
Voix et basse continue
55
Chorale SSAATB
53
Voix basse
51
Voix d'Enfants
43
Chorale SAATB A Cappella
32
Chorale SATBB
25
Male Voice
25
Voix Baryton
19
Chorale, Orchestre
13
Chorale SATTBB, Clavier
11
Chorale SSAATB A Cappella
10
Voix duo, Orgue
10
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
6
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
+ 45 instrumentations
Retracter
Vents
Saxophone (partie séparée)
26 513
Flûte traversière
22 680
Clarinette
20 320
Saxophone
18 238
Clarinette (partie séparée)
14 985
Flûte traversière et Piano
14 253
Saxophone Alto
13 052
Saxophone Tenor
11 413
Quatuor de Saxophones: 4 saxophones
11 324
Clarinette et Piano
10 299
Saxophone Alto et Piano
7 845
Hautbois, Piano (duo)
7 614
2 Saxophones (duo)
7 493
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7 395
Flute (partie séparée)
7 113
Flûte, Hautbois, Clarinette, Basson
6 620
2 Flûtes traversières (duo)
6 416
Hautbois (partie séparée)
6 341
Quatuor de Clarinettes: 4 clarinettes
5 957
Saxophone Tenor et Piano
5 657
2 Clarinettes (duo)
5 452
Quatuor de Flûtes : 4 flûtes
3 451
Saxophone Soprano et Piano
3 360
Quintette de Saxophone: 5 saxophones
2 906
Hautbois
2 661
3 Saxophones (trio)
2 563
Flûte à Bec
2 456
3 Clarinettes (trio)
2 456
Flûte, Clarinette (duo)
2 070
Flûte et Guitare
2 065
Ensemble de Clarinettes
1 933
Trio de Flûtes: 3 flûtes
1 925
Ensemble de Flûtes
1 578
Saxophone Baryton, Piano
1 513
Quintette de Clarinettes: 5 clarinettes
1 413
Saxophone Soprano
1 412
Ensemble de saxophones
1 395
Instruments en Mib
1 296
2 Hautbois (duo)
1 292
2 Flûte à bec (duo)
1 269
Cor anglais, Piano
1 173
Hautbois, Basson (duo)
1 067
Harmonica
1 055
Quatuor de Flûtes à bec
997
Flûte, Violon
913
Ocarina
902
Clarinette, Violon (duo)
855
Flûte à bec Soprano
811
Hautbois, Clarinette (duo)
804
Clarinette Basse, Piano
730
Flûte, Clarinette et Basson
712
Flûte, Hautbois, Clarinette (trio)
695
Saxophone, Clarinette (duo)
674
Flûte, Violon, Piano
656
Clarinette, Basson (duo)
582
Flûte, Violoncelle
555
Flûte à bec Alto
542
Flûte, Hautbois, Basson
535
3 Flûtes à bec (trio)
513
Clarinette, Guitare (duo)
511
Flûte, Hautbois (duo)
508
Hautbois, Clarinette, Basson (trio d'anches)
505
Quintette de Flûte : 5 flûtes
432
Piccolo
426
Clarinette Basse
410
Saxophone Baryton
401
Hautbois, Flûte
392
Cor Anglais
373
Clarinette, Violoncelle (duo)
371
Flûte à bec Soprano, Piano
371
Flûte, Clarinette, Piano (trio)
364
Clarinette, Trompette (duo)
351
Flûte à bec Alto, Piano
348
Flûte, Trompette (duo)
339
Flûte, Alto (duo)
333
Piccolo, Piano
330
Flûte, Violoncelle, Piano (trio)
315
Flûte, Violon et Violoncelle
313
Clarinette et Alto
306
5 Flûtes à bec
281
Flûte à Bec, Piano
276
2 Saxophones, Piano
274
Flûte à bec Tenor
272
Flûte, Saxophone (duo)
271
2 Flûtes traversières, Piano
268
Clarinette, Harpe (duo)
263
Ensemble De Flûte à bec
256
Hautbois, Violoncelle
245
Saxophone et Guitare
243
3 Hautbois
235
Hautbois, violon (duo)
219
Saxophone et Piano
209
2 Clarinettes, Piano
206
Flûte, Trombone (duo)
181
Flûte, Basson et Piano
175
Hautbois, Guitare (duo)
135
Clarinette, Violoncelle, Piano (trio)
132
Flûte, Hautbois, Piano (trio)
130
Flûte, Hautbois, Violon
124
Flûte irlandaise
121
Clarinette, Trombone (duo)
119
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
110
Cor anglais, Guitare (duo)
103
Hautbois, Trompette (duo)
102
2 Clarinettes, Basson
101
Ensemble à vent
100
Cornemuse
93
4 Hautbois
87
Flûte à bec, Guitare (duo)
85
Flûte, Alto et Piano
81
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
78
Hautbois et alto (duo)
77
Flûte traversière, Orgue (duo)
77
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Flûte et Trio à cordes
68
Saxophone et Orgue
63
Flûte, Violon, Violoncelle et Piano
63
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte à bec Alto, Basse continue
55
Saxophone, Basson (duo)
49
Hautbois, trombone (duo)
48
Hautbois, Harpe
46
Flûte et Quatuor à Cordes
45
Flûte, Tuba (duo)
45
Clarinette, Alto et Piano (trio)
45
Harmonica, Piano
45
Saxophone et Harpe
44
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Flûte traversière, Basse continue
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Hautbois, Basson et Piano
32
Flûte, Violoncelle, Guitare
31
Flûte traversière, Orchestre
31
Clarinette, Tuba
30
Flûte, Violon, Guitare
29
Hautbois, Violoncelle et Piano
28
2 Flûtes à bec, Piano
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Clarinette, Orgue
25
Flute, Cor (duo)
25
Clarinette, trompette et piano
25
Clarinette, Orchestre
24
2 Hautbois, Piano
22
Hautbois, Violon, Piano
19
Flûte, Alto et Violoncelle
19
Hautbois, Clarinette et Piano (Trio)
16
Clarinette, Contrebasse (duo)
16
Cor anglais et Harpe (duo)
15
Saxophone et Orchestre
15
2 Flûtes traversières, Guitare
14
Ensemble de Hautbois
14
2 Harmonicas
11
Flûte à bec Soprano, Basse continue
11
Hautbois, Orgue
10
2 Hautbois et Cor anglais
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Harpe
10
Clarinette, Quatuor à cordes et Piano
9
2 Hautbois et Basson
9
Saxophone, Tuba (duo)
9
Flûte de Pan
8
Hautbois et Orchestre
7
Flûte, Guitare, Piano
7
2 Flûtes, 2 Clarinettes (Quatuor)
7
2 Flûtes, Basse continue
6
Melodica
5
Hautbois, Quatuor à cordes
4
Clarinette, Saxophone, Piano
3
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes à bec, Guitare
2
3 Flûtes à bec, Piano
2
2 clarinettes, 2 bassons
2
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 175 instrumentations
Retracter
Cuivres
Trompette
18 717
Trombone (partie séparée)
18 496
Trompette (partie séparée)
18 010
Trombone
15 513
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10 430
Cor
8 796
Trompette, Piano
7 331
Cor (partie séparée)
6 820
Trombone et Piano
6 118
Tuba (partie séparée)
4 974
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4 492
Cor et Piano
4 478
2 Trompettes (duo)
3 197
Tuba
3 160
2 Trombones (duo)
2 742
Quatuor de Cuivres
2 255
Tuba et Piano
2 159
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 862
Bass Clef Instruments
1 823
Quatuor de cuivres: 4 trombones
1 472
Trompette, Trombone (duo)
1 458
Euphonium, Piano (duo)
1 306
Euphonium
1 268
Instruments en Sib
1 234
2 Cors (duo)
1 204
Cor anglais, Piano
1 173
Quatuor de cuivres: 4 cors
1 044
2 Euphoniums et 2 Tubas
1 036
Trio de Cuivres
718
4 Tubas
654
Trompette, Saxophone (duo)
651
Trompette, Cor (duo)
566
Ensemble de Trombones
502
3 Trombones (trio)
490
3 Trompettes (trio)
402
Tuba ou Euphonium ou Saxhorn
381
Cor Anglais
373
Cornet A Pistons
368
2 Tubas (duo)
366
Quatuor de cuivres: 4 trompettes
310
Instruments en Fa
303
Ensemble de Cors
282
Trombone basse et Piano
281
Ensemble de Trompettes
272
Trompette, Tuba (duo)
245
Trombone, Tuba (duo)
231
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
153
Euphonium, Tuba (duo)
147
Trombone, violoncelle (duo)
140
Trompette, violon (duo)
135
Trombone, Cor (duo)
126
Trombone basse
123
Trompette, Basson (duo)
119
Cor, Violoncelle (duo)
118
Cor, Tuba (duo)
117
Quatuor de cuivres: 2 trompettes, 2 trombones
114
3 Cors (trio)
108
Cor anglais, Guitare (duo)
103
Trombone, Violon (duo)
93
Trompette, Violoncelle (duo)
88
Ensemble de Tubas
84
Euphonium (partie séparée)
83
2 Euphoniums (duo)
81
Trombone, Orgue
62
Cor et Harpe
56
Trompette, Trombone, Piano
50
Cor et Basson (duo)
49
Trompette, Violoncelle et Piano
45
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
2 Trombones, Piano
42
Trompette, Harpe
39
Trompette et Guitare
37
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
35
3 Tubas (trio)
31
Trombone, Alto (duo)
28
Cor et Orgue
22
4 Euphoniums
20
Cor, Trompette, Trombone (trio)
20
Trompette, Orchestre
19
Bugle
18
2 Cors, Piano
18
Cornet et Piano
17
Cor anglais et Harpe (duo)
15
3 Euphoniums
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Cor, Orchestre
10
Trompette, Euphonium (duo)
8
Trombone et orchestre
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33 581
Violon
23 514
Violon et Piano
19 176
Violoncelle
15 590
Alto seul
12 971
Violoncelle, Piano
12 133
Violon (partie séparée)
10 216
Harpe
9 019
Alto, Piano
8 930
2 Violons (duo)
6 170
Violon, Violoncelle (duo)
5 850
Contrebasse (partie séparée)
5 089
Trio à Cordes: violon, alto, violoncelle
4 653
2 Violoncelles (duo)
4 353
Alto (partie séparée)
3 466
Violoncelle (partie séparée)
3 294
Violon, Alto (duo)
2 692
Contre Basse
2 420
2 Altos (duo)
2 124
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 117
Contrebasse, Piano (duo)
1 790
Trio à Cordes: 2 violons, violoncelle
1 780
Alto, Violoncelle (duo)
1 427
4 Violoncelles
1 123
Trio à cordes: 3 violins
1 014
Violon, Guitare (duo)
911
Trio à cordes
880
Piano Trio: Violon, Alto, Piano
817
Harpe, Flûte (duo)
726
Trio à Cordes: 3 violoncelles
710
Violoncelle , Guitare (duo)
681
2 Harpes (duo)
639
Quatuor à cordes: 4 violons
530
Harpe, Violon (duo)
411
Trio à Cordes: 2 violons, alto
367
Alto, Guitare (duo)
362
Trio à cordes: 3 altos
357
2 Contrebasses (duo)
354
2 Violons, Piano
347
Quatuor à cordes : 4 altos
346
Violoncelle, Contrebasse (duo)
326
Violon, Basson (duo)
257
Alto et Basson
167
Quintette à cordes: 2 violons, 2 altos, violoncelle
163
Harpe, Violoncelle (duo)
128
2 Violoncelles, Piano
119
Harpe et Piano
107
Violon, Clarinette, Piano (trio)
105
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
95
Ensemble de Violoncelles
93
Harpe (partie séparée)
90
Violon, Orgue
81
Violoncelle, Orgue
75
2 Altos, Piano
72
Alto et Harpe
72
Violoncelle, Orchestre
68
4 Contrebasses
66
Flûte, Contrebasse (duo)
60
Violon, Basse continue
55
Harpe, Violon, Violoncelle
48
Ensemble de Violons
48
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
3 Harpes
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et mandoline
24
Autoharp
21
Alto et orchestre
19
Alto, Orgue
16
Violon, Contrebasse (duo)
16
Violon, Violoncelle, Clarinette
16
Violoncelle et Marimba
15
Harpe, Trombone (duo)
15
Violon, Trompette et Piano
14
4 Harpes
12
Harpe, Orchestre
9
Harpe et Orgue
8
5 Harpes
6
Harpe, Quatuor à cordes
6
Ensemble de Contre basses
3
Violon, Clarinette et Guitare
3
+ 79 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
77 069
Orchestre
20 984
Orchestre à Cordes
19 328
Fanfare
17 443
Ensemble Jazz
16 961
Batterie
12 806
Percussion (partie séparée)
9 158
Cloches
6 577
Ensemble de cuivres
5 670
Orchestre de chambre
3 612
Percussion
3 170
Batterie (partie séparée)
2 658
Jazz combo
2 528
Timbales (partie séparée)
2 283
Ensemble de Percussions
1 557
Marimba
708
Timbales
544
Xylophone
524
Vibraphone
454
Quintette à Vent
310
Instrumentation Flexible
282
Caisse Claire
189
Xylophone, Piano
156
Piano et Orchestre
144
Quatuor à Vent : 4 instruments à vents
120
Vibraphone (partie séparée)
96
Orchestre, Violon
71
Big band
69
2 Xylophones
63
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Quintette de Cuivres: autres combinaisons
41
Xylophone (partie séparée)
35
Vibraphone et Marimba
33
Batterie-Fanfare
32
Vibraphone, Piano
29
Orchestre Symphonique
27
Ensemble d'École
25
2 Marimbas
24
3 Marimbas
18
Trio à Vent: 3 instruments à vents
18
Marimba, Piano (duo)
17
Marimba et Orgue
13
Xylophone ou Marimba ou Vibraphone
12
Voix et Orchestre
11
3 Percussions
11
2 Percussions
8
Bongos
7
2 Caisses Claires (duo)
6
Conga
4
Mariachi
4
Cajon
4
Marimba ou Xylophone et Piano
3
Bodhran
3
4 Percussions
2
Voix Mezzo-Soprano, Orchestre
2
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
+ 52 instrumentations
Retracter
Autres
Formation musicale - Solfège
421
Théorie de la musique
53
Papeterie
33
Eveil Musical
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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"Tumbleweed" - (Part Scores)
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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"Tumbleweed" -
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #59541...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
$9.95
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
The River
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
Brian's Song
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Brian's Song
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #294975...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
$4.95
Herbie
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Herbie
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.
$4.95
Back to the Heart
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Back to the Heart
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published ...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859668 Composed by Sydney Stevens. Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2959571. Published by Sydney Stevens, Water Music (A0.859668). Contact: sydneystevenspianostudio@gmail.comBack to the Heart: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From Album: Cycles of Life Theme: Going away, the sister that I know. Estrangement from someone who was once close. Mood: Serious, reflective, sad, emotionally moving. Musical Traits: Simple left hand piano, right hand reflects vocal part. Performance Time: 3:50 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific.
$4.95
Alleys
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Alleys
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859665 Composed by Sydney Stevens. Folk,New Age,Pop. 10 pages. Sydney Stevens, Water Music #2959555. Published by Sydney Stevens, Water Music (A0.859665). Contact: sydneystevenspianostudio@gmail.comAlleys: Deeply heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music is arranged for piano/vocal/chords. From Album: Cycles of Life Theme: Coming into one's own: Alleys, back roads of our lives they find us.. Mood: Contemplative, soulful. Nurturing one's own strength. Musical Traits: Major key that modulates into a minor interlude. Right hand reflects the vocal line. Performance Time: 5:07 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to.
$4.95
Time
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Time
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859661 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 5 pages. Sydney Stevens, Water Music #2942895. Published by Sydney Stevens, Water Music (A0.859661). Contact: sydneystevenspianostudio@gmail.comTime: Peaceful piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Sarah McLachlan, Vanessa Carlton, Loreena McKennittFrom Album: Cycles of Life Theme: Contemplative theme of time passing more quickly the longer we're here -- the hourglass effect. Also, how time seems to pass faster when we are doing something we love.Mood: Romantic, gentle, warm, emotional.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 4:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the lis.
$4.95
Cycles of Life
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Cycles of Life
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859659 Composed by Sydney Stevens. 20th Century,Contemporary,Folk,New Age. 6 pages. Sydney Stevens, Water Music #2942883. Published by Sydney Stevens, Water Music (A0.859659). Contact: sydneystevenspianostudio@gmail.comCycles of Life: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Loreena McKennitt, Lucy Kaplansky, Giorgia FumantiFrom Album: Cycles of Life Theme: The only constant in life is change. Appropriate for the loss of a loved one.Mood: Contemplative, soulful, reflective.Musical Traits: Strong melody, gorgeous arrangement.Performance Time: 3:55.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be dif.
$4.95
Santa, Come to Australia! - (New! Original! 2 part, piano and very easy brass)
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Voix Alto, Piano
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DÉBUTANT
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by Australian composer, Rebecc
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Santa, Come to Australia! -
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Rebecca Summers
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1146585 Composed by by Australian composer, Rebecca Summers. Children,Christmas,Contest,Festival,Holiday,Jazz....
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1146585 Composed by by Australian composer, Rebecca Summers. Children,Christmas,Contest,Festival,Holiday,Jazz. 1 pages. Rebecca Summers #746817. Published by Rebecca Summers (A0.1146585). Great for Australia music teachers who need something Aussie and fun for their schools. This is a jazz-style vocal/piano/brass piece that can be performed with beginner brass, taught to all primary students and performed for Christmas Concerts to give some wham! to your end of year celebrations. The original song was written for a school called North Arm so some adaptions to lyrics have been made. Brass section can be omitted, be as small as two or as large as ten or more. Get your band teacher on board and have a ball!
$9.95
Lonely Mother Cry Lullaby for Alto and Piano
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sabrina Pena Young
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Lonely Mother Cry Lullaby for
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Sabrina Peña Young
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Y...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Young #3430805. Published by Sabrina Peña Young (A0.976930). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer. A sad emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99
Lover Come Back
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Voix Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Frank Denny De Vol
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Frank Denny De Vol
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Lover Come Back
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Daniel Pippert
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 4 - SKU: A0.901533 Composed by Frank Denny De Vol. Arranged by Frank Denny De Vol. Contemporary. 6 pages. Daniel Pippert #...
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Alto Voice,Vocal Solo - Level 4 - SKU: A0.901533 Composed by Frank Denny De Vol. Arranged by Frank Denny De Vol. Contemporary. 6 pages. Daniel Pippert #4622193. Published by Daniel Pippert (A0.901533). Theme to the movie, Lover Come Back, originally sung by Doris Day.
$4.99
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Voix Alto, Piano
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AVANCÉ
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Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Come, Thou Fount Of Every Blessing
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Voix Alto, Piano
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FACILE
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Musique Sacrée
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Bles
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Gert Th. Walter
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.682606 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. 3 ...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.682606 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5827777. Published by Gert Th. Walter (A0.682606). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$2.99
Come On Home
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Voix Alto, Piano
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Brian Katona
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Come On Home
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Brian Katona
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SheetMusicPlus
Alto Voice,Vocal Solo - SKU: A0.925829 Composed by Brian Katona. Broadway,Country,Film/TV,Musical/Show. 5 pages. Brian Katona #2914123. Published by Bri...
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Alto Voice,Vocal Solo - SKU: A0.925829 Composed by Brian Katona. Broadway,Country,Film/TV,Musical/Show. 5 pages. Brian Katona #2914123. Published by Brian Katona (A0.925829). A power ballad for mezzo soprano, from the new musical, Jesse James: Dead Or Alive.
$3.99
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
To Marie (alto and guitar)
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Voix Alto, Piano
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INTERMÉDIAIRE
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David Warin Solomons
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To Marie
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David War...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1096313 Composed by David Warin Solomons. 20th Century,Chamber,Classical,Singer/Songwriter. 4 pages. David Warin Solomons #700277. Published by David Warin Solomons (A0.1096313). This manuscript is the origin of the flute and guitar piece To Marie ( https://www.sheetmusicplus.com/title/19984390?aff_id=175705 ). It has not been notated on computer, and not yet recorded, but I present it here just for interest. As you can see, it takes advantage of the many puns available on the French phrase for weeping willow. It is addressed to the poet Marie Keyser. The references to Chatterton, Enderby and Buddenbrooks relate to Marie's studies in German literature, in particular Chatterton's suicide. To Marie Sad soul, why don't you weep in company? Saule pleureur, seule pleureuse Why luxuriate in your nomadic liturgy? Saoule pluvieuse, seule pleureuse. The others do not seek to understand The power that holds you ever banned Sales pleurs de sel pluvieux A unicorn has carried off your innocence Saule pleureur, seule pleureuse But no ambition comes to conquer indigence Saoule pluvieuse, seule pleureuse. So on you wander, homeless poetess, Begging shelter for your misconstrued distress Sales pleurs de sel pluvieux. Hold down a job, my girl, hold down a job from nine to five. Souple leurre s'il le peut To keep you happy, settled and alive Saule pleureur For this short time - day in day out Forget you do not know what life's about Sales pleurs de ciel plus vieux. And then, when evening comes, too tired Saule pleureur, seule pleureuse. Your sad old inspiration all expired Saoule pluvieuse, seule pleureuse. You will cease to understand the power that held you forever banned. Souple leurre s'il le peut. No, in the name of Chatterton and Enderby! For who could wilful poetry's defender be? Long live poor Buddenbrooks and poor Marie With mind or body hopelessly at sea. Saules pleureurs, seuls plus vieux.
$7.00
La solitudine: 'L'aure grate', HWV 121b
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Voix Alto, Piano
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Classique
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George Frideric Handel
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La solitudine: 'L'aure grate',
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Oxford University Press Digital
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SheetMusicPlus
Alto voice and continuo - SKU: OX.9780193571235 Composed by George Frideric Handel. Edited by Ellen T. Harris. Score. 12 pages. Oxford University Press ...
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Alto voice and continuo - SKU: OX.9780193571235 Composed by George Frideric Handel. Edited by Ellen T. Harris. Score. 12 pages. Oxford University Press Digital #9780193571235. Published by Oxford University Press Digital (OX.9780193571235). ISBN 9780193571235.For solo alto and continuo. A highly ornamanted cantata, possibly written for a single singer, and, based on style comparisons, this may have been castrato Valentini.
$5.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Just The Right Amount of Wrong
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Voix Alto, Piano
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INTERMÉDIAIRE
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Music: Joel Evans, Lyrics: Adr
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CDBaby
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Just The Right Amount of Wrong
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One Hundred Percent Pub. Co.
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.930354 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Jazz,Latin,Pop. 6 pages. One Hundred Percen...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.930354 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Jazz,Latin,Pop. 6 pages. One Hundred Percent Pub. Co. #3436797. Published by One Hundred Percent Pub. Co. (A0.930354). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Tami Damiano, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Adryan Russ conceived and wrote music and lyrics for Inside Out, an award-winning off-Broadway musical, with multi-talented playwright Doug Haverty. Inside Out was published by Samuel French, and the original cast CD distributed by DRG Records. It has been produced across the U.S., and twice in Europe. In her cabaret life, Adryan participated in a tribute to Charles Strouse, with Michael Feinstein, at Carnegie Hall; and at Chicago Humanities Festival’s ASCAP Cabaret: Her Turn with Karen Mason. LML Music (www.lmlmusic.com) released Everyone Has A Story: The Songs of Adryan Russ, produced by Bruce Kimmel and arranged by Grant Geissman, featuring Susan Egan, Jason Graae, David Burnham, Joan Ryan, Tami Tappan Damiano and Sharon McNight. For the past ten years, Adryan has received an ASCAP Award for Popular Music. She is a member of The Dramatists Guild, the Academy for New Musical Theatre (ANMT), the National Academy of Recording Arts & Sciences (NARAS), and currently serves on the Board of the Society of Composers & Lyricists (SCL). Adryan & Joel's songs are heard in films ranging from Doubt, starring Meryl Streep, to Lifetime's Sorority Nightmare, and TV shows ranging from The Mindy Project to The Young & Restless.
$3.99
My Advice Will Serve You Well
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Voix Alto, Piano
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INTERMÉDIAIRE
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Music by Helen MacCulloch & Ly
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My Advice Will Serve You Well
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Optimistic Music Company
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.1008224 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Blues,Jazz,Pop. 9 pages. Optimi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.1008224 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. Blues,Jazz,Pop. 9 pages. Optimistic Music Company #5354983. Published by Optimistic Music Company (A0.1008224). My Advice Will Serve You Well is a jazz blues-style ballad from the musical Amber Avenues which is set in 1964. Suitable for general audiences including high schools and community theatres.
$3.50
The Last Rose of Summer - Alto with piano in Gb
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492563 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069242. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492563 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069242. Published by Alex Rodrigues (A0.1492563). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in B
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492534 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069214. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492534 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069214. Published by Alex Rodrigues (A0.1492534). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano and chords in C
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492536 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069216. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492536 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069216. Published by Alex Rodrigues (A0.1492536). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
The Last Rose of Summer - Alto with piano in F
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Voix Alto, Piano
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DÉBUTANT
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Alto
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Alex Rodrigues
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492559 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069238. Pu...
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Alto Voice,Vocal Solo - Level 1 - SKU: A0.1492559 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069238. Published by Alex Rodrigues (A0.1492559). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$4.99
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