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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Com
Non classifié
210 892
Piano & claviers
Piano seul
268 478
Piano, Voix et Guitare
154 839
Piano, Voix
113 915
Piano Facile
70 435
Orgue
16 261
Instruments en Do
13 712
Piano grosses notes
10 023
1 Piano, 4 mains
7 954
Accordéon
6 451
Accompagnement Piano
5 713
Piano Trio: piano, violon, violoncelle
2 231
Piano (partie séparée)
1 724
2 Pianos, 4 mains
1 476
Ligne De Mélodie, Piano
564
Piano Quatuor: piano, violon, alto, violoncelle
561
Piano Quintette: piano, 2 violons, alto, violoncelle
542
Piano Quatuor: piano, 2 violons, violoncelle
476
Orgue, Trompette (duo)
429
Orgue, Piano (duo)
382
Clavecin
292
1 Piano, 6 mains
240
Accordéon, Voix
217
Clavier
168
Instrument seul et Orgue
165
2 Pianos, 8 mains
94
2 Accordéons
78
Ensemble d'Accordéons
56
Orgue, Voix
47
2 Orgues (duo)
30
Tous Les Instruments
23
Fake Book
16
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Orgue et Orchestre
5
Concertina
3
3 Pianos
2
Piano Trio: Instruments de chambre mixtes
2
+ 35 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79 494
Ligne De Mélodie, (Paroles) et Accords
50 514
Guitare
29 947
Paroles et Accords
24 260
Ukulele
18 834
Basse electrique
13 343
2 Guitares (duo)
2 261
Guitare (partie séparée)
2 141
Banjo
1 567
Mandoline
1 343
4 Guitares (Quatuor)
1 058
Dulcimer
931
Piano, Guitare (duo)
908
Ensemble de guitares
713
3 Guitares (trio)
524
Basse électrique (partie séparée)
415
Ukulele Baryton
326
Partitions De Groupes
280
Guitare Pedal Steel
210
Ensemble de Ukulélés
207
Dobro
92
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
79
Mandoline, Guitare (duo)
65
Guitare Tab, Voix, Basse, Batterie
40
Guitare, Violon, Violoncelle (trio)
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
Orchestre à Plectres
16
Guitare, Orchestre
12
2 Mandolines (duo)
11
Guitare, Quatuor à cordes
11
Cithare
8
Luth
7
Bouzouki
5
2 Guitares et Orchestre
4
2 Guitares et Piano
2
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
+ 35 instrumentations
Retracter
Voix
Chorale SATB
68 098
Chorale 3 parties
27 449
Pack Instrumental pour Chorale
19 899
Chorale 2 parties
15 987
Chorale TTBB
13 375
Voix seule
9 130
Chorale
8 739
Chorale SSAA
6 988
Chorale Unison
6 279
Voix duo, Piano
3 663
Voix haute
2 146
Voix duo
1 547
Voix Soprano, Piano
1 467
Voix Tenor, Piano
848
Voix basse, Piano
799
Voix Alto, Piano
796
Voix Baryton, Piano
596
Voix, Guitare
407
Voix moyenne, Piano
395
Chorale SSATB
332
Voix Moyenne
247
Chorale SSAATTBB
238
Voix Mezzo-Soprano, Piano
195
Chorale SSATTB
160
Voix Tenor
141
Chorale SSATBB
125
Soli, choeur mixte et accompagnement
106
Chorale SATTB
93
Chorale SSAB a cappella
83
Voix Soprano
82
Voix haute, Piano
63
Chorale SSAB, Piano
62
Chorale, Orgue
59
Voix et basse continue
55
Chorale SSAATB
53
Voix basse
51
Voix d'Enfants
43
Chorale SAATB A Cappella
32
Chorale SATBB
25
Male Voice
25
Voix Baryton
19
Chorale, Orchestre
13
Chorale SATTBB, Clavier
11
Chorale SSAATB A Cappella
10
Voix duo, Orgue
10
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
6
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
+ 45 instrumentations
Retracter
Vents
Saxophone (partie séparée)
26 513
Flûte traversière
22 680
Clarinette
20 320
Saxophone
18 238
Clarinette (partie séparée)
14 985
Flûte traversière et Piano
14 253
Saxophone Alto
13 052
Saxophone Tenor
11 413
Quatuor de Saxophones: 4 saxophones
11 324
Clarinette et Piano
10 299
Saxophone Alto et Piano
7 845
Hautbois, Piano (duo)
7 614
2 Saxophones (duo)
7 493
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7 395
Flute (partie séparée)
7 113
Flûte, Hautbois, Clarinette, Basson
6 620
2 Flûtes traversières (duo)
6 416
Hautbois (partie séparée)
6 341
Quatuor de Clarinettes: 4 clarinettes
5 957
Saxophone Tenor et Piano
5 657
2 Clarinettes (duo)
5 452
Quatuor de Flûtes : 4 flûtes
3 451
Saxophone Soprano et Piano
3 360
Quintette de Saxophone: 5 saxophones
2 906
Hautbois
2 661
3 Saxophones (trio)
2 563
Flûte à Bec
2 456
3 Clarinettes (trio)
2 456
Flûte, Clarinette (duo)
2 070
Flûte et Guitare
2 065
Ensemble de Clarinettes
1 933
Trio de Flûtes: 3 flûtes
1 925
Ensemble de Flûtes
1 578
Saxophone Baryton, Piano
1 513
Quintette de Clarinettes: 5 clarinettes
1 413
Saxophone Soprano
1 412
Ensemble de saxophones
1 395
Instruments en Mib
1 296
2 Hautbois (duo)
1 292
2 Flûte à bec (duo)
1 269
Cor anglais, Piano
1 173
Hautbois, Basson (duo)
1 067
Harmonica
1 055
Quatuor de Flûtes à bec
997
Flûte, Violon
913
Ocarina
902
Clarinette, Violon (duo)
855
Flûte à bec Soprano
811
Hautbois, Clarinette (duo)
804
Clarinette Basse, Piano
730
Flûte, Clarinette et Basson
712
Flûte, Hautbois, Clarinette (trio)
695
Saxophone, Clarinette (duo)
674
Flûte, Violon, Piano
656
Clarinette, Basson (duo)
582
Flûte, Violoncelle
555
Flûte à bec Alto
542
Flûte, Hautbois, Basson
535
3 Flûtes à bec (trio)
513
Clarinette, Guitare (duo)
511
Flûte, Hautbois (duo)
508
Hautbois, Clarinette, Basson (trio d'anches)
505
Quintette de Flûte : 5 flûtes
432
Piccolo
426
Clarinette Basse
410
Saxophone Baryton
401
Hautbois, Flûte
392
Cor Anglais
373
Clarinette, Violoncelle (duo)
371
Flûte à bec Soprano, Piano
371
Flûte, Clarinette, Piano (trio)
364
Clarinette, Trompette (duo)
351
Flûte à bec Alto, Piano
348
Flûte, Trompette (duo)
339
Flûte, Alto (duo)
333
Piccolo, Piano
330
Flûte, Violoncelle, Piano (trio)
315
Flûte, Violon et Violoncelle
313
Clarinette et Alto
306
5 Flûtes à bec
281
Flûte à Bec, Piano
276
2 Saxophones, Piano
274
Flûte à bec Tenor
272
Flûte, Saxophone (duo)
271
2 Flûtes traversières, Piano
268
Clarinette, Harpe (duo)
263
Ensemble De Flûte à bec
256
Hautbois, Violoncelle
245
Saxophone et Guitare
243
3 Hautbois
235
Hautbois, violon (duo)
219
Saxophone et Piano
209
2 Clarinettes, Piano
206
Flûte, Trombone (duo)
181
Flûte, Basson et Piano
175
Hautbois, Guitare (duo)
135
Clarinette, Violoncelle, Piano (trio)
132
Flûte, Hautbois, Piano (trio)
130
Flûte, Hautbois, Violon
124
Flûte irlandaise
121
Clarinette, Trombone (duo)
119
Flûte, Clarinette, Violon (trio)
113
Saxophone, Violon (duo)
110
Cor anglais, Guitare (duo)
103
Hautbois, Trompette (duo)
102
2 Clarinettes, Basson
101
Ensemble à vent
100
Cornemuse
93
4 Hautbois
87
Flûte à bec, Guitare (duo)
85
Flûte, Alto et Piano
81
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
78
Hautbois et alto (duo)
77
Flûte traversière, Orgue (duo)
77
Clarinette, Basson, Piano (trio)
76
Flûte, Clarinette, Cor, Basson (Quartet)
73
Flûte et Trio à cordes
68
Saxophone et Orgue
63
Flûte, Violon, Violoncelle et Piano
63
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte à bec Alto, Basse continue
55
Saxophone, Basson (duo)
49
Hautbois, trombone (duo)
48
Hautbois, Harpe
46
Flûte et Quatuor à Cordes
45
Flûte, Tuba (duo)
45
Clarinette, Alto et Piano (trio)
45
Harmonica, Piano
45
Saxophone et Harpe
44
Quintette de Clarinette: Clarinette, Quatuor à Cordes
39
Flûte traversière, Basse continue
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Hautbois, Basson et Piano
32
Flûte, Violoncelle, Guitare
31
Flûte traversière, Orchestre
31
Clarinette, Tuba
30
Flûte, Violon, Guitare
29
Hautbois, Violoncelle et Piano
28
2 Flûtes à bec, Piano
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
Clarinette, Orgue
25
Flute, Cor (duo)
25
Clarinette, trompette et piano
25
Clarinette, Orchestre
24
2 Hautbois, Piano
22
Hautbois, Violon, Piano
19
Flûte, Alto et Violoncelle
19
Hautbois, Clarinette et Piano (Trio)
16
Clarinette, Contrebasse (duo)
16
Cor anglais et Harpe (duo)
15
Saxophone et Orchestre
15
2 Flûtes traversières, Guitare
14
Ensemble de Hautbois
14
2 Harmonicas
11
Flûte à bec Soprano, Basse continue
11
Hautbois, Orgue
10
2 Hautbois et Cor anglais
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Harpe
10
Clarinette, Quatuor à cordes et Piano
9
2 Hautbois et Basson
9
Saxophone, Tuba (duo)
9
Flûte de Pan
8
Hautbois et Orchestre
7
Flûte, Guitare, Piano
7
2 Flûtes, 2 Clarinettes (Quatuor)
7
2 Flûtes, Basse continue
6
Melodica
5
Hautbois, Quatuor à cordes
4
Clarinette, Saxophone, Piano
3
Hautbois, Clarinette, Basson et Piano
3
2 Flûtes à bec, Guitare
2
3 Flûtes à bec, Piano
2
2 clarinettes, 2 bassons
2
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 175 instrumentations
Retracter
Cuivres
Trompette
18 717
Trombone (partie séparée)
18 496
Trompette (partie séparée)
18 010
Trombone
15 513
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10 430
Cor
8 796
Trompette, Piano
7 331
Cor (partie séparée)
6 820
Trombone et Piano
6 118
Tuba (partie séparée)
4 974
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4 492
Cor et Piano
4 478
2 Trompettes (duo)
3 197
Tuba
3 160
2 Trombones (duo)
2 742
Quatuor de Cuivres
2 255
Tuba et Piano
2 159
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 862
Bass Clef Instruments
1 823
Quatuor de cuivres: 4 trombones
1 472
Trompette, Trombone (duo)
1 458
Euphonium, Piano (duo)
1 306
Euphonium
1 268
Instruments en Sib
1 234
2 Cors (duo)
1 204
Cor anglais, Piano
1 173
Quatuor de cuivres: 4 cors
1 044
2 Euphoniums et 2 Tubas
1 036
Trio de Cuivres
718
4 Tubas
654
Trompette, Saxophone (duo)
651
Trompette, Cor (duo)
566
Ensemble de Trombones
502
3 Trombones (trio)
490
3 Trompettes (trio)
402
Tuba ou Euphonium ou Saxhorn
381
Cor Anglais
373
Cornet A Pistons
368
2 Tubas (duo)
366
Quatuor de cuivres: 4 trompettes
310
Instruments en Fa
303
Ensemble de Cors
282
Trombone basse et Piano
281
Ensemble de Trompettes
272
Trompette, Tuba (duo)
245
Trombone, Tuba (duo)
231
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
153
Euphonium, Tuba (duo)
147
Trombone, violoncelle (duo)
140
Trompette, violon (duo)
135
Trombone, Cor (duo)
126
Trombone basse
123
Trompette, Basson (duo)
119
Cor, Violoncelle (duo)
118
Cor, Tuba (duo)
117
Quatuor de cuivres: 2 trompettes, 2 trombones
114
3 Cors (trio)
108
Cor anglais, Guitare (duo)
103
Trombone, Violon (duo)
93
Trompette, Violoncelle (duo)
88
Ensemble de Tubas
84
Euphonium (partie séparée)
83
2 Euphoniums (duo)
81
Trombone, Orgue
62
Cor et Harpe
56
Trompette, Trombone, Piano
50
Cor et Basson (duo)
49
Trompette, Violoncelle et Piano
45
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
2 Trombones, Piano
42
Trompette, Harpe
39
Trompette et Guitare
37
2 Cors Anglais Et Pianoforte
36
Clarinette, Cor (duo)
35
3 Tubas (trio)
31
Trombone, Alto (duo)
28
Cor et Orgue
22
4 Euphoniums
20
Cor, Trompette, Trombone (trio)
20
Trompette, Orchestre
19
Bugle
18
2 Cors, Piano
18
Cornet et Piano
17
Cor anglais et Harpe (duo)
15
3 Euphoniums
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Cor, Orchestre
10
Trompette, Euphonium (duo)
8
Trombone et orchestre
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33 581
Violon
23 514
Violon et Piano
19 176
Violoncelle
15 590
Alto seul
12 971
Violoncelle, Piano
12 133
Violon (partie séparée)
10 216
Harpe
9 019
Alto, Piano
8 930
2 Violons (duo)
6 170
Violon, Violoncelle (duo)
5 850
Contrebasse (partie séparée)
5 089
Trio à Cordes: violon, alto, violoncelle
4 653
2 Violoncelles (duo)
4 353
Alto (partie séparée)
3 466
Violoncelle (partie séparée)
3 294
Violon, Alto (duo)
2 692
Contre Basse
2 420
2 Altos (duo)
2 124
Quintette à cordes: 2 violons, alto, violoncelle, basse
2 117
Contrebasse, Piano (duo)
1 790
Trio à Cordes: 2 violons, violoncelle
1 780
Alto, Violoncelle (duo)
1 427
4 Violoncelles
1 123
Trio à cordes: 3 violins
1 014
Violon, Guitare (duo)
911
Trio à cordes
880
Piano Trio: Violon, Alto, Piano
817
Harpe, Flûte (duo)
726
Trio à Cordes: 3 violoncelles
710
Violoncelle , Guitare (duo)
681
2 Harpes (duo)
639
Quatuor à cordes: 4 violons
530
Harpe, Violon (duo)
411
Trio à Cordes: 2 violons, alto
367
Alto, Guitare (duo)
362
Trio à cordes: 3 altos
357
2 Contrebasses (duo)
354
2 Violons, Piano
347
Quatuor à cordes : 4 altos
346
Violoncelle, Contrebasse (duo)
326
Violon, Basson (duo)
257
Alto et Basson
167
Quintette à cordes: 2 violons, 2 altos, violoncelle
163
Harpe, Violoncelle (duo)
128
2 Violoncelles, Piano
119
Harpe et Piano
107
Violon, Clarinette, Piano (trio)
105
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
95
Ensemble de Violoncelles
93
Harpe (partie séparée)
90
Violon, Orgue
81
Violoncelle, Orgue
75
2 Altos, Piano
72
Alto et Harpe
72
Violoncelle, Orchestre
68
4 Contrebasses
66
Flûte, Contrebasse (duo)
60
Violon, Basse continue
55
Harpe, Violon, Violoncelle
48
Ensemble de Violons
48
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
3 Harpes
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et mandoline
24
Autoharp
21
Alto et orchestre
19
Alto, Orgue
16
Violon, Contrebasse (duo)
16
Violon, Violoncelle, Clarinette
16
Violoncelle et Marimba
15
Harpe, Trombone (duo)
15
Violon, Trompette et Piano
14
4 Harpes
12
Harpe, Orchestre
9
Harpe et Orgue
8
5 Harpes
6
Harpe, Quatuor à cordes
6
Ensemble de Contre basses
3
Violon, Clarinette et Guitare
3
+ 79 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
77 069
Orchestre
20 984
Orchestre à Cordes
19 328
Fanfare
17 443
Ensemble Jazz
16 961
Batterie
12 806
Percussion (partie séparée)
9 158
Cloches
6 577
Ensemble de cuivres
5 670
Orchestre de chambre
3 612
Percussion
3 170
Batterie (partie séparée)
2 658
Jazz combo
2 528
Timbales (partie séparée)
2 283
Ensemble de Percussions
1 557
Marimba
708
Timbales
544
Xylophone
524
Vibraphone
454
Quintette à Vent
310
Instrumentation Flexible
282
Caisse Claire
189
Xylophone, Piano
156
Piano et Orchestre
144
Quatuor à Vent : 4 instruments à vents
120
Vibraphone (partie séparée)
96
Orchestre, Violon
71
Big band
69
2 Xylophones
63
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Quintette de Cuivres: autres combinaisons
41
Xylophone (partie séparée)
35
Vibraphone et Marimba
33
Batterie-Fanfare
32
Vibraphone, Piano
29
Orchestre Symphonique
27
Ensemble d'École
25
2 Marimbas
24
3 Marimbas
18
Trio à Vent: 3 instruments à vents
18
Marimba, Piano (duo)
17
Marimba et Orgue
13
Xylophone ou Marimba ou Vibraphone
12
Voix et Orchestre
11
3 Percussions
11
2 Percussions
8
Bongos
7
2 Caisses Claires (duo)
6
Conga
4
Mariachi
4
Cajon
4
Marimba ou Xylophone et Piano
3
Bodhran
3
4 Percussions
2
Voix Mezzo-Soprano, Orchestre
2
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
+ 52 instrumentations
Retracter
Autres
Formation musicale - Solfège
421
Théorie de la musique
53
Papeterie
33
Eveil Musical
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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Recordare (from "Requiem") (F) (String Septet - 3 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
(+)
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112138 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714324. Published by Regis Bookshar (A0.1112138). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 1 Viola, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
(+)
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111374 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713661. Published by Regis Bookshar (A0.1111374). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 1 Viola and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (String Sextet - 3 Violins, 1 Viola, 2 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111378 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
(+)
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111378 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713665. Published by Regis Bookshar (A0.1111378). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 1 Viola and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (String Sextet - 2 Violins, 2 Violas, 2 Cellos)
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111377 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
(+)
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1111377 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713664. Published by Regis Bookshar (A0.1111377). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (String Septet - 2 Violins, 2 Violas, 3 Cellos)
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112131 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
(+)
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112131 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714317. Published by Regis Bookshar (A0.1112131). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 2 Violins, 2 Violas and 3 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Recordare (from "Requiem") (F) (String Septet - 3 Violins, 2 Violas, 2 Cellos)
#
Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classi...
(+)
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.1112143 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 41 pages. Regis Bookshar #714329. Published by Regis Bookshar (A0.1112143). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Sextet, consisting of 3 Violins, 2 Violas and 2 Violoncellos, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (41 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
#
INTERMÉDIAIRE
#
Classique
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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Easy String Trios: Thanksgivin
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Sharon Wilson
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SheetMusicPlus
Violin, Viola, Cello, String Trio - Early Intermediate - Composed by Various. Arranged by Sharon Wilson. Romantic Period, Christian, Sacred, Folk, T...
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Violin, Viola, Cello, String Trio - Early Intermediate - Composed by Various. Arranged by Sharon Wilson. Romantic Period, Christian, Sacred, Folk, Thanksgiving. Score, Set of Parts. 64 pages. Published by Sharon Wilson
This collection of ?Easy String Trios? contains 10 hymns arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around giving thanks and is equally suited for the Thanksgiving season as well as other times of year to encourage a spirit of gratitude.
All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
All Creatures of Our God and King
Come, Thou Fount of Every Blessing
Come, Ye Thankful People, Come
Count Your Blessings
Joyful, Joyful, We Adore Thee (Ode to Joy)
Now Thank We All Our God
Praise God, from Whom All Blessings Flow (Doxology)
Praise to the Lord
Rejoice, the Lord Is King
We Gather together
$20.00
Coming Home
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Contemporain
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Leon Bridges
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Eve C
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Coming Home
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Zene Strings
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.516010 By Leon Bridges. By Austin Jenkins, Chris Vivion, Joshua Block, and Todd Micha...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.516010 By Leon Bridges. By Austin Jenkins, Chris Vivion, Joshua Block, and Todd Michael Bridges. Arranged by Eve C. Mailly and Zene Strings. Contemporary. Score and parts. 17 pages. Zene Strings #4621605. Published by Zene Strings (A0.516010). Coming Home is a song by American rhythm and blues singer Leon Bridges. This arrangement is for string trio, with the first violin taking the melody, the viola (or violin 2 alternate) keeping the rhythmic movement, together with the cello's ostinato bass line. As with all Zene Strings trio arrangements, we have included both the viola part (alto clef) and a treble clef alternate. This allows you to perform it with a violin, viola and cello, or with two violins and cello -- giving you greater performance flexibility.Fun the play and great t Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$12.99
Divertimento No. 2, KV 439b for string trio (complete score)
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Trio à Cordes: violon, alto, violoncelle
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Klas Krantz
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Divertimento No. 2, KV 439b fo
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Amadeus Music
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.532507 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical. Score...
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - SKU: A0.532507 Composed by Wolfgang Amadeus Mozart. Arranged by Klas Krantz. Classical. Score and parts. 31 pages. Amadeus Music #6356579. Published by Amadeus Music (A0.532507). Divertimento No. 2, KV 439bComplete score and parts, movements No. 1-5 for string trio (violin, viola and cello), 29 pages.No:. 6 Allegro, 7 Menuetto, 8 Larghetto, 9 menuetto, 10 Rondo. Wolfgang Amadeus Mozart (1756 – 1791) was a prolific and influential composer of the Classical era. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
$15.95
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multic...
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String Ensemble Cello,Viola,Violin - Level 3 - SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
O Come All Ye Faithful (String Trio): Violin, Viola and Cello
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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John Francis Wade, Anton Dvora
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John A
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O Come All Ye Faithful
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John A. Dempsey
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.524160 Composed by John Francis Wade, Anton Dvorak. Arranged by John A. Dempsey. Chri...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.524160 Composed by John Francis Wade, Anton Dvorak. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 16 pages. John A. Dempsey #4847305. Published by John A. Dempsey (A0.524160). O Come Let Us Adore Him, Christ the Lord. Â This arrangement of a classic Christmas carol is a holiday kaleidoscope of praise and worship, as it includes incidental music by Dvorak, melodic and rhythmic variation, as well as varied moods, some peaceful, others elated, and all reflective of the celebration of the Nativity. Â This string trio for violin, viola and cello is recommended for Christmas plays, pageants and programs as well as holiday recitals, Christmas concerts, traditional church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and silent prayer accompaniment. Â 12 pages of music (that includes the score and separate two-page parts for each instrument). Â Concert Key: D major.
$9.99
Nothing Compares 2 U
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Sinead O'Connor
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Sherry Lewis
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Nothing Compares 2 U
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1310700 By Sinead O'Connor. By Prince. Arranged by Sherry Lewis. Contemporary,Rock,Wedding. 12 pages....
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1310700 By Sinead O'Connor. By Prince. Arranged by Sherry Lewis. Contemporary,Rock,Wedding. 12 pages. Sherry Lewis Publishing #899676. Published by Sherry Lewis Publishing (A0.1310700). NOTHING COMPARES TO YOU - PrinceSTRING TRIO Intermediate Level for 2 violins and cello or violin, viola and celloScore: yesParts: 6 pagesTime: 5:00If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$12.99
March (from "The Nutcracker Suite") (F) (String Octet - 3 Violins, 1 Viola, 4 Cellos)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.813884 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,...
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String Ensemble Cello,Viola,Violin - Level 4 - SKU: A0.813884 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612683. Published by Regis Bookshar (A0.813884). String Octet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video. The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere. Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a String Octet, consisting of 3 Violins, 1 Viola and 4 Violoncellos, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
Come, Thou Fount of Every Blessing (for String Trio – Violin, Viola, and Cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Come, Thou Fount of Every Bles
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Sharon Wilson
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565689 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Holiday,Praise & Worship,Sac...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565689 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Holiday,Praise & Worship,Sacred,Traditional. 7 pages. Sharon Wilson #5723003. Published by Sharon Wilson (A0.565689). Here is an easy string trio arrangement (for VIOLIN, VIOLA, and CELLO) of the familiar hymn tune NETTLETON. This song of praise is a fun piece to learn and especially fitting for recitals and worship services throughout the year.The melody alternates between the three instrument parts throughout making it equally challenging and interesting for all players. An optional repeat is provided in case a longer musical selection is needed. All notes for each instrument (VIOLIN, VIOLA, and CELLO) are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Â The purchase price includes a 3-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Come, Ye Thankful People (for String Trio – Violin, Viola, and Cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Sharon Wilson
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Sharon Wilson
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Come, Ye Thankful People
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Sharon Wilson
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565688 By Sharon Wilson. By George Job Elvey and Henry Alford. Arranged by Sharon Wilson. Christian,F...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.565688 By Sharon Wilson. By George Job Elvey and Henry Alford. Arranged by Sharon Wilson. Christian,Folk,Holiday,Romantic Period,Sacred. 6 pages. Sharon Wilson #5722997. Published by Sharon Wilson (A0.565688). Here is an easy string trio arrangement (for VIOLIN, VIOLA, and CELLO) of the classic hymn tune ST. GEORGE'S WINDSOR by George J. Elvey and Henry Alford. This song, often associated with the Thanksgiving season, is fun to learn and especially fitting for recitals and worship services during the holidays.All three parts lead with the melody at times making this song equally challenging and interesting for all players. An optional repeat is provided in case a longer musical selection is needed. All notes for each instrument (VIOLIN, VIOLA, and CELLO) are playable in the first position making this arrangement an excellent choice for early-intermediate string players. Â The purchase price includes a 2-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection Easy String Trios: Thanksgiving Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: Thanksgiving, Praise and Worship, Thanksgiving Music, Thanksgiving Songs, Thanksgiving Hymns, praise music, worship service, meditation, devotion, devotional music, invitation, prelude, offertory
$5.99
Beethoven: Seven Bagatelles Op. 33 Complete for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Seven Bagatelles Op
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1205174 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 1...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1205174 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 72 pages. Jmsgu3 #803356. Published by jmsgu3 (A0.1205174). Duration: ca. 20:00 minutes.1.    Andante grazioso, quasi allegretto.2.    Scherzo: Allegro.3.    Allegretto.4.    Andante.5.    Allegro ma non troppo.6.    Allegretto quasi andante.7.    Presto.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.
$87.95
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
I Sing the Mighty Power of God (ELLACOMBE)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Marianne Kim
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Marianne Kim
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I Sing the Mighty Power of God
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Marianne Kim
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1431332 By Marianne Kim. By 18C. German Melody. Arranged by Marianne Kim. Christian,Contemporary,Jazz....
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Piano Trio Cello,Piano,Violin - Level 4 - SKU: A0.1431332 By Marianne Kim. By 18C. German Melody. Arranged by Marianne Kim. Christian,Contemporary,Jazz. 14 pages. Marianne Kim #1011800. Published by Marianne Kim (A0.1431332). Marianne Kim's Piano Trio rendition of I Sing the Mighty Power of God (ELLACOMBE) delicately intertwines piano, violin, and cello to create a poignant and reflective atmosphere. With graceful melodies and intricate harmonies, Kim's arrangement evokes a sense of longing and spiritual intimacy, drawing listeners into a heartfelt prayerful experience. Through her skillful interpretation, Kim breathes new life into this cherished hymn, inviting audiences to journey deeper into the soul-stirring message of seeking divine closeness.CONNECT WITH MARIANNE KIM ► Website: https://www.mariannekimmusic.com ► Facebook: https://www.facebook.com/mariannekimmusic/ ► Instagram: https://www.instagram.com/kim.marianne/ ► Twitter: https://twitter.com/kim_marianne ► LinkedIn: https://www.linkedin.com/in/mariannekimmusic/ ► YouTube Piano: https://www.youtube.com/c/MarianneKimMusicTV ► YouTube Organ: https://www.youtube.com/c/MarianneKimOrgan.
$14.95
Easy String Trios: Christmas Carols (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Noël
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Various
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Easy String Trios: Christmas C
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Sharon Wilson
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SheetMusicPlus
Composed by Various. Arranged by Sharon Wilson. Classical Period, Christian, Sacred, Folk, Christmas. Score, Set of Parts. 66 pages. Published by Shar...
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Composed by Various. Arranged by Sharon Wilson. Classical Period, Christian, Sacred, Folk, Christmas. Score, Set of Parts. 66 pages. Published by Sharon Wilson
This collection of ?Easy String Trios? contains 10 familiar Christmas carols arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for holiday concerts and worship services.
All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Angels from the Realms of Glory
Angels We Have Heard on High
Deck the Halls
Go, Tell It on the Mountain
Hark! the Herald Angels Sing
He Is Born the Divine Christ Child
I Saw Three Ships
Infant Holy, Infant Lowly
Joy to the World
O Sing a Song of Bethlehem
$20.00
Trio
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Trio à Cordes: violon, alto, violoncelle
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Contemporain
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Paul Hindemith
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Trio
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Schott Music - Digital
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SheetMusicPlus
Violin, viola and cello - Composed by Paul Hindemith (1895-1963). This edition: study score. Downloadable. Op. 34. Duration 15 minutes. Schott Music...
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Violin, viola and cello - Composed by Paul Hindemith (1895-1963). This edition: study score. Downloadable. Op. 34. Duration 15 minutes. Schott Music - Digital #Q1912. Published by Schott Music - Digital
Arrangement that combines a hymn "Come Thou Fount of Every Blessing" with Bach's Cello Suite No.1 "Prelude"
$19.99
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