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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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MANDOLINE
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OCARINA
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ORGUE
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SAXOPHONE
SYNTHETISEUR
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XYLOPHONE
Is it too late?
Non classifié
79
Piano & claviers
Piano seul
51
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12
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8
Instruments en Do
7
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4
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3
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2
1 Piano, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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Guitare notes et tablatures
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3
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Dobro
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14
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4
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1
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1
+ 3 instrumentations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
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4
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4
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2
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2
3 Saxophones (trio)
1
Hautbois (partie séparée)
1
2 Saxophones (duo)
1
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2 Clarinettes (duo)
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2 Flûtes traversières (duo)
1
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Saxophone et Orgue
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+ 21 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
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3
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3
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3
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3
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2
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2
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2
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2
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Trombone
1
2 Trompettes (duo)
1
+ 7 instrumentations
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Quatuor à cordes: 2 violons, alto, violoncelle
10
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8
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4
2 Violons (duo)
3
Alto, Piano
3
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2
Violoncelle
2
Harpe
1
Violon, Violoncelle (duo)
1
Violon
1
2 Violoncelles (duo)
1
Harpe et Piano
1
+ 7 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
15
Orchestre à Cordes
11
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9
Jazz combo
6
Ensemble de cuivres
3
Orchestre de chambre
2
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2
Ensemble de Percussions
1
Piano et Orchestre
1
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Autres
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ACCORDEON
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AUTRES INST…
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CHANT - CHO…
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CITHARE
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COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
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EUPHONIUM
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
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PATRIOTIQUE
POLKA
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Vous avez sélectionné:
Is it too late?
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
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All Too Well
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Taylor Swift
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Andrew R
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All Too Well
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GuarrineMusic
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1299588 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Andrew R. Guarri...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1299588 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Andrew R. Guarrine. Contemporary,Country,Pop,Singer/Songwriter,Wedding. 14 pages. GuarrineMusic #889439. Published by GuarrineMusic (A0.1299588). All Too WellThis song is off of Taylor Swift’s Red album is co-written with Liz Rose remembering days gone by.  The original song was about 10 minutes long in it’s demo form and later re-worked down to the album length. Great piece for any occasion with your quartet.  The 2nd violin is featured  alot on melody and is about 4 minutes long. Key of G.  Suggested grade 2+/3
$12.99
Supreme
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Robbie Williams
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Des McNutty
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Supreme
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Des Press
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.977358 By Robbie Williams. By Dino Fekaris, Francois de Roubaix, Frederick Perren, Guy Anthony Chamber...
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String Quartet String Quartet - Level 5 - SKU: A0.977358 By Robbie Williams. By Dino Fekaris, Francois de Roubaix, Frederick Perren, Guy Anthony Chambers, and Robert Peter Williams. Arranged by Des McNutty. Pop. Score and parts. 15 pages. Des Press #6445791. Published by Des Press (A0.977358). Supreme was one of Robbie Williams' hits in year 2000 from the album Sing When You’re Winning on the label Chrysalis Records. It is possible that it took less time to put this song together than the legal teams needed to negotiate the distribution of royalties because it contains two interpolations, or re-recorded samples from other works. The more familiar of these is the bridge, interpolated from I Will Survive (by Dino Fekaris, Frederick Perren) first sung by Gloria Gaynor. The other is the main string riff, which is interpolated from music to the 1970 French-Italian film Dernier domicile connu (Last Known Address) composed by François de Roubaix. The rap section after the bridge is replaced with an excerpt from this. Otherwise, this arrangement for string quartet is a relatively straight-forward idiomatic transcription in the same tonalities as the original recording, so you could even play along with it for fun. The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students. Enjoy!
$12.99
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - String Orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Blues
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Thomas Graf
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Muss i denn, muss i denn, zum
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568476 Arranged by Thomas Graf. Concert,Folk,World. Score and parts. 15...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.568476 Arranged by Thomas Graf. Concert,Folk,World. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #2961065. Published by Thomas Graf - the-hit-factory.com (A0.568476). Muss i' denn zum Städtele hinaus - is a German folk song by Friedrich Silcher, originating from the Rems Valley in Württemberg, southwest Germany. A famous cover version called Wooden Heart is a song best known for its use in the 1960 Elvis Presley film G.I. Blues. Here you have a richly contrapuntal and rewarding arrangement to play which features all players. Not technically difficult, confident players of grade 3 standard should be able to get much from this music. Your audience will love it, too! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/v1YBW9i08nI
$19.99
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Yellow Submarine
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Rock
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The Beatles
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Marcos Soares
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Yellow Submarine
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Marcos Soares
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.932384 By The Beatles. By John Lennon and Paul McCartney. Arranged by Marcos Soares...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.932384 By The Beatles. By John Lennon and Paul McCartney. Arranged by Marcos Soares. Rock. Score and parts. 8 pages. Marcos Soares #6450729. Published by Marcos Soares (A0.932384). Yellow Submarine is a song recorded by British band The Beatles on the album Revolver, in 1966. It was also released as a single, with the song Eleanor Rigby as the B side. It's one of the band's most famous songs. The song is sung by drummer Ringo Starr, and is characterized by a strong chorus and lots of sound effects. The song inspired the creation of the eponymous musical cartoon, released two years later, and included on the soundtrack. Years later, the song was also included in the Yellow Submarine Songtrack compilation.
$12.99
Crazy Little Thing Called Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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Dwight Yoakam
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Dury Loveridge
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Crazy Little Thing Called Love
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Dury Loveridge
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.752614 By Dwight Yoakam. By Freddie Mercury and Frederick Mercury. Arranged by Dury Loveridge. Rock. S...
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String Quartet String Quartet - Level 3 - SKU: A0.752614 By Dwight Yoakam. By Freddie Mercury and Frederick Mercury. Arranged by Dury Loveridge. Rock. Score and parts. 13 pages. Dury Loveridge #3564193. Published by Dury Loveridge (A0.752614). Queen's massive 1979 hit 'Crazy Little Thing Called Love', which Freddie Mercury later claimed to have written in 'just five to ten minutes'. Still a hugely popular song, it's perfect for weddings and functions. This version is faithful to the original, with the inner parts driving that shuffle guitar riff. The cello part can be optional pizz, if you want a true double bass sound too. Arranged by professional cellist and arranger Dury Loveridge.
$12.99
Aura Lee - Love me tender - Elvis - String Quintet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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Thomas Graf
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Aura Lee - Love me tender - El
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.569120 Composed by Traditional. Arranged by Thomas Graf. Folk,Holiday,Pop. Score a...
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String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.569120 Composed by Traditional. Arranged by Thomas Graf. Folk,Holiday,Pop. Score and parts. 19 pages. Thomas Graf - the-hit-factory.com #3631541. Published by Thomas Graf - the-hit-factory.com (A0.569120). Arrangement of the famous folk tune Aura Lee (aka 'Aura Lea') is an American Civil War song about a maiden. It was written by W. W. Fosdick (words) and George R. Poulton (music). Elvis Presley took the melody in his song Love me tender . The song starts slow, and goes to a funny beat. Easy while big fun to perform!   Instrumentation: Violin 1+2, Viola 1+2, Cello 1+2            Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!       Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                     Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              Video: https://www.youtu.be/g4RNTnb7Pp0.
$16.99
Aura Lee - Love me tender - Elvis - String Orchestra
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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George R
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Thomas Graf
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Aura Lee - Love me tender - El
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.567762 Composed by George R. Poulton and George R. Poulton. Arranged by Thomas Graf. Folk,Holiday,Multicultural,Pop...
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String Orchestra - Level 3 - SKU: A0.567762 Composed by George R. Poulton and George R. Poulton. Arranged by Thomas Graf. Folk,Holiday,Multicultural,Pop,Wedding,World. Score and parts. 14 pages. Thomas Graf - the-hit-factory.com #546285. Published by Thomas Graf - the-hit-factory.com (A0.567762). Arrangement of the famous folk tune Aura Lee (aka 'Aura Lea') is an American Civil War song about a maiden. It was written by W. W. Fosdick (words) and George R. Poulton (music). Elvis Presley took the melody in his song Love me tender . The song starts slow, and goes to a funny beat. Easy while big fun to perform! Instrumentation: Violin 1+2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/c0nvi7dEO9Y
$19.99
Heroes
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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David Bowie
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Graham Boag
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Heroes
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Graham Boag
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1264664 By David Bowie. By Brian Eno and David Bowie. Arranged by Graham Boag. Pop,...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1264664 By David Bowie. By Brian Eno and David Bowie. Arranged by Graham Boag. Pop,Rock,Wedding. 18 pages. Graham Boag #857494. Published by Graham Boag (A0.1264664). This arrangement for String Quartet of Heroes which was the 12th studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with musician Brian Eno and producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for Heroes, augmented by King Crimson guitarist Robert Fripp. Heroes has received enduring praise, particularly recognised for Fripp's contributions and the album's place within Bowie's long-term artistic development. Though critical opinion has viewed Low as the more ground-breaking record, Heroes is regarded as one of Bowie's best, most influential works. The title track, initially unsuccessful as a single, has remained one of his best-known and most-acclaimed songs. An altered and obscured version of the cover artwork was later used for the cover of The Next Day (2013). Heroes has been reissued several times and was remastered in 2017 as part of the box set A New Career in a New Town (1977–1982).
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