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Transition Jam
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34
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1
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--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Transition Jam
Quatuor à cordes: 2 violons, alto, violoncelle
Partitions à imprimer
7 partitions trouvées
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Up on the Housetop for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Benjamin Russell Hanby
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James M
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Up on the Housetop for String
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1510076 Composed by Benjamin Russell Hanby. Arranged by James M. Guthrie. 19th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1510076 Composed by Benjamin Russell Hanby. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 15 pages. Jmsgu3 #1085258. Published by jmsgu3 (A0.1510076). Up On The Housetop holds significant importance in American Christmas music as it is recognized as one of the earliest secular Christmas songs, explicitly focusing on the figure of Santa Claus. Composed by Benjamin Russell Hanby in 1864, it is often cited as the first Christmas song to center around Santa, a theme likely inspired by Clement C. Moore's poem A Visit from St. Nicholas, also known as The Night Before Christmas.Historical ContextHanby, born in 1833 and died at a young age in 1867, was a minister and composer who faced challenges in his career due to his progressive views on music and his opposition to slavery. During a difficult period, he wrote Up On The Housetop as part of his efforts to support his family. This song and others he composed reflect his innovative spirit and contribution to holiday music.Cultural ImpactThe song has been embraced in popular culture, recorded by numerous artists, including Gene Autry, and remains a staple in Christmas celebrations. Its catchy melody and festive lyrics evoke the joy of Christmas, depicting Santa Claus delivering gifts to children, which has helped solidify Santa's place in American holiday traditions.ConclusionOverall, Up On The Housetop is a beloved Christmas carol and a pivotal work in the evolution of Christmas music in the United States. It marks the transition towards a more secular celebration of the holiday centered around Santa Claus. Its legacy continues to influence how Christmas is celebrated and experienced today.
$34.95
O Christmas Tree for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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James M
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O Christmas Tree for String Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1500348 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1500348 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 16 pages. Jmsgu3 #1076427. Published by jmsgu3 (A0.1500348). O Christmas Tree, originally known as O Tannenbaum, is a significant holiday carol with deep cultural and historical roots. Here are some key points regarding its importance: Origins and EvolutionGerman Roots: The carol originated in Germany, where O Tannenbaum was a traditional folk song that celebrated the fir tree's beauty and symbolized faithfulness and endurance. The melody dates back to the 16th century, and the modern lyrics were adapted by German composer Ernst Anschütz in 1824.Cultural Adaptation: In the 19th century, the song transitioned into English as O Christmas Tree, aligning with the growing Christmas tree tradition in Western cultures, particularly in the UK and the US. This adaptation reflects the broader cultural exchange and the incorporation of German customs into English-speaking Christmas celebrations.SymbolismEvergreen Significance: The lyrics of O Christmas Tree emphasize the tree's evergreen nature, which serves as a metaphor for reliability and hope. The fir tree is celebrated for its beauty and ability to remain vibrant throughout the seasons, symbolizing steadfastness and renewal.Christmas Tradition: The song has become synonymous with Christmas celebrations, marking the festive season for many families. It encapsulates the joy and warmth associated with decorating Christmas trees, a practice that has become a worldwide central aspect of holiday traditions.Musical and Cultural ImpactWidespread Popularity: O Christmas Tree is one of the most recognized Christmas carols, performed in various versions across different cultures. Its melody and themes resonate with audiences, making it a staple in holiday music repertoires.Educational Value: The carol serves as an educational tool, introducing children to concepts of cultural heritage, music history, and the significance of seasonal traditions. It allows for discussions about the evolution of holiday practices and the blending of cultural influences.In summary, O Christmas Tree is important as a beloved holiday song and a cultural artifact that reflects historical traditions, symbolism, and the spirit of Christmas.
$34.95
Guthrie: Deck the Halls for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Welsh Traditional
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James M
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Guthrie: Deck the Halls for St
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1489644 Composed by Welsh Traditional. Arranged by James M. .Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1489644 Composed by Welsh Traditional. Arranged by James M. .Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 14 pages. Jmsgu3 #1066516. Published by jmsgu3 (A0.1489644). Deck the Halls is a traditional Christmas carol with a rich history and cultural significance:Origin and Melody: The melody of Deck the Halls is derived from a Welsh tune called Nos Galan, which dates back to at least the 16th century. The carol's melody was initially associated with Welsh New Year's Eve celebrations.Lyrics: The English lyrics were written by Scottish musician Thomas Oliphant in 1862. These lyrics were published alongside the original Welsh lyrics in a collection of Welsh melodies.Cultural Context: Originally, Nos Galan was a competitive Welsh drinking song. Participants would take turns singing verses around a fire during New Year's Eve gatherings. The transition from a New Year's song to a Christmas carol occurred when the English lyrics were adapted to focus on Christmas themes.Meaning and Usage: The phrase deck the halls means to decorate for Christmas, traditionally with boughs of holly and other festive adornments. The term deck in this context means to decorate or adorn, and it is derived from the Middle Dutch word dekken, meaning to cover.Variations and Adaptations: Over time, the lyrics have been adapted in various ways, including changing the words to reflect different cultural or religious contexts, such as replacing Christmas with Yule or Yuletide.Overall, Deck the Halls is a beloved carol that combines elements of Welsh tradition with Victorian-era English lyrics, celebrating the festive spirit of the holiday season.
$34.95
Carols from The New World I (a medley of 3 US Christmas carols) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Noël
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Musique Sacrée
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John Henry, James Murray
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Lorento Golofeev
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Carols from The New World I
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Lorento Golofeev
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.529234 Composed by John Henry, James Murray. Arranged by Lorento Golofeev. Christmas. Score and parts. 20 pages....
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String Quartet String Quartet - SKU: A0.529234 Composed by John Henry, James Murray. Arranged by Lorento Golofeev. Christmas. Score and parts. 20 pages. Lorento Golofeev #4985953. Published by Lorento Golofeev (A0.529234). The first carol in the medley is We Three Kings of Orient Are, written by John Henry Hopkins Jr. in 1857. It is followed by Away In a Manger. There are 2 music settings for the text; the one used in the medley is by James Murray (1887). The last piece, Go Tell It on the Mountain, is an African-American spiritual, and is considered a Christmas carol because of the lyrics celebrating the birth of Jesus. The song was compiled by John Wesley Work Jr. around 1865. The medley is designed to be played as one piece with transitions between the carols. However, I also introduced alternate endings so every carol can be played as a stand alone piece if desired. The running time of this medley is around 5 min 20 sec. All of my arrangements include bowings, dynamics and precise articulation for easier sight-reading. Many more arrangements, both pop and classical, are available for purchase. If you liked the quality of my work, please check my list often as it is constantly expanding.To hear some of my arrangements in full, please visit the page of Ion String Quartet on YouTube: https://www.youtube.com/channel/UCIcg2FJoN0FN_-hb8XeBaVA
$8.99
Someday (August 29, 1968)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Chicago
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Jeff Tincher
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Someday
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1430393 By Chicago. By James Pankow and Robert Lamm. Arranged by Jeff Tincher. Cont...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1430393 By Chicago. By James Pankow and Robert Lamm. Arranged by Jeff Tincher. Contemporary,Film/TV,Rock. 21 pages. Jeff Tincher #1011000. Published by Jeff Tincher (A0.1430393). I did this arrangement on 5/2/2024. This song was written during the protest years of the band Chicago. It was written in reply to the Vietnam War riots at the Democrat National Convention in Chicago on August 29, 1968. It was carried live on television at that time. The reason why I did this was because the news is predicting a repeat at the Democrat National Convention this year (2024). The DNC just happens to be in Chicago again and the riots are bring predicted, again, against a war, the Israeli-Hamas war. I am hoping this arrangement will help remind people of those days and, hopefully, stop the prediction. In the original key from the band Chicago's first double lp Chicago Transit Authority. It was the second song on the 4th side, following Prologue. Both Prologue and Someday used actual audio from the riots. Duration = 4:25. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
Brahms: Prelude & Fugue, WoO 9, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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James M
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Brahms: Prelude & Fugue, W
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1417405 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1417405 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 19 pages. Jmsgu3 #998943. Published by jmsgu3 (A0.1417405). Brahms's Prelude and Fugue in A Minor was composed in 1856 when Brahms was intensively studying counterpoint and the organ. The work consists of a prelude and a fugue, a common form for organ compositions at the time. This structure allowed Brahms to showcase his mastery of free-flowing, improvisatory writing and strict contrapuntal techniques. The fugue subject features a distinctive head motive of two punctuating chords, a unifying device throughout the movement. Brahms incorporates fugal procedures not just in the fugue section but also in the transitional and developmental sections of the work, blending fugal and sonata-form elements. This foreshadows his later compositions' sophisticated integration of counterpoint and large-scale form. The Prelude and Fugue WoO 9 is an important early example of Brahms's organ works, which frame his entire compositional output. It demonstrates his mastery of the organ medium and his development as a composer during this formative period.
$32.95
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