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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Time
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509
Piano & claviers
Piano seul
4 326
Accordéon
253
Piano, Voix
28
Orgue
27
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
8
Clavecin
7
1 Piano, 4 mains
7
Instruments en Do
7
Piano, Voix et Guitare
6
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon et Orchestre
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
322
Basse electrique
212
Guitare notes et tablatures
98
Ukulele
3
2 Guitares (duo)
3
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
Piano, Guitare (duo)
1
Mandoline, Piano (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
71
Voix seule
24
Chorale TTBB
22
Chorale SSAA
12
Voix Soprano, Piano
10
Chorale 3 parties
4
Voix haute
3
Chorale SSAATTBB
3
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Alto, Piano
2
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Voix duo, Piano
1
Voix Soprano, Orchestre
1
Chorale Unison
1
Voix Tenor
1
+ 14 instrumentations
Retracter
Vents
Saxophone
3 176
Flûte traversière
1 337
Clarinette
1 263
Saxophone Alto
173
Saxophone Tenor
165
Saxophone Soprano
118
Quatuor de Saxophones: 4 saxophones
68
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
52
Flûte, Hautbois, Clarinette, Basson
51
Hautbois
48
Quatuor de Clarinettes: 4 clarinettes
45
Flûte à Bec
38
Flûte traversière et Piano
32
Quintette de Saxophone: 5 saxophones
26
2 Flûtes traversières (duo)
15
Ensemble de Clarinettes
14
Hautbois (partie séparée)
14
Saxophone Alto et Piano
13
Clarinette et Piano
12
Saxophone Soprano et Piano
9
Hautbois, Piano (duo)
8
Ensemble de saxophones
7
Saxophone Tenor et Piano
7
Ensemble de Flûtes
5
Quatuor de Flûtes : 4 flûtes
4
3 Clarinettes (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Flute (partie séparée)
3
Saxophone (partie séparée)
2
2 Saxophones (duo)
2
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Orgue
2
Flûte et Guitare
2
Clarinette, Violon (duo)
2
Flûte traversière, Orgue (duo)
1
2 Saxophones, Piano
1
Clarinette, Orchestre
1
Flûte à bec Alto, Basse continue
1
Flûte à bec Tenor
1
Flûte à bec Alto, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Saxophone, Clarinette (duo)
1
Cor anglais, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon
1
2 Hautbois (duo)
1
Flûte, Trombone (duo)
1
Flûte, Hautbois (duo)
1
+ 48 instrumentations
Retracter
Cuivres
Trompette
1 183
Trombone
1 136
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
88
Cor
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Trombone et Piano
15
Ensemble de Trombones
13
Euphonium
11
Tuba
10
Ensemble de Trompettes
7
Trompette, Piano
7
Quatuor de cuivres: 4 trombones
7
Cor et Piano
7
Tuba et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium, Piano (duo)
6
Trombone basse et Piano
3
Ensemble de Cors
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
2 Cors (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
Cor anglais, Piano
1
+ 23 instrumentations
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Cordes
Violon
577
Violoncelle
322
Alto seul
195
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon et Piano
41
Contre Basse
40
Violoncelle, Piano
24
Harpe
17
Alto, Piano
14
2 Violons (duo)
9
Trio à Cordes: violon, alto, violoncelle
7
2 Violoncelles (duo)
7
Contrebasse, Piano (duo)
5
Violon, Alto (duo)
3
Harpe, Violon (duo)
3
Harpe, Flûte (duo)
3
Violon, Violoncelle (duo)
3
Violon (partie séparée)
2
2 Altos (duo)
2
Violoncelle, Orchestre
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
Alto, Violoncelle (duo)
2
Alto et orchestre
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
1
Alto (partie séparée)
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
+ 27 instrumentations
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1 048
Orchestre
193
Orchestre d'harmonie
60
Ensemble Jazz
42
Orchestre à Cordes
38
Ensemble de cuivres
31
Orchestre de chambre
25
Jazz combo
17
Percussion
14
Ensemble de Percussions
10
Cloches
9
Fanfare
5
Vibraphone
2
Orchestre, Violon
1
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
Marimba
1
+ 12 instrumentations
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BUGLE
CHANT - CHORA…
CHARANGO
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Voix seule
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1
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
#
Carson Cooman
#
Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Quintet for Bas
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
Minuet and Trio for String Orchestra
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Orchestre de chambre
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AVANCÉ
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Janice Malan
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Minuet and Trio for String Orc
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Janice Malan
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.509265 Composed by Janice Malan. Classical,Instructional,Standards. Score and parts. 63 pages. Janice Malan #59988...
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Chamber Orchestra - Level 5 - SKU: A0.509265 Composed by Janice Malan. Classical,Instructional,Standards. Score and parts. 63 pages. Janice Malan #5998825. Published by Janice Malan (A0.509265). Minuet and Trio is composed to give your string orchestra a classical style piece of music. The piece is short but technically more difficult and contains pizzacato, slurs, 3/4 and 4/4 time signatures. The style of the piece will show off the orchestra as it performs this awesome piece for a concert or contest. The Minuet is 3/4 and the Trio part changes key and time signature. A nice piece played with a classical flair. Enjoy!
$35.00
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6...
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Chamber Orchestra - Level 5 - SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
Reprise: Pure Imagination (at The Gates Of The Factory)
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Orchestre de chambre
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AVANCÉ
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Anthony Newley and Leslie Bric
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/So...
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Chamber Orchestra - Level 5 - SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Sinfonia Concertante for 2 Horns & Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Trevor Denyer
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Trevor Denyer
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Sinfonia Concertante for 2 Hor
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Trevor Denyer
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1314538 By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevo...
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Chamber Orchestra - Level 5 - SKU: A0.1314538 By Trevor Denyer. By Heinrich Domnich. Arranged by Trevor Denyer. 19th Century,Classical. 203 pages. Trevor Denyer #903290. Published by Trevor Denyer (A0.1314538). Heinrich Domnich (1767 - 1844) was an accoomplished horn player, teacher, composer and author of an instruction book, his Méthode de Premier et de Second Cor.This piece demonstrates a complete understanding of the possibilities for the instruments and performers of the time. It is both lively in the two outside movements and dramatic in the middle one. The orchestral writing is delightful and varied and the piece deserves to be performed regularly in the future.A piano reduction is available via the excellent disertation by Evan Chancellor, which is well worth reading: https://shareok.org/handle/11244/10503.
$35.00
Sonetos del amor oscuro (Set of Parts)
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Josh Armenta, Federico Garcia-
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publi...
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Chamber Orchestra - Level 5 - SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publications #3860241. Published by NoteTaker Publications (A0.1028293). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$80.00
Sonetos del amor oscuro (Full Score)
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Orchestre de chambre
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AVANCÉ
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Josh Armenta, Federico Garcia-
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1028292 Composed by Josh Armenta, Federico Garcia-Lorca. 20th Century,Contemporary. Score and parts. 94 pages. Not...
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Chamber Orchestra - Level 5 - SKU: A0.1028292 Composed by Josh Armenta, Federico Garcia-Lorca. 20th Century,Contemporary. Score and parts. 94 pages. NoteTaker Publications #3860215. Published by NoteTaker Publications (A0.1028292). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$25.00
Antillas
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Orchestre de chambre
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AVANCÉ
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William Ortiz
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Antillas
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William Ortiz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. ...
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Chamber Orchestra - Level 5 - SKU: A0.1008993 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 252 pages. William Ortiz #6036805. Published by William Ortiz (A0.1008993). Antillas for Chamber Orchestra is a work consisting of two movements: Alborada antillana and Nocturno antillano. The piece is a reflective soundscape on the diversity and magic of the archipelago of islands in the Caribbean known as the Antilles. The rich, colorful and mysterious musical energy is depicted through out these two movements. The first at daybreak and the second at night.The fusion of the distinct musical elements is recognized through the evolving musical discourse eventually connecting to its essential roots. The polyphony of timbres and rhythms, at the same time calm and restless, manifests the natural habitat that gives birth to this sound world. Â
$43.00
Piano Concerto No. 1 - 1st Mov. (excerpt)
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Orchestre de chambre
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AVANCÉ
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Pyotr Tchaikovsky
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Dico
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Piano Concerto No. 1 - 1st Mov
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.842946 Composed by Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico #...
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Chamber Orchestra - Level 5 - SKU: A0.842946 Composed by Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico #6421467. Published by Dico (A0.842946). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PIANO CONCERTO No. 1 in Bb Major - this unusual formation, as explained above, is due to the fact that these works were commissioned for the purpose of wedding ceremonies and a limited number of musicians and performance time.Score | Fl | Ob | Hrn | Tpt | Tbn 1, 2 | Timp | Pno | Str (-Vla)
$20.00
La Création du Monde
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Orchestre de chambre
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AVANCÉ
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Darius Milhaud
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John M
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La Création du Monde
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zephyrwindmusic.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1353972 Composed by Darius Milhaud. Arranged by John M. Laverty. 20th Century,Chamber. 222 pages. Zephyrwindmusic....
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Chamber Orchestra - Level 5 - SKU: A0.1353972 Composed by Darius Milhaud. Arranged by John M. Laverty. 20th Century,Chamber. 222 pages. Zephyrwindmusic.com #938691. Published by zephyrwindmusic.com (A0.1353972). Edited by John M. Laverty. First published and ï¬rst performed in 1923, Darius Milhaud’s La Création du Monde is in many ways a cutting-edge work. Heavily influenced by American jazz at the time, it features alto saxophone as the main soloist. It also incorporates an awkwardly written percussion part that is an early example of a scored drum set part. This new edition includes an updated percussion part that is scored in a more appropriate manner for today’s musician.
$50.00
Mysteries of the Macabre
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Orchestre de chambre
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AVANCÉ
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by G...
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Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q3051. Published by Schott Music - Digital (S9.Q3051). English • German.I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the “Secret Political Police†which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate – however more accurate – continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.1 (auch Picc.) · 1 · 1 (auch Baßklar.) · 1 (auch Kontrafag.) – 1 · 1 · 1 (ad lib. auch Kontrabaßpos.) · 0 – P.S. (kl. Tr. · gr. Tr. · Tomt. · 4 Bong. · hg. Beck. · Beckenpaar · 4 Tempelbl. · Schellentr. · Crot. · Kast. · Tamt. · Glspl. · Mar. · Guero · Lotosfl. · 1 Blatt festes Pack-papier · Signalpf. · Trillerpf. · Woodbl.) – Klav. (auch Cel.) · Mand. – Str. (1 · 1 · 1 · 1 · 1).
$27.99
Chamber music No. 5
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Orchestre de chambre
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AVANCÉ
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Paul Hindemith
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Chamber music No. 5
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 1 · 2 · 2 · 1 – Str. (0 · 0 · 0 · 4 · 4) solo vi...
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1 (auch Picc.) · 1 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 1 · 2 · 2 · 1 – Str. (0 · 0 · 0 · 4 · 4) solo viola and large chamber orchestra - difficult - SKU: S9.Q1914 Viola-Concerto. Composed by Paul Hindemith. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 36/4. Duration 18 minutes. Schott Music - Digital #Q1914. Published by Schott Music - Digital (S9.Q1914).
$40.99
Piano Concerto No. 1 - 1st Mov. (excerpt)
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Orchestre de chambre
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AVANCÉ
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Various
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Dico
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Piano Concerto No. 1 - 1st Mov
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.511132 By Various. By Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dic...
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Chamber Orchestra - Level 5 - SKU: A0.511132 By Various. By Pyotr Tchaikovsky. Arranged by Dico. Romantic Period,Wedding. Score and parts. 39 pages. Dico Ferreira #122058. Published by Dico Ferreira (A0.511132). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.PIANO CONCERTO No. 1 in Bb Major - this unusual formation, as explained above, is due to the fact that these works were commissioned for the purpose of wedding ceremonies and a limited number of musicians and performance time.Score | Fl | Ob | Hrn | Tpt | Tbn 1, 2 | Timp | Pno | Str (-Vla)
$24.00
Rhapsody In Blue - wind octet / wind ensemble
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Orchestre de chambre
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AVANCÉ
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George Gershwin
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Austin Ralphson
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Rhapsody In Blue - wind octet
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Austin Ralphson
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.564088 Composed by George Gershwin. Arranged by Austin Ralphson. 20th Century,Concert,Film/TV,Jazz. Score and part...
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Chamber Orchestra - Level 5 - SKU: A0.564088 Composed by George Gershwin. Arranged by Austin Ralphson. 20th Century,Concert,Film/TV,Jazz. Score and parts. 48 pages. Austin Ralphson #6083935. Published by Austin Ralphson (A0.564088). This arrangement of Gershwin’s famous Rhapsody in Blue includes all of the main musical themes from the original piano composition, but carefully arranged to suit this group. It features most of the instruments at various points and is exciting and challenging to play across the whole ensemble. This arrangement has been performed many times and is an impressive concert item. Parts are provided for flute, oboe, 2 clarinets, 2 horns, 2 bassoons, and optional drums, glockenspiel and timpani.
$19.99
Mahler (arr. Lee): Symphony No. 4 in G Major 2nd movement, Full Score
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Orchestre de chambre
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AVANCÉ
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Classique
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.866073 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period. Score and parts. 39 pages. Ondine Pre...
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Chamber Orchestra - Level 5 - SKU: A0.866073 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period. Score and parts. 39 pages. Ondine Press #2011447. Published by Ondine Press (A0.866073). This arrangement of Mahler's most intimate orchestral work can be performed by a chamber orchestra of approximately 26 to 34 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Instrumentation: 1d1, 1d1, 2d Eflat & bass cl, 1 - 2, 0, 0, 0 - 2 (3) perc, 1 hrp - str. Illuminating.....with solos leaping out in unusually bold detail. - New York Times. NOTE: This is the full score of the 2nd movement only. Sold in individual movements due to technical limits of Digital Print Publishing regarding # of pages in a file.
$20.00
Symphony No. 4 in G Major - Score Only
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Orchestre de chambre
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AVANCÉ
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Classique
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Gustav Mahler
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Yoon Jae Lee
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bass cl
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Symphony No. 4 in G Major - Sc
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.866113 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Instructional,Multicultural,Romantic Period,World. 175...
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Chamber Orchestra - Level 5 - SKU: A0.866113 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Instructional,Multicultural,Romantic Period,World. 175 pages. Ondine Press #3407337. Published by Ondine Press (A0.866113). Instrumentation: 1d1. 1d1. 2d Eflat & bass cl. 1 - 2. 1. 0. 0 - 2 (3) perc. 1 hrp - str. This arrangement of Mahler's most intimate orchestral work can be performed by a chamber orchestra of approximately 26 to 34 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Reviews: Illuminating.....with solos leaping out in unusually bold detail. Steve Smith, New York Times http://thechronicleherald.ca/artslife/910697-sns-brings-condensed-intensity-to-mahler-fourth Click link below to purchase full score online. http://ondinepress.musicaneo.com/sheetmusic/sm-188749_mahler_arr_lee_symphony_no_4_in_g_major_full_s... Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$60.00
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