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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
COR Latin
Sheetmusicplus
Non classifié
2 492
Piano & claviers
Piano seul
1 960
Piano, Voix et Guitare
547
Piano Facile
502
Piano, Voix
470
Instruments en Do
300
Orgue
96
Accordéon
88
1 Piano, 4 mains
78
Piano grosses notes
24
2 Pianos, 4 mains
18
Piano Trio: piano, violon, violoncelle
17
Piano (partie séparée)
11
Clavecin
9
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 6 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accompagnement Piano
5
Ensemble d'Accordéons
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
2
Accordéon et Orchestre
2
Orgue, Voix
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
931
Ukulele
217
Guitare notes et tablatures
172
Guitare
140
Paroles et Accords
113
Basse electrique
60
2 Guitares (duo)
41
Mandoline
29
Guitare (partie séparée)
18
Piano, Guitare (duo)
16
4 Guitares (Quatuor)
15
Ensemble de guitares
11
3 Guitares (trio)
6
Ensemble de Ukulélés
2
3 Dulcimers (trio)
1
Mandoline, Piano (duo)
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
Banjo
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
538
Chorale 3 parties
110
Pack Instrumental pour Chorale
108
Chorale TTBB
50
Chorale 2 parties
39
Chorale Unison
39
Chorale SSAA
32
Chorale SSAATTBB
29
Soli, choeur mixte et accompagnement
8
Chorale SSATTB
8
Voix duo, Piano
7
Voix seule
6
Voix duo
6
Voix Soprano, Piano
5
Voix Alto, Piano
4
Voix basse, Piano
4
Chorale SSATB
3
Voix Baryton, Piano
3
Chorale SSAB a cappella
1
Voix Tenor, Piano
1
Voix Soprano, Orchestre
1
Voix duo, Orgue
1
Voix moyenne, Piano
1
Chorale SSAATB
1
Voix haute
1
Chorale
1
+ 21 instrumentations
Retracter
Vents
Saxophone (partie séparée)
339
Flûte traversière et Piano
190
Clarinette et Piano
130
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
128
2 Saxophones (duo)
111
2 Flûtes traversières (duo)
111
Saxophone Alto et Piano
102
2 Clarinettes (duo)
95
Quatuor de Saxophones: 4 saxophones
94
Hautbois, Piano (duo)
87
Saxophone Alto
80
Flûte, Violon, Piano
78
Saxophone Tenor et Piano
74
Flûte et Guitare
72
Quatuor de Clarinettes: 4 clarinettes
71
Flûte traversière
69
Saxophone Tenor
61
Clarinette
42
Saxophone, Clarinette (duo)
41
Flûte, Hautbois, Clarinette, Basson
36
Quatuor de Flûtes : 4 flûtes
35
Quintette de Saxophone: 5 saxophones
34
Saxophone Soprano et Piano
31
Quintette de Clarinettes: 5 clarinettes
30
Clarinette (partie séparée)
28
Flûte, Clarinette (duo)
27
Clarinette, Violon (duo)
25
Clarinette, Trompette (duo)
24
Hautbois (partie séparée)
21
2 Hautbois (duo)
21
3 Clarinettes (trio)
21
3 Saxophones (trio)
17
Flûte, Violon
16
Flûte, Saxophone (duo)
15
Flute (partie séparée)
14
Ensemble de Clarinettes
14
Hautbois, Clarinette (duo)
14
Hautbois, Flûte
13
Ensemble de Flûtes
13
Trio de Flûtes: 3 flûtes
13
Clarinette, Guitare (duo)
12
Saxophone Baryton, Piano
12
Clarinette et Alto
11
Ensemble de saxophones
10
Flûte, Trompette (duo)
9
Hautbois, Basson (duo)
9
Cor anglais, Piano
9
Flûte à Bec
8
2 Flûte à bec (duo)
8
Quatuor de Flûtes à bec
6
Saxophone et Guitare
6
Flûte traversière, Orgue (duo)
6
Instruments en Mib
6
5 Flûtes à bec
5
Harmonica
5
Flûte, Clarinette et Basson
5
Flûte à bec Soprano
5
Flûte, Violoncelle
5
Hautbois, Guitare (duo)
5
Cor Anglais
4
Flûte, Violon et Violoncelle
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
Flûte à bec Alto, Piano
4
3 Flûtes à bec (trio)
4
Flûte à bec Alto
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Hautbois (duo)
3
2 Flûtes traversières, Piano
3
Flûte, Alto (duo)
3
Flûte, Violoncelle, Guitare
2
2 Saxophones, Piano
2
Ensemble De Flûte à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone et Harpe
2
2 Clarinettes, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Cor anglais, Guitare (duo)
2
Clarinette Basse, Piano
2
3 Flûtes à bec, Piano
1
Clarinette, Violoncelle (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Ocarina
1
2 Flûtes à bec, Piano
1
Flûte, trombone et piano
1
Hautbois, Harpe
1
Flûte, alto et harpe
1
Flûte, Alto et Piano
1
Saxophone Baryton
1
Flûte à bec, Guitare (duo)
1
3 Hautbois
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
+ 92 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
320
Trombone (partie séparée)
250
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
190
Quatuor de Cuivres : 2 trompettes, trombone, tuba
115
Trompette, Piano
96
Cor (partie séparée)
93
Trompette
76
Trombone et Piano
75
Cor
65
2 Trompettes (duo)
46
Trombone
44
Cor et Piano
41
2 Trombones (duo)
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trompette, Saxophone (duo)
27
Quatuor de cuivres: 4 trombones
25
Trompette, Trombone (duo)
22
Tuba et Piano
19
Ensemble de Trombones
12
Euphonium, Piano (duo)
11
Quatuor de cuivres: 4 cors
11
Tuba (partie séparée)
9
Cor anglais, Piano
9
2 Cors (duo)
8
Tuba
8
Ensemble de Cors
7
2 Tubas (duo)
7
Bass Clef Instruments
6
Ensemble de Trompettes
6
Trio de Cuivres
6
Quatuor de Cuivres
5
Cor Anglais
4
3 Trompettes (trio)
4
Quatuor de cuivres: 4 trompettes
4
4 Tubas
3
2 Euphoniums et 2 Tubas
3
Bugle
2
Cor et Harpe
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
Cor anglais, Guitare (duo)
2
3 Trombones (trio)
1
Tuba et Orgue
1
3 Cors (trio)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
Trombone basse
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
597
Violon
97
Violoncelle, Piano
96
Alto, Piano
91
Violon, Violoncelle (duo)
67
Violon et Piano
66
2 Violoncelles (duo)
65
Trio à Cordes: violon, alto, violoncelle
61
Harpe
54
Violoncelle
52
Violon (partie séparée)
41
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Altos (duo)
31
2 Violons (duo)
29
Violon, Guitare (duo)
29
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
25
Contrebasse (partie séparée)
23
Alto seul
22
2 Harpes (duo)
20
Violoncelle , Guitare (duo)
16
Alto (partie séparée)
15
Contrebasse, Piano (duo)
14
4 Violoncelles
11
Trio à cordes: 3 violins
10
Trio à Cordes: 3 violoncelles
10
Alto, Guitare (duo)
10
Contre Basse
9
Alto, Violoncelle (duo)
8
Quatuor à cordes : 4 altos
7
Trio à cordes: 3 altos
4
Harpe, Violon (duo)
4
Harpe, Trombone (duo)
3
Trio à Cordes: 2 violons, alto
3
2 Contrebasses (duo)
3
Violoncelle (partie séparée)
3
Harpe, Voix
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Alto, Orgue
1
4 Contrebasses
1
Trio à cordes
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
1 541
Orchestre d'harmonie
645
Orchestre à Cordes
287
Orchestre
256
Fanfare
243
Jazz combo
236
Ensemble de cuivres
119
Orchestre de chambre
70
Ensemble de Percussions
67
Batterie
53
Percussion (partie séparée)
49
Cloches
35
Batterie (partie séparée)
27
Marimba
15
Percussion
8
Quintette à Vent
6
Vibraphone
5
Timbales (partie séparée)
5
Ensemble d'École
3
Piano et Orchestre
2
Timbales
1
Big band
1
Xylophone
1
Vibraphone et Marimba
1
Quatuor à Vent : 4 instruments à vents
1
Instrumentation Flexible
1
Bongos
1
+ 22 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMPETTE
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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COR Latin
SheetMusicPlus
Partitions à imprimer
70 partitions trouvées
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51
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Pineapple Unicorn Mambo (String Orchestra and Piano)
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Orchestre de chambre
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FACILE
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Tyler Merideth
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Pineapple Unicorn Mambo
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Tyler Merideth
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.782519 Composed by Tyler Merideth. Contemporary,Instructional,Jazz,Latin. Score and parts. 12 pages. Tyler Meridet...
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Chamber Orchestra - Level 2 - SKU: A0.782519 Composed by Tyler Merideth. Contemporary,Instructional,Jazz,Latin. Score and parts. 12 pages. Tyler Merideth #3540271. Published by Tyler Merideth (A0.782519). Pineapple Unicorn Mambo was originally written as a solo supplement for young violinists
$19.99
Gaucho (Corta-Jaca
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Orchestre de chambre
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INTERMÉDIAIRE
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Latin/Musique du monde
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Chiquinha Gonzaga
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Eliseu Ferreira
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Gaucho
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Eliseu Ferreira
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SheetMusicPlus
Composed by Chiquinha Gonzaga (1847-1935). Arranged by Eliseu Ferreira. Folk, Instructional, Latin, Romantic Period, Traditional. Score and parts. 20 ...
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Composed by Chiquinha Gonzaga (1847-1935). Arranged by Eliseu Ferreira. Folk, Instructional, Latin, Romantic Period, Traditional. Score and parts. 20 pages. Eliseu Ferreira #379851. Published by Eliseu Ferreira
$15.00
Concierto para Corno y Cuerdas (Concerto for Horn & Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Carlos Zamora
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Concierto para Corno y Cuerdas
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Editorial Nacional
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.992380 Composed by Carlos Zamora. 20th Century,Contemporary,Latin,Standards. Score and parts. 32 pages. Editorial ...
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Chamber Orchestra - Level 4 - SKU: A0.992380 Composed by Carlos Zamora. 20th Century,Contemporary,Latin,Standards. Score and parts. 32 pages. Editorial Nacional #3479459. Published by Editorial Nacional (A0.992380). Parts: rental only. Please contact francia.gomez@editorialnacional.cl
$20.00
The Desert Sun - Small Orchestra Score and Parts PDF
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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The Desert Sun - Small Orchest
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Published by BJE Music (A0.750850). This little tune with a slight latin flavour will probably part of a suite. It reminded me of the desert sun going slowly down below the horizon and a cool evening setting in. It is scored for small orchestra with no Trumpet, Trombone or Tuba parts.Grade = 3 Duration = 2:00 mins.
$15.00
Contrabass Concerto (Latin Style)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Arthur Barbosa
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Contrabass Concerto
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ARTHUR BARBOSA NETO
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.988297 Composed by Arthur Barbosa. Contemporary,World. Score and parts. 138 pages. ARTHUR BARBOSA NETO #6059241. P...
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Chamber Orchestra - Level 4 - SKU: A0.988297 Composed by Arthur Barbosa. Contemporary,World. Score and parts. 138 pages. ARTHUR BARBOSA NETO #6059241. Published by ARTHUR BARBOSA NETO (A0.988297). A contrabass concerto in Latin American style with string orchestra and percussion . Vibrant and challenger for the soloist.
$50.00
A Latin Touch, Samba for Flute and Strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Jazz
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Klaus Silbernagl
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A Latin Touch, Samba for Flute
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Klaus Silbernagl
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.983935 Composed by Klaus Silbernagl. Jazz. Score and parts. 8 pages. Klaus Silbernagl #3451755. Published by Klaus...
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Chamber Orchestra - Level 3 - SKU: A0.983935 Composed by Klaus Silbernagl. Jazz. Score and parts. 8 pages. Klaus Silbernagl #3451755. Published by Klaus Silbernagl (A0.983935). A swinging samba for flute and strings. Transposed parts for free if needed.klaus.silbernagl@hk.mailbox.de
$4.99
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
[Schober] Lamentations (Full Score)
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Orchestre de chambre
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Contemporain
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Brian Schober
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[Schober] Lamentations
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952847 Composed by Brian Schober. Contemporary. Score and parts. 57 pages. American Composers Alliance Inc. #4625201. Publis...
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Chamber Orchestra - SKU: A0.952847 Composed by Brian Schober. Contemporary. Score and parts. 57 pages. American Composers Alliance Inc. #4625201. Published by American Composers Alliance Inc. (A0.952847). A song cycle for baritone and chamber orchestra on various latin texts. Instrumentation: solo baritone, harp, piano, percussion (1 player), 3 violins, 3 violas, 3 cellos, and 2 basses.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$17.95
Asphixivision (Score & Parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young ...
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Chamber Orchestra - Level 4 - SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
PIE JESU (from 'Requiem in D minor', Op. 48) FULL SCORE AND PARTS REEDITED
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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Flavio Regis Cunha
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PIE JESU
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.597295 Composed by Gabriel Faure. Arranged by Flavio Regis Cunha. Concert,Contemporary,Easter,Romantic Period,Sacr...
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Chamber Orchestra - Level 3 - SKU: A0.597295 Composed by Gabriel Faure. Arranged by Flavio Regis Cunha. Concert,Contemporary,Easter,Romantic Period,Sacred. Score and parts. 28 pages. Flavio Regis Cunha #5222165. Published by Flavio Regis Cunha (A0.597295). Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
$9.99
Flying South Oboe Solo with Orchestra Score and Parts PDF
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Orchestre de chambre
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INTERMÉDIAIRE
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Brendan Elliget MAGA 537
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Flying South Oboe Solo with Or
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Pu...
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Chamber Orchestra - Level 3 - SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Published by BJE Music (A0.750876). This little piece features a plaintive yet restful Oboe Solo theme with Small Orchestra of Flute, Oboe, 3 Clarinets, Horns in F, Bassoon, Violin 1, Violin 2, Viola, Cello, Double Bass, Piano and Harp… It suggested to me a bird or group of birds flying. Let me know what you think…The MP3 certainly gives a better idea of how the piece should sound! Grade = 3.5 Duration 3 mins. .
$20.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Flavio Regis Cunha
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Aria: Erbarme Dich, mein Gott
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easte...
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Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 21 pages. FRC Music #110623. Published by FRC Music (A0.496445). The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo. Intermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$18.49
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flávio Régis Cunha
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Aria: Erbarme Dich, mein Gott
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,E...
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Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99
Bésame Mucho
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Orchestre de chambre
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INTERMÉDIAIRE
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Consuelo Velazquez
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Amir Awad
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Bésame Mucho
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Amir Awad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1379044 Composed by Consuelo Velazquez. Arranged by Amir Awad. Broadway,Jazz,Latin,Musical/Show. 11 pages. Amir Aw...
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Chamber Orchestra - Level 3 - SKU: A0.1379044 Composed by Consuelo Velazquez. Arranged by Amir Awad. Broadway,Jazz,Latin,Musical/Show. 11 pages. Amir Awad #963760. Published by Amir Awad (A0.1379044). Besame Mucho , Arranged for Voice accompained by Trumpet , Corno and String Orchestra in D minor.
$50.00
Bésame Mucho
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Orchestre de chambre
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INTERMÉDIAIRE
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Consuelo Velazquez
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Amir Awad
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Bésame Mucho
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Amir Awad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1379038 Composed by Consuelo Velazquez. Arranged by Amir Awad. Broadway,Jazz,Latin,Musical/Show,Pop. 10 pages. Ami...
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Chamber Orchestra - Level 3 - SKU: A0.1379038 Composed by Consuelo Velazquez. Arranged by Amir Awad. Broadway,Jazz,Latin,Musical/Show,Pop. 10 pages. Amir Awad #963753. Published by Amir Awad (A0.1379038). Besame Mucho arranged for Voice accompained by Trumpet and Corno and String Orchestra , in A minor.
$50.00
Balloon Ride
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
Swiss Rhumba
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Jancso
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Swiss Rhumba
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Thomas Jancso
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1446917 Composed by Thomas Jancso. Chamber,Contemporary,Latin. 11 pages. Thomas Jancso #1026687. Published by Thom...
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Chamber Orchestra - Level 3 - SKU: A0.1446917 Composed by Thomas Jancso. Chamber,Contemporary,Latin. 11 pages. Thomas Jancso #1026687. Published by Thomas Jancso (A0.1446917). A rhumba for three accordions, double bass and percussion. Score and all Parts.
$15.00
Tango
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Orchestre de chambre
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INTERMÉDIAIRE
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Tango
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Goran Bregovich
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Elena Ionova
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Tango
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Elenaviolin
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1261478 Composed by Goran Bregovich. Arranged by Elena Ionova. Chamber,Latin. Score and Parts. 6 pages. Elenavioli...
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Chamber Orchestra - Level 3 - SKU: A0.1261478 Composed by Goran Bregovich. Arranged by Elena Ionova. Chamber,Latin. Score and Parts. 6 pages. Elenaviolin #854556. Published by Elenaviolin (A0.1261478). Beautiful music for any concert for  Accordion & Strings.Classical String Quartet/Quintet collection are extremely useful for performing musicians.
$15.00
Tango en skai
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Orchestre de chambre
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INTERMÉDIAIRE
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Tango
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Roland Dyens
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Elena Ionova
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Tango en skai
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Elenaviolin
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1261492 Composed by Roland Dyens. Arranged by Elena Ionova. Chamber,Latin. Score and Parts. 14 pages. Elenaviolin ...
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Chamber Orchestra - Level 3 - SKU: A0.1261492 Composed by Roland Dyens. Arranged by Elena Ionova. Chamber,Latin. Score and Parts. 14 pages. Elenaviolin #854570. Published by Elenaviolin (A0.1261492). Beautiful music for any concert for  Clarinet , Accordion & Strings.Classical String Quartet/Quintet collection are extremely useful for performing musicians.
$20.00
Saviour, Like A Shepherd Lead Us (Orch.)
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Orchestre de chambre
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INTERMÉDIAIRE
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William B
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Ric Flauding
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Saviour, Like A Shepherd Lead
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Denise Lea Flauding
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.867956 Composed by William B. Bradbury & Dorothy A. Thruff. Arranged by Ric Flauding. 20th Century,Christian,Latin...
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Chamber Orchestra - Level 3 - SKU: A0.867956 Composed by William B. Bradbury & Dorothy A. Thruff. Arranged by Ric Flauding. 20th Century,Christian,Latin,Sacred. Score and parts. 50 pages. Denise Lea Flauding #3429407. Published by Denise Lea Flauding (A0.867956). The recording features guitar, but is also a stand-alone orchestral arrangement. flaudingmusic.com
$20.00
Tasto
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Orchestre de chambre
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Ser
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Tasto
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Ser...
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Chamber Orchestra - SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto d...
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Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6...
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Chamber Orchestra - SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6248427. Published by Sergio Roberto de Oliveira (A0.962367). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.50
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