Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ace Of Base
Non classifié
405
Piano & claviers
Piano seul
255
Piano, Voix
215
Orgue
59
Accompagnement Piano
52
Piano Facile
46
Piano, Voix et Guitare
44
Instruments en Do
9
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
4
Clavecin
3
2 Pianos, 8 mains
1
Accordéon
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
22
Guitare notes et tablatures
8
Guitare (partie séparée)
7
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
6
4 Guitares (Quatuor)
3
2 Mandolines (duo)
2
Dulcimer
2
Ukulele
2
Basse electrique
2
Banjo
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
235
Chorale 3 parties
53
Voix Alto, Piano
39
Chorale 2 parties
39
Chorale Unison
35
Voix Soprano, Piano
35
Voix Tenor, Piano
33
Chorale TTBB
31
Voix Baryton, Piano
16
Voix duo, Piano
16
Chorale SSAA
14
Voix haute
6
Voix Tenor
4
Voix duo
3
Chorale SSAATTBB
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix seule
1
+ 13 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Quintette de Saxophone: 5 saxophones
22
Saxophone (partie séparée)
21
Flûte traversière et Piano
19
Quatuor de Saxophones: 4 saxophones
16
Quatuor de Clarinettes: 4 clarinettes
15
Clarinette et Piano
13
Flûte, Hautbois, Clarinette, Basson
12
Hautbois, Piano (duo)
12
2 Flûtes traversières (duo)
12
Clarinette
12
Flûte traversière
11
Flûte et Guitare
11
Saxophone Alto et Piano
10
2 Saxophones (duo)
9
Ensemble de Clarinettes
9
Quintette de Clarinettes: 5 clarinettes
8
2 Clarinettes (duo)
7
Flute (partie séparée)
7
Ensemble de saxophones
6
Saxophone Tenor et Piano
6
Clarinette, Guitare (duo)
6
Quatuor de Flûtes : 4 flûtes
6
3 Clarinettes (trio)
6
Quintette de Flûte : 5 flûtes
5
Saxophone Soprano et Piano
5
Ensemble de Flûtes
5
Saxophone Alto
5
Hautbois (partie séparée)
4
2 Hautbois (duo)
3
Saxophone Baryton, Piano
3
Flûte, Clarinette (duo)
3
3 Saxophones (trio)
3
Saxophone Tenor
3
Trio de Flûtes: 3 flûtes
3
Flûte, Violon et Violoncelle
2
Flute, harpe et violon
2
Flûte, Hautbois (duo)
1
2 Cors Anglais Et Pianoforte
1
Piccolo, Piano
1
Flûte à bec Alto
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette (partie séparée)
1
Clarinette, Basson (duo)
1
Flûte, Trombone (duo)
1
Cor anglais, Guitare (duo)
1
Clarinette, Orchestre
1
Hautbois, Guitare (duo)
1
Cor anglais, Piano
1
Cor Anglais
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse, Piano
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trombone (partie séparée)
22
Trompette (partie séparée)
19
Trombone et Piano
13
Trompette, Piano
11
Trompette
9
Ensemble de Trombones
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor et Piano
8
Cor
6
Ensemble de Trompettes
5
Trombone
5
Tuba (partie séparée)
4
Tuba et Piano
4
2 Trombones (duo)
3
2 Trompettes (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor (partie séparée)
3
Tuba
2
Trompette, Trombone (duo)
2
Quatuor de Cuivres
2
2 Cors (duo)
2
Euphonium, Piano (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone, Orgue
1
Cor anglais, Guitare (duo)
1
3 Trompettes (trio)
1
Cor anglais, Piano
1
Cor Anglais
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
Ensemble de Cors
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
93
Violon et Piano
34
Violon, Violoncelle (duo)
21
Violoncelle, Piano
16
Violon
13
Alto, Piano
10
Violoncelle
10
2 Violons (duo)
8
Trio à Cordes: violon, alto, violoncelle
5
Contrebasse (partie séparée)
5
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Harpe
5
2 Altos (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
4
Ensemble de Violons
3
Alto (partie séparée)
3
Violon, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Alto (duo)
1
Ensemble d'Altos
1
Flûte, Contrebasse (duo)
1
Violon, Orgue
1
4 Harpes
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
195
Ensemble Jazz
73
Orchestre
53
Orchestre à Cordes
44
Orchestre de chambre
27
Ensemble de cuivres
24
Cloches
17
Batterie
6
Jazz combo
6
Batterie (partie séparée)
5
Ensemble de Percussions
5
Vibraphone
5
Marimba
3
Orchestre, Violon
3
Percussion
2
Piano et Orchestre
2
Fanfare
1
Percussion (partie séparée)
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
658
Partitions Numériques
27
Librairie Musicale
10
Matériel de Musique
2 057
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Ace Of Base
Orchestre de chambre
Partitions à imprimer
27 partitions trouvées
<
1
26
"On the beaches of Tijuana"
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Luis Carlos Diaz
#
Luis Carlos Diaz
#
}p { margin-bottom: 0.1in
#
"On the beaches of Tijuan
#
azdi
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
VIVALDI Antonio: Gelido in ogni vena, aria from the opera Il Farnace, score and parts (F minor)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Gelido in ogn
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868988 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868988 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 20 pages. Really Good Music, LLC. #6058505. Published by Really Good Music, LLC. (A0.868988). Gelido in ogni vena is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of F minor (C4 – G5) for high voice.
$29.00
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (G majo
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aur
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868991 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868991 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062547. Published by Really Good Music, LLC. (A0.868991). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of G major (D4 – G5) for high voice.
$24.00
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (F majo
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aur
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868990 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868990 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062545. Published by Really Good Music, LLC. (A0.868990). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of F major (C4 – F5) for low voice.
$24.00
VIVALDI Antonio: Gelido in ogni vena, aria from the opera Il Farnace, score and parts (D minor)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Gelido in ogn
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868986 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868986 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 20 pages. Really Good Music, LLC. #6058513. Published by Really Good Music, LLC. (A0.868986). Gelido in ogni vena is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement.The aria is available in the key of D minor (A3 – E5) for low voice.
$29.00
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Rachel J Peters
#
The Wild Beast of the Bungalow
#
Rachel J Peters
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
$70.00
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
The Egret's Wishes《白鷺鷥的願望》
#
Orchestre de chambre
#
Ma Shui Long 馬水é¾
#
#
The Egret's Wishes《ç™
#
SpringAutumnmusic
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic ...
(+)
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach and Neth
#
Flavio Regis Cunha
#
Bach: Aria 'Mache dich, mein H
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Honrpipe (From 'Water Music Suite No. 1' in F, HWV 348)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Georg Friedrich HÄNDEL Â
#
Flavio Regis Cunha
#
Honrpipe
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597305 Composed by Georg Friedrich HÄNDEL  . Arranged by Flavio Regis Cunha. Baroque,Concert,Holiday,Weddin...
(+)
Chamber Orchestra - Level 4 - SKU: A0.597305 Composed by Georg Friedrich HÄNDEL  . Arranged by Flavio Regis Cunha. Baroque,Concert,Holiday,Wedding. Score and parts. 29 pages. Flavio Regis Cunha #5304533. Published by Flavio Regis Cunha (A0.597305). This beautiful edition of Handel's well-known worldwide 'Hornpipe' was based on the Halle Handel Edition. In this edition you will find optional parts for two flutes and timpani. The continuo was realized and can be replaced by the organ as optional. This 'Hornpipe' from Handel's Water Music (HWV 349) transcription is also a combination of the Halle Handel Edition and the recording performed by the FestspielOrchester Göttingen with Laurence Cummings as director (https://www.youtube.com/watch?v=1h4mAceHmrI).This score is an excellent purchase for your group, or archive. You and your ensemble will love playing along with the eardrums. Your audience will be enchanted by the vibrant power of this piece.
$9.99
Tasto
#
Orchestre de chambre
#
Ser
#
Tasto
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Ser...
(+)
Chamber Orchestra - SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
Pr'os lados do Piaui, entre a Turquia e a Alemanha
#
Orchestre de chambre
#
Sergio Roberto de Oliveira
#
Pr'os lados do Piaui, entre a
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto d...
(+)
Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
Quadrado
#
Orchestre de chambre
#
Sergio Roberto de Oliveira
#
Quadrado
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6...
(+)
Chamber Orchestra - SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6248427. Published by Sergio Roberto de Oliveira (A0.962367). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.50
2 Momentos
#
Orchestre de chambre
#
Contemporain
#
Sergio Roberto de Oliveira
#
2 Momentos
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio R...
(+)
Chamber Orchestra - SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio Roberto de Oliveira #2951589. Published by Sergio Roberto de Oliveira (A0.962308). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$28.80
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Georg Friedrich Händel, Ali
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35:
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Little Laser Lady for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Little Laser Lady for chamber
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
Landscape before sunrise for c
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
Colin Bayliss
#
An amble round Mercury for cha
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
(+)
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Concerto for Two Violas and Chamber Orchestra by Scott Slapin (SCORE ONLY) - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Scott Slapin
#
Concerto for Two Violas and Ch
#
Violacentric Publications
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.749667 Composed by Scott Slapin. 20th Century,Contemporary,Romantic Period. 86 pages. Violacentric Publications #5...
(+)
Chamber Orchestra - Level 3 - SKU: A0.749667 Composed by Scott Slapin. 20th Century,Contemporary,Romantic Period. 86 pages. Violacentric Publications #5891027. Published by Violacentric Publications (A0.749667). A concerto for two violas and chamber orchestra (strings and optional flute/clarinet) based on some of Slapin's chamber works (Prelude, Nocturne, and Suspension). Three movements. SCORE ONLY (paper size 11x14). Parts sold separately. Orchestra parts can be played by string quartet.More information: http://www.scottslapin.com.
$40.00
H.M.S. Surprise
#
Orchestre de chambre
#
AVANCÉ
#
Julian Harvey
#
H.M.S. Surprise
#
Julian Harvey
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
Woodland Sketches (chamber orchestra)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Edward MacDowell
#
Tim Laughlin
#
Woodland Sketches
#
Tim Laughlin
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.877109 Composed by Edward MacDowell. Arranged by Tim Laughlin. 20th Century,Folk,Romantic Period,World. Score and ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.877109 Composed by Edward MacDowell. Arranged by Tim Laughlin. 20th Century,Folk,Romantic Period,World. Score and parts. 110 pages. Tim Laughlin #4747533. Published by Tim Laughlin (A0.877109). Woodland Sketches, op. 51, remains the most famous work from American late-Romantic composer Edward MacDowell and a favorite of pianists. Here orchestrated from the original piano version to small chamber orchestra (min. 12 players), the work includes the plaintive To a Wild Rose, based on a Brotherton Native American melody and later adapted by Nat King Cole. Performable in whole or in part, these 10 vignettes spray of color, from the graceful Water-lily to the stately Indian Lodge and the dancing Uncle Remus.
$54.95
Concertino - for clarinet, mandolin and symphony orchestra
#
Orchestre de chambre
#
Klezmer
#
Ofer Ben-Amots
#
Concertino - for clarinet, man
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
(+)
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Canticum Canticorum for Krzysztof Penderecki
#
Orchestre de chambre
#
AVANCÉ
#
MohammadHadi Ayanbod
#
Canticum Canticorum for Krzysz
#
Rimorarte Edition
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Mermaid in the Jar Full Score - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Rachel J Peters
#
Mermaid in the Jar Full Score
#
Rachel J Peters
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Hancock Shaker Village
#
Thomas Oboe Lee
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
(+)
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
<
1
26
Ace Of Base