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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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PIANO
SAXOPHONE
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PIANO & CLAVIERS
Piano seul
1227
Piano Facile
833
Piano, Voix
231
1 Piano, 4 mains
193
Orgue
125
Piano, Voix et Guitare
102
Instruments en Do
83
Piano Trio: piano, violon, violoncelle
17
Piano Quintette: piano, 2 violons, alto, violoncelle
14
2 Pianos, 4 mains
10
Orgue, Piano (duo)
7
Accompagnement Piano
7
1 Piano, 6 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
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4
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3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Fake Book
1
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GUITARES
Ukulele
164
Guitare
149
Piano, Guitare (duo)
113
Guitare notes et tablatures
79
Ligne De Mélodie, (Paroles) et Accords
36
2 Guitares (duo)
15
Guitare (partie séparée)
14
3 Guitares (trio)
3
Basse electrique
3
Dulcimer
2
Guitare, Violon, Violoncelle (trio)
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
Instrumentations suivantes
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VOIX
Chorale SATB
278
Chorale 3 parties
94
Chorale 2 parties
49
Voix Soprano, Piano
43
Chorale Unison
33
Voix Baryton, Piano
31
Voix Alto, Piano
29
Voix Tenor, Piano
28
Chorale SSAA
11
Chorale TTBB
10
Voix seule
8
Voix haute
7
Voix moyenne, Piano
7
Voix duo
4
Voix duo, Piano
4
Chorale SSAATTBB
2
Voix Soprano
1
Voix basse
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
322
Clarinette et Piano
302
Hautbois, Piano (duo)
284
Saxophone Alto et Piano
220
Saxophone Tenor et Piano
195
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
175
Quatuor de Clarinettes: 4 clarinettes
124
Clarinette
119
Quatuor de Saxophones: 4 saxophones
113
Quintette de Saxophone: 5 saxophones
103
Flûte traversière
98
2 Saxophones (duo)
88
2 Flûtes traversières (duo)
77
Saxophone Alto
73
Quatuor de Flûtes : 4 flûtes
66
Saxophone Soprano et Piano
58
Saxophone (partie séparée)
56
Hautbois (partie séparée)
53
2 Clarinettes (duo)
51
Ensemble de saxophones
50
Flûte, Hautbois, Clarinette, Basson
48
Saxophone Tenor
46
3 Clarinettes (trio)
38
Ensemble de Clarinettes
35
Cor anglais, Piano
30
Quintette de Clarinettes: 5 clarinettes
30
Saxophone Baryton, Piano
30
3 Saxophones (trio)
25
Quintette de Flûte : 5 flûtes
23
Flûte et Guitare
22
Ensemble De Flûte à bec
19
Ensemble de Flûtes
17
Trio de Flûtes: 3 flûtes
15
Flûte à bec Soprano
14
Flûte à bec Tenor
13
Clarinette Basse, Piano
12
2 Flûte à bec (duo)
12
Flûte à Bec
12
Hautbois
11
2 Hautbois (duo)
11
Flute (partie séparée)
10
Hautbois, Basson (duo)
9
Clarinette, Violoncelle (duo)
8
Flûte, Violon, Piano
8
Quatuor de Flûtes à bec
8
Clarinette, Guitare (duo)
7
Saxophone Baryton
7
Saxophone Soprano
7
Flûte à bec Alto
6
Clarinette, Basson (duo)
6
5 Flûtes à bec
6
Hautbois, Flûte
5
Flûte, Violoncelle
5
Cor Anglais
5
Piccolo
4
Flûte, Clarinette (duo)
4
Flûte, Violoncelle, Guitare
3
3 Flûtes à bec (trio)
3
Hautbois, Violoncelle
3
Clarinette, Violon (duo)
3
Flûte, Hautbois (duo)
3
Piccolo, Piano
3
Flûte, Clarinette et Basson
3
2 Cors Anglais Et Pianoforte
2
Flûte à Bec, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Trombone (duo)
2
Flûte à bec Soprano, Piano
2
Flûte à bec Alto, Piano
2
Harmonica
2
2 Clarinettes, Piano
2
2 Saxophones, Piano
1
Cornemuse
1
Flûte, Basson et Piano
1
Saxophone
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Harpe (duo)
1
Ocarina
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Flûte, Alto (duo)
1
Clarinette, Orchestre
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Harpe
1
Flûte, Violon
1
Hautbois, Violoncelle et Piano
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette Basse
1
Flûte à bec, Harpe
1
Flûte et Quatuor à Cordes
1
Clarinette (partie séparée)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
265
Trombone et Piano
217
Trompette
179
Quatuor de Cuivres : 2 trompettes, trombone, tuba
157
Trompette, Piano
113
Trombone
81
Cor et Piano
64
Quatuor de Cuivres: 2 trompettes, Cor, trombone
48
Quatuor de Cuivres
45
Trompette (partie séparée)
38
Cor
34
Cor anglais, Piano
30
Euphonium, Piano (duo)
29
2 Cors (duo)
28
Trombone (partie séparée)
26
Ensemble de Trombones
22
Quatuor de cuivres: 4 trombones
21
Tuba et Piano
19
Tuba
18
2 Trompettes (duo)
15
2 Trombones (duo)
12
Ensemble de Trompettes
8
Trio de Cuivres
7
2 Tubas (duo)
6
Euphonium
6
Trompette, Trombone (duo)
6
Cor (partie séparée)
5
Trombone basse
5
Cor Anglais
5
Quatuor de cuivres: 4 trompettes
4
Quatuor de cuivres: 4 cors
4
Cor, Violoncelle (duo)
3
3 Tubas (trio)
3
Tuba et Orgue
3
2 Euphoniums (duo)
3
Tuba (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Saxophone (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
4 Tubas
1
3 Euphoniums
1
Trompette, Basson (duo)
1
3 Cors (trio)
1
Trombone et orchestre
1
Euphonium, Tuba (duo)
1
Trombone, Cor (duo)
1
3 Trombones (trio)
1
Cor et Basson (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
430
Violon et Piano
327
Alto, Piano
260
Violoncelle, Piano
256
Violon
133
Violoncelle
108
2 Violons (duo)
52
Trio à Cordes: violon, alto, violoncelle
43
Alto seul
43
Violon, Violoncelle (duo)
32
2 Altos (duo)
28
2 Violoncelles (duo)
26
Violon, Alto (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Violon, Guitare (duo)
20
Harpe
20
Trio à cordes: 3 violins
17
Alto (partie séparée)
14
Violon (partie séparée)
12
Alto, Violoncelle (duo)
12
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Trio à Cordes: 3 violoncelles
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
9
Contre Basse
8
Trio à cordes: 3 altos
8
4 Violoncelles
7
Violoncelle, Contrebasse (duo)
7
Contrebasse (partie séparée)
6
Trio à Cordes: 2 violons, alto
5
Violoncelle , Guitare (duo)
4
Ensemble d'Altos
4
Violon, Basson (duo)
4
Ensemble de Violons
4
Alto, Guitare (duo)
4
Alto et Basson
3
2 Contrebasses (duo)
3
Quatuor à cordes: 4 violons
3
Violoncelle (partie séparée)
3
Quatuor à cordes : 4 altos
2
Harpe, Violon (duo)
2
Violoncelle, Basse continue
2
Violon, Basse continue
1
Flûte, Contrebasse (duo)
1
Harpe et Piano
1
2 Harpes (duo)
1
Harpe, Flûte (duo)
1
4 Contrebasses
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
533
Orchestre
285
Orchestre à Cordes
165
Orchestre de chambre
81
Cloches
73
Ensemble de cuivres
64
Fanfare
52
Ensemble Jazz
45
Ensemble de Percussions
29
Jazz combo
12
Batterie
10
Marimba
7
Piano et Orchestre
5
Percussion (partie séparée)
3
Batterie (partie séparée)
3
Vibraphone
1
Xylophone, Piano
1
Xylophone
1
2 Marimbas
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Composer 1
Orchestre de chambre
Partitions à imprimer
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76
Fantazia No. 1 for Trombone or Low Brass Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.508202 Arranged by Eric Burg…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.508202 Arranged by Eric Burger Music. Baroque. Score and parts. 24 pages. Eric Burger Music #3514821. Published by Eric Burger Music (A0.508202). From Psalmes, Songs, and Sonnets, No. 23, T 389 (1611) This lively work from the great composer William Byrd has great interest and challenges for your group, and will wow your audience. A multi section work with time and modal changes will delight. View the score with playback at:https://youtu.be/DxZR0yjCoJs This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$14.00
12.83 €
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Orchestre de chambre
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Eric Burger Music
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Fantazia No. 1 for Trombone or Low Brass Sextet
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Eric Burger Music
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SheetMusicPlus
Beethoven, piano sonata No.15 movement 1 - orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig v…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Chamber,Classical. 79 pages. Scott Fields Davis #817317. Published by Scott Fields Davis (A0.1221354). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. This is an orchestral arrangement of the first movement of the 15th sonata. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 12 minutes and 55 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
14.66 €
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Orchestre de chambre
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Ludwig van Beethoven
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Scott Fields Davis
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Beethoven, piano sonata No.15 movement 1 - orchestra
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Scott Fields Davis
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SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
3.66 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Stefano Torchio
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SheetMusicPlus
Gymnopedie No. 1 (for small chamber orchestra and solo violin)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Sati…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.923580 Composed by Erik Satie. Arranged by CJ Darnieder. Romantic Period. Score and parts. 15 pages. CJ Darnieder #3475075. Published by CJ Darnieder (A0.923580). Set of parts, for full score: https://www.sheetmusicplus.com/title/gymnopedie-no-1-for-small-chamber-orchestra-and-solo-violin-dig...Satie's famous and gorgeous Gymnopedie No.1 in a unique arrangement by CJ Darnieder. Instrumentation is as follows:1 flute, 1 oboe, 1 clarinet, 1 bassoon, 2 horns, harp, solo violin, and strings*For younger ensembles, doubling woodwinds is an option. *Piano may also be substituted for harp if harmonics are omitted or performed up the octave.*For more professional ensembles, the smaller the string section, the better.If you have any questions or would like to perform this arrangement, please do not hesitate to contact me! composercjdarnieder@gmail.com.
$6.00
5.5 €
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Orchestre de chambre
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Erik Satie
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CJ Darnieder
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Gymnopedie No. 1
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CJ Darnieder
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SheetMusicPlus
1. Sinfonie
Orchestre de chambre
1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0…
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1 (auch Picc.) · Altfl. (auch Picc.) · 1 · Engl. Hr. · 0 · Bassklar. · 0 - 2 · 2 · 0 · 0 - P. - Hfe. · Cel. · Klav. - Str. chamber orchestra - Digital Download SKU: S9.Q3040 New version for chamber orchestra. Composed by Hans Werner Henze. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 17 minutes. Schott Music - Digital #Q3040. Published by Schott Music - Digital (S9.Q3040). In contrast to many composerswho only began to write symphonies in their maturity, Hans Werner Henze composed his First Symphony when he was 20. Henze himself later described this original version as a complete failure – a revised version of the work was performed in Berlin in 1964: Rhythmic, harmonic, and melodic cells from the original version remain, and in the slow movement there are almost no changes; otherwise everything is new, different, and better. - Hans Werner Henze.
$34.99
32.06 €
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Orchestre de chambre
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Hans Werner Henze
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1. Sinfonie
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Schott Music - Digital
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SheetMusicPlus
Sacred Prelude No. 1 for Organ and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.572670 Composed by James Mic…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.572670 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Standards,Wedding. Score and parts. 29 pages. James M Stevens Music ASCAP #3877747. Published by James M Stevens Music ASCAP (A0.572670). This is an original composition for Organ and Orchestra with the orchestra parts written around Stevens' bestselling organ solo, Sacred Prelude No. 1 for Organ. Contains full conductor score, original organ solo, and parts. Fl 1, 2, Oboe, Trp 1, 2, Tbone, tuba, organ, timpani, violin 1, 2, viola, cello. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. The MP3 clip is a midi reduction while the YouTube is from a performance at Welch College on Nov. 30, 2018. https://youtu.be/7Cu1t1J1MOI
$39.99
36.64 €
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Orchestre de chambre
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James Michael Stevens
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James Michael Stevens
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Sacred Prelude No. 1 for Organ and Orchestra
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James M Stevens Music ASCAP
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SheetMusicPlus
Chalumeau Concerto FaWV L:B 1
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1143512 Composed by Johann F…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1143512 Composed by Johann Friedrich Fasch. Arranged by John M. Laverty. Chamber,Classical. Score and Parts. 100 pages. Zephyrwindmusic.com #743828. Published by zephyrwindmusic.com (A0.1143512). As an instrument, the chalumeau can without a doubt be considered the precursor of the modern clarinet. The Chalumeau Concerto by Johann Friedrich Fasch (1688 - 1758) is one of the few examples of a piece written by a signiï¬cant composer for this instrument. In addition to being a piece written for an instrument in transition, the piece itself is from an era when compositional style was in great transition. The Chalumeau Concerto has elements that can be considered either late Baroque period or early Classical period just like the instrument itself. To add to the strange development of this instrument, two additional spellings are found on the original set of parts. “Chalumeaux†and “Chalimeau†can be clearly seen. Instrumentation: Solo Clarinet (Chalumeau) in B-flat Violin 1 Violin 2 Viola Cello Bass Harpsichord Oboe 1 Oboe 2 Bassoon.
$25.00
22.9 €
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Orchestre de chambre
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Johann Friedrich Fasch
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John M
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Chalumeau Concerto FaWV L:B 1
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zephyrwindmusic.com
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SheetMusicPlus
Introit (from Requiem of Emmett Till Movement No 1)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982654 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982654 Composed by Michael Dryver, Composer. Contemporary. Score and parts. 8 pages. Contemporary Choral Series #4829537. Published by Contemporary Choral Series (A0.982654). Requiem Introit/movement No 1 of 16 SATB Chorus and Orchestra .
$2.00
1.83 €
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Orchestre de chambre
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Michael Dryver, Composer
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Introit
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Contemporary Choral Series
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SheetMusicPlus
Quintet No. 1 for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.873834 Composed by Ryan Chri…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.873834 Composed by Ryan Christensen. Concert,Contemporary,Standards. Score and parts. 11 pages. Ryan Christensen #3378823. Published by Ryan Christensen (A0.873834). Short and simple quintet for Flute and Strings. Great for schools and students. Perfect for concerts and recitals.Contact me: rchristcomposer@gmail.com .
$6.99
6.4 €
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Orchestre de chambre
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Ryan Christensen
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Quintet No. 1 for Flute and Strings
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Ryan Christensen
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SheetMusicPlus
MYTHUS for Choir and Orchestra - Stanza 1
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.958522 Composed by Joseph Di…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.958522 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score and parts. 40 pages. David Warin Solomons2 #3872273. Published by David Warin Solomons2 (A0.958522). This is from a 7 Stanza composition for choir and orchestra with the composer's text as shown below.
$3.00
2.75 €
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Orchestre de chambre
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Joseph Dillon Ford
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MYTHUS for Choir and Orchestra - Stanza 1
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David Warin Solomons2
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SheetMusicPlus
[Van de Vate] Concerto No. 1 for Violin and Orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.953070 Composed by Nancy Van de vate. …
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Chamber Orchestra - Digital Download SKU: A0.953070 Composed by Nancy Van de vate. 20th Century. Score and parts. 77 pages. American Composers Alliance Inc. #4635447. Published by American Composers Alliance Inc. (A0.953070). Scored for violin and small orchestra - instrumentation: 2222 - 4221 - timp, 2 perc, pno, hp - solo violin - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$39.95
36.6 €
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Orchestre de chambre
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Nancy Van de vate
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[Van de Vate] Concerto No. 1 for Violin and Orchestra
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American Composers Alliance Inc.
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SheetMusicPlus
Concerto No.1 for Violin and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Che…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882392 Composed by David Chesky. Contemporary. Score and parts. 825 pages. Pamaluc Music #18831. Published by Pamaluc Music (A0.882392). From the composers Urban Series. The highly engaging Violin Concerto features colorful, though light-scoring, memorable themes, essentially tonal harmonies, and rhythmic vigor, and a bracing rhythmic figure that involves some of the orchestral musicians clapping in a vaguely flamenco style The second movement is a disguised Cuban Danzon. The Third movement finale takes up very strong rhythms in what is a commentary on Bach's ,Brandenburg Concerto No.3. Duration 26:13 min 2fl./ 2ob./ 2cl./ 2bs/ 4 perc./ harp/ strings.
$34.98
32.05 €
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Orchestre de chambre
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David Chesky
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Concerto No.1 for Violin and Orchestra
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Pamaluc Music
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.47 €
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Orchestre de chambre
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.47 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.47 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.53 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chaconne in G minor for Strings
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742460 Composed by Henry Pur…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742460 Composed by Henry Purcell. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 25 pages. Arte Nova Music Lab #4285965. Published by Arte Nova Music Lab (A0.742460). Henry Purcell . 10 September 1659[Note 1] – 21 November 1695) was an English composer. Although incorporating Italian and French stylistic elements into his compositions, Purcell's legacy was a uniquely English form of Baroque music. He is generally considered to be one of the greatest English composers; no later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, William Walton and Benjamin Britten in the 20th century.Taken from https://en.wikipedia.org/wiki/Henry_Purcell.
$25.00
22.9 €
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Orchestre de chambre
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Henry Purcell
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Arte Nova Music Lab
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Chaconne in G minor for Strings
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Arte Nova Music Lab
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.77 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto for 3 Violins in F Major, RV 551
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio V…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
27.49 €
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Orchestre de chambre
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 3 Violins in F Major, RV 551
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Arte Nova Music Lab
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.74 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.74 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.74 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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