Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dance To The Music
Sheetmusicplus
Non classifié
1 513
Piano & claviers
Piano seul
895
Piano Facile
306
Piano, Voix
115
Piano, Voix et Guitare
104
Instruments en Do
66
Orgue
54
Accompagnement Piano
49
Piano grosses notes
34
1 Piano, 4 mains
32
2 Pianos, 4 mains
27
Accordéon
19
Piano Trio: piano, violon, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano (partie séparée)
5
2 Pianos, 8 mains
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 6 mains
1
Accordéon, Piano
1
+ 14 instrumentations
Retracter
Guitares
Guitare
81
Guitare notes et tablatures
66
Ukulele
22
Guitare (partie séparée)
14
Mandoline
12
Ligne De Mélodie, (Paroles) et Accords
10
Basse electrique
7
Paroles et Accords
7
Dulcimer
6
Piano, Guitare (duo)
6
Banjo
6
2 Guitares (duo)
4
Basse électrique (partie séparée)
3
4 Guitares (Quatuor)
2
Ensemble de guitares
1
Mandoline, Piano (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
184
Chorale 3 parties
69
Chorale 2 parties
40
Chorale TTBB
19
Chorale SSAA
17
Chorale Unison
16
Voix Tenor, Piano
15
Pack Instrumental pour Chorale
8
Voix duo, Piano
6
Voix Alto, Piano
6
Voix Soprano, Piano
6
Chorale SSATB
3
Voix haute
3
Voix duo
3
Chorale
2
Male Voice
2
Voix seule
2
Voix Baryton, Piano
2
Voix moyenne, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSATTB
1
Voix Tenor
1
+ 17 instrumentations
Retracter
Vents
2 Saxophones (duo)
167
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
143
Flûte traversière et Piano
134
Quatuor de Saxophones: 4 saxophones
120
Quintette de Saxophone: 5 saxophones
85
2 Clarinettes (duo)
84
Clarinette et Piano
83
2 Flûtes traversières (duo)
80
Flûte, Hautbois, Clarinette, Basson
76
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone, Clarinette (duo)
66
Saxophone (partie séparée)
65
Flûte traversière
64
Hautbois, Piano (duo)
64
Clarinette
60
Saxophone Alto et Piano
59
Clarinette, Violon (duo)
52
Saxophone Tenor et Piano
43
2 Hautbois (duo)
39
Clarinette, Trompette (duo)
39
Ensemble de Clarinettes
38
3 Saxophones (trio)
36
Flûte, Clarinette (duo)
36
Hautbois, Clarinette (duo)
31
Saxophone Soprano et Piano
30
Hautbois, Basson (duo)
28
Saxophone Alto
28
Flûte, Violon
26
Hautbois (partie séparée)
26
Quatuor de Flûtes : 4 flûtes
25
2 Flûtes traversières, Piano
25
Saxophone Baryton, Piano
24
Ensemble de saxophones
24
Hautbois, Flûte
23
Clarinette et Alto
23
Flûte, Saxophone (duo)
22
Flûte, Trompette (duo)
20
Flûte, Violon, Piano
19
Saxophone Tenor
19
Cor anglais, Piano
18
Flûte, Alto (duo)
17
Clarinette (partie séparée)
17
Flûte à bec Soprano
16
Hautbois
15
2 Flûte à bec (duo)
15
Flute (partie séparée)
13
Quintette de Clarinettes: 5 clarinettes
12
Ensemble de Flûtes
12
Trio de Flûtes: 3 flûtes
11
Flûte, Hautbois (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
9
Flûte et Guitare
9
Clarinette Basse, Piano
9
Quatuor de Flûtes à bec
9
Clarinette, Basson (duo)
9
Flûte, Hautbois, Basson
9
3 Clarinettes (trio)
9
Saxophone Baryton
8
Flûte, Hautbois, Clarinette (trio)
8
Flûte à bec Tenor
8
Quintette de Flûte : 5 flûtes
8
Flûte à Bec
7
Flûte à bec Alto, Piano
7
Flûte à bec Alto
7
3 Flûtes à bec (trio)
6
Cor Anglais
6
Flûte, Hautbois, Piano (trio)
6
Saxophone Soprano
6
Ocarina
5
Flûte irlandaise
4
Piccolo, Piano
4
Piccolo
4
Flûte à Bec, Piano
4
Ensemble De Flûte à bec
4
Harmonica
4
Clarinette, Violoncelle (duo)
4
Clarinette, Harpe (duo)
3
Saxophone et Harpe
3
Hautbois, Harpe
3
Clarinette, Guitare (duo)
2
Flûte, Violoncelle
2
5 Flûtes à bec
2
Hautbois, violon (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Saxophone
2
Flute, harpe et violon
2
Flûte à bec Soprano, Piano
2
Hautbois et alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
2 Flûtes à bec, Guitare
1
2 Clarinettes, Basson
1
Hautbois, Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse
1
Flûte, Clarinette et Basson
1
2 Clarinettes, Piano
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Quatuor de Cuivres : 2 trompettes, trombone, tuba
85
Trombone et Piano
66
Trompette, Piano
66
Trompette
50
Trompette, Saxophone (duo)
46
Trombone (partie séparée)
44
Cor et Piano
42
Trompette (partie séparée)
40
2 Trombones (duo)
37
Cor
34
2 Trompettes (duo)
33
Trombone
32
Tuba et Piano
30
Tuba
28
Trompette, Trombone (duo)
27
Euphonium, Piano (duo)
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Cor anglais, Piano
18
Cor (partie séparée)
13
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
12
Tuba (partie séparée)
11
Quatuor de cuivres: 4 cors
11
Ensemble de Trombones
10
Ensemble de Trompettes
8
Quatuor de Cuivres
7
Cor Anglais
6
Quatuor de cuivres: 4 trompettes
6
2 Tubas (duo)
6
Trombone basse
6
Trompette, Cor (duo)
4
Euphonium
4
Trombone basse et Piano
3
Trompette, Harpe
3
4 Tubas
2
Tuba et Orgue
2
Ensemble de Cors
2
Trombone, Cor (duo)
2
3 Trombones (trio)
2
3 Trompettes (trio)
2
Cor, Tuba (duo)
2
Cor et Harpe
2
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
Trombone, Violon (duo)
1
Trio de Cuivres
1
Trombone, Tuba (duo)
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
246
Violon et Piano
177
Violon
97
Violoncelle, Piano
85
Violon, Violoncelle (duo)
80
Alto, Piano
79
Violoncelle
65
2 Violons (duo)
64
Harpe
55
2 Violoncelles (duo)
54
Trio à Cordes: violon, alto, violoncelle
54
2 Altos (duo)
47
Alto seul
43
Violon, Alto (duo)
42
Violon (partie séparée)
33
Contre Basse
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Trio à Cordes: 2 violons, violoncelle
24
Contrebasse, Piano (duo)
21
2 Harpes (duo)
20
Alto (partie séparée)
19
Contrebasse (partie séparée)
18
4 Violoncelles
13
Violon, Guitare (duo)
12
Alto, Violoncelle (duo)
11
Quatuor à cordes : 4 altos
9
Violoncelle (partie séparée)
9
Quatuor à cordes: 4 violons
8
Trio à cordes: 3 violins
7
Ensemble de Violons
7
Trio à Cordes: 3 violoncelles
7
Ensemble d'Altos
7
Harpe, Violon (duo)
5
Harpe, Flûte (duo)
5
Trio à cordes: 3 altos
4
Flûte, Contrebasse (duo)
3
Alto et Harpe
3
Harpe, Voix
2
4 Contrebasses
2
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
Violon, Orgue
1
Harpe et mandoline
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Autoharp
1
2 Contrebasses (duo)
1
Violoncelle, Basse continue
1
Violon, Basson (duo)
1
Alto et Basson
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 040
Orchestre à Cordes
211
Orchestre
141
Ensemble Jazz
90
Fanfare
83
Ensemble de cuivres
49
Cloches
36
Orchestre de chambre
35
Ensemble de Percussions
23
Jazz combo
23
Batterie (partie séparée)
15
Percussion (partie séparée)
13
Batterie
10
Marimba
8
Xylophone, Piano
3
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
Vibraphone
2
Percussion
1
Piano et Orchestre
1
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 539
Partitions Numériques
35
Librairie Musicale
0
Matériel de Musique
2
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Dance To The Music
SheetMusicPlus
Partitions à imprimer
35 partitions trouvées
<
1
26
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
#
Orchestre de chambre
#
FACILE
#
Juan MarÃa Solare
#
Speak to Your Mountain And Mov
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. J...
(+)
Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
Dance Scenes for young musicians
#
Orchestre de chambre
#
FACILE
#
Maddy Aldis-Evans
#
Dance Scenes for young musicia
#
Maddy Aldis-Evans
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.922583 Composed by Maddy Aldis-Evans. 20th Century,Children,Contemporary. Score and parts. 124 pages. Maddy Aldis-...
(+)
Chamber Orchestra - Level 2 - SKU: A0.922583 Composed by Maddy Aldis-Evans. 20th Century,Children,Contemporary. Score and parts. 124 pages. Maddy Aldis-Evans #5325427. Published by Maddy Aldis-Evans (A0.922583). Three short movements for youth orchestra. With bold, dynamic rhythms and quirky melodies, these short pieces have proved popular with youth orchestras in both the UK and Germany, where the work has been performed many times. Designed as dance music, they can be choreographed and danced to as well.
$29.99
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Dance of the Sugar Plum Fairy - Chamber Orchestra (Individual Parts)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Classique
#
Peter Ilyich Tchaikovsky
#
César Madeira
#
Dance of the Sugar Plum Fairy
#
Sheet Music To Play Editions
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1229830 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. 19th Century,Christmas,Film/TV,Opera,R...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1229830 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. 19th Century,Christmas,Film/TV,Opera,Romantic Period. Score and Parts. 19 pages. Sheet Music To Play Editions #825587. Published by Sheet Music To Play Editions (A0.1229830). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Dance of the Sugar Plum Fairy - Chamber Orchestra (Full Score) - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
César Madeira
#
Dance of the Sugar Plum Fairy
#
Sheet Music To Play Editions
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1229831 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Multicultur...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1229831 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Multicultural,Romantic Period,World. 11 pages. Sheet Music To Play Editions #825589. Published by Sheet Music To Play Editions (A0.1229831). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
Dance of the Sugar Plum Fairy - Chamber Orchestra (Full Score and Parts)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
César Madeira
#
Dance of the Sugar Plum Fairy
#
Sheet Music To Play Editions
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1179927 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Multicultur...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1179927 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Multicultural,Opera,World. Score and Parts. 28 pages. Sheet Music To Play Editions #779875. Published by Sheet Music To Play Editions (A0.1179927). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. Arrangement for Chamber Orchestra. With Full Score and Individual Parts. Enjoy it!Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$14.99
Appassionato
#
Orchestre de chambre
#
Peter Nostrand
#
Peter Nostrand
#
the strings are supportive
#
Appassionato
#
Imagine Music - Digital
#
SheetMusicPlus
Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagin...
(+)
Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
Esther Suite
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Gordon Rouse
#
Gordon Rouse
#
Esther Suite
#
Rosemary Abetz-Rouse
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1236385 Composed by Gordon Rouse. Arranged by Gordon Rouse. Broadway,Folk,Jewish,Musical/Show,Opera. Score and Par...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1236385 Composed by Gordon Rouse. Arranged by Gordon Rouse. Broadway,Folk,Jewish,Musical/Show,Opera. Score and Parts. 95 pages. Rosemary Abetz-Rouse #831458. Published by Rosemary Abetz-Rouse (A0.1236385). Esther: Queen of Persian is a full choral musical first performed in South Morang 1997. This is an orchestral suite adapted from the overture. This features excerpts:FanfareBattle SceneEsther's PleaZeresh and Agagite DanceThis suitable for a reduced orchestra with piano feature. The oboe part is the same as the 2nd flute here. Please feel free to fill out brass by doubling clarinet parts.All parts on the score are included as separate instrumental parts.The piano gets a beautiful solo in the middle, this is like a Nocturne - milk it hard!
$24.99
Six Dances for Small Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Alan Bullard
#
Alan Bullard
#
Six Dances for Small Orchestra
#
Colne Edition / BullardMusic
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1457320 Composed by Alan Bullard. Arranged by Alan Bullard. Classical,Multicultural,World. 120 pages. Colne Editio...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1457320 Composed by Alan Bullard. Arranged by Alan Bullard. Classical,Multicultural,World. 120 pages. Colne Edition / BullardMusic #1036364. Published by Colne Edition / BullardMusic (A0.1457320). These light-hearted dances for small orchestra comprise six movements: · Three-quarter time · Serenade · Mambo · Valse Française · Smooth and Spanish · Celebration! They are an orchestral arrangement of Alan Bullard's piano duets, 'Six Dances for Four Hands' (which were themselves originally published as volume 3 of the series 'I Love Piano Duets'). Scoring:2 Flutes, 1 Oboe, 2 Clarinets in B flat, 1 Bassoon2 Horns in F, 1 Trumpet in B flatViolins 1 and 2, Violas, Cellos, Double Basses This download contains full score and all parts – feel free to print out as many string parts as you need for your orchestra. This edition is copyright © Alan Bullard 2024. All Rights Reserved. Published by www.colneedition.co.uk For details of all Alan Bullard's music please visit www.alanbullard.co.uk.
$50.00
RACHMANINOV Hungarian Dance Op.6 No.2 for chamber orchestra
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
RACHMANINOV
#
Ian Butterworth
#
piano
#
RACHMANINOV Hungarian Dance Op
#
Ian Butterworth
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 pages. Ian Butte...
(+)
Chamber Orchestra - Level 5 - SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 pages. Ian Butterworth #5998723. Published by Ian Butterworth (A0.963753). An early piece originally written for violin & piano. A lively dance with slower sections - 6 mins approx. The orchestration (1.2.0.2:2.0.0.0) is similar to many 18th Century symphonies and so the piece makes a striking contrast in a concert programme.  Copying of individual string parts for sole use by the purchaser is permitted. A version for strings arranged by Ian Butterworth is also available. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
Dance Suite for Wind Octet
#
Orchestre de chambre
#
AVANCÉ
#
Geoff Ogle
#
Dance Suite for Wind Octet
#
Geoff Ogle
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.991190 Composed by Geoff Ogle. 20th Century,Contemporary. Score and parts. 277 pages. Geoff Ogle #4111567. Publish...
(+)
Chamber Orchestra - Level 5 - SKU: A0.991190 Composed by Geoff Ogle. 20th Century,Contemporary. Score and parts. 277 pages. Geoff Ogle #4111567. Published by Geoff Ogle (A0.991190). A lively piece for your chamber music or small ensemble concert; present your premier musicians with this showcase selection on your program. A contemporary composition for classic wind octet based on the baroque dance suite form. Each dance is loosely based on the baroque dance form and freely composed for the classic instrumentation of 2 oboes, 2 clarinets, 2 bassoons and 2 horns in F. Alternate parts for saxophones, trumpets, flutes and trombones are include to fit your instrumental needs. A great selection for your solo and ensemble festival.
$40.00
Where Have I Danced With You Before
#
Orchestre de chambre
#
FACILE
#
Return To Forever
#
Jeff Tincher
#
Where Have I Danced With You B
#
Jeff Tincher
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pag...
(+)
Chamber Orchestra - Level 2 - SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
Dreams - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan Guerra González
#
Dreams - Score Only
#
Juan Carlos Guerra Gonzalez
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Concertino - for clarinet, mandolin and symphony orchestra
#
Orchestre de chambre
#
Klezmer
#
Ofer Ben-Amots
#
praise Him in the heights
#
Concertino - for clarinet, man
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
(+)
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Three Laments of Heloise for Chamber Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
(+)
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Ecossaise by Beethoven
#
Orchestre de chambre
#
FACILE
#
L
#
Dan Severino
#
Ecossaise by Beethoven
#
Piano Teacher Press
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 ...
(+)
Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 pages. Piano Teacher Press #48773. Published by Piano Teacher Press (A0.864728). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. An ecossaise is a lively energetic dance Scottish in origin mostly in 2/4 time often known for its quick dynamic contrasts. If both performers project the musical features of an ecossaise, a good performance will result.
$3.99
Fauré: Pavane Op. 50 for Piano Sextet
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Pavane Op. 50 fo
#
jmsgu3
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
(+)
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Arizona Centennial Overture - Chamber Orchestra Version
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Sy Brandon
#
Arizona Centennial Overture -
#
Sy Brandon
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Pu...
(+)
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
Orchestral Suite No 3 in D Major BWV 1068
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Arte Nova Music Lab
#
Orchestral Suite No 3 in D Maj
#
Arte Nova Music Lab
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
(+)
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
Concerto for Piccolo Clarinet and Chamber Orchestra
#
Orchestre de chambre
#
Contemporain
#
William Grosvenor Neil
#
Concerto for Piccolo Clarinet
#
TheComposerStudio.Com, LLC
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Pub...
(+)
Chamber Orchestra - SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Published by TheComposerStudio.Com, LLC (A0.980579). Concerto for Piccolo Clarinet and Chamber Orchestra (2017) The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Click here to order parts: https://www.thecomposerstudio.com/concerto/#tab-15982 Rental support: thecomposerstudio@gmail.com Information on the composer: www.williamneil.net .
$50.00
Histoire du Soldat Concert Suite
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Igor Stravinsky
#
John M
#
Histoire du Soldat Concert Sui
#
zephyrwindmusic.com
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts....
(+)
Chamber Orchestra - Level 5 - SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts. 245 pages. Zephyrwindmusic.com #741570. Published by zephyrwindmusic.com (A0.1141262). Histoire du Soldat is one of Igor Stravinsky’s most performed chamber works. It is published in the original edition (for seven players, three spoken parts, and a single dancer) and as a trio version for clarinet, violin, and piano scored by the composer. It is also frequently performed as a concert suite using the original instrumentation. Although the concert suite is in many respects identical to the original, it omits several movements as well as small sections within some movements where spoken parts with music occur. This new edition is intended to eliminate any confusion as to what music should be included or eliminated in order to create a more deï¬nitive concert suite. Fortunately, Stravinsky performed or recorded the concert suite on many occasions indicating his intentions for how the work should be presented. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download. Instrumentation: Clarinet in B-flat and A Bassoon Cornet in B-flat and A (with an optional part in C) Trombone Percussion Violin Double Bass.
$50.00
Not Satie
#
Orchestre de chambre
#
Contemporain
#
Thomas Timothy Lenk
#
Not Satie
#
Thomas Timothy Lenk
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1010915 Composed by Thomas Timothy Lenk. 20th Century. Score and parts. 22 pages. Thomas Timothy Lenk #3077583. Published by...
(+)
Chamber Orchestra - SKU: A0.1010915 Composed by Thomas Timothy Lenk. 20th Century. Score and parts. 22 pages. Thomas Timothy Lenk #3077583. Published by Thomas Timothy Lenk (A0.1010915). NOT SATIE is comprised of an Overture and several dances to be inserted in the post modern - like drama NOT SATIE. Scores for Piano with percussion and Piano solo are included as well as the original text. The music in any of the versions provided can be performed apart from the drama, with or without dancers.The music is straightforward and tuneful.
$10.95
Beliebte Annen-Polka op. 137
#
Orchestre de chambre
#
FACILE
#
Classique
#
Johann Strauss Sr
#
Wim Lasoen
#
Beliebte Annen-Polka op. 137
#
Newzenmusic.org
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmu...
(+)
Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmusic.org #3601913. Published by Newzenmusic.org (A0.927361). Arrangement for Salon Orchestra (Flute, Clarinet, Piano, Violin I, Violin II, Cello and Double Bass)Strauss programmed this polka for the Austrian Empress's name-day in 1842. Name-day celebrations at court always meant a carnival for the inhabitants of Vienna in those days. Strauss sr. directed the music for the court balls, namely in the Volksgarten. At its première, this Anna Polka was encored four times. Only one week after the feast, the published edition of the piano reduction already appeared. Interesting detail: its the publisher who adds 'Popular' (Beliebte) to the title, which was a brilliant move crowned with success: not only would this piece become an enduring crowd-pleaser, it also launched the Polka as the new dance sensation.
$18.50
BH019REC - Recorder Quartet Songs, Book 19 (>70 pages)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Carl Van Pevenage
#
BH019REC - Recorder Quartet So
#
Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921214 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 120 pages. Carl V...
(+)
Chamber Orchestra - Level 3 - SKU: A0.921214 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 120 pages. Carl Van Pevenage #4350311. Published by Carl Van Pevenage (A0.921214). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 181 Vibrant waves, tundering breakers and silent sand Chansonnette 182 Perfect chords Chansonnette 183 Who can fly without a friend Chansonnette 184 A little smile is the power to all Chansonnette 185 MotherhoodChansonnette 186 Get up and danceChansonnette 187 Pop song: Writing LoveChansonnette 188 A happy flowerChansonnette 189 Preparing for the weddingChansonnette 190 The voluntary service.
$9.95
BH013REC - Recorder Quartet Songs, Book 13 (>70 pages)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Carl Van Pevenage
#
BH013REC - Recorder Quartet So
#
Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921172 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 98 pages. Carl Van Peve...
(+)
Chamber Orchestra - Level 3 - SKU: A0.921172 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 98 pages. Carl Van Pevenage #3011791. Published by Carl Van Pevenage (A0.921172). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 121 Picure paints a thousand wordsChansonnette 122 To delicate to flyChansonnette 123 Le the cat out of the badChansonnette 124 Your guess is as good as mineChansonnette 125 Pastorale: In harmony with natureChansonnette 126 Once in a blue moonChansonnette 127 A gentle tapping at the windowChansonnette 128 Folk dance: The speedy spiky waltzChansonnette 129 Danno DannoChansonnette 130 A funny dance at the palace
$9.95
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Dance To The Music
