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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des Latin
Non classifié
621
Piano & claviers
Piano seul
523
Piano, Voix
138
Piano Facile
106
Piano, Voix et Guitare
94
Instruments en Do
70
Orgue
30
Accordéon
21
1 Piano, 4 mains
13
2 Pianos, 4 mains
11
Piano (partie séparée)
9
Clavecin
9
Piano grosses notes
7
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
5
1 Piano, 6 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon, Voix
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
83
Ukulele
81
Guitare
78
Ligne De Mélodie, (Paroles) et Accords
70
Mandoline
26
Guitare (partie séparée)
17
Basse electrique
15
Paroles et Accords
9
2 Guitares (duo)
6
4 Guitares (Quatuor)
5
Piano, Guitare (duo)
4
Ensemble de guitares
3
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
189
Chorale 3 parties
72
Pack Instrumental pour Chorale
69
Chorale 2 parties
31
Chorale Unison
25
Chorale SSAA
18
Chorale TTBB
18
Voix seule
17
Chorale SSAATTBB
9
Voix Soprano, Piano
7
Voix haute
6
Chorale
3
Voix duo
3
Chorale SSATTB
2
Voix Baryton, Piano
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Voix Alto, Piano
1
Voix duo, Piano
1
Voix Tenor
1
Chorale SSATB
1
Chorale SATTBB A Cappella
1
Voix basse, Piano
1
+ 18 instrumentations
Retracter
Vents
Saxophone
102
Saxophone (partie séparée)
71
Flûte traversière
55
Quatuor de Saxophones: 4 saxophones
50
Clarinette
46
Flûte traversière et Piano
44
Quatuor de Clarinettes: 4 clarinettes
39
Saxophone Alto
32
2 Saxophones (duo)
31
Saxophone Tenor
28
Clarinette et Piano
28
Quatuor de Flûtes : 4 flûtes
26
Saxophone Alto et Piano
23
2 Flûtes traversières (duo)
23
Saxophone Tenor et Piano
22
2 Clarinettes (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Hautbois, Piano (duo)
19
Flûte, Hautbois, Clarinette, Basson
18
Flûte et Guitare
18
Quintette de Saxophone: 5 saxophones
17
Clarinette (partie séparée)
13
3 Saxophones (trio)
12
Hautbois (partie séparée)
10
Quintette de Clarinettes: 5 clarinettes
9
Flute (partie séparée)
9
Saxophone Soprano et Piano
7
Clarinette, Violon (duo)
7
Ensemble de saxophones
7
2 Flûte à bec (duo)
6
Saxophone, Clarinette (duo)
5
Flûte à bec Soprano
5
Flûte, Violon, Piano
5
Clarinette, Trompette (duo)
5
Flûte, Violon
4
Ensemble de Flûtes
4
3 Clarinettes (trio)
4
Saxophone Baryton, Piano
4
Clarinette, Guitare (duo)
4
Flûte, Clarinette (duo)
4
Hautbois, Basson (duo)
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Flûte à bec Alto
3
Flûte, Trompette (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Saxophone (duo)
3
Hautbois
3
Quintette de Flûte : 5 flûtes
3
Clarinette et Alto
2
Flûte, Violoncelle
2
3 Flûtes à bec (trio)
2
Saxophone et Guitare
2
Hautbois, violon (duo)
2
Flûte, Violon et Violoncelle
2
Ensemble de Clarinettes
2
Ocarina
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois (duo)
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes à bec
2
Hautbois, Flûte
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, trombone et piano
1
Flûte, Clarinette et Basson
1
Flûte à Bec
1
Flûte, Alto et Piano
1
2 Flûtes traversières, Piano
1
Hautbois, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violoncelle, Guitare
1
Flûte traversière, Orgue (duo)
1
Instruments en Mib
1
Clarinette Basse
1
Saxophone Soprano
1
Cor anglais, Guitare (duo)
1
2 Saxophones, Piano
1
Flûte, Clarinette, Piano (trio)
1
5 Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
+ 77 instrumentations
Retracter
Cuivres
Trompette
62
Trombone (partie séparée)
57
Trombone
45
Trompette (partie séparée)
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette, Piano
23
Trombone et Piano
20
Quatuor de cuivres: 4 trombones
15
Cor
12
2 Trombones (duo)
11
Tuba (partie séparée)
10
2 Trompettes (duo)
10
Cor (partie séparée)
9
Cor et Piano
8
Quatuor de cuivres: 4 trompettes
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de Cuivres
5
2 Tubas (duo)
5
Tuba et Piano
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trombones
4
3 Trompettes (trio)
4
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
4
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Tuba
3
Bass Clef Instruments
3
Cor anglais, Piano
1
Tuba et Orgue
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Instruments en Sib
1
Euphonium, Tuba (duo)
1
2 Cors (duo)
1
Ensemble de Trompettes
1
Cor anglais, Guitare (duo)
1
Trio de Cuivres
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
588
Trio à Cordes: violon, alto, violoncelle
59
Violon
46
Violon et Piano
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Violoncelle
33
Violoncelle, Piano
26
Trio à Cordes: 2 violons, violoncelle
25
Alto, Piano
24
Alto seul
20
2 Violoncelles (duo)
18
Contrebasse (partie séparée)
13
Trio à Cordes: 3 violoncelles
10
Trio à cordes: 3 violins
10
2 Violons (duo)
9
Violon, Violoncelle (duo)
9
Violon (partie séparée)
8
Quatuor à cordes : 4 altos
7
Harpe
7
2 Altos (duo)
7
Violon, Alto (duo)
7
4 Violoncelles
5
Contre Basse
5
Alto, Guitare (duo)
4
Trio à cordes: 3 altos
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
311
Ensemble Jazz
241
Orchestre d'harmonie
195
Fanfare
70
Jazz combo
44
Orchestre
43
Orchestre de chambre
16
Ensemble de cuivres
13
Cloches
12
Ensemble de Percussions
11
Marimba
11
Batterie (partie séparée)
10
Batterie
9
Percussion (partie séparée)
7
Vibraphone
4
Bongos
3
Ensemble d'École
3
Percussion
3
Conga
2
Timbales (partie séparée)
1
Timbales
1
Xylophone
1
+ 17 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
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BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Des Latin
Orchestre de chambre
Partitions à imprimer
16 partitions trouvées
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1
The Desert Sun - Small Orchestra Score and Parts PDF
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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The Desert Sun - Small Orchest
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Published by BJE Music (A0.750850). This little tune with a slight latin flavour will probably part of a suite. It reminded me of the desert sun going slowly down below the horizon and a cool evening setting in. It is scored for small orchestra with no Trumpet, Trombone or Tuba parts.Grade = 3 Duration = 2:00 mins.
$15.00
Despacito
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Orchestre de chambre
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INTERMÉDIAIRE
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Latin/Musique du monde
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Luis Fonsi and Daddy Yankee
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NIKOLAOS
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Despacito
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NIKOLAOS
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.984774 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by NIKOLAOS. Latin. S...
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Chamber Orchestra - Level 3 - SKU: A0.984774 By Luis Fonsi and Daddy Yankee. By Erika Ender, Luis Fonsi, and Ramon Ayala. Arranged by NIKOLAOS. Latin. Score and parts. 11 pages. NIKOLAOS #4364304. Published by NIKOLAOS (A0.984774).
$12.99
Andesina
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Orchestre de chambre
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INTERMÉDIAIRE
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Carlos Zamora
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Andesina
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Editorial Nacional
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.992381 Composed by Carlos Zamora. 20th Century,Contemporary,Latin. Score and parts. 46 pages. Editorial Nacional #...
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Chamber Orchestra - Level 3 - SKU: A0.992381 Composed by Carlos Zamora. 20th Century,Contemporary,Latin. Score and parts. 46 pages. Editorial Nacional #3479465. Published by Editorial Nacional (A0.992381). Parts: rental only. Please contact francia.gomez@editorialnacional.cl.
$22.00
Donde Esta Santa Claus
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Orchestre de chambre
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INTERMÉDIAIRE
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Alvin Greiner, George Scheck,
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John Hoesly
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holida...
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Chamber Orchestra - Level 3 - SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 66 pages. PRS&B #937946. Published by PRS&B (A0.1353147). Dónde Está Santa Claus- for CHAMBER/ SMALL orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for small orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 0-1-1-1-1 -2-1-1-0-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Intermediate level.
$70.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Pájaros (Birds) for solo flute and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
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Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
La Cucuracha
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Orchestre de chambre
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FACILE
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Stephen Whitehead
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Stephen Whitehead
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La Cucuracha
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stephen whitehead
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1177804 By Stephen Whitehead. By Trad. Arranged by Stephen Whitehead. Chamber,Classical,Instructional,Latin,Tradit...
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Chamber Orchestra - Level 2 - SKU: A0.1177804 By Stephen Whitehead. By Trad. Arranged by Stephen Whitehead. Chamber,Classical,Instructional,Latin,Traditional. Score and Parts. 18 pages. Stephen whitehead #777766. Published by stephen whitehead (A0.1177804). La Cucuracha (The Cockroach!) arranged for small, flexible beginner/novice orchestra. The string parts represent the essential strands and other parts add extra colour when available... some are desirable but its not necessary to include them all. Feel free to adapt for other instruments...
$25.00
Into the Dancesness for Euphonium and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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William Pagan-Perez
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Into the Dancesness for Euphon
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William Pagan-Perez
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #88774...
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Chamber Orchestra - Level 4 - SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #887746. Published by William Pagan-Perez (A0.1297771). The word Dancesness doesn't exist but I use it to describe an extasis during a dance. This is a single-movement piece for Euphonium Solo with a Chamber Orchestra accompaniment.
$25.00
Tasto
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Orchestre de chambre
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Ser
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Tasto
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Ser...
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Chamber Orchestra - SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto d...
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Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
Quadrado
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Quadrado
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6...
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Chamber Orchestra - SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6248427. Published by Sergio Roberto de Oliveira (A0.962367). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.50
2 Momentos
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Orchestre de chambre
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Contemporain
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Sergio Roberto de Oliveira
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2 Momentos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio R...
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Chamber Orchestra - SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio Roberto de Oliveira #2951589. Published by Sergio Roberto de Oliveira (A0.962308). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$28.80
[Eaton] The End of It
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Orchestre de chambre
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Contemporain
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John Eaton
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[Eaton] The End of It
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published...
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Chamber Orchestra - SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published by American Composers Alliance Inc. (A0.952949). Seven songs for soprano with flute (doubling piccolo, alto flute, and bass flute), clarinet, percussion, harp, piano, and strings, sectioned as a pierrot+ ensemble, string quartet, soprano, and harp. Includes: Holy Sonnet V (John Donne), Leaving the Party (Karen Swenson), Holy Sonnet III (John Donne), Styx Pier (Karen Swenson), Circumambulating Mount Kailash (Karen Swenson), Father Death (Frederick Borsch), Excerpt from Paradiso (Dante).PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$39.95
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
[Schober] Lamentations (Full Score)
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Orchestre de chambre
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Contemporain
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Brian Schober
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[Schober] Lamentations
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952847 Composed by Brian Schober. Contemporary. Score and parts. 57 pages. American Composers Alliance Inc. #4625201. Publis...
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Chamber Orchestra - SKU: A0.952847 Composed by Brian Schober. Contemporary. Score and parts. 57 pages. American Composers Alliance Inc. #4625201. Published by American Composers Alliance Inc. (A0.952847). A song cycle for baritone and chamber orchestra on various latin texts. Instrumentation: solo baritone, harp, piano, percussion (1 player), 3 violins, 3 violas, 3 cellos, and 2 basses.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$17.95
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