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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Non classifié
888
PIANO & CLAVIERS
Piano seul
468
Piano, Voix
248
Piano Facile
210
Piano, Voix et Guitare
185
Orgue
113
Instruments en Do
31
Accompagnement Piano
21
Orgue, Trompette (duo)
16
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
6
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
1
Piano (partie séparée)
1
Ligne De Mélodie, Piano
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
60
Guitare
58
Ligne De Mélodie, (Paroles) et Accords
24
Mandoline
14
Basse electrique
13
Ukulele
11
Paroles et Accords
7
Banjo
4
4 Guitares (Quatuor)
3
Guitare (partie séparée)
3
Piano, Guitare (duo)
3
Dulcimer
1
3 Guitares (trio)
1
2 Guitares (duo)
1
Luth
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
212
Chorale 3 parties
68
Chorale TTBB
55
Chorale 2 parties
41
Chorale Unison
34
Chorale SSAA
29
Voix duo, Piano
7
Voix Soprano, Piano
6
Voix seule
5
Voix Alto, Piano
2
Voix Tenor
2
Voix duo
2
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Voix Tenor, Piano
1
Voix Baryton, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
90
Flûte, Hautbois, Clarinette, Basson
89
Quatuor de Saxophones: 4 saxophones
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
2 Saxophones (duo)
72
Clarinette
66
Clarinette et Piano
59
Quatuor de Clarinettes: 4 clarinettes
50
Hautbois, Piano (duo)
46
Flûte traversière
45
Saxophone (partie séparée)
44
Saxophone Alto et Piano
41
Saxophone Tenor et Piano
35
Saxophone Alto
34
Quintette de Saxophone: 5 saxophones
31
Saxophone Soprano et Piano
31
2 Clarinettes (duo)
30
3 Saxophones (trio)
28
2 Flûtes traversières (duo)
27
Saxophone Baryton, Piano
23
Ensemble de Flûtes
19
2 Hautbois (duo)
18
Saxophone, Clarinette (duo)
17
Clarinette, Violon (duo)
16
Quatuor de Flûtes : 4 flûtes
16
Saxophone Tenor
16
Hautbois (partie séparée)
16
Hautbois
15
Ensemble de saxophones
14
Clarinette, Trompette (duo)
14
Saxophone Baryton
14
Saxophone Soprano
14
Ensemble de Clarinettes
14
Saxophone
13
Cor anglais, Piano
12
Clarinette (partie séparée)
11
Cor Anglais
10
Clarinette Basse, Piano
10
Hautbois, Basson (duo)
10
Quintette de Clarinettes: 5 clarinettes
10
Flûte, Trompette (duo)
10
Flûte, Hautbois, Clarinette (trio)
9
3 Clarinettes (trio)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Hautbois, Clarinette (duo)
8
Flûte, Clarinette (duo)
7
Flûte à bec Soprano
7
Flûte irlandaise
7
Hautbois, Flûte
7
Trio de Flûtes: 3 flûtes
6
Flûte, Violon
6
Clarinette et Alto
6
Clarinette Basse
5
Flûte, Saxophone (duo)
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Alto (duo)
5
Flûte et Guitare
4
Flûte, Clarinette et Basson
4
Flûte à bec Soprano, Piano
4
Quintette de Flûte : 5 flûtes
4
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Flûte, Hautbois, Basson
2
Quatuor de Flûtes à bec
2
3 Hautbois
2
Clarinette, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Harmonica
1
Clarinette, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto
1
4 Hautbois
1
Saxophone et Orgue
1
Hautbois, violon (duo)
1
Flûte, Hautbois (duo)
1
Piccolo, Piano
1
Hautbois, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trompette
62
Trombone
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
Trombone et Piano
35
Cor et Piano
34
Trompette, Piano
32
Cor
30
Tuba
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Quatuor de Cuivres
23
Tuba et Piano
22
2 Trombones (duo)
21
Trompette (partie séparée)
18
Trombone (partie séparée)
17
2 Trompettes (duo)
15
Trompette, Saxophone (duo)
15
Euphonium, Piano (duo)
14
Cor anglais, Piano
12
Cor Anglais
10
2 Cors (duo)
10
Trompette, Trombone (duo)
9
Cor (partie séparée)
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
6
2 Tubas (duo)
5
2 Euphoniums et 2 Tubas
5
Euphonium
4
Ensemble de Trompettes
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 cors
4
2 Euphoniums (duo)
3
Trombone, Orgue
3
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Cor anglais, Guitare (duo)
1
3 Cors (trio)
1
Tuba et Orgue
1
4 Tubas
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
215
Violon et Piano
115
Violoncelle, Piano
64
Violon
60
Alto, Piano
59
Violon, Violoncelle (duo)
48
Trio à Cordes: violon, alto, violoncelle
32
Alto seul
30
2 Violons (duo)
28
Violoncelle (partie séparée)
26
Contre Basse
26
2 Violoncelles (duo)
23
Violon, Alto (duo)
23
Violoncelle
23
Trio à Cordes: 2 violons, violoncelle
22
Violon (partie séparée)
19
Contrebasse, Piano (duo)
16
2 Altos (duo)
15
Alto (partie séparée)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Harpe
11
Contrebasse (partie séparée)
10
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
2 Contrebasses (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Violon, Orgue
2
Ensemble de Violons
2
Harpe, Voix
2
2 Violons, Piano
1
Autoharp
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Quatuor à cordes: 4 violons
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et Piano
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
273
Orchestre à Cordes
86
Orchestre
75
Ensemble Jazz
52
Ensemble de cuivres
36
Cloches
33
Jazz combo
23
Orchestre de chambre
20
Marimba
14
Xylophone
10
Ensemble de Percussions
9
Percussion (partie séparée)
7
Batterie
7
Fanfare
7
Batterie (partie séparée)
4
Xylophone, Piano
2
Vibraphone
2
Quatuor à Vent : 4 instruments à vents
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Every Man
Orchestre de chambre
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Come, Thou Fount Of Every Blessing
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.682631 Composed by Nettleton…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.682631 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #5828801. Published by Gert Th. Walter (A0.682631). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$8.95
8.24 €
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Orchestre de chambre
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Blessing
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Gert Th. Walter
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SheetMusicPlus
Come, Thou Fount Of Every Blessing
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.682639 Composed by Nettleton…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.682639 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #5854227. Published by Gert Th. Walter (A0.682639). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$7.99
7.36 €
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Orchestre de chambre
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Blessing
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Gert Th. Walter
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SheetMusicPlus
Come, Thou Fount Of Every Blessing
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.682636 Composed by Nettleton…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.682636 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #5854219. Published by Gert Th. Walter (A0.682636). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$6.99
6.44 €
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Orchestre de chambre
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Blessing
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Gert Th. Walter
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SheetMusicPlus
Come, Thou Fount Of Every Blessing
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.682637 Composed by Nettleton…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.682637 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #5854221. Published by Gert Th. Walter (A0.682637). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$6.99
6.44 €
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Orchestre de chambre
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Blessing
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Gert Th. Walter
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SheetMusicPlus
Come, Thou Fount Of Every Blessing
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.682640 Composed by Nettleton…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.682640 Composed by Nettleton by John Wyeth. Arranged by Gert Th. Walter. Christian,Praise & Worship,Sacred. Score and parts. 3 pages. Gert Th. Walter #5854229. Published by Gert Th. Walter (A0.682640). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$7.99
7.36 €
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Orchestre de chambre
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Nettleton by John Wyeth
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Gert Th
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Come, Thou Fount Of Every Blessing
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Gert Th. Walter
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SheetMusicPlus
Meditation XVII - Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contem…
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Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
18.42 €
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Orchestre de chambre
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Ron Keinan
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Meditation XVII - Parts
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Ron Keinan
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SheetMusicPlus
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.62 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Musica Proibita - Orchestral parts set
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931476 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 5 pages. Pubblicato da Nicola Marasco #3868799. Published by Pubblicato da Nicola Marasco (A0.931476). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$14.99
13.8 €
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Orchestre de chambre
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Orchestral parts set
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Musica Proibita - Full Score
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931475 Composed by Stanislao Gastaldon. Arranged by Nicola Marasco. Romantic Period. Score and parts. 7 pages. Pubblicato da Nicola Marasco #3868791. Published by Pubblicato da Nicola Marasco (A0.931475). Musica Proibita, is an italian Romanza composed in 1881 by Stanislao Gastaldon. The narrator is a girl who would like to repeat a love song that an apprentice sings every night under her balcony. This is forbidden by her mother, but the girl takes advantage of her absence and say the words: «Ella non c’è ed io la vo’ cantare, la frase che m’ha fatto palpitare: Vorrei baciare i tuoi capelli neri le labbra tue e gli occhi tuoi severi. Vorrei morir con te angel di Dio o bella innamorata tesor mio»
$8.99
8.28 €
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Orchestre de chambre
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Stanislao Gastaldon
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Nicola Marasco
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Musica Proibita - Full Score
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.02 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.39 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.39 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.39 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Give Thanks
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1131561 Composed by Henry Sm…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1131561 Composed by Henry Smith. Arranged by bhkimusic. Christian,Holiday,Praise & Worship,Religious,Sacred. Score and Parts. 27 pages. BHKIMusic #731781. Published by BHKIMusic (A0.1131561). A beautiful gospel by Henry Smith. Typically played at Thanksgiving but can be played every Sunday at every worship. Arranged for Human Voices(Soprano, Alto, Tenor and Bass), Flute, Oboe(or 2nd Flute), 2 Clarinets in B flat, 1st Violin, 2nd Violin(or Viola), Cello, String bass and Piano. Easy-Intermediate level. Duration: 2-3min. Score and parts are available. Minimum bowing and slur are indicated. Find me on Instagram! @bhkimusic.
$49.99
46.03 €
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Orchestre de chambre
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Henry Smith
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bhkimusic
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Give Thanks
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BHKIMusic
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SheetMusicPlus
Concerto for solo cello and sinfonietta op.3
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
10.96 €
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Orchestre de chambre
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Angus Ludfranz
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/
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Concerto for solo cello and sinfonietta op.3
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Angus Ludfranz
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SheetMusicPlus
Serenade Rondo (2013) for violin solo and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
9.2 €
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Orchestre de chambre
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Pájaros (Birds) for solo flute and strings
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
8.28 €
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Orchestre de chambre
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
147.32 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
L'Après-midi d'un faun (2021) for soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889. Published by Thomas Oboe Lee (A0.869867). Everyone knows L'Après-midi d'un faun, right? Well, in the case of Debussy it was a tone poem for flute and orchestra. Mine is an actual setting of the Stéphane Mallarmé poem of the same title. Even though the entire poem is in the voice of the 'faun,' who is a male, albeit half human-half goat, I decided that because the poem is so beautiful and seductive a soprano voice would do the words justice. I divided the poem into five parts. 1. Ces nymphes, je les veux perpétuer ... 2. O bords siciliens d'un marécage ... 3. Tâche donc, instrument des fuites ... 4. O nymphes, regonflons des Souvenirs divers ... 5. Tant pis! vers le bonheur d'autres m'entraîneront ...
$9.99
9.2 €
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Orchestre de chambre
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Thomas Oboe Lee
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L'Après-midi d'un faun
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Thomas Oboe Lee
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SheetMusicPlus
Dust On The Apron
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th…
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Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. Published by Gisela August Publishing (A0.1022718). Inspired by a trip to the local pizzeria, this easily could have been called Flour On The Apron. The word Dust, though, makes it suitable for not only aficionados of fine dining, but the tenders of home, hearth, garden, and workshop as well. Ah, heck, it’s suitable for anyone and everyone. Dust On The Apron is a picturesque and fun little piece written in a 20th Century style. It clocks in at 3:25. Andy Fielman is a member of ASCAP
$22.95
21.13 €
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Orchestre de chambre
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Andy Fielman
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Dust On The Apron
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Gisela August Publishing
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SheetMusicPlus
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