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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ion
Non classifié
98 604
Piano & claviers
Piano seul
85 565
Piano, Voix et Guitare
24 751
Piano Facile
21 647
Piano, Voix
21 068
Instruments en Do
6 824
Accordéon
6 546
Orgue
6 033
Accompagnement Piano
4 153
Piano grosses notes
2 533
1 Piano, 4 mains
2 063
Piano (partie séparée)
815
Piano Trio: piano, violon, violoncelle
757
2 Pianos, 4 mains
386
Clavier
230
Accordéon, Voix
217
Clavecin
166
Orgue, Trompette (duo)
163
Piano Quatuor: piano, violon, alto, violoncelle
163
Piano Quintette: piano, 2 violons, alto, violoncelle
138
Orgue, Piano (duo)
133
Piano Quatuor: piano, 2 violons, violoncelle
107
Ligne De Mélodie, Piano
101
2 Accordéons
78
Instrument seul et Orgue
64
Ensemble d'Accordéons
56
1 Piano, 6 mains
50
Orgue, Voix
20
2 Pianos, 8 mains
17
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
Fake Book
6
2 Orgues (duo)
6
Tous Les Instruments
2
Orgue et Orchestre
2
Piano Trio: Instruments de chambre mixtes
1
Concertina
1
Ensemble de Pianos
1
+ 33 instrumentations
Retracter
Guitares
Guitare notes et tablatures
13 801
Ligne De Mélodie, (Paroles) et Accords
11 587
Guitare
11 222
Basse electrique
5 774
Ukulele
4 733
Paroles et Accords
1 062
Mandoline
851
Guitare (partie séparée)
649
2 Guitares (duo)
645
Banjo
457
Piano, Guitare (duo)
383
Dulcimer
354
4 Guitares (Quatuor)
251
Ukulele Baryton
155
3 Guitares (trio)
148
Ensemble de guitares
84
Guitare Pedal Steel
80
Dobro
56
Basse électrique (partie séparée)
51
Guitare Tab, Voix, Basse, Batterie
40
Mandoline, Piano (duo)
18
Mandoline, Guitare (duo)
14
2 Dulcimers (duo)
12
Ensemble de Ukulélés
12
Guitare, Violon, Violoncelle (trio)
11
Partitions De Groupes
10
2 Ukuleles
10
Guitare, Orchestre
6
Guitare, Quatuor à cordes
5
2 Guitares et Orchestre
4
Guitare, Flûte, Clarinette
4
2 Mandolines (duo)
4
Luth
3
Orchestre à Plectres
3
2 Guitares et Piano
2
Cithare
2
+ 31 instrumentations
Retracter
Voix
Chorale SATB
25 544
Pack Instrumental pour Chorale
17 774
Chorale 3 parties
9 878
Voix seule
6 354
Chorale 2 parties
5 075
Chorale TTBB
4 028
Chorale Unison
2 183
Chorale SSAA
1 918
Voix duo, Piano
899
Voix haute
681
Chorale
548
Voix Soprano, Piano
521
Voix duo
386
Voix Tenor, Piano
286
Voix Alto, Piano
262
Voix Baryton, Piano
217
Chorale SSATB
195
Voix basse, Piano
173
Voix moyenne, Piano
165
Chorale SSAATTBB
160
Chorale SSATTB
112
Voix, Guitare
108
Voix Tenor
59
Soli, choeur mixte et accompagnement
58
Voix Mezzo-Soprano, Piano
58
Voix Soprano
42
Chorale SSAATB
40
Voix d'Enfants
32
Voix basse
32
Voix et basse continue
24
Chorale SSATBB
23
Chorale SSAB, Piano
20
Chorale SSAB a cappella
18
Chorale SATBB
14
Chorale, Orchestre
13
Voix haute, Piano
11
Voix Soprano, Orchestre
9
Chorale, Orgue
9
Chorale SATTBB A Cappella
4
Chorale SATTB
3
Voix d'Enfants, Piano
2
Chorale SSAATB A Cappella
2
Voix Moyenne
2
Chorale SAATB A Cappella
2
Voix duo, Orgue
2
Male Voice
2
+ 41 instrumentations
Retracter
Vents
Saxophone
18 115
Flûte traversière
13 133
Clarinette
12 201
Saxophone (partie séparée)
7 957
Flûte traversière et Piano
5 822
Clarinette (partie séparée)
4 734
Saxophone Alto
4 731
Saxophone Tenor
4 422
Clarinette et Piano
4 324
Quatuor de Saxophones: 4 saxophones
4 114
Hautbois, Piano (duo)
3 771
Saxophone Alto et Piano
3 470
2 Saxophones (duo)
3 068
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 853
Flûte, Hautbois, Clarinette, Basson
2 775
Flute (partie séparée)
2 727
Saxophone Tenor et Piano
2 612
2 Flûtes traversières (duo)
2 279
Hautbois (partie séparée)
2 059
2 Clarinettes (duo)
1 909
Quatuor de Clarinettes: 4 clarinettes
1 730
Hautbois
1 564
Flûte à Bec
1 532
Saxophone Soprano et Piano
1 487
Quintette de Saxophone: 5 saxophones
1 174
Saxophone Baryton, Piano
943
Quatuor de Flûtes : 4 flûtes
860
Saxophone Soprano
838
Flûte, Clarinette (duo)
709
3 Saxophones (trio)
678
Cor anglais, Piano
678
2 Hautbois (duo)
658
Ensemble de Clarinettes
625
Instruments en Mib
616
Flûte et Guitare
614
Flûte à bec Soprano
578
3 Clarinettes (trio)
576
2 Flûte à bec (duo)
575
Harmonica
562
Saxophone, Clarinette (duo)
537
Ocarina
524
Clarinette Basse, Piano
510
Clarinette, Violon (duo)
499
Hautbois, Basson (duo)
489
Ensemble de Flûtes
482
Ensemble de saxophones
477
Trio de Flûtes: 3 flûtes
444
Hautbois, Clarinette (duo)
441
Quintette de Clarinettes: 5 clarinettes
441
Flûte à bec Alto
385
Flûte, Violon
379
Piccolo, Piano
306
Flûte à bec Alto, Piano
304
Flûte à bec Soprano, Piano
274
Flûte, Trompette (duo)
274
Clarinette, Trompette (duo)
262
Quatuor de Flûtes à bec
243
Hautbois, Flûte
239
Flûte, Violoncelle
238
Clarinette, Basson (duo)
221
Saxophone Baryton
217
Flûte, Violon, Piano
217
Flûte à bec Tenor
215
Clarinette, Violoncelle (duo)
197
Flûte, Hautbois (duo)
195
Flûte, Hautbois, Clarinette (trio)
188
Quintette de Flûte : 5 flûtes
178
Flûte, Clarinette et Basson
176
Clarinette et Alto
175
Flûte, Saxophone (duo)
170
Hautbois, violon (duo)
167
Flûte à Bec, Piano
162
Flûte, Alto (duo)
158
Clarinette, Guitare (duo)
152
Hautbois, Clarinette, Basson (trio d'anches)
151
Clarinette Basse
151
Saxophone et Guitare
140
3 Flûtes à bec (trio)
137
Piccolo
134
Flûte, Violon et Violoncelle
133
Hautbois, Violoncelle
130
2 Saxophones, Piano
127
Cor Anglais
118
Flûte, Violoncelle, Piano (trio)
115
Flûte, Hautbois, Basson
115
Flûte, Trombone (duo)
96
Hautbois, Trompette (duo)
95
Saxophone, Violon (duo)
92
Clarinette, Trombone (duo)
91
2 Flûtes traversières, Piano
91
Ensemble De Flûte à bec
85
2 Clarinettes, Piano
79
Flûte, Clarinette, Piano (trio)
79
5 Flûtes à bec
60
Clarinette, Violoncelle, Piano (trio)
58
Flûte, Basson et Piano
55
Saxophone et Piano
49
Flûte, Hautbois, Piano (trio)
49
Saxophone, Basson (duo)
47
Flûte traversière, Orgue (duo)
43
Hautbois, Guitare (duo)
42
Flûte à bec Alto, Basse continue
42
Flûte traversière, Basse continue
38
Flûte, Clarinette, Cor, Basson (Quartet)
35
Cor anglais, Guitare (duo)
34
Flûte, Alto et Piano
33
Saxophone et violoncelle
32
3 Hautbois
31
Hautbois, trombone (duo)
26
Clarinette, Harpe (duo)
26
Flûte à bec, Guitare (duo)
25
Clarinette, Alto et Piano (trio)
25
Ensemble à vent
23
Quintette de Clarinette: Clarinette, Quatuor à Cordes
22
Flûte traversière, Orchestre
21
Flûte et Trio à cordes
21
2 Clarinettes, Basson
21
Saxophone et Orgue
20
Flute, harpe et violon
19
Clarinette, Basson, Piano (trio)
19
Flûte, trombone et piano
17
Hautbois et alto (duo)
17
Flûte, Violoncelle, Guitare
16
2 Cors Anglais Et Pianoforte
16
Flûte, Harpe et Violoncelle
16
Saxophone et Orchestre
15
Flûte, Violon, Violoncelle et Piano
15
Flûte, Clarinette, Violon (trio)
14
Flûte et Quatuor à Cordes
14
2 Flûtes à bec, Piano
14
Hautbois, Basson et Piano
14
Hautbois, Harpe
13
4 Hautbois
12
Clarinette, Orchestre
12
Flûte à bec Soprano, Basse continue
10
Hautbois, Violoncelle et Piano
10
Clarinette, Orgue
10
Hautbois, Clarinette et Piano (Trio)
10
Flûte, alto et harpe
9
Hautbois, Violon, Piano
9
Saxophone et Harpe
9
Flûte irlandaise
9
Clarinette, trompette et piano
9
Flûte de Pan
7
Flute, Cor (duo)
7
2 Hautbois, Piano
7
Cornemuse
7
Flûte, Hautbois, Violon
7
Harmonica, Piano
6
Flûte, Violon, Guitare
6
Hautbois, Orgue
6
2 Flûtes, Basse continue
6
Clarinette, Contrebasse (duo)
6
Hautbois et Orchestre
4
Hautbois, Quatuor à cordes
4
Ensemble de Hautbois
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Cor anglais et Harpe (duo)
4
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Clarinette, Quatuor à cordes et Piano
3
Flûte à bec, Harpe
3
2 Hautbois et Cor anglais
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
Melodica
2
2 Flûtes traversières, Guitare
2
Flûte, Alto et Violoncelle
2
3 Flûtes à bec, Piano
2
Clarinette, Tuba
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flute, alto, violoncelle et guitare
1
2 clarinettes, 2 bassons
1
Flûte, Tuba (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Saxophone, Piano
1
2 Flûtes traversières, Harpe
1
+ 170 instrumentations
Retracter
Cuivres
Trompette
10 477
Trombone
9 425
Trompette (partie séparée)
7 950
Trombone (partie séparée)
5 679
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4 318
Cor
3 739
Trompette, Piano
2 884
Trombone et Piano
2 841
Cor (partie séparée)
2 256
Cor et Piano
2 149
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2 107
Tuba
1 298
Tuba (partie séparée)
1 231
2 Trombones (duo)
1 194
2 Trompettes (duo)
1 154
Tuba et Piano
1 144
Quatuor de Cuivres
907
Euphonium, Piano (duo)
719
Cor anglais, Piano
678
Instruments en Sib
645
Trompette, Trombone (duo)
618
Quatuor de Cuivres: 2 trompettes, Cor, trombone
581
2 Cors (duo)
540
Euphonium
528
Trompette, Saxophone (duo)
523
Quatuor de cuivres: 4 trombones
436
Quatuor de cuivres: 4 cors
421
Trio de Cuivres
296
Trombone basse et Piano
240
Ensemble de Trombones
217
2 Tubas (duo)
184
Ensemble de Cors
178
Tuba ou Euphonium ou Saxhorn
171
Ensemble de Trompettes
158
Bass Clef Instruments
143
Trombone, violoncelle (duo)
136
Trompette, Cor (duo)
130
Cor Anglais
118
Trombone, Tuba (duo)
114
Trompette, Tuba (duo)
109
2 Euphoniums et 2 Tubas
107
Quatuor de cuivres: 4 trompettes
105
Trompette, Basson (duo)
104
3 Trombones (trio)
103
Trompette, violon (duo)
98
3 Trompettes (trio)
95
Cor, Violoncelle (duo)
78
Euphonium (partie séparée)
78
4 Tubas
73
Trombone, Cor (duo)
72
Quatuor de cuivres: 2 trompettes, 2 trombones
70
Trombone, Violon (duo)
63
2 Euphoniums (duo)
55
Cor, Tuba (duo)
54
Tuba et Orgue
51
Trombone basse
50
Trompette, Violoncelle (duo)
48
2 Trompettes, Clavier (piano ou orgue)
38
Cor et Basson (duo)
37
Euphonium, Tuba (duo)
36
Cor anglais, Guitare (duo)
34
Trompette et Guitare
31
Trombone, Alto (duo)
27
3 Tubas (trio)
25
3 Cors (trio)
25
Trombone, Orgue
22
Trompette, Trombone, Piano
21
Cornet A Pistons
17
2 Cors Anglais Et Pianoforte
16
Cornet et Piano
14
Trompette, Violoncelle et Piano
13
Cor et Harpe
10
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
8
Cor, Orchestre
7
Bugle
7
2 Cors, Piano
7
Trombone et orchestre
7
Trompette, Harpe
7
Trompette, Orchestre
6
Clarinette, Cor (duo)
6
4 Euphoniums
5
Cor et Orgue
5
G Instruments
4
Cor anglais et Harpe (duo)
4
3 Euphoniums
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Instruments en Fa
3
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Trompette, Euphonium (duo)
3
Ensemble de Tubas
2
Cornet et orchestre
2
2 Trombones, Piano
2
Cor, Trompette, Trombone (trio)
1
Cor, Violoncelle et Piano
1
Euphonium Ou Saxhorn Et Piano
1
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11 012
Violon
10 656
Violon et Piano
7 652
Violoncelle
7 503
Alto seul
6 143
Violoncelle, Piano
5 116
Violon (partie séparée)
4 102
Alto, Piano
4 058
Harpe
2 959
2 Violons (duo)
2 225
Violon, Violoncelle (duo)
2 110
Trio à Cordes: violon, alto, violoncelle
1 806
Contrebasse (partie séparée)
1 694
2 Violoncelles (duo)
1 625
Alto (partie séparée)
1 309
Contre Basse
1 295
Violoncelle (partie séparée)
1 016
Contrebasse, Piano (duo)
945
2 Altos (duo)
847
Quintette à cordes: 2 violons, alto, violoncelle, basse
839
Violon, Alto (duo)
814
Trio à Cordes: 2 violons, violoncelle
647
Alto, Violoncelle (duo)
539
4 Violoncelles
269
Trio à cordes: 3 violins
261
Violon, Guitare (duo)
259
Harpe, Flûte (duo)
237
Piano Trio: Violon, Alto, Piano
236
Violoncelle , Guitare (duo)
202
Trio à Cordes: 3 violoncelles
163
2 Contrebasses (duo)
160
2 Harpes (duo)
151
Violon, Basson (duo)
140
Alto et Basson
121
Quatuor à cordes: 4 violons
116
2 Violons, Piano
94
Violoncelle, Contrebasse (duo)
91
Trio à cordes
88
Quatuor à cordes : 4 altos
88
Trio à cordes: 3 altos
81
Harpe, Violon (duo)
76
Trio à Cordes: 2 violons, alto
73
Quintette à cordes: 2 violons, 2 altos, violoncelle
68
Alto, Guitare (duo)
66
Harpe (partie séparée)
64
Violon, Basse continue
43
Quintette à cordes : 2 violons, alto et 2 violoncelles
42
Violoncelle, Basse continue
41
Violoncelle, Orchestre
40
Violon, Orgue
39
2 Violons et Basse continue
38
Violoncelle, Orgue
36
Harpe, Voix
35
Violon, Clarinette, Piano (trio)
32
Ensemble de Violons
31
2 Violoncelles, Piano
29
Harpe, Violoncelle (duo)
28
Ensemble d'Altos
27
4 Contrebasses
27
Alto et Harpe
26
Ensemble de Violoncelles
26
Harpe et Piano
22
2 Altos, Piano
18
Flûte, Contrebasse (duo)
18
Violoncelle et Marimba
15
Alto et orchestre
13
Harpe, Violon, Violoncelle
13
Harpe et mandoline
13
Autoharp
8
4 Harpes
6
Alto, Orgue
6
Harpe, Trombone (duo)
6
Violon, Violoncelle, Clarinette
5
5 Harpes
5
3 Harpes
5
3 Contrebasses
5
Harpe et Orgue
4
Harpe, Quatuor à cordes
4
Violon, Tuba (duo)
2
Harpe, Orchestre
2
Violon, Trompette et Piano
1
+ 76 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
26 039
Batterie
7 369
Ensemble Jazz
6 694
Orchestre
6 602
Orchestre à Cordes
5 189
Fanfare
4 542
Percussion (partie séparée)
3 472
Cloches
2 533
Ensemble de cuivres
2 062
Orchestre de chambre
1 280
Batterie (partie séparée)
982
Jazz combo
917
Percussion
815
Timbales (partie séparée)
572
Ensemble de Percussions
438
Timbales
393
Marimba
245
Instrumentation Flexible
240
Vibraphone
110
Xylophone
102
Piano et Orchestre
85
Caisse Claire
80
Xylophone, Piano
63
Big band
47
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
43
Orchestre, Violon
42
Quintette à Vent
39
Vibraphone, Piano
29
Orchestre Symphonique
25
Xylophone (partie séparée)
17
Vibraphone et Marimba
16
2 Marimbas
15
2 Xylophones
14
Vibraphone (partie séparée)
12
Quatuor à Vent : 4 instruments à vents
9
Ensemble d'École
8
Voix et Orchestre
7
Quintette de Cuivres: autres combinaisons
7
2 Percussions
7
Marimba et Orgue
6
Marimba, Piano (duo)
6
3 Marimbas
5
Trio à Vent: 3 instruments à vents
4
Mariachi
3
2 Caisses Claires (duo)
3
Cajon
3
Bongos
3
3 Percussions
3
Voix Mezzo-Soprano, Orchestre
2
4 Percussions
2
Marimba ou Xylophone et Piano
2
Conga
2
Xylophone ou Marimba ou Vibraphone
1
Marimba, Saxophone (duo)
1
Bodhran
1
+ 50 instrumentations
Retracter
Autres
Formation musicale - Solfège
421
Papeterie
33
Théorie de la musique
7
Eveil Musical
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIELLE A RO…
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Arizona Centennial Overture - Chamber Orchestra Version
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Asphixivision (Score & Parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young ...
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Chamber Orchestra - Level 4 - SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flávio Régis Cunha
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Aria: Erbarme Dich, mein Gott
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,E...
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Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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Patriotique
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Patriotique
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Tra...
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Chamber Orchestra - Level 3 - SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Patriotique
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Patriotique
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Tra...
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Chamber Orchestra - Level 3 - SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Concerto for Trumpet and Orche
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. P...
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Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
$20.00
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
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W.A.Mozart - O Isis und Osiris
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Arcadia Verlag
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,...
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Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
A modal vision drowns for flute and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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A modal vision drowns for flut
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.576435 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and parts. 26 pages. David Warin...
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Chamber Orchestra - Level 4 - SKU: A0.576435 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and parts. 26 pages. David Warin Solomons #26381. Published by David Warin Solomons (A0.576435). The title A modal vision drowns is an anagram of the composer's name (David Warin Solomons). The composition, for flute 2 violins, viola and cello, ventures through Ionian, Dorian, Locrian, altered mode (D#EFGABC) and via a series of brief visits to other modes back to Ionian. The pdf file contains score and parts The sound sample and video are performances by Budapest Scoring.
$12.00
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Flavio Regis Cunha
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Aria: Erbarme Dich, mein Gott
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easte...
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Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 21 pages. FRC Music #110623. Published by FRC Music (A0.496445). The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo. Intermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$18.49
Visions of Nowhere, op. 10 - Score Only
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Peter Le Tissier
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Visions of Nowhere, op. 10 - S
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Peter Le Tissier
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Pet...
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Chamber Orchestra - Level 5 - SKU: A0.1218112 Composed by Peter Le Tissier. Classical,Contemporary. 65 pages. Peter Le Tissier #814627. Published by Peter Le Tissier (A0.1218112). Visions of Nowhere was written in the latter half of 2021 into the first months of 2022. The piece is a melting pot of ideas, strongly connected with some of the GÃ idhlig songs written during the years 2018-2021 and motifs from the Symphony in D/E Minor (2017-2021). The piece is scored for small Chamber Orchestra, with an orchestral Harp part that has been written with the intention that a Piano may be used as a substitute should it be required. The work is roughly 8-10 minutes long.Parts are available upon contact with the composer at www.peterletissier.com.
$20.99
11 Million Tears (Chamber Orchestra Version)
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Orchestre de chambre
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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11 Million Tears
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1100183 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Mult...
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Chamber Orchestra - Level 2 - SKU: A0.1100183 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 14 pages. Exultet Music #704066. Published by Exultet Music (A0.1100183). Tender and emotional piece written in memory of the 11 Million people who died within the Nazi concentration camps during World War II. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola, Cello.
$12.99
Be Thou My Vision
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Orchestre de chambre
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FACILE
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Celtique/Irlandais
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
Silent Durations XXII (Parts) (a Zen experience)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Drake Mabry
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Silent Durations XXII
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Drake Mabry
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake ...
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Chamber Orchestra - Level 4 - SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake Mabry (A0.799391). Silent Durations XXII (a Zen experience) was written for the French saxophone virtuoso, Daniel Kientzy. It features Drake Mabry's usage of silence as a musical architectural device. The solo part for bass saxophone highlights the tonal variations of this instrument in its various registers. The slow first movement is followed by a rapid and invigorating second movement. This is the first part of a trilogy of works based on the same source material. The other works are Concerto for Kientzy and Silent Concerto Durations which brings together the previous two compositions as one work. It would be conceivable to play Silent Durations XXII on other Bb saxophones. The solo part is included with the parts. The duration is 20'40.
$4.99
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
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Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Zion hört die Wächter singen - BWV 140 - Clarinet Choir
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Orchestre de chambre
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FACILE
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Classique
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Johann Sebastian Bach
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Wilian Dolfini
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Zion hört die Wächte
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Wilian Dolfini
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.954834 Composed by Johann Sebastian Bach. Arranged by Wilian Dolfini. Baroque,Christian. Score and parts. 18 pages...
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Chamber Orchestra - Level 2 - SKU: A0.954834 Composed by Johann Sebastian Bach. Arranged by Wilian Dolfini. Baroque,Christian. Score and parts. 18 pages. Wilian Dolfini #4966371. Published by Wilian Dolfini (A0.954834). This piece is great to play in various situations. It can be played by intermediate and advanced students. It is excellent for cults in the easter season. Baroque articulation is the best option, was composed in Leipzig, 1731. It has 4'26 .
$12.99
Conflusion - Suite - Wind Ensemble
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
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Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Conflusion - Suite - Woodwind Ensemble - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
On the Night Before Christmas (Chamber Orchestra version)
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Orchestre de chambre
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INTERMÉDIAIRE
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Eric Benjamin
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Eric Benjamin
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On the Night Before Christmas
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Eric Benjamin
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1466514 By Eric Benjamin. By Eric Benjamin. Arranged by Eric Benjamin. 21st Century,Christmas,Classical,Holiday,Tr...
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Chamber Orchestra - Level 3 - SKU: A0.1466514 By Eric Benjamin. By Eric Benjamin. Arranged by Eric Benjamin. 21st Century,Christmas,Classical,Holiday,Traditional. 92 pages. Eric Benjamin #1045083. Published by Eric Benjamin (A0.1466514). Setting of Clement Moore's classic Christmas poem for narrator and chamber orchestra (1111.1100 kbd [hp]1 perc strgs) minimum. Actuallyscored for 2222.2100 kbd [hp] tym+ 2 strgs Duration = 6 mins. Lyrical and poignant, it is easily played by groups ranging from high school through professional. Also available in versions for full orchestra, concert band, and chamber groups. See benjamincreative.net for more information.
$79.99
La Création du Monde
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Orchestre de chambre
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AVANCÉ
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Darius Milhaud
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John M
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La Création du Monde
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zephyrwindmusic.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1353972 Composed by Darius Milhaud. Arranged by John M. Laverty. 20th Century,Chamber. 222 pages. Zephyrwindmusic....
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Chamber Orchestra - Level 5 - SKU: A0.1353972 Composed by Darius Milhaud. Arranged by John M. Laverty. 20th Century,Chamber. 222 pages. Zephyrwindmusic.com #938691. Published by zephyrwindmusic.com (A0.1353972). Edited by John M. Laverty. First published and ï¬rst performed in 1923, Darius Milhaud’s La Création du Monde is in many ways a cutting-edge work. Heavily influenced by American jazz at the time, it features alto saxophone as the main soloist. It also incorporates an awkwardly written percussion part that is an early example of a scored drum set part. This new edition includes an updated percussion part that is scored in a more appropriate manner for today’s musician.
$50.00
Jan Freidlin: Centemplation for piano and string orchestra, score only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Jan Freidlin
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Jan Freidlin: Centemplation fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534078 Composed by Jan Freidlin. 20th Century,Contemporary,Standards. Score and parts. 13 pages. Musik Fabrik Musi...
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Chamber Orchestra - Level 4 - SKU: A0.534078 Composed by Jan Freidlin. 20th Century,Contemporary,Standards. Score and parts. 13 pages. Musik Fabrik Music Publishing #3108259. Published by Musik Fabrik Music Publishing (A0.534078). A one-movement extended work in several sections for solo piano and string orchestra. This is the full score only. The score and complete parts as well as a version for two pianos are also available for sale on this site. https://www.youtube.com/watch?v=M0jzO4u2oyM
$19.95
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